Search
Search results
Cori June (3033 KP) rated Smoke Bitten (Mercy Thompson #12) in Books
Jun 23, 2020
descriptions (1 more)
characters
This would have been better as a novella. I felt there was more filler than normal and it was odd that she had two books building to something, I expect that the next one will be something large. I'm not going to lie I did think of Monty Python while reading this book so there were some unintentionally (?) funny parts. There is the usual Mercy wit so that's good Picks up not too long after Storm Cursed. I enjoyed this book but it wasn't my favorite.
Lee KM Pallatina (951 KP) rated The Mist (2007) in Movies
Jun 15, 2019
Don't go outside
After a storm hits a small town, a small family sets out to collect items to start repairs. Whilst out a huge mysterious mist descends on the store causing mass panic.
Not knowing what the cause is or what may come next, fear strikes hard as a large number of creatures begins to attack the store and the people trapped inside.
With no clear view outside, no sign of help or the mist clearing, they must try and escape before the creatures get in or they kill each other.
With some solid acting and a twist that continues to shock audiences today, The Mist is a movie for all Stephen king fans.
Starring Tom Jane
Not knowing what the cause is or what may come next, fear strikes hard as a large number of creatures begins to attack the store and the people trapped inside.
With no clear view outside, no sign of help or the mist clearing, they must try and escape before the creatures get in or they kill each other.
With some solid acting and a twist that continues to shock audiences today, The Mist is a movie for all Stephen king fans.
Starring Tom Jane
Awix (3310 KP) rated The Red Turtle (2016) in Movies
Jun 16, 2019 (Updated Jun 16, 2019)
Animated Belgo-Japanese allegorical fantasy is nice to look at and relaxing to watch. A man is washed up on a desert island after a storm, finds his attempts to leave are frustrated by a large crimson chelonian; after an attempt to kill the creature, he resolves to make friends, successfully bringing the turtle out of her shell (thanks, I'm here all week) - the two of them fall in love and have a family together.
As you can see, not short on the traditional 'WTF?!?!?' element of Studio Ghibli films, but it also possesses the typical virtues of being a really, really beautiful and well-told story. Maybe a touch under-powered story-wise, and it doesn't feel rushed even at only about 80 minutes long, but a finely-crafted and very pleasant film. The romance that HP Lovecraft never got around to writing.
As you can see, not short on the traditional 'WTF?!?!?' element of Studio Ghibli films, but it also possesses the typical virtues of being a really, really beautiful and well-told story. Maybe a touch under-powered story-wise, and it doesn't feel rushed even at only about 80 minutes long, but a finely-crafted and very pleasant film. The romance that HP Lovecraft never got around to writing.
Gareth von Kallenbach (971 KP) rated Rising Storm 2: Vietnam Deluxe Edition in Video Games
Jun 19, 2019
The trend in war based shooters of late is to literally take a blast from the past. Battlefield 1 looked at WW1 and Call of Duty returned to its WWII roots for the most recent game in the series. As such when Rising Storm 2: Vietnam was announced, it seemed like a good progression and one that holds a lot of potential for gamers. The previous game in the series focused on the Pacific Rim conflicts and focused on the conflict with Japan.
This time out the focus is Vietnam and players can opt to fight for either the Vietnamese or U.S. forces and they will also be able to select a class and loadout unique to each side before entering the fray.
The matches I took part in showed off the large and detailed maps which provided plenty of options to flank and enemy or attack from cover. Fields, towns, temples, and more were all an option and I had intense battles in a multi-level building, trenches, fields, and in a town. The weapons were varied but I opted mainly for an M-16 or AK-47 depending on which side I was assigned to. I did have a great opportunity early in the match to ride on a Helicopter and took my position manning one of the machine guns, which allowed us to strafe enemy targets as we traveled.
Our focus was a mix of taking and securing an objective and of course eliminating as many enemies as I could. Using a mix of grenades and rifle shots I was able to dispatch a few enemies but you could tell that there were some seasoned players online who used to the map to their advantage and were masters at striking without being seen.
I also experienced some people who were more than happy to call in a Napalm strike without any concern to the number of friendly troops in the target area. Naturally as you progress you will rank up and have more options for your character and loadouts.
The graphics of the game were solid but did seem a bit dated compared to other shooters. But this does a great job of giving a rough and battle-worn look to the game and not trying to make a blasted and remote area looked like an over-polished presentation.
