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Kristy H (1252 KP) rated After the Fall in Books
Dec 24, 2017
lovely (1 more)
poignant
There are all sorts of falls.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
Infected by Scott Sigler
Podcast
Across America a mysterious disease is turning ordinary people into raving, paranoid murderers who...
Haley Mathiot (9 KP) rated A Jolly Good Fellow in Books
Apr 27, 2018
A Jolly Good Fellow by Stephen V. Masse
Genre: Fiction, Comedy, sort of Crime Fiction but not really
Rating: 3.75/5
Summary: Duncan is driving to the kids house. He has a plan—he’s going to kidnap him. But then he sees the kid hitchhiking in the snow. What better way to kidnap someone that to pick him up off the road and offer him a ride? Duncan dresses up as Santa Clause and sits on the street ringing a bell all day. The funds go to the needy—needy as in him. Duncan wants revenge, and he wants the ransom money. But Duncan isn’t exactly the sharpest knife in the drawer… he has no idea how to do a proper kidnapping.
Thoughts: A JOLLY GOOD FELLOW was really cute. It made me laugh, it made me smile, it had its nerve-wracking moments. It’s right in between a 3/5 and a 4 on the scale for me. The reason why is this—the plot was awesome, very unique, original, and very cute, the characters were hilarious and enchanting, but it was a little slow through the first three quarters of the book. Not that it dragged, just that it felt like the last section was fast paced, and the rest was slower and more relaxed, and those two things didn’t go well together and didn’t transition well.
I laughed a lot while I read A JOLLY GOOD FELLOW. If I had to pick a category, I’d choose comedy. It was cute and funny and a little silly, but silly in a good fun-to-read way.
The characters’ dialogue was written so that you could hear their voices in your head when they spoke. I loved hearing their accents while I read, it gave a lot of life to them. Duncan and Gabriel were very animated. Gabriel (the kid) was so full of life and energy. He was also very real. He acted the way a normal kid his age would act, he wasn’t a “perfect” child, an unrealistic character.
Content: There were a few bad words scattered throughout the book, but not much. Duncan went to the triple-X rated movie one night, but nothing was described. All in all, this was a very clean book.
Recommendation: Ages 14+ to anyone who wants a good holiday laugh. I stayed up pretty late reading this one because I couldn’t put it down. I can’t wait for more from Stephen Masse.
*This book won the INDEPENDEND PUBLISHING BOOK AWARD*
**Thanks to Pump Up Your Book for my review copy!**
Genre: Fiction, Comedy, sort of Crime Fiction but not really
Rating: 3.75/5
Summary: Duncan is driving to the kids house. He has a plan—he’s going to kidnap him. But then he sees the kid hitchhiking in the snow. What better way to kidnap someone that to pick him up off the road and offer him a ride? Duncan dresses up as Santa Clause and sits on the street ringing a bell all day. The funds go to the needy—needy as in him. Duncan wants revenge, and he wants the ransom money. But Duncan isn’t exactly the sharpest knife in the drawer… he has no idea how to do a proper kidnapping.
Thoughts: A JOLLY GOOD FELLOW was really cute. It made me laugh, it made me smile, it had its nerve-wracking moments. It’s right in between a 3/5 and a 4 on the scale for me. The reason why is this—the plot was awesome, very unique, original, and very cute, the characters were hilarious and enchanting, but it was a little slow through the first three quarters of the book. Not that it dragged, just that it felt like the last section was fast paced, and the rest was slower and more relaxed, and those two things didn’t go well together and didn’t transition well.
I laughed a lot while I read A JOLLY GOOD FELLOW. If I had to pick a category, I’d choose comedy. It was cute and funny and a little silly, but silly in a good fun-to-read way.
The characters’ dialogue was written so that you could hear their voices in your head when they spoke. I loved hearing their accents while I read, it gave a lot of life to them. Duncan and Gabriel were very animated. Gabriel (the kid) was so full of life and energy. He was also very real. He acted the way a normal kid his age would act, he wasn’t a “perfect” child, an unrealistic character.
Content: There were a few bad words scattered throughout the book, but not much. Duncan went to the triple-X rated movie one night, but nothing was described. All in all, this was a very clean book.
