Search
Search results
Sonofdel (6291 KP) rated Harry H Corbett: The Front Legs of the Cow in Books
Oct 31, 2019
Insightful, Poignant and Revealing
I started reading this after only knowing of Harry H Corvett in Steptoe and son as Harold the long suffering son of Albert (Wilfrid Brambell) and also n Carry on Screaming as Sidney Bung. I never realised what an accomplished actor he was at this point. After reading this amazing insight into his life i have realsied how versatile an actor he really was. With this being written by his daughter i expected a lot of fawning sentimentality and i am glad that i was proved wrong. This is a very revealing, moving and motivational book written with care and consideration. As well as her own personal experiences she draws on people from stage and screen that include but are not limited to Bryan Murphy, Lynda Baron and writers such as Ray Galton and Alan Simpson. One of the best bigraphies i have read for a very long time. Its a long book and tells of the history of the various theatres that Harry worked at and for but i found this interesting rather than distracting. This also includes a section at the end that debunks some of the myths associated with Steptoe and Son (them hating each other, Wilfrid Brambell always being drunk etc). All in all a five star read.
Awix (3310 KP) rated Mrs Lowry & Son (2019) in Movies
Sep 10, 2019 (Updated Sep 10, 2019)
It's Grim Up North
Biographical drama about the artist Lowry (he of matchstalk this-and-that fame); based on a stage play and it really does show. Middle-aged clerk Lowry works by day, tends to his clinging, unsympathetic mother in the evenings, and paints at night. Not entirely unlike a variation on Steptoe and Son, only without any jokes.
Well-played, naturally, and well-staged, naturally, but the scenes of the two of them in a small room together, with her crushing his dreams and obsessed with petty social concerns, quickly become repetitive: the brief sequences with Lowry articulating his thoughts on his art, occasionally recreating his paintings, are much more interesting. Watchable but a bit dull; doesn't really do Lowry's art justice.
Well-played, naturally, and well-staged, naturally, but the scenes of the two of them in a small room together, with her crushing his dreams and obsessed with petty social concerns, quickly become repetitive: the brief sequences with Lowry articulating his thoughts on his art, occasionally recreating his paintings, are much more interesting. Watchable but a bit dull; doesn't really do Lowry's art justice.
Awix (3310 KP) rated The Lighthouse (2019) in Movies
Jan 31, 2020
Distinctively weird period horror movie. Two men are posted to operate a remote lighthouse off the New England coast. One of them is young and inexperienced; the other is old and annoying. Isolation, terrible weather, and perhaps something else all take their toll; there is madness in the air.
Another one of those really peculiar art-house takes on a genre movie that Robert Pattinson seems to enjoy doing: God knows what his take on Batman is going to end up like. I imagine that not many stranger films than this will get a major release this year, but it is still an impressive piece of film-making: well-played, very atmospheric, with strong performances. In the end it's kind of up to the viewer to work out what's really going on in this movie, but the challenge is worth the effort. In the end this resembles Steptoe and Son as written by H. P. Lovecraft; not quite as awesome as that sounds, but still very watchable.
Another one of those really peculiar art-house takes on a genre movie that Robert Pattinson seems to enjoy doing: God knows what his take on Batman is going to end up like. I imagine that not many stranger films than this will get a major release this year, but it is still an impressive piece of film-making: well-played, very atmospheric, with strong performances. In the end it's kind of up to the viewer to work out what's really going on in this movie, but the challenge is worth the effort. In the end this resembles Steptoe and Son as written by H. P. Lovecraft; not quite as awesome as that sounds, but still very watchable.
Bob Mann (459 KP) rated People Just Do Nothing: Big in Japan (2021) in Movies
Aug 20, 2021
Good jokes, most of which land (1 more)
Enough David Brent/Partridge moments to make you cringe
As a PJDN virgin, I still laughed a lot!
It’s brave then that such a relatively niche UK TV show should have a go at ‘jumping the shark’ onto the big screen. Would fans like it? And, just as importantly, would newcomers to the characters, like me, be able to enjoy the film as a standalone entity? The answer to the last question is a qualified “yes”.
Positives:
- It well-surpasses the “6 laugh test” for a comedy. There are some scenes that I found extremely funny, with others that rated highly for me on the David Brent / Alan Partridge scale of cringiness.
- I’ve seen comment that the story is "silly" and “unbelievable”. But having experienced the crazy clash between English and Japanese culture first hand, it strikes me as very true to form! The way in which the Japanese music execs try to stylise the ground as a ‘boy band’ (“Bang Boys”!), which Grindah greedily goes along with, is a nice satire on the music industry asserting its brand over musician’s art.
