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Sarah (7798 KP) rated The Trial of the Chicago 7 (2020) in Movies
Oct 19, 2020 (Updated Oct 19, 2020)
Fascinating
The Trial of the Chicago 7 is Aaron Sorkin’s second foray into directing, a dramatisation of the true story of 7 people on trial following the events at the 1968 Democratic National Convention in Chicago, Illinois.
The film centres around what is effectively a sham of a trial, and aside from a few flashbacks and prep scenes, it is virtually set entirely in the courtroom for the 2+ hour duration. There aren’t many films that can pull this off and aside from a slight lull in the middle, The Trial of the Chicago 7 manages this impressively well and this is mainly down to Aaron Sorkin himself and his rather stellar cast. It also helps that the story itself is a fascinating one. I knew nothing about the trial, the people or even the protests in Chicago, so watching this was a rather disturbing eye opener. It’s a truly compelling and interesting story which has a great deal of relevance to today’s politics – Netflix Ken what they were doing releasing this close to election time!
I’m a long time fan of Sorkin’s writing and alongside his directing, it definitely does not disappoint here. His usual sharp and quick witted dialogue is ever present and is delivered flawless by the marvellous cast. Sorkin even manages to throw in a few laughs which considering the rather serious aspects of the story is no mean feat, and these are often delivered from the ‘bromance’ between Sacha Baron Cohen’s Abbie Hoffman and Jeremy Strong’s Jerry Rubin. However every single member of this ensemble cast shines individually. From Mark Rylance’s exasperated lawyer William Kunstler to Frank Langella’s rather evil and incompetent judge, from Joseph Gordon Levitt’s prosecutor with a conscience to Eddie Redmayne’s intellectual Hayden. Even Michael Keaton who has a blink and you’ll miss it role as a former Attorney General is brilliant. I couldn’t pinpoint a single person in this case who excels above another as they are all fantastic.
I don’t believe this film is perfect. There is a slight lull in the middle due to the mostly courtroom setting, even with the cracking dialogue, and whilst I did enjoy Sorkin’s directing style, I did wonder if this film looked a little too slick and polished overall. The story is dark, gritty and rather disturbing when you think of the political and racial undertones and motivations, and the film itself doesn’t always reflect this – the ending especially is very moving, but feels a little too happy and Hollywood. I’d also question why not all of the major characters were included in the intertitles detailing what happened to the individuals after the events of this film. Considering it was such a balanced cast, it seemed odd not to include all the main characters especially for those who don’t know the real life history.
Overall this is a fantastic dialogue and performance driven film. Sorkin is without a doubt a master of the legal and political drama, and if you’re a fan of his earlier work then this is definitely one worth watching. Whilst “enjoyable” may not be the most appropriate word considering the subject matter, this is a hugely interesting and entertaining watch.
The film centres around what is effectively a sham of a trial, and aside from a few flashbacks and prep scenes, it is virtually set entirely in the courtroom for the 2+ hour duration. There aren’t many films that can pull this off and aside from a slight lull in the middle, The Trial of the Chicago 7 manages this impressively well and this is mainly down to Aaron Sorkin himself and his rather stellar cast. It also helps that the story itself is a fascinating one. I knew nothing about the trial, the people or even the protests in Chicago, so watching this was a rather disturbing eye opener. It’s a truly compelling and interesting story which has a great deal of relevance to today’s politics – Netflix Ken what they were doing releasing this close to election time!
I’m a long time fan of Sorkin’s writing and alongside his directing, it definitely does not disappoint here. His usual sharp and quick witted dialogue is ever present and is delivered flawless by the marvellous cast. Sorkin even manages to throw in a few laughs which considering the rather serious aspects of the story is no mean feat, and these are often delivered from the ‘bromance’ between Sacha Baron Cohen’s Abbie Hoffman and Jeremy Strong’s Jerry Rubin. However every single member of this ensemble cast shines individually. From Mark Rylance’s exasperated lawyer William Kunstler to Frank Langella’s rather evil and incompetent judge, from Joseph Gordon Levitt’s prosecutor with a conscience to Eddie Redmayne’s intellectual Hayden. Even Michael Keaton who has a blink and you’ll miss it role as a former Attorney General is brilliant. I couldn’t pinpoint a single person in this case who excels above another as they are all fantastic.
