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The Craggus (360 KP) rated The Queens Corgi (2019) in Movies
Jul 8, 2019
The Queen's Corgi is a vicious mongrel
There’re so many problematic aspects to “The Queen’s Corgi” it’s kind of baffling it ever made it to cinema screens. A cute cartoon fable about the Queen’s beloved pets may seem like a slam-dunk for the Saturday kid’s club crowd and, if you’re determined to see it, it’s definitely worth waiting for it to reach the bargain screening circuit. Nobody should pay full price to see this.
At its core, it’s a story of Rex (Jack Whitehall), an adorable but arrogant Corgi who lets being the ‘top dog’ go to his head and ends up in the doghouse, stranded outside the Palace and at the mercy of the ferocious leader of the pack at the local dog pound. So far, so predictable.
Where “The Queen’s Corgi” surprises is in its decision to include in cutesy cartoon the divisive figure of President Trump and his current wife, especially as it involves the real-life self-confessed sexual predator in a sub-plot about mating his (fictional) Corgi with one of the Queen’s pets, a storyline rife with casual coercion and canine sexual assault. From that tawdry and uncomfortable opening, we progress onwards to the meat of the plot which sees Rex encounter an underground dogfighting ring operating at the Pound.
Add in a couple of pretty scary sequences involving nearly getting run over, a surprisingly graphic near-drowning and an attempted murder by arson and you start to understand why this European production has been rated PG when its subject should be an easy-U. It earns it.
Some of this will, of course, pass over the heads of younger children, at least on a conscious level, but there’s such a nasty undertone to the whole movie that you should be thinking twice about seeing it. To UK children, of course, Donald Trump is something of a distant, already cartoonish figure, possibly a bit of a bogeyman but the casual humanisation and normalising of a figure like Trump is a dangerous and slippery slope (as Jimmy Kimmel can attest to) and sets an unpleasant precedent for future ‘family entertainment’. The fact that it pokes fun at him up to and including him getting bitten in the dick by a Corgi doesn’t mitigate his appearance, it just makes it more inappropriate.
I’m genuinely surprised this has been allowed to pass without comment from the Royal Household but perhaps they hope it will quickly fade into obscurity, even though this would benefit from a more activist Royal prerogative – this is one movie that should be sent to The Tower for the rest of its life.
At its core, it’s a story of Rex (Jack Whitehall), an adorable but arrogant Corgi who lets being the ‘top dog’ go to his head and ends up in the doghouse, stranded outside the Palace and at the mercy of the ferocious leader of the pack at the local dog pound. So far, so predictable.
Where “The Queen’s Corgi” surprises is in its decision to include in cutesy cartoon the divisive figure of President Trump and his current wife, especially as it involves the real-life self-confessed sexual predator in a sub-plot about mating his (fictional) Corgi with one of the Queen’s pets, a storyline rife with casual coercion and canine sexual assault. From that tawdry and uncomfortable opening, we progress onwards to the meat of the plot which sees Rex encounter an underground dogfighting ring operating at the Pound.
Add in a couple of pretty scary sequences involving nearly getting run over, a surprisingly graphic near-drowning and an attempted murder by arson and you start to understand why this European production has been rated PG when its subject should be an easy-U. It earns it.
Some of this will, of course, pass over the heads of younger children, at least on a conscious level, but there’s such a nasty undertone to the whole movie that you should be thinking twice about seeing it. To UK children, of course, Donald Trump is something of a distant, already cartoonish figure, possibly a bit of a bogeyman but the casual humanisation and normalising of a figure like Trump is a dangerous and slippery slope (as Jimmy Kimmel can attest to) and sets an unpleasant precedent for future ‘family entertainment’. The fact that it pokes fun at him up to and including him getting bitten in the dick by a Corgi doesn’t mitigate his appearance, it just makes it more inappropriate.
I’m genuinely surprised this has been allowed to pass without comment from the Royal Household but perhaps they hope it will quickly fade into obscurity, even though this would benefit from a more activist Royal prerogative – this is one movie that should be sent to The Tower for the rest of its life.
