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This is the fourteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Driving home to Utah to see her dying mother, college student Darby Thorne gets stuck in a terrible snowstorm. It forces her to stop at a rest area in Colorado. There she finds four other strangers stranded as well. When going back out to her car to try to get a cell signal, Darby makes a horrible discovery: in the van next to her vehicle, there's a little girl locked in a crate. Darby has no cell signal, there's no phone at the rest stop, and no way of knowing which of the four strangers has abducted this child. She's trapped and must find a way to rescue the kid. But how?
When I first picked up this book, I found it a little slow. Honestly, I think it's just because it stressed me out completely. One young college student trapped in the snow, trying to save a kid. It's a lot. I will say that Darby Thorne is a total badass (much like my hero, Darby Shaw, of The Pelican Brief).
This book is basically just a horror show, filled with violence, terror, and suspense. You don't know who Darby can trust, or what on earth will happen next. Adams packs a lot of tension into a book set in a rest area, and into a story that spans over less than half a day. It's pretty impressive.
Overall, while I can't say I completely enjoyed this book, because I was constantly worried, it's very well-done and suspenseful. 3.5 stars, rounded to 4 here.
Driving home to Utah to see her dying mother, college student Darby Thorne gets stuck in a terrible snowstorm. It forces her to stop at a rest area in Colorado. There she finds four other strangers stranded as well. When going back out to her car to try to get a cell signal, Darby makes a horrible discovery: in the van next to her vehicle, there's a little girl locked in a crate. Darby has no cell signal, there's no phone at the rest stop, and no way of knowing which of the four strangers has abducted this child. She's trapped and must find a way to rescue the kid. But how?
When I first picked up this book, I found it a little slow. Honestly, I think it's just because it stressed me out completely. One young college student trapped in the snow, trying to save a kid. It's a lot. I will say that Darby Thorne is a total badass (much like my hero, Darby Shaw, of The Pelican Brief).
This book is basically just a horror show, filled with violence, terror, and suspense. You don't know who Darby can trust, or what on earth will happen next. Adams packs a lot of tension into a book set in a rest area, and into a story that spans over less than half a day. It's pretty impressive.
Overall, while I can't say I completely enjoyed this book, because I was constantly worried, it's very well-done and suspenseful. 3.5 stars, rounded to 4 here.
Emma @ The Movies (1786 KP) rated The Mountain Between Us (2017) in Movies
Sep 25, 2019
Dr. Ben Bass and photojournalist Alex Martin are stranded in Boise Airport when their flight is cancelled due to a storm. In an attempt to get home Alex hires a local pilot to fly them back so they can both make their appointments. The three of them, plus the pilot's dog, take off for home in Baltimore, Maryland. But mid-flight Walter the pilot suffers a stroke.
The plane loses control and crashes on a mountain top, leaving Alex unconscious, and Ben and the dog to fend for themselves. While Alex recovers, Ben tends to her wounds, buries Walter in the snow, and turns the wreck of the plane into a shelter.
When Alex wakes up she's a realist, there was no flight plan, the tracker was in the plane's tail which is missing, and they've been there a long time without someone already finding them. She wants to leave the safety of the plane but after Ben makes an unsuccessful search he doesn't want to risk it. While he sleeps she sneaks out of the plane with the dog and heads out into the snowy hills.
The movie certainly got me in the feels, just as well I had the screen all to myself really! I'm not sure that I'd be desperate to see it again, but it was an enjoyable way to pass the time. My only real issue is that it was a very predictable story line. Oh... and the fact that they kept the dog on a leash while trekking across the mountains.
It's currently sitting around the 50% mark on Rotten Tomatoes for both critics and us regular plebs. (Slightly lower for the critics, obviously.) That seems about right, nice film but I don't think I'd need to see it again.
The plane loses control and crashes on a mountain top, leaving Alex unconscious, and Ben and the dog to fend for themselves. While Alex recovers, Ben tends to her wounds, buries Walter in the snow, and turns the wreck of the plane into a shelter.
When Alex wakes up she's a realist, there was no flight plan, the tracker was in the plane's tail which is missing, and they've been there a long time without someone already finding them. She wants to leave the safety of the plane but after Ben makes an unsuccessful search he doesn't want to risk it. While he sleeps she sneaks out of the plane with the dog and heads out into the snowy hills.