I don’t believe this film is perfect. There is a slight lull in the middle due to the mostly courtroom setting, even with the cracking dialogue, and whilst I did enjoy Sorkin’s directing style, I did wonder if this film looked a little too slick and polished overall. The story is dark, gritty and rather disturbing when you think of the political and racial undertones and motivations, and the film itself doesn’t always reflect this – the ending especially is very moving, but feels a little too happy and Hollywood. I’d also question why not all of the major characters were included in the intertitles detailing what happened to the individuals after the events of this film. Considering it was such a balanced cast, it seemed odd not to include all the main characters especially for those who don’t know the real life history.
Overall this is a fantastic dialogue and performance driven film. Sorkin is without a doubt a master of the legal and political drama, and if you’re a fan of his earlier work then this is definitely one worth watching. Whilst “enjoyable” may not be the most appropriate word considering the subject matter, this is a hugely interesting and entertaining watch.
Kyera (8 KP) rated They Both Die At The End in Books
Jan 31, 2018
They Both Die at the End. That tells you exactly what is going to happen in the book, yet you hope the entire time that it won't be true. This book made me so happy and sad. The journey was hopeful despite the dark theme and you really connect with the characters. This was my first Adam Silvera novel and I am definitely interested in reading more of his books now.
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
Kyera (8 KP) rated Clockwork Princess (The Infernal Devices, #3) in Books
Jan 31, 2018
Clockwork Princess is the stunning conclusion to Cassandra Clare’s the Infernal Devices trilogy. The pacing of the third book is much brisker than its predecessor and immediately drags you into the plot. There are also significantly more scenes with action in them, which help to break up the scenes that steadily move the story along. As with the previous books, the story is very character-driven and continues to bring further depth to each character’s personality.
Will continues to be my favourite focus of any scene with his witty comments and sense of humour. It was nice to see him play off his sister at times, because normally only Tessa can manage Will. Although they have been apart for many years they still have a wonderfully authentic relationship, like how easily she is able to get under his skin. Will and Jem’s parabatai relationship, as it was in the previous books, is so real that you can easily imagine the love they have for one another, the pain each feels when the other is hurt, and how they would do anything for each other.
It was nice to see the continued development of characters that we’ve grown to love, as well as the new faces that have joined the familiar at the Institute. The number of important characters does not ever feel overwhelming or confusing, as each has been given the time to become established and grow in the world that Cassandra Clare has created. I love each and every one of the characters because they are not only true but integral to the story as a whole.
Despite having read this entire series before and knowing what will happen – it is still so brilliantly written that it elicits myriad emotions throughout. Each character feels real and their lives affect your own. A tear slips down my face as one character experiences unbearable pain, while another comes at the thought of losing a character I’ve grown to love so much. A grin overtakes my face in light of the overwhelmingly happy news. The books that I have grown to love are the ones that speak to you, change you, and will forever stay with you.
Clockwork Princess is quite possibly the best series finale that I have read and certainly the best final book in a trilogy. Despite the book causing me to cry, multiple times, I never felt dissatisfied with the conclusion. The story comes to a climactic end, then Cassandra Clare takes the final chapter to pull everything together and the prologue to make me cry again. I loved re-reading this series so much and hope that you are inspired to read it as well.
Will continues to be my favourite focus of any scene with his witty comments and sense of humour. It was nice to see him play off his sister at times, because normally only Tessa can manage Will. Although they have been apart for many years they still have a wonderfully authentic relationship, like how easily she is able to get under his skin. Will and Jem’s parabatai relationship, as it was in the previous books, is so real that you can easily imagine the love they have for one another, the pain each feels when the other is hurt, and how they would do anything for each other.
It was nice to see the continued development of characters that we’ve grown to love, as well as the new faces that have joined the familiar at the Institute. The number of important characters does not ever feel overwhelming or confusing, as each has been given the time to become established and grow in the world that Cassandra Clare has created. I love each and every one of the characters because they are not only true but integral to the story as a whole.
