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Hazel (1853 KP) rated Summer Days and Summer Nights: Twelve Summer Romances in Books
May 25, 2017
A mixed bag
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Stephanie Perkins, the best selling author of Anna and the French Kiss has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, My True Love Gave To Me, the concept is the same. Twelve love stories set in, as the title, Summer Days and Summer Nights, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of Summer Days and Summer Nights I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Stephanie Perkins, the best selling author of Anna and the French Kiss has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, My True Love Gave To Me, the concept is the same. Twelve love stories set in, as the title, Summer Days and Summer Nights, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of Summer Days and Summer Nights I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Phil Leader (619 KP) rated A Blink of the Screen: Collected Shorter Fiction in Books
Nov 8, 2019
For someone who was as prolific at writing novels as Terry Pratchett he didn't write much in the way of short stories. As he himself comments in this collection of his work this is because 'they cost blood' to write and he wondered how others such as Neil Gaiman could write so many short stories. This is all the more surprising given his grounding in journalism, something that demands producing a story withing a set number of words.
The basis for this seems to be that the nugget of an idea behind a Pratchett book was rarely simple enough to be encapsulated neatly in the short story form; his characters and ideas took time to develop and that's before the addition of the amusing footnotes and his skill at producing pastiche, parody and satire of many different things without the narrative stumbling or swerving.
This collection shows that although relatively few in number, the Pratchett short story was just as fine as could be expected. Sometimes they could be a little rushed to get to the point before the end (best seen in his tale of a gnome from the country that finds other gnomes in a department store - the story that was later rewritten fully as Truckers)
This is also a somewhat eclectic mix. There is the first story that he was paid for about the devil wanting to promote hell, which he wrote at school but it is clear that he already had the flair for writing even then. A few science fiction stories including the prescient and dark #ifdefDEBUG "world/enough" "time" about someone retreating to a virtual reality world. There is the story that formed the first ideas that would eventually become The Long Earth and of course some Diskworld shorts and related notes.
Taken together they show that over a long span of time Pratchett was coming up with great ideas. There is a little uneveness but part of this is due to his writing style being different between Diskworld and his more science fiction based stories (something that confused a lot of Diskworld readers when they read The Long Earth, but goes back even to The Dark Side of the Sun and Strata both of which are very different to Diskworld in tone.
To this end the editors have been wise to have the Diskworld stories as the second half with the 'other' stories at the beginning. This avoids the tone changing too much between stories.
This sounds like it might be for the Pratchett 'completist', like one of those greatest hits albums that comes out with just one or two rare tracks, but really this is a great collection of short stories by any measure. A couple of these are fairly well known - Troll Bridge and Theatre of Cruelty - but there is nothing gratuitous here. And of course there are plenty of laughs and subtle takes on society and humanity.
The basis for this seems to be that the nugget of an idea behind a Pratchett book was rarely simple enough to be encapsulated neatly in the short story form; his characters and ideas took time to develop and that's before the addition of the amusing footnotes and his skill at producing pastiche, parody and satire of many different things without the narrative stumbling or swerving.
This collection shows that although relatively few in number, the Pratchett short story was just as fine as could be expected. Sometimes they could be a little rushed to get to the point before the end (best seen in his tale of a gnome from the country that finds other gnomes in a department store - the story that was later rewritten fully as Truckers)
This is also a somewhat eclectic mix. There is the first story that he was paid for about the devil wanting to promote hell, which he wrote at school but it is clear that he already had the flair for writing even then. A few science fiction stories including the prescient and dark #ifdefDEBUG "world/enough" "time" about someone retreating to a virtual reality world. There is the story that formed the first ideas that would eventually become The Long Earth and of course some Diskworld shorts and related notes.
Taken together they show that over a long span of time Pratchett was coming up with great ideas. There is a little uneveness but part of this is due to his writing style being different between Diskworld and his more science fiction based stories (something that confused a lot of Diskworld readers when they read The Long Earth, but goes back even to The Dark Side of the Sun and Strata both of which are very different to Diskworld in tone.