The movie certainly got me in the feels, just as well I had the screen all to myself really! I'm not sure that I'd be desperate to see it again, but it was an enjoyable way to pass the time. My only real issue is that it was a very predictable story line. Oh... and the fact that they kept the dog on a leash while trekking across the mountains.
It's currently sitting around the 50% mark on Rotten Tomatoes for both critics and us regular plebs. (Slightly lower for the critics, obviously.) That seems about right, nice film but I don't think I'd need to see it again.
Gareth von Kallenbach (971 KP) rated the PlayStation 4 version of Tomb Raider Definitive Edition in Video Games
Jun 19, 2019
I remember the days of Tomb Raider coming out on the PC in the irregular shaped packages and the outcry some people had over the outrageously curvaceous proportions of Lara Croft. As the series has unfolded to not only include two cinematic features as well as entry into the console market the mix of action, adventure, and puzzle solving has been a staple of the series. Square Enix has released Tomb Raider: Definitive Edition for next-generation consoles and I was very happy to experience the game on our PlayStation 4 system.
The game has been given updated graphics which really show off the amazing character facial animations of the series as well as the dynamic lighting and other graphical effects that are made possible with the new consoles.
This time out Lara is stranded on an island and must fight for survival against the dangerous people that occupy the island and will stop at nothing to protect its secret.
This is very dark and gritty game as its mature rating would suggest and with the power of the graphical engine you can see Lara in stunning detail down to the beads of sweat on her face, every stranded here, and of course the dirt and damage she takes in the course of fighting for her survival.
Being able to customize her weapons is but one of the many advantages to the series and there of course is puzzle solving which the series is famous for.
One early segment of the game had me moving through a dark cave in order to try to get an injured Lara safety but some very dangerous people in hot pursuit. These are not the typical serial adventure bad guys who shoot first with bad aim and hope to take the heroine hostage, rather these are bad guys intent on killing her and anyone else who gets in the way as brutally as they can.
The collection comes with bonus outfits and DLC and seeing the game in 1080 resolution running at 60 frames per second is truly eye-popping as to a casual observer it would be difficult to see what was gameplay and what were cut scenes. Upon seeing it for the first time, my wife was highly impressed the graphical abilities of the game and became interested in storyline and events unfolding as she sat down and offered me gameplay help and advice.
That is the beauty of the series as hard-core and casual, male and female, gamers are easily drawn to the character and her adventurous.
While I have spent a lot of attention on the graphics and look at the game is important that we focus on the game itself and I’m happy to say that both the solo and multiplayer aspects of the game offer plenty of entertainment. There’s a good mix of action and story to the game and the less linear nature of the game and open environments make it very enjoyable especially to somebody who’s used to the affirmation tombs of the original games. While there is puzzle solving to the game there is also the ability said a difficulty that is best suited to your level of gaming and like any game of this type players have to accept that they are going to have failed or along with their successes as that is the nature of an action adventure game.
I did not play the earlier versions the game as my time with the PS 4 version of the game is my most recent experience with the series in a while. That being said, the graphics and gameplay easily hooked me and reminded me why I became a fan of the original games and this imaginative and immersive new installment is the perfect mix for fans new and old alike looking to experience the game.
http://sknr.net/2014/04/01/tomb-raider-the-definitive-edition/
The game has been given updated graphics which really show off the amazing character facial animations of the series as well as the dynamic lighting and other graphical effects that are made possible with the new consoles.
This time out Lara is stranded on an island and must fight for survival against the dangerous people that occupy the island and will stop at nothing to protect its secret.
This is very dark and gritty game as its mature rating would suggest and with the power of the graphical engine you can see Lara in stunning detail down to the beads of sweat on her face, every stranded here, and of course the dirt and damage she takes in the course of fighting for her survival.
Being able to customize her weapons is but one of the many advantages to the series and there of course is puzzle solving which the series is famous for.
One early segment of the game had me moving through a dark cave in order to try to get an injured Lara safety but some very dangerous people in hot pursuit. These are not the typical serial adventure bad guys who shoot first with bad aim and hope to take the heroine hostage, rather these are bad guys intent on killing her and anyone else who gets in the way as brutally as they can.