Despite having read this entire series before and knowing what will happen – it is still so brilliantly written that it elicits myriad emotions throughout. Each character feels real and their lives affect your own. A tear slips down my face as one character experiences unbearable pain, while another comes at the thought of losing a character I’ve grown to love so much. A grin overtakes my face in light of the overwhelmingly happy news. The books that I have grown to love are the ones that speak to you, change you, and will forever stay with you.
Clockwork Princess is quite possibly the best series finale that I have read and certainly the best final book in a trilogy. Despite the book causing me to cry, multiple times, I never felt dissatisfied with the conclusion. The story comes to a climactic end, then Cassandra Clare takes the final chapter to pull everything together and the prologue to make me cry again. I loved re-reading this series so much and hope that you are inspired to read it as well.
Acanthea Grimscythe (300 KP) rated The Mansion in Books
Jan 31, 2019
The Mansion is a tale stricken with ghosts of the past–but not the sort that haunt. Rather, in this novel by Ezekiel Boone, much of the elements that one might describe as horrific simply don’t exist. If you’re picking up The Mansion to find out what goes wrong in an automated house, I’d suggest Dean Koontz’s Demon Seed instead because this story crawls at a dreadfully slow pace.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
groundedGeek (4 KP) rated This American Life in Podcasts
Jan 10, 2018
Almost always great
The topics on this show are sometimes hit-or-miss, but often you will come across an absolute gem of a theme and the stories shared are fascinating. I rated it higher because more often than not I find the topics really interesting. On occasion there will be a dud where the host isn't as engaging or the stories just aren't my taste, but the great thing about the show is that even those episodes hit home for someone most likely. There really is something for everyone in this series... if the current episode doesn't float your boat, it's likely a previous one will be fascinating or maybe the next topic will be right up your alley.
The episodes are "investigative" in nature where the host has interviewed people and tells the true story as they go, but like many "documentary" style features in this day and age... they can sometimes be driven to tell the story they want you to hear, guiding you to the conclusion that fits their narrative rather than simply providing the facts and letting the listener draw their own conclusions. To be fair, this makes it more entertaining... because simple fact-finding would likely be boring in podcast form. It's not necessarily a criticism... Michael Moore is an example of the worst purveyor of this kind of "documentary" style... generate a conclusion, craft the clips, audio and narrative to support that conclusion... voila... Michael Moore movie. While I don't prefer that style of "documentary" because it is obviously biased, there is no doubt that Michael Moore knows how to sell his story and makes entertaining films. TAL is not quite the same, it's probably unfair to put them in that category, but there is with some of the hosts, a definite feel that they have the conclusion they want you to draw firm in their mind when they provide the accompanying stories...
Other times there isn't any agenda, they simply want to provide you with fascinating stories about fascinating people in this fascinating country... and when they do that, they do it spectacularly. I feel like my criticism above could possibly be misconstrued as a knock on the show, but discerning listeners likely recognize when this is sometimes happening and it doesn't take away from the enjoyment of the journey the show takes you on. It's not a knock, it's a fun show.
The episodes are "investigative" in nature where the host has interviewed people and tells the true story as they go, but like many "documentary" style features in this day and age... they can sometimes be driven to tell the story they want you to hear, guiding you to the conclusion that fits their narrative rather than simply providing the facts and letting the listener draw their own conclusions. To be fair, this makes it more entertaining... because simple fact-finding would likely be boring in podcast form. It's not necessarily a criticism... Michael Moore is an example of the worst purveyor of this kind of "documentary" style... generate a conclusion, craft the clips, audio and narrative to support that conclusion... voila... Michael Moore movie. While I don't prefer that style of "documentary" because it is obviously biased, there is no doubt that Michael Moore knows how to sell his story and makes entertaining films. TAL is not quite the same, it's probably unfair to put them in that category, but there is with some of the hosts, a definite feel that they have the conclusion they want you to draw firm in their mind when they provide the accompanying stories...
