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Joe Goodhart (27 KP) rated The Man Of Steel in Books
Nov 30, 2020
If you know me, you know that I have a strong dislike for the writing by Brian Michael Bendis. His last few years before his journey to DC Comics, the work he did on the X-titles, as well as GUARDIANS OF THE GALAXY, it was just rubbish! It was the end result of someone who clearly needed a change of scenery and a more focused editor! After reading this, I feel confident that what I just wrote, as well as feeling, is pretty close to the truth, as this, his first work for DC, was frikkin' A-MAZ-ING!
While I have a great love of Marvel (preferrably older stuff, as the new stuff is starting to stink like yesterday's diapers!), I also have a great love of DC (the comics, not the nation's capital, which stinks as well, but of ignorance, racism, and misogyny), especially Superman, a hero who has never been more needed than he is needed now! It is very apparent that BMB has a great love/admiration of the Big 'S'!
His Clark Kent is written different from Superman, making the <i>illusion</i> that much easier to swallow once the glasses and suit goes on over his costume. The character does not appear as "mild mannered" as he was originally conceived, but he also is not mean or off-putting. He is still an alien, but he embraced our customs, and the end result is quite pleasing, especially with the toxicity that exists with the US at this point in time!
Equally well written is BMB's handling of Lois Lane and Jon, her and Kal-El's son. Lois is both a successful, highly competent writer, but she is also a mother. Not an overbear, bitchy mom, but someone who cares for her son, as much as she cares for her husband. The boy, Jon, is written like a normal boy his age, but without that precociousness that seems to be given to young'uns his age on TV!
As I am so prone to do in my other reviews, I want to give credit to the art side of this tale. The artists (yes, artists, Plural.) on board is quite a top shelf gathering. Jim Lee handles the first issue, while Ivan Reis (BLACKEST NIGHT), Steve Rude (NEXUS), Jay Fabok (New 52 JUSTICE LEAGUE), and even Ryan Sook! What a heckuva good way to start your beginnings with DC!
While some are apt to disagree, Superman needs the red shorts! And, that, my friends, was Bendis' first order of business on taking on the Man of Steel! I look forward to seeing where he goes with Superman, as the character is one that many love, and many will expect something good! If this is the beginning, I can't wait to see where the rest of this ride takes us!
While I have a great love of Marvel (preferrably older stuff, as the new stuff is starting to stink like yesterday's diapers!), I also have a great love of DC (the comics, not the nation's capital, which stinks as well, but of ignorance, racism, and misogyny), especially Superman, a hero who has never been more needed than he is needed now! It is very apparent that BMB has a great love/admiration of the Big 'S'!
His Clark Kent is written different from Superman, making the <i>illusion</i> that much easier to swallow once the glasses and suit goes on over his costume. The character does not appear as "mild mannered" as he was originally conceived, but he also is not mean or off-putting. He is still an alien, but he embraced our customs, and the end result is quite pleasing, especially with the toxicity that exists with the US at this point in time!
Equally well written is BMB's handling of Lois Lane and Jon, her and Kal-El's son. Lois is both a successful, highly competent writer, but she is also a mother. Not an overbear, bitchy mom, but someone who cares for her son, as much as she cares for her husband. The boy, Jon, is written like a normal boy his age, but without that precociousness that seems to be given to young'uns his age on TV!
As I am so prone to do in my other reviews, I want to give credit to the art side of this tale. The artists (yes, artists, Plural.) on board is quite a top shelf gathering. Jim Lee handles the first issue, while Ivan Reis (BLACKEST NIGHT), Steve Rude (NEXUS), Jay Fabok (New 52 JUSTICE LEAGUE), and even Ryan Sook! What a heckuva good way to start your beginnings with DC!
While some are apt to disagree, Superman needs the red shorts! And, that, my friends, was Bendis' first order of business on taking on the Man of Steel! I look forward to seeing where he goes with Superman, as the character is one that many love, and many will expect something good! If this is the beginning, I can't wait to see where the rest of this ride takes us!
Bob Mann (459 KP) rated The Trial of the Chicago 7 (2020) in Movies
Oct 24, 2020
The epic ensemble cast (1 more)
The direction from Aaron Sorkin
“Trial” is a less wordy triumph for Sorkin
So, "The Trial of the Chicago 7" is one which I was unfortunately unable to catch on its short "Oscar-nom" cinema release, but is now on Netflix. And boy, for older viewers who prefer historical drama over wham-bam action, this is definitely worth the watch.
I know a decent bit of 20th century history, but this is a story I knew nothing about. At the 1968 Democratic Convention in Chicago, anti-Vietnam protests resulted in a violent and brutal confrontation with the police. Eight of the ring-leaders were rounded up and charged with inciting the violence. What happens in the court with the eight convicted men, in front of an old and partisan judge (the wonderful Frank Langella), is simply amazing.
There's a nice wiki article on the history you can look up. But its worth watching the movie blind, since it's a great rollercoaster ride.
