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Hazel (1853 KP) rated Curiosity Quills: Chronology in Books
Dec 14, 2018
<i>This eBook was provided by one of the authors in exchange for an honest review
Chronology </i>is a large anthology of stories published at the beginning of 2015 by Curiosity Quills Press. Twenty-Four of Curiosity Quill’s greatest authors feature in this lengthy book providing stacks of entertainment for a wide audience. The stories vary in length and genre, however the most common themes are steampunk and the paranormal.
Males and females alike can enjoy the stories featured in <i>Chronology</i>, although not all the tales will appeal to personal tastes. Although the majority contains scientific or supernatural elements, there are other themes combined with them, for example romance and history. On the other hand you can be sure to expect werewolves, mermaids, demons, ghosts and the undead.
It is difficult to review the whole book in general, as there were some stories I liked and others that did not hold my attention. This, I expect, will be the case for many, if not all, readers. One story, or novella – it was rather lengthy – that I particularly enjoyed was <i>Wind-Up Hearts</i> by Stan Swanson. Containing numerous themes – steampunk, romance, history and contemporary/future setting – I was captivated by the two key characters and their predicament. Due to having mechanical hearts, Henry and Emily have lived for well over 100 years, watched the world change around them, yet stayed friends regardless. Yet Henry yearns for something more.
The good thing about an anthology of different authors’ works is that, while you cannot love everything, you are bound to find something you enjoy. It is great for busy people or those that cannot commit to a lengthy novel; one can dip in and out, picking and choosing which story to read. Although the authors may not be widely known, it is worth giving the anthology a chance. You may find a new author whose writing is perfect for you.
Chronology </i>is a large anthology of stories published at the beginning of 2015 by Curiosity Quills Press. Twenty-Four of Curiosity Quill’s greatest authors feature in this lengthy book providing stacks of entertainment for a wide audience. The stories vary in length and genre, however the most common themes are steampunk and the paranormal.
Males and females alike can enjoy the stories featured in <i>Chronology</i>, although not all the tales will appeal to personal tastes. Although the majority contains scientific or supernatural elements, there are other themes combined with them, for example romance and history. On the other hand you can be sure to expect werewolves, mermaids, demons, ghosts and the undead.
It is difficult to review the whole book in general, as there were some stories I liked and others that did not hold my attention. This, I expect, will be the case for many, if not all, readers. One story, or novella – it was rather lengthy – that I particularly enjoyed was <i>Wind-Up Hearts</i> by Stan Swanson. Containing numerous themes – steampunk, romance, history and contemporary/future setting – I was captivated by the two key characters and their predicament. Due to having mechanical hearts, Henry and Emily have lived for well over 100 years, watched the world change around them, yet stayed friends regardless. Yet Henry yearns for something more.
The good thing about an anthology of different authors’ works is that, while you cannot love everything, you are bound to find something you enjoy. It is great for busy people or those that cannot commit to a lengthy novel; one can dip in and out, picking and choosing which story to read. Although the authors may not be widely known, it is worth giving the anthology a chance. You may find a new author whose writing is perfect for you.
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Phil Leader (619 KP) rated Iron Angel (Deepgate Codex #2) in Books
Nov 15, 2019
The first novel in the Deepgate Codex trilogy, Scar Night, explored the immediate surroundings of the suspended city of Deepgate. This second entry follows the fallout from the battle of Deepgate as the balance between the powers of the world realign themselves.
As with Scar Night, Campbell's imagination creates some stunning characters and imagery; the Soft Men, John Anchor, a nightmarish journey through hell. The descriptions are extremely evocative, the whole having a sort of Gothic Steampunk feel to it.
This is, however, weaker than Scar Night, partly because there is just so much Campbell is keen to show us that the detail gets lost, and at times the story grinds to a halt for some lingering descriptions of something that although interesting has no real bearing on the story and just means momentum is lost. The result is unfortunately a bit of a mess.
Not a bad book by any means, but a case of an author's enthusiasm for their own creations reducing the focus on developing an interesting and coherent story
As with Scar Night, Campbell's imagination creates some stunning characters and imagery; the Soft Men, John Anchor, a nightmarish journey through hell. The descriptions are extremely evocative, the whole having a sort of Gothic Steampunk feel to it.
This is, however, weaker than Scar Night, partly because there is just so much Campbell is keen to show us that the detail gets lost, and at times the story grinds to a halt for some lingering descriptions of something that although interesting has no real bearing on the story and just means momentum is lost. The result is unfortunately a bit of a mess.
Not a bad book by any means, but a case of an author's enthusiasm for their own creations reducing the focus on developing an interesting and coherent story
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David McK (3425 KP) rated Warriorborn (The Cinder Spires 1.5) in Books
Dec 27, 2023
It's been like, what, eight years since the last (and first) of Jim Butcher's Cinder Spires novels (The Aeronaut's Windlass)?
I actually re-read that recently, as entry #2 had been released (The Olympian Affair) and it had been so long since the first that, whilst I could remember the general gist (steampunk, basically), not so much the actual ins and outs.
Which is probably a long-winded way of saying that I feel that this novella was released for others in the same boat: to ease them back in, as it were, to the world and its inhabitants.
In this, the Warriorborn Benedict Sorelin-Lancaster is charged by the Spirearch of Albion to investigate the mysterious reason why the colony of Dependence has cut off all contact with the outside world, and finds himself in charge of a cadre of other Warriorborns, all of whom he has arrested in the past and who have reason to mistrust him. It also shows more why the denizens of this world are so afraid of the surface than I remember from the previous entry ...
I actually re-read that recently, as entry #2 had been released (The Olympian Affair) and it had been so long since the first that, whilst I could remember the general gist (steampunk, basically), not so much the actual ins and outs.
Which is probably a long-winded way of saying that I feel that this novella was released for others in the same boat: to ease them back in, as it were, to the world and its inhabitants.
In this, the Warriorborn Benedict Sorelin-Lancaster is charged by the Spirearch of Albion to investigate the mysterious reason why the colony of Dependence has cut off all contact with the outside world, and finds himself in charge of a cadre of other Warriorborns, all of whom he has arrested in the past and who have reason to mistrust him. It also shows more why the denizens of this world are so afraid of the surface than I remember from the previous entry ...