The collection comes with bonus outfits and DLC and seeing the game in 1080 resolution running at 60 frames per second is truly eye-popping as to a casual observer it would be difficult to see what was gameplay and what were cut scenes. Upon seeing it for the first time, my wife was highly impressed the graphical abilities of the game and became interested in storyline and events unfolding as she sat down and offered me gameplay help and advice.
That is the beauty of the series as hard-core and casual, male and female, gamers are easily drawn to the character and her adventurous.
While I have spent a lot of attention on the graphics and look at the game is important that we focus on the game itself and I’m happy to say that both the solo and multiplayer aspects of the game offer plenty of entertainment. There’s a good mix of action and story to the game and the less linear nature of the game and open environments make it very enjoyable especially to somebody who’s used to the affirmation tombs of the original games. While there is puzzle solving to the game there is also the ability said a difficulty that is best suited to your level of gaming and like any game of this type players have to accept that they are going to have failed or along with their successes as that is the nature of an action adventure game.
I did not play the earlier versions the game as my time with the PS 4 version of the game is my most recent experience with the series in a while. That being said, the graphics and gameplay easily hooked me and reminded me why I became a fan of the original games and this imaginative and immersive new installment is the perfect mix for fans new and old alike looking to experience the game.
http://sknr.net/2014/04/01/tomb-raider-the-definitive-edition/
Sarah (7798 KP) rated Lost At Christmas (2020) in Movies
Nov 24, 2020
Lacking in Christmas spirit
Lost at Christmas is a Scottish romantic comedy following two strangers that team up to try and get home for Christmas after finding themselves stranded in the Scottish highlands on Christmas Eve.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
Acanthea Grimscythe (300 KP) rated The Boats of the 'Glen Carrig' in Books
May 16, 2018
Prior to selecting The Boats of the ‘Glen Carrig’ as my next read on Serial Reader, I was unaware that William Hope Hodgson was a source of inspiration for Lovecraft. In fact, as I devoured the novel, I remember remarking to myself how much it felt like something Lovecraft would write – and no wonder!
The Boats of the ‘Glen Carrig’ is written in first-person point of view and feels largely epistolary in form (though it is actually a travelogue). There is no dialogue and readers only know what Winterstraw writes. The story follows a marooned ship and its crew first as they encounter an odd island and then as they end up stranded in what appears as a Hell on Earth – or in this case, the sea. There, they discover another ship entangled in seaweed for seven years (yeah, I don’t get that either, but hey who’s judging?).
Oddly enough, despite the myriad oddities that those aboard the Glen Carrig encounter, it is the second ship they find that truly bewilders me and crosses me as unbelievable. I’m all for the time of creatures this group encounters, but I cannot fathom how it is possible that so many individuals survived on ship that was, for the most part, dead in the water. I kept waiting and waiting for something to go wrong, for something truly disturbing to happen in regards to the other boat and well… there was nothing.
Even though I feel disappointed by the outcome of things with the other ship, overall I found The Boats of the ‘Glen Carrig’ a fun read. For fans of H. P. Lovecraft, it is a must-read. The Wildside Press publication of this book, as well as several other public domain publications, are available on Amazon, free of charge. An audio version can be found on Librivox, an organization comprised of volunteers that come together to record audiobooks of titles that are in the Public Domain.
The Boats of the ‘Glen Carrig’ is written in first-person point of view and feels largely epistolary in form (though it is actually a travelogue). There is no dialogue and readers only know what Winterstraw writes. The story follows a marooned ship and its crew first as they encounter an odd island and then as they end up stranded in what appears as a Hell on Earth – or in this case, the sea. There, they discover another ship entangled in seaweed for seven years (yeah, I don’t get that either, but hey who’s judging?).
Oddly enough, despite the myriad oddities that those aboard the Glen Carrig encounter, it is the second ship they find that truly bewilders me and crosses me as unbelievable. I’m all for the time of creatures this group encounters, but I cannot fathom how it is possible that so many individuals survived on ship that was, for the most part, dead in the water. I kept waiting and waiting for something to go wrong, for something truly disturbing to happen in regards to the other boat and well… there was nothing.
