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    After serving in church ministry for 20 years, Stephen now writes, speaks and produces Christian...
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Table 19 (2017)
Table 19 (2017)
2017 | Comedy
Mean spirited and atrocious.
I really hated this film. There. BOOM. Got it off my chest.

It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.

Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).

The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.

This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.

This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
  
The Man Who Died Twice
The Man Who Died Twice
Richard Osman | 2021 | Crime, Mystery, Thriller
9
9.5 (2 Ratings)
Book Rating
One Heck of a Hoot!
I have read and enjoyed the first in this series which introduced us to the members of The Thursday Murder Club and what a surprising and enjoyable read it was; this second instalment is, in my opinion, even better. You don't have to have read the first as The Man Who Died Twice can be read as a standalone but it will certainly help to have a knowledge of the main characters.

I am loving being back amongst the members of the Thursday Murder Club - Elizabeth, Joyce, Ron and Ibrahim and the additional, but definitely not superfluous, characters of Chris, Donna, Stephen, Bogdan, Patrice and Kendrick ... I love them all and really enjoyed getting to more about them which was skilfully woven within the story. The relationships they have with each other is special and really shows the value of friendship, trust and loyalty.

Reading The Man Who Died Twice is like putting on a pair of comfy slippers, a fluffy dressing gown, cosying up on the sofa in front of a real fire with the rain pouring down outside - perfect. Do not, however, be mistaken - this is not a cosy mystery, it is so much more than that - it has action, humour (lots of it), violence (although not a lot and not gratuitous) and tender moments all wrapped up in an excellent plot which is addictive and enthralling.

Is it plausible? Not really but its one heck of a hoot and I love it and cannot wait for the next .. there'd better be one Mr Osman!

Many thanks to Penguin General UK via NetGalley for providing me with an advance copy in return for an unbiased and unedited review.