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Doctor Sleep
9.0
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Book
Stephen King returns to the characters and territory of one of his most popular novels ever, The...
The Shining
Greatest Hits: God’s Favorite Band by Green Day
Album
Grammy Award-winning Rock and Roll Hall of Fame inductees Green Day will release Greatest Hits:...
Rock
The Law of Innocence
Book
THE MOST IMPORTANT CASE OF HIS LIFE. ONLY THIS TIME THE DEFENDANT IS HIMSELF "The law of...
Avengers: Endgame (2019)
8.9
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Avengers: Endgame is an upcoming American superhero film based on the Marvel Comics superhero team...
Masterclass
Education
7.0
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App
With the MasterClass mobile app, you can: ACCESS GENIUS ANYWHERE Build learning into your...
Malice Domestic 14: Mystery Most Edible
Parnell Hall, Shawn Reilly Simmons, Verena Rose and Rita Owen
8.0
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The Malice Domestic anthology series returns with a new take on mysteries in the Agatha Christie...
Jesters_folly (230 KP) rated Mr Harrigan's Phone (2022) in Movies
Oct 10, 2022
Contains spoilers, click to show
Mr Harringan's phone is a film based on a short story by Stephen King. Like a lot of Kings work the film is a slow burn but one without much of a pay off.
Mr Harringan's phone follows Craig, a young boy who is hired by the reclusive Mr Harringan. After working for him for a few years Mr Harringan dies. During his period of grief Craig phones Mr Harringan's old phone and tells him about the problems he is having with a bully, the bully dies soon after and Craig is sure the dead Mr Harringan has something to do with it.
Mr Harringan's phone has the potential to be a great ghost film but it doesn't manage to pull it off. The first 40 to 50 minutes of the film builds up the relationship between Craig and Mr Harringan leaving around an hour for the spooky stuff. However there is little actual horror, there are only 2 deaths due to the ghost and you don't see either of them. The film give what could be natural reasons for the deaths and tries to focuse on the effect they have on Craig as he thinks that he caused them but even this seems lacking.
The film feels like it's trying to be a 'classic' set in the modern day, like a Charles Dickens novel set in the naughties and it does pull this off but still seems to be lacking something.
If you are looking for something like the ring then this probably isn't for you but if you want a slow burn in the gothic/Dickens vain then it may be worth a watch.
Mr Harringan's phone follows Craig, a young boy who is hired by the reclusive Mr Harringan. After working for him for a few years Mr Harringan dies. During his period of grief Craig phones Mr Harringan's old phone and tells him about the problems he is having with a bully, the bully dies soon after and Craig is sure the dead Mr Harringan has something to do with it.
Mr Harringan's phone has the potential to be a great ghost film but it doesn't manage to pull it off. The first 40 to 50 minutes of the film builds up the relationship between Craig and Mr Harringan leaving around an hour for the spooky stuff. However there is little actual horror, there are only 2 deaths due to the ghost and you don't see either of them. The film give what could be natural reasons for the deaths and tries to focuse on the effect they have on Craig as he thinks that he caused them but even this seems lacking.
The film feels like it's trying to be a 'classic' set in the modern day, like a Charles Dickens novel set in the naughties and it does pull this off but still seems to be lacking something.
If you are looking for something like the ring then this probably isn't for you but if you want a slow burn in the gothic/Dickens vain then it may be worth a watch.
IT… didn’t really float my boat.
IT is based on the Stephen King novel, and tells the disturbing recurring events that happen within the town of Derry in Maine. Kids keep disappearing and sightings of a spooky clown, other visitations and red balloons occur. A group of bullied high school kids – one directly impacted by the disappearances – work to get to the bottom of the supernatural goings on. (Fortunately they don’t have a dog called Scooby).
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
Rachel Maria Berney (114 KP) rated The Dark Tower (2017) in Movies
Dec 5, 2018
An enjoyable film, if you have not read the books
If you think of the film on its own, seperate from the books, it's ok. It was enjoyable enough, Idris Elba was a good Roland and the kid that played Jake a good actor. They had a good chemistry on screen. The story was easy to follow, it was an ok adventure film. Worth a watch, glad I didn't go to the cinema to see. If you haven't read Stephen King's Dark Tower series, you will enjoy the film and follow the story nicely. They have managed to fit a shelled down version of the Dark Tower story into this one film.