Even though I feel disappointed by the outcome of things with the other ship, overall I found The Boats of the ‘Glen Carrig’ a fun read. For fans of H. P. Lovecraft, it is a must-read. The Wildside Press publication of this book, as well as several other public domain publications, are available on Amazon, free of charge. An audio version can be found on Librivox, an organization comprised of volunteers that come together to record audiobooks of titles that are in the Public Domain.
Jesters_folly (230 KP) rated #Alive (2020) in Movies
Oct 17, 2020
Contains spoilers, click to show
#Alive is a Korean zombie movie that focuses on the survival of Oh Joon-woo, a young man who is stranded in his family's apartment at the outbreak of the zombie virus and follows him as he tries to work out what is happening, how he can survive and how he can cope with the fact that his family is probably dead.
#Alive is defiantly a film of 3 parts, the first part focuses solely on Oh Joon-woo and his attempts at survival alone in his apartment as he struggles to cope with the zombies, running out of food and the lose of his family. The portrayal of Isolation and loneliness is very well done, leading up to what could almost be a very short film.
Then Oh Joon-woo meets Kim Yoo-bin, another survivor who lives in the apartments across the street from him. The isolation continues as the two find ways to communicate and survive but now there is hope.
The two are eventually forced from their apartments and have to meet up and move up as they try to find somewhere safe to survive.
#Alive is a film without a big main cast and this helps the sense of isolation and loneliness which is only increased by the fact that they spend most of the film separated by a street full of the undead.
Surprisingly #Alive manages to avoid becoming a love story. Normally when you have two survivors who meet in films like this they fall for each other and, at least part of the film is taken up by their relationship. However #Alive doesn't do this, Oh Joon-woo and Kim Yoo-bin obviously become friends but they are too busy surviving but their relationship doesn't overtake the main point of the film, survival.
There are moments of tension and relief in the film and they work well making #Alive a different type of film than a lot of other zombie films, including the other Korean zombie blockbuster, Train to Busan.
#Alive is defiantly a film of 3 parts, the first part focuses solely on Oh Joon-woo and his attempts at survival alone in his apartment as he struggles to cope with the zombies, running out of food and the lose of his family. The portrayal of Isolation and loneliness is very well done, leading up to what could almost be a very short film.
Then Oh Joon-woo meets Kim Yoo-bin, another survivor who lives in the apartments across the street from him. The isolation continues as the two find ways to communicate and survive but now there is hope.
The two are eventually forced from their apartments and have to meet up and move up as they try to find somewhere safe to survive.
#Alive is a film without a big main cast and this helps the sense of isolation and loneliness which is only increased by the fact that they spend most of the film separated by a street full of the undead.
Surprisingly #Alive manages to avoid becoming a love story. Normally when you have two survivors who meet in films like this they fall for each other and, at least part of the film is taken up by their relationship. However #Alive doesn't do this, Oh Joon-woo and Kim Yoo-bin obviously become friends but they are too busy surviving but their relationship doesn't overtake the main point of the film, survival.
There are moments of tension and relief in the film and they work well making #Alive a different type of film than a lot of other zombie films, including the other Korean zombie blockbuster, Train to Busan.
Andy K (10821 KP) rated Buster's Mal Heart (2016) in Movies
Sep 2, 2019
Someone tell me what I just watched?!?
On the recommendation from a friend, I checked this film out on Netflix (I think it is available on Netflix UK also).
Before he recently won the Academy Award for Best Actor for Bohemian Rhapsody, Rami Malek starred in this very unusual film about a guy who is either stranded out at sea on a one-person raft, running from the law after breaking in and stealing wealthy mansions for his own use or a married man working at a hotel with a wife and daughter. Or maybe all 3?
The character meets a paranoid man talking all about the "inversion" and Y2K (remember that?) which sends the man down a weird slope of cerebral? encounters throughout his various levels of existence.
The screenplay is so interesting that I want to sit in a room with writer/director Sarah Adina Smith to pick her brain just to make sure I either understand what I watched or if I am meant to. I have no issue with cerebral films like Donnie Darko, The Fountain, Under the Skin or Mulholland Drive. Since some of the film takes place in a hotel, I could see comparisons to shades of The Shining also.
It may take another viewing to let everything soak in or maybe I will pick up new things the next time around.
The look of the film is breathtaking with both beautiful outdoor landscapes, gorgeous mansions, and stuffy hotel lobbies.