If you are a fan of team-based online shooters and want some great action in the Vietnam setting; then Rising Storm 2: Vietnam just might be the game for you.
http://sknr.net/2018/05/01/rising-storm-2-vietnam/
This time out the focus is Vietnam and players can opt to fight for either the Vietnamese or U.S. forces and they will also be able to select a class and loadout unique to each side before entering the fray.
The matches I took part in showed off the large and detailed maps which provided plenty of options to flank and enemy or attack from cover. Fields, towns, temples, and more were all an option and I had intense battles in a multi-level building, trenches, fields, and in a town. The weapons were varied but I opted mainly for an M-16 or AK-47 depending on which side I was assigned to. I did have a great opportunity early in the match to ride on a Helicopter and took my position manning one of the machine guns, which allowed us to strafe enemy targets as we traveled.
Our focus was a mix of taking and securing an objective and of course eliminating as many enemies as I could. Using a mix of grenades and rifle shots I was able to dispatch a few enemies but you could tell that there were some seasoned players online who used to the map to their advantage and were masters at striking without being seen.
I also experienced some people who were more than happy to call in a Napalm strike without any concern to the number of friendly troops in the target area. Naturally as you progress you will rank up and have more options for your character and loadouts.
The graphics of the game were solid but did seem a bit dated compared to other shooters. But this does a great job of giving a rough and battle-worn look to the game and not trying to make a blasted and remote area looked like an over-polished presentation.
If you are a fan of team-based online shooters and want some great action in the Vietnam setting; then Rising Storm 2: Vietnam just might be the game for you.
http://sknr.net/2018/05/01/rising-storm-2-vietnam/
Gareth von Kallenbach (971 KP) rated Whiteout (2009) in Movies
Aug 9, 2019
For US Marshal Carrie Stetko (Kate Beckinsale), a remote posting in Antarctica was exactly what she needed to regroup after a harrowing assignment took an unexpected and devastating turn.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Andy K (10821 KP) rated Back to the Future Part III (1990) in Movies
Apr 14, 2019
By the time you get to Back to the Future 3, you have seen Marty go "Back to the Future" twice, and Doc and Marty save us from the world of Biff Tannen the casino boss, Lorraine's very large breasts, and Marty's family going down a tumultuous bad trail to a life of disappointments.
Marty discovers Doc will be murdered within a week of him receiving a letter from his friend in 1885 and decides it is worth the risk to go "back" one more time to save him.
Marty finds more relatives in the Old West, as well as that time's version of Biff, now called "Mad Dog" Tannen before eventually reuniting with Doc.
Unlike Back to the Future 2, this film really takes its time and slows the pace down. This element really let's the relationship between lifelong friends develop as well as introduce Doc to the one mystery he has yet to conquer in the universe, Women! Mary Steenburgen was a welcome addition to the cast, although I wish Lea Thompson would have been in this one more.
The climactic scene with the steam locomotive trying to push the DeLorean up to 88 mph to get the duo back to their own time is one of my favorite endings of all time. It is executed with precision and great music and editing to achieve the desired effect.
It is funny, when I was listening to the audio commentary after viewing the film, director Robert Zemeckis said when they finished shooting the film, the land owners who let them use the property while filming asked if they could leave the western town they had built as an homage to the production an filmmakers agreed. Years later they found out the entire town had been destroyed when it had been struck by lightning during a storm.
I thought that was a good end to the story.
Marty discovers Doc will be murdered within a week of him receiving a letter from his friend in 1885 and decides it is worth the risk to go "back" one more time to save him.
Marty finds more relatives in the Old West, as well as that time's version of Biff, now called "Mad Dog" Tannen before eventually reuniting with Doc.
Unlike Back to the Future 2, this film really takes its time and slows the pace down. This element really let's the relationship between lifelong friends develop as well as introduce Doc to the one mystery he has yet to conquer in the universe, Women! Mary Steenburgen was a welcome addition to the cast, although I wish Lea Thompson would have been in this one more.
The climactic scene with the steam locomotive trying to push the DeLorean up to 88 mph to get the duo back to their own time is one of my favorite endings of all time. It is executed with precision and great music and editing to achieve the desired effect.
It is funny, when I was listening to the audio commentary after viewing the film, director Robert Zemeckis said when they finished shooting the film, the land owners who let them use the property while filming asked if they could leave the western town they had built as an homage to the production an filmmakers agreed. Years later they found out the entire town had been destroyed when it had been struck by lightning during a storm.
I thought that was a good end to the story.
David McK (3219 KP) rated The Honour of Rome (Cato and Macro #20) in Books
Apr 24, 2022
Entry #20 in Simon Scarrow's Macro and Cato series, which means there's been approximately one entry per year.