To this end the editors have been wise to have the Diskworld stories as the second half with the 'other' stories at the beginning. This avoids the tone changing too much between stories.
This sounds like it might be for the Pratchett 'completist', like one of those greatest hits albums that comes out with just one or two rare tracks, but really this is a great collection of short stories by any measure. A couple of these are fairly well known - Troll Bridge and Theatre of Cruelty - but there is nothing gratuitous here. And of course there are plenty of laughs and subtle takes on society and humanity.
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Sarah (7800 KP) rated Black House in Books
Jan 4, 2020
Another of King's epic stories
Stephen King is my favourite author, so I'm always going to enjoy his stories although it varies as to how much. I have a particular fondness for his short stories or epic doorstop sized novels, and I'm pleased that Black House falls into the latter.
The Talisman is a great story, and this is a very welcome sequel with Jack now as a rather endearing and heroic adult, scarred by his past. This is a story that starts off as a standard crime story and as it goes on turns into a fantastical horror, filled with King's usual mix of well written secondary characters and a nice amount of gore. What I also loved about this is how it links into other King stories - not just The Talisman, but others that I won't spoil but are very much beloved.
That's not to say this book is perfect. It is VERY long and I feel like there are parts of this that get too rambling and long winded, and there are some parts that could quite easily have been cut out without impacting on the main plot. There are also a few characters in this with odd speech impediments or accents, and trying to read their manner of speech gets very irritating after a while.
But apart from this, this is a hugely enjoyable King epic novel. Although only one to read if you've read The Talisman - this is not a standalone sequel.
The Talisman is a great story, and this is a very welcome sequel with Jack now as a rather endearing and heroic adult, scarred by his past. This is a story that starts off as a standard crime story and as it goes on turns into a fantastical horror, filled with King's usual mix of well written secondary characters and a nice amount of gore. What I also loved about this is how it links into other King stories - not just The Talisman, but others that I won't spoil but are very much beloved.
That's not to say this book is perfect. It is VERY long and I feel like there are parts of this that get too rambling and long winded, and there are some parts that could quite easily have been cut out without impacting on the main plot. There are also a few characters in this with odd speech impediments or accents, and trying to read their manner of speech gets very irritating after a while.
But apart from this, this is a hugely enjoyable King epic novel. Although only one to read if you've read The Talisman - this is not a standalone sequel.
Sarah (7800 KP) rated Night Shift in Books
Feb 23, 2020
King at his best
This is one of the first Stephen King books I remember reading, probably when I was far too young at around the age of 10/11, if not earlier. I loved it then, I loved it the handful of times I've picked it up over the past 2 decades and having decided to read it again this week, I still love it.
King is my favourite author, and it's books like this that really highlight why. I've never before known an author who can bring such detail and intrigue into 20 different short stories, even those stories that are only a few pages long. He's a master storyteller and this book is a great example. Every single story is engaging and filled with horror, telling you just enough to leave you satisfied and not feeling like you're missing out and with a well developed plot and characters.
Out of these 20 short stories, I'd only highlight one of these that is maybe weaker than the rest: 'The Woman in the Room' and this isn't bad, just more that it's lacking in the horror that the rest of the stories have and it's a shame because this is the final story. But aside from this every single story is a brilliant read and if you ever want to find a place to start reading Stephen King, without tackling his major epic novels, there's no finer place to start than this.
King is my favourite author, and it's books like this that really highlight why. I've never before known an author who can bring such detail and intrigue into 20 different short stories, even those stories that are only a few pages long. He's a master storyteller and this book is a great example. Every single story is engaging and filled with horror, telling you just enough to leave you satisfied and not feeling like you're missing out and with a well developed plot and characters.
Out of these 20 short stories, I'd only highlight one of these that is maybe weaker than the rest: 'The Woman in the Room' and this isn't bad, just more that it's lacking in the horror that the rest of the stories have and it's a shame because this is the final story. But aside from this every single story is a brilliant read and if you ever want to find a place to start reading Stephen King, without tackling his major epic novels, there's no finer place to start than this.
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