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Darren (1599 KP) rated Redwood (2017) in Movies
Dec 1, 2019
Verdict: Vampire 101
Story: Redwood starts as a couple Josh (Beckingham) and Beth (Nardone) head away for a hiking trip to get back to nature before Josh start his treatment for leukaemia, the pair meet ranger Steve (Khan) who warns them to stay on the path and the two set off on their adventure.
The couple see a chance at a shortcut up the mountain, which sees them go off the trail where they run into bloodthirsty vampires forcing them to battle to survive.
Thoughts on Redwood
Characters – Josh is a workaholic that has just discovered he has leukaemia, which sees him want to do more open to nature, which sees this hiking trip come about, he is dealing with everything well believing everything is under control and he suggests the shortcut off the trail. Beth is the supportive girlfriend that is getting scared about what is happening to Josh, wanting to get the most out of their time in case the treatment doesn’t work. Vincent and Steve are both rangers that are met on the way up the mountain, both have the same warning about staying on the trail.
Performances – Mike Beckingham and Tatjana Nardone both are solid enough through the film, we get the ideas of how their relationship is facing a new problem, with how they are both trying to stay strong. Anybody we meet is simply a cameo like performance.
Story – The story here follows a couple that head off on a hiking trip on a mountain range only to head off the trail and find themselves facing off against vampires. This is a typical type of story which follows a couple making the mistake of going of the trail, there really isn’t much more to the story, we do have the relationship strain between a couple when one could become terminally ill. Once we get to the vampire side of the story, we just don’t get very much going on because by the time we get to the vampire side of the story, it is just running without doing much. We don’t get much out of this story by the end.
Horror – The horror in the film does feel weak because we have a couple of moments which is mostly just running, with the emotional drama seeming to take centre stage.
Settings – The film is set in a mountain range which shows us just how far the couple have gone to get back to nature, it could have mystery about it.
Special Effects – The effects are simple when it comes to the vampire creations, we don’t need too many effects either.
Scene of the Movie – Getting to the top.
That Moment That Annoyed Me – Too much talking.
Final Thoughts – This is a poor vampire movie that tries to do something bigger, but ends up dragging along way too long.
Overall: Forgettable Vampire Movie.
Story: Redwood starts as a couple Josh (Beckingham) and Beth (Nardone) head away for a hiking trip to get back to nature before Josh start his treatment for leukaemia, the pair meet ranger Steve (Khan) who warns them to stay on the path and the two set off on their adventure.
The couple see a chance at a shortcut up the mountain, which sees them go off the trail where they run into bloodthirsty vampires forcing them to battle to survive.
Thoughts on Redwood
Characters – Josh is a workaholic that has just discovered he has leukaemia, which sees him want to do more open to nature, which sees this hiking trip come about, he is dealing with everything well believing everything is under control and he suggests the shortcut off the trail. Beth is the supportive girlfriend that is getting scared about what is happening to Josh, wanting to get the most out of their time in case the treatment doesn’t work. Vincent and Steve are both rangers that are met on the way up the mountain, both have the same warning about staying on the trail.
Performances – Mike Beckingham and Tatjana Nardone both are solid enough through the film, we get the ideas of how their relationship is facing a new problem, with how they are both trying to stay strong. Anybody we meet is simply a cameo like performance.
Story – The story here follows a couple that head off on a hiking trip on a mountain range only to head off the trail and find themselves facing off against vampires. This is a typical type of story which follows a couple making the mistake of going of the trail, there really isn’t much more to the story, we do have the relationship strain between a couple when one could become terminally ill. Once we get to the vampire side of the story, we just don’t get very much going on because by the time we get to the vampire side of the story, it is just running without doing much. We don’t get much out of this story by the end.
Horror – The horror in the film does feel weak because we have a couple of moments which is mostly just running, with the emotional drama seeming to take centre stage.
Settings – The film is set in a mountain range which shows us just how far the couple have gone to get back to nature, it could have mystery about it.