Lyndsey Gollogly (2893 KP) rated Deviant Warrior (Dark Warrior Alliance #5) in Books
Aug 17, 2021
133 of 250
Kindle
Deviant Warrior ( Dark warrior Alliance book 5)
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Of all the Dark Warriors, Kyran Tarakesh is the most aberrant. Having witnessed the brutal murder and rape of his mother seven centuries ago, his sexual preferences are twisted and perverse. He walks the razors edge of control and he likes it that way, until he loses that balance and accidentally kills one of his lovers. As second in line to the Vampire throne, he is precariously close to losing his position, not to mention the respect of his brother and fellow warriors. Just when he thinks it can't get any worse, the Goddess proves him wrong. With her wicked sense of humor, the Goddess catapults him to the dragon realm of Khoth with Mackendra Callaghan, the very human he has been lusting about for months since meeting her. Mackendra not only plunges a knife deep into his heart, she flees and fights him at every turn, inflaming his desires. The surprises keep coming when he discovers she is his Fated Mate. Every belief he has ever had about intimacy is called into question when his mate gives him a taste of true pleasure for the first time. The passion that burns between them is hot enough to burn them to cinders, but he still must dispel her prejudices about vampires and break through her barriers or lose the other half of his soul forever. Mackendra is the leader of a vigilante group that hunts and kills vampires. Sarcasm, snark and weapons of titanium are the tools of her trade, and have shielded her hardened heart. When she is rescued from her burning house by a sexy stranger, she is propelled into an unfamiliar world. Her savior turns out to be a vampire of all things, and she doesn't take kindly to being stranded with the blood-sucker, much less teaming up with him in order to return to earth. She can handle her intense sexual attraction to him, but is terrified when it turns into emotional bonding. Her greatest problem is that she doesn't know how to let go of her past to accept her future. Will she rescue the blood-sucker that is slowly winning her heart or hold fast to her mission to eliminate all vampires?
Pretty much what I have come to expect from this series now although this one had more creature and Dragons I love Dragons!! It was a nice read and would recommend it. I t always amuses me how they get flung into an unknown dimension and still find to get hot and heavy while trying to get home and escape Ogres 😂😂😂
Was a 3.5 out 5!
Kindle
Deviant Warrior ( Dark warrior Alliance book 5)
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Of all the Dark Warriors, Kyran Tarakesh is the most aberrant. Having witnessed the brutal murder and rape of his mother seven centuries ago, his sexual preferences are twisted and perverse. He walks the razors edge of control and he likes it that way, until he loses that balance and accidentally kills one of his lovers. As second in line to the Vampire throne, he is precariously close to losing his position, not to mention the respect of his brother and fellow warriors. Just when he thinks it can't get any worse, the Goddess proves him wrong. With her wicked sense of humor, the Goddess catapults him to the dragon realm of Khoth with Mackendra Callaghan, the very human he has been lusting about for months since meeting her. Mackendra not only plunges a knife deep into his heart, she flees and fights him at every turn, inflaming his desires. The surprises keep coming when he discovers she is his Fated Mate. Every belief he has ever had about intimacy is called into question when his mate gives him a taste of true pleasure for the first time. The passion that burns between them is hot enough to burn them to cinders, but he still must dispel her prejudices about vampires and break through her barriers or lose the other half of his soul forever. Mackendra is the leader of a vigilante group that hunts and kills vampires. Sarcasm, snark and weapons of titanium are the tools of her trade, and have shielded her hardened heart. When she is rescued from her burning house by a sexy stranger, she is propelled into an unfamiliar world. Her savior turns out to be a vampire of all things, and she doesn't take kindly to being stranded with the blood-sucker, much less teaming up with him in order to return to earth. She can handle her intense sexual attraction to him, but is terrified when it turns into emotional bonding. Her greatest problem is that she doesn't know how to let go of her past to accept her future. Will she rescue the blood-sucker that is slowly winning her heart or hold fast to her mission to eliminate all vampires?
Pretty much what I have come to expect from this series now although this one had more creature and Dragons I love Dragons!! It was a nice read and would recommend it. I t always amuses me how they get flung into an unknown dimension and still find to get hot and heavy while trying to get home and escape Ogres 😂😂😂
Was a 3.5 out 5!
Gareth von Kallenbach (971 KP) rated Lightyear (2022) in Movies
Jun 13, 2022
The digital magicians at Pixar have returned with an origin story of one of their most famous characters. “Lightyear” opens with an explanation that Andy from “A Toy Story” was given a toy based on his favorite movie in 1995 and that this is the movie upon which the toy was based.