If you read my blog regularly, you'll know that one of my favourite of the awards in award season is the "Ensemble Cast" award from the Screen Actor's Guild (SAG). I think a good measure of which movies might be good candidates for this award is when you find it difficult to single out particular actors for an individual award when they all work so well together. For this is a cast to die for:
- Sacha Baron Cohen, as Abbie Hoffman: an intelligent 'straight' role, poles apart from Borat and Bruno, that he delivers on 100%;
- Jeremy Strong as Hoffman's buddy Jerry Rubin, doing an enormously entertaining turn;
- Eddie Redmayne as the apparently 'sensible one' Tom Hayden. A bit similar to his role in "Les Miserables", but diving off in a different direction at a key point;
- John Carroll Lynch as the genuine 'boy scout' David Dellinger, so good in "The Founder" and here as the only family man under the judgmental stare of his wife and son;
- Yahya Abdul-Mateen II as Black Panther member Bobby Seale - the "minus 1" from the title - in an astonishingly powerful performance;
- Joseph Gordon-Levitt as the prosecutor Richard Schultz - always quietly dependable;
- And the fantastic Mark Rylance as the defense attorney William Kunstler. I appreciate I am having a tendency to gush in this review, but Rylance expresses such a range of frustration and disgust here that his performance is nothing short of electrifying.
There's also a cracking cameo from Michael Keaton playing the former US Attorney General, Ramsey Clark.
I would think that any of these performances might be Oscar-worthy (somewhere in the Actor/Supporting Actor categories) but my personal choices would be Rylance for Best Actor and Baron Cohen and Langella for Best Supporting Actor nods.
One of my issues with the scripts of Aaron Sorkin is that they tend to be overly dense and wordy. In epic TV like "The West Wing" he could spread the dialogue over a whole series, but in a feature film it can become very dense and verbose. I found that in both of his last two films - "Molly's Game" and "Steve Jobs".
Here, in "The Trial of the Chicago 7", even though there's a lot of speechifying, to me it never felt over the top. Although an epic courtroom drama (akin to his debut script "A Few Good Men") the characters are given time to breath between the lines. And many of those lines are real zingers, particularly out of the mouth of stand-up anarchist Abbie Hoffman (Sacha Baron Cohen).
Aside from the script being a zinger, the direction here from Aaron Sorkin is also top-notch. If you thought a courtroom drama was going to be static and boring, think again. The camera never rests, and inserted flashbacks (excellent film editing from Alan Baumgarten) maintain the momentum of the story.
Overall, this is a movie tour-de-force from Sorkin, and a fantastic watch. Could this be a writing/directing double Oscar nom for Sorkin?
(For the full graphical review, check out the bob the movie man review here - https://rb.gy/y6bxtf . Thanks.)
I know a decent bit of 20th century history, but this is a story I knew nothing about. At the 1968 Democratic Convention in Chicago, anti-Vietnam protests resulted in a violent and brutal confrontation with the police. Eight of the ring-leaders were rounded up and charged with inciting the violence. What happens in the court with the eight convicted men, in front of an old and partisan judge (the wonderful Frank Langella), is simply amazing.
There's a nice wiki article on the history you can look up. But its worth watching the movie blind, since it's a great rollercoaster ride.
If you read my blog regularly, you'll know that one of my favourite of the awards in award season is the "Ensemble Cast" award from the Screen Actor's Guild (SAG). I think a good measure of which movies might be good candidates for this award is when you find it difficult to single out particular actors for an individual award when they all work so well together. For this is a cast to die for:
- Sacha Baron Cohen, as Abbie Hoffman: an intelligent 'straight' role, poles apart from Borat and Bruno, that he delivers on 100%;
- Jeremy Strong as Hoffman's buddy Jerry Rubin, doing an enormously entertaining turn;
- Eddie Redmayne as the apparently 'sensible one' Tom Hayden. A bit similar to his role in "Les Miserables", but diving off in a different direction at a key point;
- John Carroll Lynch as the genuine 'boy scout' David Dellinger, so good in "The Founder" and here as the only family man under the judgmental stare of his wife and son;
- Yahya Abdul-Mateen II as Black Panther member Bobby Seale - the "minus 1" from the title - in an astonishingly powerful performance;
- Joseph Gordon-Levitt as the prosecutor Richard Schultz - always quietly dependable;
- And the fantastic Mark Rylance as the defense attorney William Kunstler. I appreciate I am having a tendency to gush in this review, but Rylance expresses such a range of frustration and disgust here that his performance is nothing short of electrifying.
There's also a cracking cameo from Michael Keaton playing the former US Attorney General, Ramsey Clark.
I would think that any of these performances might be Oscar-worthy (somewhere in the Actor/Supporting Actor categories) but my personal choices would be Rylance for Best Actor and Baron Cohen and Langella for Best Supporting Actor nods.
One of my issues with the scripts of Aaron Sorkin is that they tend to be overly dense and wordy. In epic TV like "The West Wing" he could spread the dialogue over a whole series, but in a feature film it can become very dense and verbose. I found that in both of his last two films - "Molly's Game" and "Steve Jobs".
Here, in "The Trial of the Chicago 7", even though there's a lot of speechifying, to me it never felt over the top. Although an epic courtroom drama (akin to his debut script "A Few Good Men") the characters are given time to breath between the lines. And many of those lines are real zingers, particularly out of the mouth of stand-up anarchist Abbie Hoffman (Sacha Baron Cohen).
Aside from the script being a zinger, the direction here from Aaron Sorkin is also top-notch. If you thought a courtroom drama was going to be static and boring, think again. The camera never rests, and inserted flashbacks (excellent film editing from Alan Baumgarten) maintain the momentum of the story.
Overall, this is a movie tour-de-force from Sorkin, and a fantastic watch. Could this be a writing/directing double Oscar nom for Sorkin?
(For the full graphical review, check out the bob the movie man review here - https://rb.gy/y6bxtf . Thanks.)