Special Effects – The effects are simple when it comes to the vampire creations, we don’t need too many effects either.
Scene of the Movie – Getting to the top.
That Moment That Annoyed Me – Too much talking.
Final Thoughts – This is a poor vampire movie that tries to do something bigger, but ends up dragging along way too long.
Overall: Forgettable Vampire Movie.
Bob Mann (459 KP) rated The Magnificent Seven (2016) in Movies
Sep 29, 2021
A Hornery Exit.
As a big fan of the original – a staple of many Bank Holiday afternoons in my youth – I was prepared to be sniffy about this remake and came to the film on my high-horse (I left that tied to the rail outside the cinema by the way). But I was surprised to have my expectations reset.
Possibly on the basis that Trump has been given the Mexican’s a good bashing lately, the villain of the piece in this film is updated from Mexican bandit Calvera to Sacremento based land-snatcher and all round bad-egg Bartholomew Bogue (an expressionless Peter Sarsgaard). After ripping through some of the inhabitants of Rose Creek in a brutal pre-title sequence, widowed sharp-shooter Emma Cullen (Haley Bennett, “The Equalizer”) heads into the West on a recruiting mission for hired guns. She first recruits the bounty hunter Chisholm (sing “Chisum, John Chisum…”… no, sorry different Western) played by Denzel Washington. Washington matches Yul Brynner’s famous black outfit, and unlike Brynner is obviously able to finish off the ensemble naturally!
They recruit another six (who’d have thought it?) including wise-guy gambler Faraday (Chris “Guardians of the Galaxy” Pratt); famed confederate sniper Goodnight Robicheaux (Ethan Hawke); his nifty knife throwing Asian sidekick (but good for the Far East box office) Billy Rocks (Bjung-hun Lee, from Terminator: Genisys); and religious bear-of-a-man Indian-hunter Jack Horne (Vincent D’Onofrio, “Jurassic World”). After trying to whip the incompetent townsfolk into shape, and setting some Home-Alone style surprises, the stage is set for a showdown as Bogue whips up an army to re-take “his” town.
I like classic Westerns, with John Ford’s Rio Bravo being a particular favourite. In my view the problem with many modern Westerns is that they try too hard to shock (Tarentino’s recent “Hateful 8” was a case in point: a promising start ruined by gratuitous over-the-top violence). “The Magnificent Seven” doesn’t make that mistake, and while the squib-master and blood-bag boy are heavily employed throughout, nothing is too excessive: in fact, my view – and I don’t often tend in this direction – is that the censors rather over-egged the UK 12A rating on this one and could have gone with a 12. Director Antoine Fuqua has produced a film that is highly respectful of its heritage: perhaps to the point where many scenes might be deemed to be clichéd. But I personally warmed to that.
Denzel Washington was born to be in a Western like this and the emerging Chris Pratt does his star potential no harm by turning in a stellar performance adding both levity – with some whip-sharp lines – and screen presence in the role made famous by Steve McQueen. (Although no one comes close to the screen presence of McQueen…. Look up “real man” in the dictionary and his picture is there!) Also effective is Ethan Hawke in the nearest thing to the Robert Vaughan character in this film.
Where the adapted script by Richard Wenk and Nik Pizzolatto falters somewhat is in the motivations of the characters, which come across as superficial and unconvincing. (Perhaps “selling” was a whole lot easier in the Old West?) It is even unclear at the end of the film whether the survivors (and I hate to be the bearer of bad news, but the seven don’t all make it!) actually take their payment, or even a “share of the gold” that the town is sitting on. It makes for an unsatisfactory closure. The degree of racial harmony present in the film is also difficult to buy into, and the script could have made something more of this.
The film soundtrack marks the swan-song of the late James Horner, so tragically killed in a plane crash last year at the age of just 61. As the natural successor to the great John Williams and the late Jerry Goldsmith, Horner’s loss was a terrible one. The film is dedicated to him. Although the soundtrack was completed by Simon Franglen, there are flourishes of classic Horner, most notably in the first Rose Creek showdown scene. There is also a treat to the ears over the closing credits which is very welcome.