With that explanation out of the way, the film centers on a giant ship deep in space that encounters a planet and awakens Space Ranger Buzz Lightyear (Chris Evans) to investigate. Along with a fellow ranger and a recruit, Buzz scopes out the planet only to discover it is hostile and makes a hasty exit from the planet. Unfortunately, in doing so their ship is damaged and they are left stranded on the planet and forced to establish a colony.
Years later Buzz is about to undergo a test flight based on a new fuel that the colony hopes will replicate their previous source and will allow them to travel at the insane velocities needed to cover millions of light-years.
Things seem to go as planned until a critical failure and Buzz learns that his four-minute flight actually covered several years on the planet. Undaunted Buzz tries again and again and returns to find his friends aging, having children, and passing away with only his robotic cat Sox (Peter Sohn) to keep him connected to his past and assist him.
While this would make for an interesting enough film it is actually just the setup to the larger story which involves a hostile Robot army and an evil menace named Zurg who threatens Buzz and his hastily assembled team of volunteers to save the day.
The film has amazing animation and all the humor and charm that one associates with the best Pixar films and is not above giving the audience an emotional tug here and there along the way as I can remember more than a few Pixar films that caused audiences to tear up.
Since this is the first of the last three Pixar films to make a cinematic release it would be easy to say that it is a return to form for Disney/Pixar but I would say that is an understatement as the film mixes humor, action, and interesting characters to form a very enjoyable and engaging adventure which is one of the most satisfying Pixar films in recent memory and one every bit worthy of their name.
It will be interesting to see what the future holds for this crew as I would very much like to see Buzz and his crew return for new adventures soon as “Lightyear” is a new Pixar classic that the entire family will love.
4.5 stars out of 5
With that explanation out of the way, the film centers on a giant ship deep in space that encounters a planet and awakens Space Ranger Buzz Lightyear (Chris Evans) to investigate. Along with a fellow ranger and a recruit, Buzz scopes out the planet only to discover it is hostile and makes a hasty exit from the planet. Unfortunately, in doing so their ship is damaged and they are left stranded on the planet and forced to establish a colony.
Years later Buzz is about to undergo a test flight based on a new fuel that the colony hopes will replicate their previous source and will allow them to travel at the insane velocities needed to cover millions of light-years.
Things seem to go as planned until a critical failure and Buzz learns that his four-minute flight actually covered several years on the planet. Undaunted Buzz tries again and again and returns to find his friends aging, having children, and passing away with only his robotic cat Sox (Peter Sohn) to keep him connected to his past and assist him.
While this would make for an interesting enough film it is actually just the setup to the larger story which involves a hostile Robot army and an evil menace named Zurg who threatens Buzz and his hastily assembled team of volunteers to save the day.
The film has amazing animation and all the humor and charm that one associates with the best Pixar films and is not above giving the audience an emotional tug here and there along the way as I can remember more than a few Pixar films that caused audiences to tear up.
Since this is the first of the last three Pixar films to make a cinematic release it would be easy to say that it is a return to form for Disney/Pixar but I would say that is an understatement as the film mixes humor, action, and interesting characters to form a very enjoyable and engaging adventure which is one of the most satisfying Pixar films in recent memory and one every bit worthy of their name.
It will be interesting to see what the future holds for this crew as I would very much like to see Buzz and his crew return for new adventures soon as “Lightyear” is a new Pixar classic that the entire family will love.
4.5 stars out of 5
Darren (1599 KP) rated Jarhead 3: The Siege (2016) in Movies
Jul 2, 2019
Story: Jarhead 3: The Siege starts as new recruit Evan Albright (Weber) who has just gotten a role working in the US Embassy in the Middle East, welcomed by Hansen (Ainsley) and under the orders from Gunny Raines (Adkins) with the job to protect the Ambassador Cahill (Hogan). With Evan going through the lesson of how to operate in the embassy we are ready to begin.
Evan notices somebody outside the normal outside the embassy, which soon sees him learning the lessons of the protocol. The marines find the embassy under siege and must use all their training to keep the Ambassador alive against countless enemies.