Other times there isn't any agenda, they simply want to provide you with fascinating stories about fascinating people in this fascinating country... and when they do that, they do it spectacularly. I feel like my criticism above could possibly be misconstrued as a knock on the show, but discerning listeners likely recognize when this is sometimes happening and it doesn't take away from the enjoyment of the journey the show takes you on. It's not a knock, it's a fun show.
Phillip McSween (751 KP) rated Wonder Woman (2017) in Movies
Apr 1, 2019
Solid Bounceback for the DCEU
After the safety of her homeland Themyscira is threatened, Diana (Gal Gadot), strongest of the Amazon warriors, hurls herself into the middle of World War I to find the source of the threat.
Acting: 10
Beginning; 2
The movie starts off a bit slow, but does pick up rather quickly after the first ten minutes. I wasn’t in love in how they tried to establish the land of the Amazonians. Felt too factual and not very story driven. I know it’s one of those things that has to be done, but I’ve seen it done way better a number of times before so I can’t excuse it.
Characters: 10
Cinematography/Visuals: 10
The beautiful shots of Themyscira and the Amazonian training rituals borders on poetic at times, something you might read about in a famous ballad. Director Patty Jenkins does an amazing job of capturing the sanctity of this place, a place you don’t want to see get violated. Themyscira is pictured perfectly, it’s not just a Hawaii with women warriors. You can feel the change when Diana hits the real world and things become darker.
I thought it might be hard to capture Wonder Woman’s true strength on the big screen, but it is done almost effortlessly here with gritty scenes and slow-motion shots on impact blows. While I thought BVS overdid things with its slow-motion efforts, Jenkins has a way of capturing the perfect mood when she slows the camera down rather than it being just a mere effect. She really captures the heart of the story in every shot.
Conflict: 10
Genre: 9
Memorability: 10
Pace: 10
Plot: 8
Story was great except…Did we really need that one scene between Diana and Steve (Chris Pine)? I thought, not only did it betray the overall message of the film, but it felt forced and unnecessary. I would much rather have watched Wonder Woman just kick ass and take names and remain true to who her character was.
Resolution: 10
Overall: 89
After a couple crappy movies, DC finally began to right the ship with Wonder Woman. I am hoping the future will bring more movies like this and less movies like Suicide Squad. Not only is it a great film for women superheroes, but it’s just a great film period.
Acting: 10
Beginning; 2
The movie starts off a bit slow, but does pick up rather quickly after the first ten minutes. I wasn’t in love in how they tried to establish the land of the Amazonians. Felt too factual and not very story driven. I know it’s one of those things that has to be done, but I’ve seen it done way better a number of times before so I can’t excuse it.
Characters: 10
Cinematography/Visuals: 10
The beautiful shots of Themyscira and the Amazonian training rituals borders on poetic at times, something you might read about in a famous ballad. Director Patty Jenkins does an amazing job of capturing the sanctity of this place, a place you don’t want to see get violated. Themyscira is pictured perfectly, it’s not just a Hawaii with women warriors. You can feel the change when Diana hits the real world and things become darker.
I thought it might be hard to capture Wonder Woman’s true strength on the big screen, but it is done almost effortlessly here with gritty scenes and slow-motion shots on impact blows. While I thought BVS overdid things with its slow-motion efforts, Jenkins has a way of capturing the perfect mood when she slows the camera down rather than it being just a mere effect. She really captures the heart of the story in every shot.
Conflict: 10
Genre: 9
Memorability: 10
Pace: 10
Plot: 8
Story was great except…Did we really need that one scene between Diana and Steve (Chris Pine)? I thought, not only did it betray the overall message of the film, but it felt forced and unnecessary. I would much rather have watched Wonder Woman just kick ass and take names and remain true to who her character was.
Resolution: 10
Overall: 89
After a couple crappy movies, DC finally began to right the ship with Wonder Woman. I am hoping the future will bring more movies like this and less movies like Suicide Squad. Not only is it a great film for women superheroes, but it’s just a great film period.