I can't believe it's been going that long (ummm ... in a good way).
Anyway, we're now back at the original setting of the series - back in Brittania; back after Cato and Macro's various adventures across the Roman Empire.
Things have changes since then, however - Macro is now retired from the legions, whereas Cato (originally Macro's optio) now outranks him and now has a family of his own to look after.
The previous entry in the series (The Emperor's Exile is the one in which Macro retired, leaving - with his new wife Petronella - to travel back to Brittania to reconnect with his own mother and to look after his share of an inn that she has opened in Londinium. As a result, he was missing for large chunks of the narrative: circa three quarters or so of the story, let us say.
Meanwhile, Cato was charged with accompanying Emperor Nero's mistress Claudia Acte into exile on Sardinia, with the bulk of the novel then following Cato, the burgeoning romance between him and Claudia and events on that island.
This novel mirrors that approach, with the larger bulk of this following Macro and his adventures in Londinium and in the veterans colony of Camulodunum (which I've just found out is Colchester, and the first Roman Capital of the province) before the two principal characters finally reunite circa - again - three quarters of the way into the story.
There's also the groundwork laid here for, to paraphrase the closing words of the novel, the brewing storm, with the inclusion of characters from earlier novels (round about When the Eagle Hunts) who belong to the Iceni tribe, and with how they are being treated by their new Roman overlords. Anybody with a passing knowledge of UK history will know who I mean ...
I can't believe it's been going that long (ummm ... in a good way).
Anyway, we're now back at the original setting of the series - back in Brittania; back after Cato and Macro's various adventures across the Roman Empire.
Things have changes since then, however - Macro is now retired from the legions, whereas Cato (originally Macro's optio) now outranks him and now has a family of his own to look after.
The previous entry in the series (The Emperor's Exile is the one in which Macro retired, leaving - with his new wife Petronella - to travel back to Brittania to reconnect with his own mother and to look after his share of an inn that she has opened in Londinium. As a result, he was missing for large chunks of the narrative: circa three quarters or so of the story, let us say.
Meanwhile, Cato was charged with accompanying Emperor Nero's mistress Claudia Acte into exile on Sardinia, with the bulk of the novel then following Cato, the burgeoning romance between him and Claudia and events on that island.
This novel mirrors that approach, with the larger bulk of this following Macro and his adventures in Londinium and in the veterans colony of Camulodunum (which I've just found out is Colchester, and the first Roman Capital of the province) before the two principal characters finally reunite circa - again - three quarters of the way into the story.
There's also the groundwork laid here for, to paraphrase the closing words of the novel, the brewing storm, with the inclusion of characters from earlier novels (round about When the Eagle Hunts) who belong to the Iceni tribe, and with how they are being treated by their new Roman overlords. Anybody with a passing knowledge of UK history will know who I mean ...
Gareth von Kallenbach (971 KP) rated Fantastic Four (2015) in Movies
Jun 19, 2019
If you hold the film rights to an iconic and beloved comic book series, one would think you would do everything possible to see that it flourishes under you watch. For 29th Century Fox, The Fantastic Four is an asset that should be a gem of their studio as the long-running Marvel comic series has had legions of fans for generations.
The previous two films did well enough but still had their detractors amongst the fans. So, Fox opted for a hiatus and then a radical reboot of the series complete with casting choices that were considered very questionable.
The new version features Miles Teller as Reed Richards, a young man obsessed with teleportation to the point that his teachers and other students laugh at him for his odd and obsessive ways.
His only friend is Ben Grimm (Jamie Bell), who despite a lack of scientific knowledge supports Reed in his efforts which eventually allow him to be recruited by Dr. Franklin Storm (Reg E. Cathey), who discloses that he is working on a large scale teleportation device and seeing how Reed pulled it off with a device he made in his garage, is eager to see what he can do at a fully-funded facility.
Reed meets Franklins adopted daughter Sue (Kate Mara), as well as his son Johnny (Michael B. Jordan), while they work with the mercurial Victor Von Doom (Toby Kebbell), to complete the device.
When the team finds success, they are horrified to learn that the government plans to take over control of the project so Ben, Victor, Johnny, and Reed opt to use it themselves to visit the other dimension in order to leave their mark in history.
Things at first go well but when a mysterious force envelops them, odd things start to happen when they return home. Reed is capable of stretching himself, Johnny is a living fire, Ben is covered in rocks, and Sue is phasing in and out.
Flashing forward the group is under the watch of the government and Reed has fled not wanting to be a part of whatever is going on. Ben is used for special operations and blames Reed for abandoning them as Sue and Johnny are prepped for the field.