Thoughts on Jarhead 3: The Siege
Characters – Evan is the newest marine bought into the embassy, he does fill in the gaps for the protocol that must be followed by the team, learn to work with the rest of the unit and is the first to suspect something is going on around the embassy and ends up being the one leading the fight back. Gunny Raines is the leader of the marines, you play by his rules or face the consequences. Major Lincoln is the one leading the rescue attempt, bringing the back-up required to hopefully help the stranded marines, spends most of the film in a helicopter racing to the scene. Olivia Winston is the computer operative at the embassy, she like Evan has bigger dreams when it comes to rising up through the military rankings.
Performances – Charlie Weber does take the leading role here where we follow his character entering the world, he works as a soldier never setting the world alight, which can be same for the whole cast sees Scott Adkins, Sasha Jackson and Dennis Haysbert.
Story – The story here follows a newly recruit marine in an US embassy that must deal with a siege from the locals on the building meaning he will join the marines to show off their skills to defend the embassy. This is one of the simplest stories you will ever see, we follow Evan as he and we learn the lay of the land, the siege is everything you would expect too, following the usual ideas of needing to have safety and out live the numbers that are trying to kill you. It does feel like the story is safe rather than challenging.
Action/War – The action plays into the war side of the film, we get plenty of military manoeuvres to see bullets flying around.
Settings – The settings in the film show us the embassy and how the marines operate within it, we see how this makes the positions difficult to defend.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It is too by the books.
Final Thoughts – This is an easy to follow military action film, it doesn’t do anything wrong, only it just seems to be by the book and overly safe.
Overall: Safe Military Film.
Evan notices somebody outside the normal outside the embassy, which soon sees him learning the lessons of the protocol. The marines find the embassy under siege and must use all their training to keep the Ambassador alive against countless enemies.
Thoughts on Jarhead 3: The Siege
Characters – Evan is the newest marine bought into the embassy, he does fill in the gaps for the protocol that must be followed by the team, learn to work with the rest of the unit and is the first to suspect something is going on around the embassy and ends up being the one leading the fight back. Gunny Raines is the leader of the marines, you play by his rules or face the consequences. Major Lincoln is the one leading the rescue attempt, bringing the back-up required to hopefully help the stranded marines, spends most of the film in a helicopter racing to the scene. Olivia Winston is the computer operative at the embassy, she like Evan has bigger dreams when it comes to rising up through the military rankings.
Performances – Charlie Weber does take the leading role here where we follow his character entering the world, he works as a soldier never setting the world alight, which can be same for the whole cast sees Scott Adkins, Sasha Jackson and Dennis Haysbert.
Story – The story here follows a newly recruit marine in an US embassy that must deal with a siege from the locals on the building meaning he will join the marines to show off their skills to defend the embassy. This is one of the simplest stories you will ever see, we follow Evan as he and we learn the lay of the land, the siege is everything you would expect too, following the usual ideas of needing to have safety and out live the numbers that are trying to kill you. It does feel like the story is safe rather than challenging.
Action/War – The action plays into the war side of the film, we get plenty of military manoeuvres to see bullets flying around.
Settings – The settings in the film show us the embassy and how the marines operate within it, we see how this makes the positions difficult to defend.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It is too by the books.
Final Thoughts – This is an easy to follow military action film, it doesn’t do anything wrong, only it just seems to be by the book and overly safe.
Overall: Safe Military Film.
Gareth von Kallenbach (971 KP) rated Rio (2011) in Movies
Aug 7, 2019
As the very colorful birds of the jungle in Rio de Janeiro are partying it up with singing and aeriel dancing some humans crash the party and capture some of the birds, one of them being a very young blue macaw. From there they are flown to the U.S. with final destinations unknown. Thanks to some poor driving habits the crate containing the young blue macaw is left stranded in the freezing snow of Minnesota but he is soon saved by a young girl named Linda who names him Blu (I know not very original).
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
Charlie Cobra Reviews (1840 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jul 7, 2020
This Phoenix Failed To Rise From It's Ashes
Dark Phoenix is a superhero movie based on the Marvel Comics X-Men and the Dark Phoenix Saga story arc. It was produced by 20th Century Fox and distributed by Walt Disney Studios Motion Pictures. The movie was written and directed by Simon Kinberg. It stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, and Sophie Turner.