Kristy H (1252 KP) rated What Could Be Saved in Books
Jun 3, 2021
A lyrical and fascinating look at the pull of family
This is the twenty-third book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Much of Laura Preston's life has been defined by the disappearance of her brother, Philip, when they were children. The family lived in Bangkok in the 1970s for her father's work. While there, Philip went to judo class--and never returned. His loss tore their family apart. When a stranger contacts Laura, claiming to have information about Philip, she defies her older sister's wishes and flies to Thailand to see if this is indeed true. Laura knows that this is what their mom, Genevieve, now suffering from dementia, would want.
This was a fascinating, atmospheric book that pulled me in immediately. It's beautifully, lyrically written. The story is told in the present day, with Laura's perspective as a somewhat struggling painter in Washington, DC and then flashing back to Bangkok in the 1970s, with Genevieve's story and even Philip's. It's utterly compelling, weaving both a mystery yet also a character-driven tale.
Schwarz offers such unique and well-done characters. Not just the Preston family, but also their servants in Bangkok, including Noi, who accompanies the family back to America. There's Robert Preston, the family patriarch, who has a mysterious career, and his boss, who pulls Genevieve into his orbit. There's Genevieve, who tries to mimic the life her children might have in the United States--and then basically abandons the role of mother once Philip disappears. Bea, who tries to be a strong big sister for Laura. And Laura, who struggles as the youngest and sometimes forgotten child in the wake of her brother's disappearance.
Each Preston--and those in their orbit--is well-written and flawed. They seem real and true. Schwarz's writing is thoughtful and excellent and everyone comes to life as you read. Her descriptions of Bangkok and Thailand are excellent as well.
I was totally immersed in this tale, wondering what had happened to Philip; in many ways, this is a heartbreaking tale. It's a beautiful look at family and what it means. Schwarz's story makes you think and allows you insight into the Preston family's world. It's illuminating and lovely. Certainly worth the read. 4.5 stars.
Much of Laura Preston's life has been defined by the disappearance of her brother, Philip, when they were children. The family lived in Bangkok in the 1970s for her father's work. While there, Philip went to judo class--and never returned. His loss tore their family apart. When a stranger contacts Laura, claiming to have information about Philip, she defies her older sister's wishes and flies to Thailand to see if this is indeed true. Laura knows that this is what their mom, Genevieve, now suffering from dementia, would want.
This was a fascinating, atmospheric book that pulled me in immediately. It's beautifully, lyrically written. The story is told in the present day, with Laura's perspective as a somewhat struggling painter in Washington, DC and then flashing back to Bangkok in the 1970s, with Genevieve's story and even Philip's. It's utterly compelling, weaving both a mystery yet also a character-driven tale.
Schwarz offers such unique and well-done characters. Not just the Preston family, but also their servants in Bangkok, including Noi, who accompanies the family back to America. There's Robert Preston, the family patriarch, who has a mysterious career, and his boss, who pulls Genevieve into his orbit. There's Genevieve, who tries to mimic the life her children might have in the United States--and then basically abandons the role of mother once Philip disappears. Bea, who tries to be a strong big sister for Laura. And Laura, who struggles as the youngest and sometimes forgotten child in the wake of her brother's disappearance.
Each Preston--and those in their orbit--is well-written and flawed. They seem real and true. Schwarz's writing is thoughtful and excellent and everyone comes to life as you read. Her descriptions of Bangkok and Thailand are excellent as well.
I was totally immersed in this tale, wondering what had happened to Philip; in many ways, this is a heartbreaking tale. It's a beautiful look at family and what it means. Schwarz's story makes you think and allows you insight into the Preston family's world. It's illuminating and lovely. Certainly worth the read. 4.5 stars.
