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Acgarbett (5 KP) rated Wonder Woman (2017) in Movies
Jun 5, 2017
Fantastic cast (1 more)
Well written
Best DC movie since Dark Knight series
For once DC put a movie together that was well done all the way around. Story starts as Dianna was growing up watching the Amazon warriors train and hoping to learn their ways one day. We watch as she develops from a cute innocent little kid into a very innocent young woman. After rescuing Captain Steve from his plane crash Dianna sets out on a journey to stop Aries and bring the world to peace. Beautiful fight scenes and solid acting make this movie a great step in the right direction for DC!
Sarah (7800 KP) rated Gatecrash (2021) in Movies
Feb 19, 2021
Enjoyably strange
Gatecrash is a 2021 psychological thriller from Lawrence Gough, based on a play by Terry Hughes. It opens with a rather beautiful and picturesque shot of the English countryside at dusk, when a speeding car disturbs the peace and alongside a prominent score, promises us a rather tense and thrilling start to the film.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
Mark @ Carstairs Considers (2332 KP) rated One for the Books in Books
Aug 6, 2021 (Updated Aug 6, 2021)
Lindsey and Sully Face Complications on the Way Down the Aisle
With a week to go before her wedding, Lindsey suddenly realizes her small wedding is going to be larger than she had planned. That necessitates a trip to Bell Island, the island where Sully’s family lives and where the couple is planning to get married. Once there, Lindsey and Sully make a horrific discovery – the body of Steve Briggs, the justice of the peace who is supposed to marry them. Sully has been friends with Steve since they were both kids, so he takes the death hard. For Sully’s sake, they start seeing what they can uncover. Can they solve the crime, find a new officiant, and still get married as planned?
This is a book for the fans. If you are new to the series, I suggest you go back and read the earlier books before picking up this book because you’ll enjoy it more that way. I love spending time with these characters, and watching their relationships grow as the characters themselves evolve, and we get more of that here. Overall, the book could have used a good polish, but it was mostly minor stuff that was bothering me as I read. I was certainly interested in the story as I was reading. I especially appreciate the police chief here – she does her job, but is willing to listen to Lindsey and is up front when she is following the evidence but still open to other possibilities. While the wedding is the focus, the book does take place during December, and I enjoyed the bits of Christmas that slipped into the book as well. As usual, I laughed at some of the scenes as I was reading. I also might have teared up at the wedding itself. Fans will be rewarded with this book. If that isn’t you yet, be sure to check out the entire series.
This is a book for the fans. If you are new to the series, I suggest you go back and read the earlier books before picking up this book because you’ll enjoy it more that way. I love spending time with these characters, and watching their relationships grow as the characters themselves evolve, and we get more of that here. Overall, the book could have used a good polish, but it was mostly minor stuff that was bothering me as I read. I was certainly interested in the story as I was reading. I especially appreciate the police chief here – she does her job, but is willing to listen to Lindsey and is up front when she is following the evidence but still open to other possibilities. While the wedding is the focus, the book does take place during December, and I enjoyed the bits of Christmas that slipped into the book as well. As usual, I laughed at some of the scenes as I was reading. I also might have teared up at the wedding itself. Fans will be rewarded with this book. If that isn’t you yet, be sure to check out the entire series.