I am ashamed to say I have not seen Bohemian Rhapsody yet, but based on this film alone Malek appears to be not only up and coming, but here to stay for a while and he deserves it. He was emotional and moving in this film so I am eager to see more of his work.
Please someone else watch this so we can discuss. I would love to hear your opinion!
Before he recently won the Academy Award for Best Actor for Bohemian Rhapsody, Rami Malek starred in this very unusual film about a guy who is either stranded out at sea on a one-person raft, running from the law after breaking in and stealing wealthy mansions for his own use or a married man working at a hotel with a wife and daughter. Or maybe all 3?
The character meets a paranoid man talking all about the "inversion" and Y2K (remember that?) which sends the man down a weird slope of cerebral? encounters throughout his various levels of existence.
The screenplay is so interesting that I want to sit in a room with writer/director Sarah Adina Smith to pick her brain just to make sure I either understand what I watched or if I am meant to. I have no issue with cerebral films like Donnie Darko, The Fountain, Under the Skin or Mulholland Drive. Since some of the film takes place in a hotel, I could see comparisons to shades of The Shining also.
It may take another viewing to let everything soak in or maybe I will pick up new things the next time around.
The look of the film is breathtaking with both beautiful outdoor landscapes, gorgeous mansions, and stuffy hotel lobbies.
I am ashamed to say I have not seen Bohemian Rhapsody yet, but based on this film alone Malek appears to be not only up and coming, but here to stay for a while and he deserves it. He was emotional and moving in this film so I am eager to see more of his work.
Please someone else watch this so we can discuss. I would love to hear your opinion!
Molly J (Cover To Cover Cafe) (106 KP) rated The House By The Cypress Trees in Books
Sep 20, 2019
I have always wanted to travel to Italy. My father was in the Navy and was stationed in Italy for some time and my aunt and uncle lived there during their military career. So, I have always heard lots of amazing stories about the culture there. I was excited to read this book by Dr. Mikalsen because, due to health reasons, I will never get to visit Italy. Upon opening this beautiful book, I was instantly taken to the heart of the story and felt as though I got to be there, in the middle of Italy, just like my dad and uncle got to be. Oh and let's not forget to eat before reading this book because Mikalsen will leave you hungering for delicious Italian food!
Julia Ramos and Daniel Stafford are both wonderfully chiseled characters! I loved how Mikalsen created their chance encounter when Daniel nearly ran her over! The attraction between them could be felt as if I was right there standing next to them. Nothing is seeming to go right for either of them while they are in Italy, and it just doesn't seem like the universe is going to help ease their predicaments with all the misunderstandings, the sparks flying and interference from family! But, one night stranded on the side of the road, may be just what they need.
With vivid details of the country side of Italy, and two characters who are from two separate worlds, yet fall into each others paths, and a plot line filled with emotional moments, this is a beautifully written, page turning novel that I highly recommend! Britain, Italy and America collide, quite literally, in this romantic roller coaster ride of a story. It's 4 star worthy, and I look forward to reading it again and again.
*I received a complimentary copy of this book from Author, Publisher and was under no obligation to post a review, positive or negative.*
Julia Ramos and Daniel Stafford are both wonderfully chiseled characters! I loved how Mikalsen created their chance encounter when Daniel nearly ran her over! The attraction between them could be felt as if I was right there standing next to them. Nothing is seeming to go right for either of them while they are in Italy, and it just doesn't seem like the universe is going to help ease their predicaments with all the misunderstandings, the sparks flying and interference from family! But, one night stranded on the side of the road, may be just what they need.
With vivid details of the country side of Italy, and two characters who are from two separate worlds, yet fall into each others paths, and a plot line filled with emotional moments, this is a beautifully written, page turning novel that I highly recommend! Britain, Italy and America collide, quite literally, in this romantic roller coaster ride of a story. It's 4 star worthy, and I look forward to reading it again and again.
*I received a complimentary copy of this book from Author, Publisher and was under no obligation to post a review, positive or negative.*
Gareth von Kallenbach (971 KP) rated The Meg (2018) in Movies
Jun 19, 2019
The long journey to bring “The Meg” to the big screen is finally over as Author Steve Alten’s classic book series has arrived.
The film stars Jason Statham as Jonas Taylor, an expert in underwater rescues who has to makes a very difficult choice when a rescue goes bad after suffering a very unexpected encounter mid-rescue.