In 1975, Professor Charles Xavier takes 8 year-old Jean Grey to his School for Gifted Youngsters, when she inadvertently kills her parents causing a car crash with her telekinesis. In 1992, the space shuttle Endeavor is critically damaged by a solar flare and the X-Men respond to save the astronauts. While rescuing the astronauts, Jean becomes stranded as the shuttle is struck by the energy. To save the X-Men's aircraft from destruction, she absorbs all of it into her body and as a result, her psychic powers are greatly amplified when she survives. Jean spirals out of control, wrestling with her personal demons and this increasingly unstable power that begins tearing her X-Men family apart.
This movie makes me so upset as a long time Marvel fan. If you never heard of the X-Men or watched any of the movies, you could probably say this movie was good. And honestly it was "okay" when I saw it in theaters, I guess with all the bad reviews coming out I thought, wow, it could have been worse. But no, after sitting down and discussing it with my brother and him bringing up some points as well as others that I brought up to him. As well as seeing some reviews, where critics brought up A Lot of other points as well, and this movie was actually pretty bad. Now the special effects were pretty good for the most part, and the acting was good but it was really weird because I felt that so many characters were acting out of character. Or that their motivations didn't match their actions compared to how their characters should actually be. Once again the Dark Phoenix story gets butchered and doesn't come close to the greatness of the cartoon episodes let alone the comics. Stupidest part (and I'm trying really hard to not put spoilers) was from the trailer where Cyclops says the kids are calling you Phoenix. Because after that, they couldn't say that her powers were the Phoenix because it would be like some kind of weird coincidence. The villains were very boring and dull and cliche motivations, Sophie Turner's acting wasn't bad but she just didn't pull off a believable Jean Grey. And the music was good but really out of place in times. Don't even get me started on how they totally didn't take into account how the X-Men and others powers are supposed to work. I give this movie a 5/10. It's just average.
In 1975, Professor Charles Xavier takes 8 year-old Jean Grey to his School for Gifted Youngsters, when she inadvertently kills her parents causing a car crash with her telekinesis. In 1992, the space shuttle Endeavor is critically damaged by a solar flare and the X-Men respond to save the astronauts. While rescuing the astronauts, Jean becomes stranded as the shuttle is struck by the energy. To save the X-Men's aircraft from destruction, she absorbs all of it into her body and as a result, her psychic powers are greatly amplified when she survives. Jean spirals out of control, wrestling with her personal demons and this increasingly unstable power that begins tearing her X-Men family apart.
This movie makes me so upset as a long time Marvel fan. If you never heard of the X-Men or watched any of the movies, you could probably say this movie was good. And honestly it was "okay" when I saw it in theaters, I guess with all the bad reviews coming out I thought, wow, it could have been worse. But no, after sitting down and discussing it with my brother and him bringing up some points as well as others that I brought up to him. As well as seeing some reviews, where critics brought up A Lot of other points as well, and this movie was actually pretty bad. Now the special effects were pretty good for the most part, and the acting was good but it was really weird because I felt that so many characters were acting out of character. Or that their motivations didn't match their actions compared to how their characters should actually be. Once again the Dark Phoenix story gets butchered and doesn't come close to the greatness of the cartoon episodes let alone the comics. Stupidest part (and I'm trying really hard to not put spoilers) was from the trailer where Cyclops says the kids are calling you Phoenix. Because after that, they couldn't say that her powers were the Phoenix because it would be like some kind of weird coincidence. The villains were very boring and dull and cliche motivations, Sophie Turner's acting wasn't bad but she just didn't pull off a believable Jean Grey. And the music was good but really out of place in times. Don't even get me started on how they totally didn't take into account how the X-Men and others powers are supposed to work. I give this movie a 5/10. It's just average.
Acanthea Grimscythe (300 KP) rated Bird Box in Books
May 16, 2018
If you're looking for something that is fast-paced and just might give you an anxiety attack, Josh Malerman's debut novel Bird Box may be exactly what you need. Set in the very near future, Bird Box is a book that simultaneously takes place during and after the apocalypse. Human beings find their minds under assault by an unseen force, one that drives them toward homicidal and suicidal tendencies. The only way to remain safe is to never, ever open your eyes.
Imagine with me what living in a world, robbed suddenly of sight, might be like. We rely heavily on our senses and, as an avid reader, I highly value my ability to be able to see the written word. I can't even begin to fathom what it would be like to find myself forced into an eternally dark void, and never have I thought of a scenario in which I would choose to be blind.
