"When I saw Palmieri interviewed on the Rachel Maddow Show, I started crying. This book doesn’t take the sting off November 8, 2016, but Palmieri lays out a very touching, emotional, and informative road map to get us back to the mindset where we believed our first female President will become a reality."

"And then, I guess, The Sting is the next one I gotta say. This was for me, and probably for a lot of people, at least of our generation, our first exposure to con men movies was from The Sting. It really holds up. Like a lot of the movies on this list, it holds up because of the central relationship, because of the Newman-Redford thing. Watching those two guys together, even though at this point, plotwise, I would be fairly… Well, I don’t know. I wonder, if someone saw The Sting clean for the first time today, now with all the movies that have imitated it in the years since, whether anyone would actually kind of say “Oh my God” at the end of it. I don’t know, but I don’t know that it would matter, because I think the fun of the film is in the game playing, and specifically in the way that these two guys play off of each other. It seems like something that’s particularly vulnerable, just because of the twist, the nature of the end. But like I said, that’s not really what makes the movie tick, oddly enough. It holds up just as a really fun ride."

"Dawkins explains how the selfish gene can also be a subtle gene. The world of the selfish gene revolves around savage competition, ruthless exploitation, and deceit, and yet, Dawkins argues, acts of apparent altruism do exist in nature. Bees, for example, will commit suicide when they sting to protect the hive, and birds will risk their lives to warn the flock of an approaching hawk."

"Well that was a big influence for their take on Americana, and I just like the juxtaposition of their extreme Britishness and singing about Oklahoma. And it's funny, Ian Svenonius has this whole thing about how Americans only accepted black music once it was taught to us by our British overlords. The Beatles and The Stones lacked the context to realise that maybe it's inappropriate to take on this Southern accent. I feel like Ray Davies has a little more tact, like, "No, I'm not going to sing like that!" A lot of the time I will sing in a kind of an English accent - not total English, but definitely more English than country, because my context is growing up and listening to The Beatles and thinking I like the way John Lennon sings it. It's easier not to sing a hard "r", it always sounds country when you sing an "arr". I would never do a Jamaican accent. I'll leave that to Sting. Once again, see we forgive Sting, 'cause he doesn't have the context."

"She’s got an album out called 'Vows,' and 'Settle Down's' music video is just really creative and really different. I just thought it was a rad song. I actually will say with pride that I was on the ['Somebody That I Used To Know'] train before it took off, too. I found out about it from some friends, on a Facebook post, before it was even getting radio play… [Gotye] sounded a little bit like Sting to me, and I was excited to see that it did so well."