Five years later Jonas is out of the rescue game as he has been labeled as unreliable and prone to PTSD so he drinks his time away in Thailand working on local boats.
200 miles off the coasts of China is an advanced research lab which is the pet project of a Billionaire named Morris (Rainn Wilson), who arrives in time to witness an attempt by the crew to go deeper than ever thought possible by going through a layer that was previously believed to be the ocean floor. The experiment works and the crew is amazed by their new discoveries until something violently attacks their ship leaving them stranded on the bottom of the ocean.
With a limited amount of air and time ticking away, Jonas is recruited despite his numerous refusals as not only is one of the stranded people his ex; but the last transmission sent by the sub mentions how Jonas had been right all along when he had years early claimed they were not alone during the rescue attempt gone bad.
Jonas is teamed with a spirited member of the team named Suyin (Bingbing Li), who has taken a sub down ahead of Jonas as she was not willing to wait for outside help to arrive. She locates her comrades and is attacked by a massive shark long thought extinct.
The harrowing rescue goes off but again Jonas is faced with a no-win situation and is blamed by a former colleague for the issues.
While Morris is eager to exploit the new find for the huge financial opportunity it presents, their plans change when the creature emerges from its contained area and threatens a level of carnage on the seas the likes of which society and the ecosystem are very unprepared for.
What follows is a frantic and often intense series of engagements as Jonas and the crew must battle the massive and deadly creature and find a way to survive.
The film has some very solid effects and the intensity at times had people in the press screening partially covering their eyes during some of the more harrowing moments.
The cast is solid and work well with one another as the film does what it can to keep some of the characters from being little more than generic victims for the Meg.
The movie does differ from the book in terms of being set off China versus California but this was largely due to the joint-production with Chinese owned Gravity Pictures. The film is also much less gory than the book as Director Jon Turteltaub was mandated to deliver a PG-13 film by the studio to improve the odds of returning on the $150.00 million invested in the film.
The dialogue is also a bit stilted and formulaic in parts but action films are not known for their complex plots or advanced dialogue and I attributed this largely to the challenges of a blended cast; many of whom do not speak English as their primary language.
Despite a delay from its planned 2017 release date, “The Meg” is a solid and fun action-thriller that gives audiences one of the best excuses not to go swimming since “Jaws”. While there have been numerous Shark films over the years, “The Meg” deftly weaves good sets and production values with a top-notch cast and lavish visuals to bring the film to life.
With several other books in the series already available, I hope we see the next film surface in a few years as I cannot wait to see what comes next.
http://sknr.net/2018/08/08/the-meg/
The film stars Jason Statham as Jonas Taylor, an expert in underwater rescues who has to makes a very difficult choice when a rescue goes bad after suffering a very unexpected encounter mid-rescue.
Five years later Jonas is out of the rescue game as he has been labeled as unreliable and prone to PTSD so he drinks his time away in Thailand working on local boats.
200 miles off the coasts of China is an advanced research lab which is the pet project of a Billionaire named Morris (Rainn Wilson), who arrives in time to witness an attempt by the crew to go deeper than ever thought possible by going through a layer that was previously believed to be the ocean floor. The experiment works and the crew is amazed by their new discoveries until something violently attacks their ship leaving them stranded on the bottom of the ocean.
With a limited amount of air and time ticking away, Jonas is recruited despite his numerous refusals as not only is one of the stranded people his ex; but the last transmission sent by the sub mentions how Jonas had been right all along when he had years early claimed they were not alone during the rescue attempt gone bad.
Jonas is teamed with a spirited member of the team named Suyin (Bingbing Li), who has taken a sub down ahead of Jonas as she was not willing to wait for outside help to arrive. She locates her comrades and is attacked by a massive shark long thought extinct.
The harrowing rescue goes off but again Jonas is faced with a no-win situation and is blamed by a former colleague for the issues.
While Morris is eager to exploit the new find for the huge financial opportunity it presents, their plans change when the creature emerges from its contained area and threatens a level of carnage on the seas the likes of which society and the ecosystem are very unprepared for.
What follows is a frantic and often intense series of engagements as Jonas and the crew must battle the massive and deadly creature and find a way to survive.