In Bird Box, Malorie and her children aren't given that option. Stranded in a home that is not her own, and faced with dwindling supplies and a lack of social interaction with anyone but her two children, Malorie must embark on a dangerous mission to find a new, safer haven for her small family: only their destination isn't very close to them, and they are not alone. There's a fourth party traveling with them and they are helpless to identify the newcomer.
The entire story does not follow that journey alone, though. In fact, it simultaneously takes place prior to Malorie's endeavor, introducing us to an entire cast of characters ranging from lovable to untrustworthy; from the purely innocent to those whose madness goes beyond all help. Though I'm not a huge fan of the constant back and forth chronology (in fact, I find it to be extremely distracting), the manner in which Malerman reveals bits and pieces of his story is crucial to progression: it gives readers the opportunity to develop their own feelings for Malorie and how she handles her problems. I also found that the odd way in which he split the story kept me reading, if only because more often that not, I found myself wondering how or why something was the way it was presently if, at the beginning of the end, everything seemed to be headed in a totally different direction.
Like most stories that take place after the world as we know it has met its doom, whether by nuclear fallout, bio-warfare, or the collapse of government, Bird Box brings out the best, and more readily, the worst in people. They become desperate or panicked, sometimes to the point that their actions defy all logic: such as the voluntary or involuntary blinding of oneself to avoid madness. Perhaps I so easily love post-apocalyptic books for that reason alone. They have a habit of reminding us exactly how pathetic and disgusting our own race can be; how often we are willing to put ourselves first, despite the suffering of others, should the situation call for it.
Imagine with me what living in a world, robbed suddenly of sight, might be like. We rely heavily on our senses and, as an avid reader, I highly value my ability to be able to see the written word. I can't even begin to fathom what it would be like to find myself forced into an eternally dark void, and never have I thought of a scenario in which I would choose to be blind.
In Bird Box, Malorie and her children aren't given that option. Stranded in a home that is not her own, and faced with dwindling supplies and a lack of social interaction with anyone but her two children, Malorie must embark on a dangerous mission to find a new, safer haven for her small family: only their destination isn't very close to them, and they are not alone. There's a fourth party traveling with them and they are helpless to identify the newcomer.
The entire story does not follow that journey alone, though. In fact, it simultaneously takes place prior to Malorie's endeavor, introducing us to an entire cast of characters ranging from lovable to untrustworthy; from the purely innocent to those whose madness goes beyond all help. Though I'm not a huge fan of the constant back and forth chronology (in fact, I find it to be extremely distracting), the manner in which Malerman reveals bits and pieces of his story is crucial to progression: it gives readers the opportunity to develop their own feelings for Malorie and how she handles her problems. I also found that the odd way in which he split the story kept me reading, if only because more often that not, I found myself wondering how or why something was the way it was presently if, at the beginning of the end, everything seemed to be headed in a totally different direction.
Like most stories that take place after the world as we know it has met its doom, whether by nuclear fallout, bio-warfare, or the collapse of government, Bird Box brings out the best, and more readily, the worst in people. They become desperate or panicked, sometimes to the point that their actions defy all logic: such as the voluntary or involuntary blinding of oneself to avoid madness. Perhaps I so easily love post-apocalyptic books for that reason alone. They have a habit of reminding us exactly how pathetic and disgusting our own race can be; how often we are willing to put ourselves first, despite the suffering of others, should the situation call for it.
Gareth von Kallenbach (971 KP) rated Kong: Skull Island (2017) in Movies
Jun 19, 2019
The legendary King Kong returns in an all new adventure that gives the classic tale a much needed update and new setting. Unlike Perter Jackson’s retelling of the original Black and White film, “Kong: Skull Island” eschews the old for the new and in doing so breathes a much needed new life and vitality into the franchise.
The film is set in 1973 when William Randa (John Goodman), informs the government that they have detected a previously unknown island and need to investigate it before the Soviets learn of it and beat them to whatever the island my hold.
William recruits a team which includes a former British officer named James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in mapping the island.
William also asks for a military escort and the government enlists Lt. Colonel Preston Packard (Samuel L. Jackson), and his team to accompany the mission. Packard is trying to find his place in the world as he and his helicopter combat team are dealing with the recent end of the Vietnam War. His men are looking forward to going home and resuming their lives, but a dour Packard jumps at the chance for another mission over the uncertainty of the future.