However, if you have read the books; you are going to be dissapointed. Whilst Idris Elba as Roland is a really good choice, that's the only thing that is good. Roland and Jake meet in a completely different way, Jake's history is completely different, so right from the start you know it's not going to be the story from the books. You will notice the absence of Eddie and Suzanne as well. Of course, I didn't really expect it to follow the books, they have fitted an epic 8 book series into one film. It's dissapointing, the Dark Tower was worthy of an epic, at minimum, trilogy of films.
All in all, this film gives you a little taste of the Dark Tower world, its gunslinger and mid-world's ways. If you watch the film before reading the books, whether you like the film or not, I really recommend reading the books. If you have read the books, you may want to skip the film.
However, if you have read the books; you are going to be dissapointed. Whilst Idris Elba as Roland is a really good choice, that's the only thing that is good. Roland and Jake meet in a completely different way, Jake's history is completely different, so right from the start you know it's not going to be the story from the books. You will notice the absence of Eddie and Suzanne as well. Of course, I didn't really expect it to follow the books, they have fitted an epic 8 book series into one film. It's dissapointing, the Dark Tower was worthy of an epic, at minimum, trilogy of films.
All in all, this film gives you a little taste of the Dark Tower world, its gunslinger and mid-world's ways. If you watch the film before reading the books, whether you like the film or not, I really recommend reading the books. If you have read the books, you may want to skip the film.
Merissa (11612 KP) rated Horns of Power: Manifestations of the Horned God in Books
Dec 17, 2018
What an amazing book!
This, as you may already be aware, is a collection of different people's thoughts, meditations, dreams and meetings with the Horned God. As you read through each story you will travel the world, from Crete to Egypt to the wilds of Wales to London. Each story is as individual as the author and I loved every one of them, although I admit that I read the ones about Egypt and Crete with a mostly detached but isn't this informative kind of air.
The Horned God that I love, the one that has fascinated me all of my life is Cernunnos, the Lord of the Forest and the Wild Animals. For me, one of the best stories in the book was A Quest For Horns by Stephen Blake, and not only because he mentions Robin of Sherwood which still remains a favourite of mine!
Unfortunately, as people begin looking at Paganism to see if it is right for them, they usually tend to favour the Goddess only as they are usually changing from a patriarchal religion. This may work for a while but you need balance, and the Horned God is part of the equation!
If you have any interest in Herne the Hunter, Cernunnos, Pan or Puck then this is the book for you.
<blockquote> Above me and around me he roared and I, like the mouse, curled up, safe, secure and loved by this storm of rage; the emotional and physical pain that had engulfed me fled before his terrible gaze and I fell asleep. The rage of the Horned God is mighty indeed, but the love and blessings he bestows are greater still.</blockquote>
This, as you may already be aware, is a collection of different people's thoughts, meditations, dreams and meetings with the Horned God. As you read through each story you will travel the world, from Crete to Egypt to the wilds of Wales to London. Each story is as individual as the author and I loved every one of them, although I admit that I read the ones about Egypt and Crete with a mostly detached but isn't this informative kind of air.
The Horned God that I love, the one that has fascinated me all of my life is Cernunnos, the Lord of the Forest and the Wild Animals. For me, one of the best stories in the book was A Quest For Horns by Stephen Blake, and not only because he mentions Robin of Sherwood which still remains a favourite of mine!
Unfortunately, as people begin looking at Paganism to see if it is right for them, they usually tend to favour the Goddess only as they are usually changing from a patriarchal religion. This may work for a while but you need balance, and the Horned God is part of the equation!
If you have any interest in Herne the Hunter, Cernunnos, Pan or Puck then this is the book for you.
<blockquote> Above me and around me he roared and I, like the mouse, curled up, safe, secure and loved by this storm of rage; the emotional and physical pain that had engulfed me fled before his terrible gaze and I fell asleep. The rage of the Horned God is mighty indeed, but the love and blessings he bestows are greater still.</blockquote>