The film has some very solid effects and the intensity at times had people in the press screening partially covering their eyes during some of the more harrowing moments.
The cast is solid and work well with one another as the film does what it can to keep some of the characters from being little more than generic victims for the Meg.
The movie does differ from the book in terms of being set off China versus California but this was largely due to the joint-production with Chinese owned Gravity Pictures. The film is also much less gory than the book as Director Jon Turteltaub was mandated to deliver a PG-13 film by the studio to improve the odds of returning on the $150.00 million invested in the film.
The dialogue is also a bit stilted and formulaic in parts but action films are not known for their complex plots or advanced dialogue and I attributed this largely to the challenges of a blended cast; many of whom do not speak English as their primary language.
Despite a delay from its planned 2017 release date, “The Meg” is a solid and fun action-thriller that gives audiences one of the best excuses not to go swimming since “Jaws”. While there have been numerous Shark films over the years, “The Meg” deftly weaves good sets and production values with a top-notch cast and lavish visuals to bring the film to life.
With several other books in the series already available, I hope we see the next film surface in a few years as I cannot wait to see what comes next.
http://sknr.net/2018/08/08/the-meg/
Acanthea Grimscythe (300 KP) rated They Feed in Books
Feb 21, 2019
Jason Parent’s They Feed has been on my radar for quite some time. A few months ago I snagged a galley of it. Things got in the way, but I finally found the time to sit down and straight up devour this title.
Set in Galveston National Park in Kansas, They Feed is the terrifying story of a what goes bump in the night. When a few groups, for completely different reasons, end up stranded in the dark, they quickly find themselves pitted against an unknown enemy that seems almost invincible, and every bit vicious. Can they survive until sunrise?
Let’s face it. When it comes to horror books, characters are dispensable. It’s hard to really get attached to anyone because we expect them to die. Therefore I’m always pleasantly surprised when there’s any amount of character development–and Parent’s stuffed this book with it. We’ve got a loathsome woman that, despite not being able to stand, I found myself cheering for. An angsty, delinquent teenager with redeemable qualities. A former convict. A group of frat boys behaving stupidly. All of these are present in this book, and Parent writes them in a way that had me both loving and hating several of them. (I cheered more than once.)
Plotwise, the book is pretty straightforward. It does switch perspectives, but thankfully it doesn’t alternate between past and present. This made the story flow really well, alongside perfect pacing on Parent’s part. There were also times I found my heart racing as I hoped for certain outcomes, and having that edge-of-your-seat thrill is one of my favorite feelings.
This is the first book I’ve read by Jason Parent, but it definitely won’t be the last. Let me put it this way: I’m even less likely to go camping now than I would have been last week. I’d like to thank NetGalley and Sinister Grin Press for providing me with a copy of this book in exchange for an honest review.
http://theghastlygrimoire.com/2019/02/20/book-review-they-feed-by-jason-parent/
Set in Galveston National Park in Kansas, They Feed is the terrifying story of a what goes bump in the night. When a few groups, for completely different reasons, end up stranded in the dark, they quickly find themselves pitted against an unknown enemy that seems almost invincible, and every bit vicious. Can they survive until sunrise?
Let’s face it. When it comes to horror books, characters are dispensable. It’s hard to really get attached to anyone because we expect them to die. Therefore I’m always pleasantly surprised when there’s any amount of character development–and Parent’s stuffed this book with it. We’ve got a loathsome woman that, despite not being able to stand, I found myself cheering for. An angsty, delinquent teenager with redeemable qualities. A former convict. A group of frat boys behaving stupidly. All of these are present in this book, and Parent writes them in a way that had me both loving and hating several of them. (I cheered more than once.)
Plotwise, the book is pretty straightforward. It does switch perspectives, but thankfully it doesn’t alternate between past and present. This made the story flow really well, alongside perfect pacing on Parent’s part. There were also times I found my heart racing as I hoped for certain outcomes, and having that edge-of-your-seat thrill is one of my favorite feelings.
This is the first book I’ve read by Jason Parent, but it definitely won’t be the last. Let me put it this way: I’m even less likely to go camping now than I would have been last week. I’d like to thank NetGalley and Sinister Grin Press for providing me with a copy of this book in exchange for an honest review.
http://theghastlygrimoire.com/2019/02/20/book-review-they-feed-by-jason-parent/