Upon arriving on the mysterious island and starting their survey mission by using seismic charges, the team attract the attention of Kong who is not at all pleased with the intrusion on his island. Kong makes short work of the copters and the team finds themselves scattered about the dangerous island. They soon learn that Kong is not the only danger on the island and must find a way to rejoin each other and make it to their extraction point alive.
Naturally some of the characters have a hidden agenda and there are dangerous and action around every corner. Further complicating matters is the appearance of Marlow (John C. Reilly), a downed WWII pilot who has been stranded on the island for 23 years and warns of dangers far greater than Kong that are ahead of the team.
The film combines a solid cast with state of the art special effects to take a new twist on the standard adventure fare. While many parts of the film remain silly Popcorn entertainment, the quality of the assembled cast allows the film to move beyond being just an assembly of potential victims for a menagerie of CGI creatures to dispatch.
While the story is more in lines with the linear and thin plots of adventure films of old, the sum of the parts does add up to an enjoyable film experience for those who like the giant creature films. You will want to make sure to stay after the credits as there is a very good scene that shows a setup for a future film that had those in attendance at our press screening cheering.
The film may be a bit intense for younger viewers but if you are looking for a touch of nostalgia and action, you may find the film just what you need.
http://sknr.net/2017/03/08/kong-skull-island/
The film is set in 1973 when William Randa (John Goodman), informs the government that they have detected a previously unknown island and need to investigate it before the Soviets learn of it and beat them to whatever the island my hold.
William recruits a team which includes a former British officer named James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in mapping the island.
William also asks for a military escort and the government enlists Lt. Colonel Preston Packard (Samuel L. Jackson), and his team to accompany the mission. Packard is trying to find his place in the world as he and his helicopter combat team are dealing with the recent end of the Vietnam War. His men are looking forward to going home and resuming their lives, but a dour Packard jumps at the chance for another mission over the uncertainty of the future.
Upon arriving on the mysterious island and starting their survey mission by using seismic charges, the team attract the attention of Kong who is not at all pleased with the intrusion on his island. Kong makes short work of the copters and the team finds themselves scattered about the dangerous island. They soon learn that Kong is not the only danger on the island and must find a way to rejoin each other and make it to their extraction point alive.
Naturally some of the characters have a hidden agenda and there are dangerous and action around every corner. Further complicating matters is the appearance of Marlow (John C. Reilly), a downed WWII pilot who has been stranded on the island for 23 years and warns of dangers far greater than Kong that are ahead of the team.
The film combines a solid cast with state of the art special effects to take a new twist on the standard adventure fare. While many parts of the film remain silly Popcorn entertainment, the quality of the assembled cast allows the film to move beyond being just an assembly of potential victims for a menagerie of CGI creatures to dispatch.
While the story is more in lines with the linear and thin plots of adventure films of old, the sum of the parts does add up to an enjoyable film experience for those who like the giant creature films. You will want to make sure to stay after the credits as there is a very good scene that shows a setup for a future film that had those in attendance at our press screening cheering.
The film may be a bit intense for younger viewers but if you are looking for a touch of nostalgia and action, you may find the film just what you need.
http://sknr.net/2017/03/08/kong-skull-island/
Lee (2222 KP) rated Fisherman's Friends (2019) in Movies
Mar 18, 2019 (Updated Mar 18, 2019)
Formulaic, clichéd, enjoyable bit of fun
Hot on the heels of Fighting with my Family comes yet another true story that I feel I should have known more about beforehand, but didn't. Fisherman's Friends tells the story of a group of singing Cornish fishermen who, in 2010, managed to land themselves not only a top 10 album but an appearance on Glastonbury's pyramid stage! The plot follows a much more formulaic and clichéd approach than Fighting with my Family does though, not quite managing to come close to the high bar that set, but is enjoyable enough all the same.
We begin by following a group of four men heading out on their stag do in the beautiful town of Port Isaac in Cornwall. A&R man Danny (Daniel Mays), his annoying record exec boss Troy (Noel Clarke) and a couple of their colleagues all arrive in the small fishing town for the weekend and immediately find themselves on the wrong side of the locals - driving the wrong way down a narrow one way street, foolishly ordering lager instead of bitter in the local pub (they don't serve fizzy drinks there) and needing to be rescued after their careless weekend enjoyment finds them all stranded at sea. City types who think they know it all, but haven't got a clue.
