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Mark @ Carstairs Considers (2255 KP) rated One for the Books in Books

Aug 6, 2021 (Updated Aug 6, 2021)  
One for the Books
One for the Books
Jenn McKinlay | 2020 | Mystery
8
8.0 (1 Ratings)
Book Rating
Lindsey and Sully Face Complications on the Way Down the Aisle
With a week to go before her wedding, Lindsey suddenly realizes her small wedding is going to be larger than she had planned. That necessitates a trip to Bell Island, the island where Sully’s family lives and where the couple is planning to get married. Once there, Lindsey and Sully make a horrific discovery – the body of Steve Briggs, the justice of the peace who is supposed to marry them. Sully has been friends with Steve since they were both kids, so he takes the death hard. For Sully’s sake, they start seeing what they can uncover. Can they solve the crime, find a new officiant, and still get married as planned?

This is a book for the fans. If you are new to the series, I suggest you go back and read the earlier books before picking up this book because you’ll enjoy it more that way. I love spending time with these characters, and watching their relationships grow as the characters themselves evolve, and we get more of that here. Overall, the book could have used a good polish, but it was mostly minor stuff that was bothering me as I read. I was certainly interested in the story as I was reading. I especially appreciate the police chief here – she does her job, but is willing to listen to Lindsey and is up front when she is following the evidence but still open to other possibilities. While the wedding is the focus, the book does take place during December, and I enjoyed the bits of Christmas that slipped into the book as well. As usual, I laughed at some of the scenes as I was reading. I also might have teared up at the wedding itself. Fans will be rewarded with this book. If that isn’t you yet, be sure to check out the entire series.
  
Rocketman (2019)
Rocketman (2019)
2019 | Biography, Drama
Strong Lead Performance
I have to admit, I thought the Freddy Mercury bio-pic BOHEMIAN RHAPSODY was just "meh" and that Rami Malek was "just o'k" as the Queen frontman (personally, I would have given the Oscar to Christian Bale for his portrayal of Dick Cheney in VICE) so I was not rushing to the multi-plex to check out the Elton John musical film ROCKETMAN. And the fact that the release of this film was "buried" in the summer and not right before "Oscar Season" gave me room to pause.

And...I would be wrong...for ROCKETMAN is a fun, fantastical fantasy musical depicting the rise and fall (by drug and alcohol abuse) of one of rock's most flamboyant showman of the 1970's.

Following the "Jukebox Musical" blueprint of something like JERSEY BOYS, Rocketman follows a young Reggie Dwight as he discovers his musical talent and grows into the Global Superstar known as Elton John.

I was happy that the filmmakers went this route (vs the bio-pic route that BOHEMIAN RHAPSODY went) for they were able to use the vast catalog of Elton John/Bernie Taupin tunes to their fullest advantage, when it made sense to drive the narrative forward - or to give the storytelling a shot of adrenaline.

This film had Elton John's blessings and he was not kind to a few people in his life - most notably his mother (an almost unrecognizable Bryce Dallas Howard in a strong turn), his father (Steve Mackintosh, who I had never seen before) and his Manager, John Reid (Game of Throne's Richard Madden). All 3 are pretty one-dimensional villains that help contribute to Elton's drug and alcohol abuse.

On the other side of the coin is his writing partner, Bernie Taupin (Jamie Bell, the original BILLY ELLIOT in a performance that I think is the best of his career) and his Grandmother, Ivy (good ol' Gemma Jones BRIDGET JONES DIARY and Madam Pomfrey in the Harry Potter films). Both of these characters are generally positive influences on Elton's life, trying to understand and support our hero on his journey.

As for our hero, Taran Egerton (the KINGSMAN films) embodies Elton with panache and zeal while showing an underlying shyness and insecurity that helps lead to his abuse issues. Egerton is EXCELLENT in this role - both in acting and singing. He doesn't so much imitate Elton John but embodies the essence of Sir Elton and his performance is quite effective. If Rami Malek deserved his Oscar for playing Freddy Mercury in BOHEMIAN RHAPSODY then Taran Egerton better be in the Oscar conversation this year.

The film was Directed by Dexter Fletcher (who was brought on to finish BOHEMIAN RHAPSODY once Bryan Singer was fired from that film for his on-set behavior), so he puts to good use his experience on the Queen movie, keeping the action moving fast, the characterizations simple (but satisfying) enough while showcasing just enough music to fill a "Best of" Album.

While BOHEMIAN RHAPSODY was a "meh" movie with a buffo ending (the recreation of the LIVE AID concert was amazing), ROCKETMAN suffers from just the opposite problem. Starting off strong and growing weaker until it ends in "meh" fashion. The fact that this film musical fantasy decided to end with a faithful recreation of the I'M STILL STANDING music video is at the heart of the issue. I understand the implied underlying meaning of this song selection, but it just doesn't pack the punch that a live concert appearance would have.

Come for the music, stay for Egerton's performance and you'll be glad you did.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)