Kristy H (1252 KP) rated Imperfect Women in Books
Sep 17, 2020
An engaging and suspenseful look into the power of secrets
Eleanor, Nancy, and Mary have been best friends since they met at Oxford. But then Nancy is murdered, leaving behind an adoring husband and a daughter. Her life, from the outside, was seemingly perfect. But Eleanor knows that the night Nancy died, she was going to meet her lover, hoping to break it off. And as the investigation into Nancy's death continues, both Eleanor and Mary struggle with their grief, the memories they have of their friend, and what her death means for those left behind.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
LoganCrews (2861 KP) rated Final Fantasy: The Spirits Within (2001) in Movies
Sep 20, 2020
I have almost nothing new to add, everything you've heard is true: the animation is almost religiously astounding for the time and even now (in spite of some expected hiccups for the rudimentary motion capture of the time: i.e. speed being an issue - anything that moves above 0.1 MPH has an unsightly motion blur all over it and all the running looks like mall-jogging), CGI wouldn't look this good for years and years afterward but the thing moves at a snail's pace with an oddly apparent avoidance of any sort of fun. Certainly still weird and visually prepossessing enough to get a pass (if this didn't have its unforgettable photorealistic animation it would suck just as hard as any other generic sci-fi fodder, this is home to some truly bracing imagery) - but what the actual hell were they thinking with this writing? All the characters are nonentities in their own story (delivered with similarly boring voice acting by an all-star cast, which most animated films would later replicate directly) and whatever remnants of a story are left behind in the rubble *do* have the potential to be poignant and thought-provoking but are rather just passively mentioned a time or two by way of banal exposition into a mess of things that don't add up to anything more than a stupid story. Can't believe they thought this would work with... anyone (especially fans of the character-driven games given that they turned this into some odd but rather bland alien film for some confounding reason lol) considering all the massive amounts of money they shoveled into it - and minus a few more points for being another tech-heavy future fantasy set in a world that's entirely grey and decrepit. However, the last half hour is some squarely invigorating, enigmatic spectacle that finds an intense beauty in how mind-boggling and glamorous it all is - you'd think the whole thing is always one second away from collapsing into the best of non-western genre surreality. In fact It seems almost unreal in and of itself to be watching something so conventional yet so unrestrained and auteurish. Really needed like eight movies to fully explore these themes but I'm also kind of glad they didn't - half epic and half yawnsville but the epic is more epic than the yawnsville is yawnsville.
Daniel Johnson (11 KP) rated Harry Potter and the Order of the Phoenix in Books
Sep 5, 2017
Plot (2 more)
Characters
Magic
Simply Amazing
Harry Potter is a cultural icon, and reading the books will tell you exactly why.
While I do not believe this is the best Harry Potter book (Read the Goblet of Fire, it is perfect) this book is up there with the best. With a plot that is simple yet magical, it will no doubt be remembered alongside the adventures of Tolkien, with an epic story that is character driven and imaginative to the extreme.
The book takes an even greater appeal when considered alongside the rest of the series, and with the addition of the final book, rereading is crucial. Easter eggs and secrets are hidden deep within these pages and make it a joy to read again, theorise about and delve deep into.
J.K is famous for her world building, creating something of epic scale that feels real despite how crazy it sounds. While avoiding spoilers in this review, it is important that I emphasise the importance of this book with the addition of The Order of the Phoenix. an addition that creates a thrilling new plot line that develops characters masterfully. We see the golden trio grow more than ever before, and it is a joy to experience.
Read Harry Potter, you won't regret it, and you will be a part of the biggest book series since records began. The one that defines this generation of teens, and inspired some of the greatest creators since.
While I do not believe this is the best Harry Potter book (Read the Goblet of Fire, it is perfect) this book is up there with the best. With a plot that is simple yet magical, it will no doubt be remembered alongside the adventures of Tolkien, with an epic story that is character driven and imaginative to the extreme.
The book takes an even greater appeal when considered alongside the rest of the series, and with the addition of the final book, rereading is crucial. Easter eggs and secrets are hidden deep within these pages and make it a joy to read again, theorise about and delve deep into.
J.K is famous for her world building, creating something of epic scale that feels real despite how crazy it sounds. While avoiding spoilers in this review, it is important that I emphasise the importance of this book with the addition of The Order of the Phoenix. an addition that creates a thrilling new plot line that develops characters masterfully. We see the golden trio grow more than ever before, and it is a joy to experience.
Read Harry Potter, you won't regret it, and you will be a part of the biggest book series since records began. The one that defines this generation of teens, and inspired some of the greatest creators since.