The fishermen that rescued the lads turn out to be part of a popular local singing group - singing sea shanties together while working out at sea and regularly putting on small concerts for the locals down on the harbour. It's while performing one of those gigs that Danny and his friends come across them. After a few moments of watching, Troy tells Danny that he wants him to go over and sign them up, and that he's not to take no for an answer. Off he goes, not knowing that it's all just a big joke, while his three colleagues all return home. Danny is left behind, struggling to try and convince the group that their unique sound is going to make them all big stars.
Out of the group of fishermen, only a handful of them are really explored and fleshed out as characters in any kind of way, with the majority of them simply fading into the background - backing singers if you will. Jim (James Purefoy) and his father Jago (David Hayman), are the main focus of the movie, along with Jim's single-mum daughter Alwyn (Tuppence Middleton), who Danny eventually begins to strike up a friendship with, and her young daughter. One of the other fishermen runs the local pub at the heart of the community, along with his wife, but is struggling to make ends meet in a sub-plot which comes to a head later on in the movie.
Fisherman's Friends is a movie full of clichés - the city slicker who initially doesn't understand the simple life, the familiar rom-com couple who start off disliking one another, but will clearly be falling madly in love before long, annoying city types who don't even look like they know how to tie their own shoelaces, let alone become successfully music moguls. But, despite it all, the movie works considerably well. The relationship and chemistry between Danny and Alwyn is believable, and the highs and lows that the group go through on their journey to stardom is both heartwarming and fun in equal measure. It's the kind of reliable movie you could quite happily sit and watch on the TV, on a lazy Sunday afternoon.
We begin by following a group of four men heading out on their stag do in the beautiful town of Port Isaac in Cornwall. A&R man Danny (Daniel Mays), his annoying record exec boss Troy (Noel Clarke) and a couple of their colleagues all arrive in the small fishing town for the weekend and immediately find themselves on the wrong side of the locals - driving the wrong way down a narrow one way street, foolishly ordering lager instead of bitter in the local pub (they don't serve fizzy drinks there) and needing to be rescued after their careless weekend enjoyment finds them all stranded at sea. City types who think they know it all, but haven't got a clue.
The fishermen that rescued the lads turn out to be part of a popular local singing group - singing sea shanties together while working out at sea and regularly putting on small concerts for the locals down on the harbour. It's while performing one of those gigs that Danny and his friends come across them. After a few moments of watching, Troy tells Danny that he wants him to go over and sign them up, and that he's not to take no for an answer. Off he goes, not knowing that it's all just a big joke, while his three colleagues all return home. Danny is left behind, struggling to try and convince the group that their unique sound is going to make them all big stars.
Out of the group of fishermen, only a handful of them are really explored and fleshed out as characters in any kind of way, with the majority of them simply fading into the background - backing singers if you will. Jim (James Purefoy) and his father Jago (David Hayman), are the main focus of the movie, along with Jim's single-mum daughter Alwyn (Tuppence Middleton), who Danny eventually begins to strike up a friendship with, and her young daughter. One of the other fishermen runs the local pub at the heart of the community, along with his wife, but is struggling to make ends meet in a sub-plot which comes to a head later on in the movie.
Fisherman's Friends is a movie full of clichés - the city slicker who initially doesn't understand the simple life, the familiar rom-com couple who start off disliking one another, but will clearly be falling madly in love before long, annoying city types who don't even look like they know how to tie their own shoelaces, let alone become successfully music moguls. But, despite it all, the movie works considerably well. The relationship and chemistry between Danny and Alwyn is believable, and the highs and lows that the group go through on their journey to stardom is both heartwarming and fun in equal measure. It's the kind of reliable movie you could quite happily sit and watch on the TV, on a lazy Sunday afternoon.
Movie Metropolis (309 KP) rated Kong: Skull Island (2017) in Movies
Jun 10, 2019
Beauty and the Beast
The fact that Legendary Pictures are busying themselves with an epic Godzilla vs King Kong showdown is one of the worst kept secrets in Hollywood. Naturally, this presented a problem for Peter Jackson’s Kong who simply doesn’t measure up against the giant lizard in 2013’s Godzilla.
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/