Now one would think a setup like this has some potential at the very least for some action and great FX. Sadly the film lurches ahead fairly light on action. The threat to the film appears, and within 10 minutes has moved to a fairly underwhelming final conflict that is so obviously done in front of a Green Screen that it loses much of the intended impact.
The best I can say for the film is that it is a forgettable and flawed film that tries to launch a new franchise in a new way. But the casting choices in the film are so wrong, that it undermines it at every step. Setting aside the debate over an African American Johnny Storm, Miles Teller is so bland; he just does not scream leading man or driving force behind the team.
The same can be said for pretty much the entire cast. The backstories hint at various things but their actions conflict several aspects of the film which to be honest are fairly forgettable.
The entire movie is like watching a Jr. College Fan Film where the cast has a Green Screen and studio funding, but not a clue on how to carry out a story, modern action sequences of character development.
Fox needs to take a serious page from Sony and work with Marvel if they are going to continue this franchise, or return the rights to Marvel so fans can finally get a film that does justice to the source material.
I am glad that Director Josh Trank is no longer associated with the pending Star Wars film as this movie is a train wreck that spits all over the history and legacy of the source material.
http://sknr.net/2015/08/07/the-fantastic-four/
The previous two films did well enough but still had their detractors amongst the fans. So, Fox opted for a hiatus and then a radical reboot of the series complete with casting choices that were considered very questionable.
The new version features Miles Teller as Reed Richards, a young man obsessed with teleportation to the point that his teachers and other students laugh at him for his odd and obsessive ways.
His only friend is Ben Grimm (Jamie Bell), who despite a lack of scientific knowledge supports Reed in his efforts which eventually allow him to be recruited by Dr. Franklin Storm (Reg E. Cathey), who discloses that he is working on a large scale teleportation device and seeing how Reed pulled it off with a device he made in his garage, is eager to see what he can do at a fully-funded facility.
Reed meets Franklins adopted daughter Sue (Kate Mara), as well as his son Johnny (Michael B. Jordan), while they work with the mercurial Victor Von Doom (Toby Kebbell), to complete the device.
When the team finds success, they are horrified to learn that the government plans to take over control of the project so Ben, Victor, Johnny, and Reed opt to use it themselves to visit the other dimension in order to leave their mark in history.
Things at first go well but when a mysterious force envelops them, odd things start to happen when they return home. Reed is capable of stretching himself, Johnny is a living fire, Ben is covered in rocks, and Sue is phasing in and out.
Flashing forward the group is under the watch of the government and Reed has fled not wanting to be a part of whatever is going on. Ben is used for special operations and blames Reed for abandoning them as Sue and Johnny are prepped for the field.
Now one would think a setup like this has some potential at the very least for some action and great FX. Sadly the film lurches ahead fairly light on action. The threat to the film appears, and within 10 minutes has moved to a fairly underwhelming final conflict that is so obviously done in front of a Green Screen that it loses much of the intended impact.
The best I can say for the film is that it is a forgettable and flawed film that tries to launch a new franchise in a new way. But the casting choices in the film are so wrong, that it undermines it at every step. Setting aside the debate over an African American Johnny Storm, Miles Teller is so bland; he just does not scream leading man or driving force behind the team.
The same can be said for pretty much the entire cast. The backstories hint at various things but their actions conflict several aspects of the film which to be honest are fairly forgettable.
The entire movie is like watching a Jr. College Fan Film where the cast has a Green Screen and studio funding, but not a clue on how to carry out a story, modern action sequences of character development.
Fox needs to take a serious page from Sony and work with Marvel if they are going to continue this franchise, or return the rights to Marvel so fans can finally get a film that does justice to the source material.
I am glad that Director Josh Trank is no longer associated with the pending Star Wars film as this movie is a train wreck that spits all over the history and legacy of the source material.
http://sknr.net/2015/08/07/the-fantastic-four/
Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 2 (2015) in Movies
Jun 10, 2019
An emotional goodbye
Over the last three years, The Hunger Games franchise has thrilled and delighted fans and newcomers to the series with its mix of wonderful special effects, a great cast and intriguing plots.
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
Gareth von Kallenbach (971 KP) rated Cruella (2021) in Movies
May 26, 2021
Back in 1961; Disney adapted the 1056 Novel The Hundred and One Dalmatians and in doing so; crafted a beloved animated classic and introduced the world at large to Cruella De Vil. The film has not only endured but has spawned television series, a direct to video sequel, merchandise, and two live-action versions.
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5