Recommendation: Ages 14+ to anyone who wants a good holiday laugh. I stayed up pretty late reading this one because I couldn’t put it down. I can’t wait for more from Stephen Masse.
*This book won the INDEPENDEND PUBLISHING BOOK AWARD*
**Thanks to Pump Up Your Book for my review copy!**
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Andy K (10823 KP) rated The Mist (2007) in Movies
Jan 6, 2018
The creatures (2 more)
The feud
The ending
When walking into The Mist, I was hopeful and skeptical at the same time.
I knew director Frank Darabont could product a great film as he did with The Shawshank Redemption and The Green Mile. Even being comfortable with Stephen King material was a plus. However, I just thought another lame creature feature with no real development or point and just a lot of senseless gore.
I could not have been more wrong.
The visual effects, creatures and scares in this film are definitely A+ for sure, but what makes the film work without a doubt is the fantastic screenplay.
When people start dying, it doesn't really matter unless you care about them first as people and get invested in their circumstance and fate. Once the townspeople are trapped by the mist in the grocery store, some of their true personalities start to emerge as the tension builds.
Much has been written about the ending whether plausible, not necessary, too much of a coincidence or just right. In the day of carbon copy, nonoriginal storytelling, I would definitely reward a film that takes risks vs. one that doesn't.
The risks in this film pay off big time.
I knew director Frank Darabont could product a great film as he did with The Shawshank Redemption and The Green Mile. Even being comfortable with Stephen King material was a plus. However, I just thought another lame creature feature with no real development or point and just a lot of senseless gore.
I could not have been more wrong.
The visual effects, creatures and scares in this film are definitely A+ for sure, but what makes the film work without a doubt is the fantastic screenplay.
When people start dying, it doesn't really matter unless you care about them first as people and get invested in their circumstance and fate. Once the townspeople are trapped by the mist in the grocery store, some of their true personalities start to emerge as the tension builds.
Much has been written about the ending whether plausible, not necessary, too much of a coincidence or just right. In the day of carbon copy, nonoriginal storytelling, I would definitely reward a film that takes risks vs. one that doesn't.
The risks in this film pay off big time.
Sarah (7800 KP) rated The Dark Tower (2017) in Movies
Aug 20, 2017
Stephen King let them make this?
I'll start off by saying I knew I was going to hate this film. From the moment I heard of the casting and then saw the first trailer. I get the justification for them making this film completely different (i.e. Horn of Eld - but was that even in the film?!), but for me it just doesn't work.
The book series is a fantasy masterpiece, but they appear to have made a standalone Dark Tower film pulled together with a vague mishmash of characters and ideas from the entire book series. It just doesn't work, especially not in a paltry 90 minutes. This is just far too different from the books - the characters are undeveloped, their motives are unclear. You almost have to have read the books to get an understanding of the characters as it just doesn't come across in this. Casting for me was poor too. McConaughey and Elba are fantastic actors but it doesn't show in this, they're let down by a poor script and a poor plot.
My only hope for this film is that it prompts those who haven't read the books to pick them up and realise how awesome they are.
The book series is a fantasy masterpiece, but they appear to have made a standalone Dark Tower film pulled together with a vague mishmash of characters and ideas from the entire book series. It just doesn't work, especially not in a paltry 90 minutes. This is just far too different from the books - the characters are undeveloped, their motives are unclear. You almost have to have read the books to get an understanding of the characters as it just doesn't come across in this. Casting for me was poor too. McConaughey and Elba are fantastic actors but it doesn't show in this, they're let down by a poor script and a poor plot.
My only hope for this film is that it prompts those who haven't read the books to pick them up and realise how awesome they are.
I might not go on that hiking trip.....
You're in at the deep end straight away with this story, and it doesn't come up for air for the next 200 pages (or so!). It starts as a ghost story told by their teacher to five 13 year old boys on a training weekend on Rutmoor National Park, and ends - well, that would be giving the game away! We get glimpses into the past with the use of newspaper articles written about missing children and mutilated animals, and we look at the present and one of the survivors from the ill-fated walk. We're also told the story of what really happened on that ill-fated weekend.
The suspense was portrayed really well, and the boys were written with an understanding of how teenaged boys talk and act (much like Stephen King, in fact). I actually dreamt about this story whilst I was reading it, and let me tell you, it wasn't pleasant! And yes, I loved it!