- A subplot of a love story beween the inept Steves and the cute Japanese translator Ishika (Ayumi Itô) is nicely done and strangely touching.
- The good news is that you don’t need any previous experience of the characters to get fun out of the movie: you can jump right in. That being said though, I’m sure fans of the series will get more out of this than I did.
Negatives:
- While the ending was uplifting, I was itching to know what fallout (or success?) there was from the event we witnessed. Perhaps if its a box office success (unlikely I think!) then there will be a sequel.
Summary Thoughts on “People Just Do Nothing: Big in Japan”: IMDB is littered with disastrous reviews of British TV shows that have tried and failed to make the leap from the small screen to the big screen. “On the Buses”; “Are You Being Served?”; “Steptoe and Son”; “Please Sir”; “Love Thy Neighbour” – the list is endless. They are mostly all horribly unfunny. Even the great “Morecambe and Wise”, although showing occasional moments of brilliance, struggled to fully land any of their three big-screen outings.
The ‘go-to’ of many of these efforts was to “go abroad”: take the well-loved characters and put them into a ‘bigger’ and stranger pool. So “People Just Do Nothing: Big in Japan” was following a well-trodden path here. It’s a tribute to the team and their TV-series director Jack Clough, in his feature debut, that they pretty much pull it off.
I’d like to agree with Kevin Maher of “The Times” that the movie is full of “Japanese stereotypes… drunken businessmen, passive giggling women etc”. But having travelled extensively on business in Japan, it seems pretty close to the mark with its observations to me! More importantly, the film never seems to be particularly derogatory or disrespectful of the culture. For example, they take their shoes off too much!
Key to its box office success will be whether or not it can attract an audience outside of its niche TV fan-bases. As a member of that sub-group, I really wasn’t expecting to enjoy this one, but I actually did. It was good fun, and if you want a good laugh at the cinema – a pretty rare thing – then I’d recommend this one, even if – like me – you haven’t seen the original TV show.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks!)
Positives:
- It well-surpasses the “6 laugh test” for a comedy. There are some scenes that I found extremely funny, with others that rated highly for me on the David Brent / Alan Partridge scale of cringiness.
- I’ve seen comment that the story is "silly" and “unbelievable”. But having experienced the crazy clash between English and Japanese culture first hand, it strikes me as very true to form! The way in which the Japanese music execs try to stylise the ground as a ‘boy band’ (“Bang Boys”!), which Grindah greedily goes along with, is a nice satire on the music industry asserting its brand over musician’s art.
- A subplot of a love story beween the inept Steves and the cute Japanese translator Ishika (Ayumi Itô) is nicely done and strangely touching.
- The good news is that you don’t need any previous experience of the characters to get fun out of the movie: you can jump right in. That being said though, I’m sure fans of the series will get more out of this than I did.
Negatives:
- While the ending was uplifting, I was itching to know what fallout (or success?) there was from the event we witnessed. Perhaps if its a box office success (unlikely I think!) then there will be a sequel.
Summary Thoughts on “People Just Do Nothing: Big in Japan”: IMDB is littered with disastrous reviews of British TV shows that have tried and failed to make the leap from the small screen to the big screen. “On the Buses”; “Are You Being Served?”; “Steptoe and Son”; “Please Sir”; “Love Thy Neighbour” – the list is endless. They are mostly all horribly unfunny. Even the great “Morecambe and Wise”, although showing occasional moments of brilliance, struggled to fully land any of their three big-screen outings.
The ‘go-to’ of many of these efforts was to “go abroad”: take the well-loved characters and put them into a ‘bigger’ and stranger pool. So “People Just Do Nothing: Big in Japan” was following a well-trodden path here. It’s a tribute to the team and their TV-series director Jack Clough, in his feature debut, that they pretty much pull it off.
I’d like to agree with Kevin Maher of “The Times” that the movie is full of “Japanese stereotypes… drunken businessmen, passive giggling women etc”. But having travelled extensively on business in Japan, it seems pretty close to the mark with its observations to me! More importantly, the film never seems to be particularly derogatory or disrespectful of the culture. For example, they take their shoes off too much!
Key to its box office success will be whether or not it can attract an audience outside of its niche TV fan-bases. As a member of that sub-group, I really wasn’t expecting to enjoy this one, but I actually did. It was good fun, and if you want a good laugh at the cinema – a pretty rare thing – then I’d recommend this one, even if – like me – you haven’t seen the original TV show.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks!)