Although the film draws natural comparison with its 5* classic predecessor, this is a good film in its own right – a genuinely pleasant surprise. Perhaps its done well enough that we might get to now see a remake of “The Return of the Seven”. I hope so… “the Western is dead… long live the Western”!
Possibly on the basis that Trump has been given the Mexican’s a good bashing lately, the villain of the piece in this film is updated from Mexican bandit Calvera to Sacremento based land-snatcher and all round bad-egg Bartholomew Bogue (an expressionless Peter Sarsgaard). After ripping through some of the inhabitants of Rose Creek in a brutal pre-title sequence, widowed sharp-shooter Emma Cullen (Haley Bennett, “The Equalizer”) heads into the West on a recruiting mission for hired guns. She first recruits the bounty hunter Chisholm (sing “Chisum, John Chisum…”… no, sorry different Western) played by Denzel Washington. Washington matches Yul Brynner’s famous black outfit, and unlike Brynner is obviously able to finish off the ensemble naturally!
They recruit another six (who’d have thought it?) including wise-guy gambler Faraday (Chris “Guardians of the Galaxy” Pratt); famed confederate sniper Goodnight Robicheaux (Ethan Hawke); his nifty knife throwing Asian sidekick (but good for the Far East box office) Billy Rocks (Bjung-hun Lee, from Terminator: Genisys); and religious bear-of-a-man Indian-hunter Jack Horne (Vincent D’Onofrio, “Jurassic World”). After trying to whip the incompetent townsfolk into shape, and setting some Home-Alone style surprises, the stage is set for a showdown as Bogue whips up an army to re-take “his” town.
I like classic Westerns, with John Ford’s Rio Bravo being a particular favourite. In my view the problem with many modern Westerns is that they try too hard to shock (Tarentino’s recent “Hateful 8” was a case in point: a promising start ruined by gratuitous over-the-top violence). “The Magnificent Seven” doesn’t make that mistake, and while the squib-master and blood-bag boy are heavily employed throughout, nothing is too excessive: in fact, my view – and I don’t often tend in this direction – is that the censors rather over-egged the UK 12A rating on this one and could have gone with a 12. Director Antoine Fuqua has produced a film that is highly respectful of its heritage: perhaps to the point where many scenes might be deemed to be clichéd. But I personally warmed to that.
Denzel Washington was born to be in a Western like this and the emerging Chris Pratt does his star potential no harm by turning in a stellar performance adding both levity – with some whip-sharp lines – and screen presence in the role made famous by Steve McQueen. (Although no one comes close to the screen presence of McQueen…. Look up “real man” in the dictionary and his picture is there!) Also effective is Ethan Hawke in the nearest thing to the Robert Vaughan character in this film.
Where the adapted script by Richard Wenk and Nik Pizzolatto falters somewhat is in the motivations of the characters, which come across as superficial and unconvincing. (Perhaps “selling” was a whole lot easier in the Old West?) It is even unclear at the end of the film whether the survivors (and I hate to be the bearer of bad news, but the seven don’t all make it!) actually take their payment, or even a “share of the gold” that the town is sitting on. It makes for an unsatisfactory closure. The degree of racial harmony present in the film is also difficult to buy into, and the script could have made something more of this.
The film soundtrack marks the swan-song of the late James Horner, so tragically killed in a plane crash last year at the age of just 61. As the natural successor to the great John Williams and the late Jerry Goldsmith, Horner’s loss was a terrible one. The film is dedicated to him. Although the soundtrack was completed by Simon Franglen, there are flourishes of classic Horner, most notably in the first Rose Creek showdown scene. There is also a treat to the ears over the closing credits which is very welcome.
Although the film draws natural comparison with its 5* classic predecessor, this is a good film in its own right – a genuinely pleasant surprise. Perhaps its done well enough that we might get to now see a remake of “The Return of the Seven”. I hope so… “the Western is dead… long live the Western”!