This is great for horror-suspense lovers, and isn't really gory, in my opinion. It just messes with your mind ?
Thanks to The Pigeonhole for choosing this book to serialise. It was fun (in a keep-you-thinking-about-it-late-into-the-night kind of way)!!!
The suspense was portrayed really well, and the boys were written with an understanding of how teenaged boys talk and act (much like Stephen King, in fact). I actually dreamt about this story whilst I was reading it, and let me tell you, it wasn't pleasant! And yes, I loved it!
This is great for horror-suspense lovers, and isn't really gory, in my opinion. It just messes with your mind ?
Thanks to The Pigeonhole for choosing this book to serialise. It was fun (in a keep-you-thinking-about-it-late-into-the-night kind of way)!!!
Beatriz (17 KP) rated 1408 (2007) in Movies
Feb 22, 2019
1408
1408 is a 2007 American psychological horror film based on Stephen King's 1999 short story of the same name.
It tells the story about a man that specialises in going to places with paranormal events and longs to find something that actually scares him. So he goes to the room 1408 in the Dolphin Hotel.
Its a genious psycological horror .
Here are some facts i found about the film ...
-The bottle that Gerald Olin offers Mike Enslin is named "Les Cinquant Sept Décès". In French, it means literally
"The fifty seven deaths". And just after that we learn that in the room 1408 there were 56 deaths. So we could have guessed that Mike's fate was "written".
-When the clock starts counting down from 60:00, the movie ends exactly one hour later.
-There are many references to the number "13" throughout the movie. The room is numbered "1408", add each number together equals 13. The room is on the 14th floor,
and the Hotel skips the 13th floor, so the room is technically on the 13th floor. The room's key lock also has "6214" etched into it, which adds up to 13.
And the first death was in the year 1912, which adds to 13.
- It has two alternative endings
It tells the story about a man that specialises in going to places with paranormal events and longs to find something that actually scares him. So he goes to the room 1408 in the Dolphin Hotel.
Its a genious psycological horror .
Here are some facts i found about the film ...
-The bottle that Gerald Olin offers Mike Enslin is named "Les Cinquant Sept Décès". In French, it means literally
"The fifty seven deaths". And just after that we learn that in the room 1408 there were 56 deaths. So we could have guessed that Mike's fate was "written".
-When the clock starts counting down from 60:00, the movie ends exactly one hour later.
-There are many references to the number "13" throughout the movie. The room is numbered "1408", add each number together equals 13. The room is on the 14th floor,
and the Hotel skips the 13th floor, so the room is technically on the 13th floor. The room's key lock also has "6214" etched into it, which adds up to 13.
And the first death was in the year 1912, which adds to 13.
- It has two alternative endings
Sarah (7800 KP) rated Gwendy's Button Box in Books
Mar 18, 2019
Wanted more
I’m a massive Stephen King fan and often find that his books fall into two categories; so brilliant that you can’t put them down, or stilll good but somehow lacking his usual brilliant magic.
For the most part, Gwendy’s Button Box falls into the first category. Admittedly this is only a novella, but I couldn’t put it down. It was such an easy read with an intriguing plot and a well developed and likeable main character. There’s just enough intrigue to keep you reading yet it doesn’t explain too much and still leaves you with questions at the end. Any story set in Castle Rock is always a safe bet too. Gwendy is a very likeable character and King always manages to write his child characters well without them seeming too young and childish, which is often a frustration with other books that feature children (especially YA).
My only criticism is that I think this story was far too short. The button box is a great idea and i think they’ve not done it as much justice as it deserves. This could easily have made for a much longer and detailed novel, and would’ve been all the better for it.
For the most part, Gwendy’s Button Box falls into the first category. Admittedly this is only a novella, but I couldn’t put it down. It was such an easy read with an intriguing plot and a well developed and likeable main character. There’s just enough intrigue to keep you reading yet it doesn’t explain too much and still leaves you with questions at the end. Any story set in Castle Rock is always a safe bet too. Gwendy is a very likeable character and King always manages to write his child characters well without them seeming too young and childish, which is often a frustration with other books that feature children (especially YA).
My only criticism is that I think this story was far too short. The button box is a great idea and i think they’ve not done it as much justice as it deserves. This could easily have made for a much longer and detailed novel, and would’ve been all the better for it.