"I know three right off the bat. Planes, Trains, and Automobiles. How’d it influence me? Big Steve Martin fan. Knew I wanted to be a comedian when I was very young. And my sister brought the Wild and Crazy Guy album home, which I still have in my office. When Planes, Trains came out, that was the first film that really I looked at and said, “I’d love to, someday if I’m lucky enough to have a comedy audience, bring them into film and make that kind of movie.” Big heart, big laughs. And, of course, Steve Martin at the car rental shop, you know, “I want my f–king car right f–king now.” Unbelievably funny movie. Of course, John Hughes, John Candy, one of my favorites ever. Can I take two minutes to tell a story? Awesome f–king John Hughes story. [My Best Friend’s Girl director] Howie [Deutch] was directing Some Kind of Wonderful and the studio wanted a four-page rewrite on a scene. So Howie’s all, “I can’t figure out what to do.” Calls John, says, “Can you come over and help me write these four pages?” For two-and-a-half hours they’re just pacing around, John is just smoking incessantly. Howie says, “I need to lay down. I’m beat. I’m going to sleep a few hours and then we’ll finish it.” Then he says, “Dane, I wake up at about five in the morning and John is scribbling like crazy. He hands it to me and says, ‘Read this. It’s only 50 pages right now, but read it. I’m calling it Ferris Bueller’s Day Off.’"

"There aren't many tunes here - it's just a way of making music, really. It's one of those things where you read the sleeve notes and listen to it and just become completely engrossed. It's a bit pretentious being a drummer and liking Drumming by Steve Reich. But it's basically really, really simple and primitive, and I like it. I like how it has a simple motion which just gradually becomes something incredibly sophisticated without you noticing, but it's all in your head. You're making it like that. It's a great driving record. Going down the motorway listening to Drumming is absolutely brilliant. Does it remind me of working with Martin Hannett? Well, he wasn't tyrannical, but he was in charge. And he would never let you forget that."

" The ten-year, ten-album career of Felt divides neatly in halves: with rococo lead guitarist Maurice Deebank and without. This is his last album with the band, and the first with equally hyperactive organist Martin Duffy (probably not a coincidence). The effect is like Yes if Steve Howe and Rick Wakeman just kept soloing, under and over the vocals and each other. And, the album is produced by Cocteau Twin Robin Guthrie, who flanges almost everything, hard, almost all the time. The centerpiece is the inscrutable and euphoric 'Primitive Painters'; on it there are two lead vocals (generally undecipherable), an ever-soloing guitarist, a usually soloing organist, all swimming in flangers, and then the bassist starts soloing too, and it's probably the best pop single of the 80s."

"I just feel like that’s a movie that I saw when I was a kid, and you watch it over and over and over again, and you’re like, “Oh, Steve Martin’s doing bits, but they fit a story.” And it’s beautifully shot and directed by Carl Reiner, which some people don’t realize, and I just can’t think of a movie that informed my comedic personality more than The Jerk. It’s also a dumb character… it breaks all these stupid rules that Hollywood has for the sake of humor, and for the sake of jokes, and it’s a feel-good movie. Oh, man. I watch it over and over and over again. It’s got bits of Woody Allen’s kind of mysticalism, but it’s not. It’s jokey but the jokes don’t have punchlines. It’s like a Steve Martin album live, and they did a good job with making it a story. In a lot of ways you have no Borat without The Jerk, you have no anything, Lebowski; all those characters are Jerk-inspired. I play dumb quite a bit; I’ll say that right now. I don’t know if you call it a crutch, or what, but I tend to lean dumb… I don’t think I would have been able to get away with that had it not been for that movie."