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Sarah (7800 KP) rated Lost At Christmas (2020) in Movies
Nov 24, 2020
Lacking in Christmas spirit
Lost at Christmas is a Scottish romantic comedy following two strangers that team up to try and get home for Christmas after finding themselves stranded in the Scottish highlands on Christmas Eve.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
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An amazing recreation of Harlan Ellison's ORIGINAL screenplay for City on the Edge of Forever, regarded to this day as one of Star Trek's best stories. And while the differences are fairly major, the character of the piece remains, a timeless love story set against a ticking clock, a death that must happen or all of history will be erased. The script is good, (but sorry, Harlan, it is un-filmable in this form, at least as a Trek episode. There are simply too many small bits--like the portrayal of Spock--that just don't line up with what the show had set forth previously. But there are other moments, like the steely resolve of Yeoman Rand that I desperately wish had made the cut.)
Scott and David Tipton are no strangers to Trek, and they have adapted the screenplay masterfully. J.K. Woodward, who's watercolor paintings I did not like in the Doctor Who Trek crossover, work fantastically here for this story, and the art really helps capture the look and feel of 1930s. Outstanding all the way around and well worth your time, no matter how familiar you are with the source material, or the episode that it became.
Scott and David Tipton are no strangers to Trek, and they have adapted the screenplay masterfully. J.K. Woodward, who's watercolor paintings I did not like in the Doctor Who Trek crossover, work fantastically here for this story, and the art really helps capture the look and feel of 1930s. Outstanding all the way around and well worth your time, no matter how familiar you are with the source material, or the episode that it became.
Awix (3310 KP) rated Mother! (2017) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Some Mothers Do 'Ave 'Em
Palpably insane fantasy psycho-horror from Darren Aronofsky that seems intentionally designed to alienate and repel mainstream audiences. The presence of Jennifer Lawrence and Javier Bardem seems calculated to lure in innocent passersby for this unhinged tale of... of...
Well, look, Lawrence and Bardem live in a lovely house in the countryside; he is a noted poet, she is his wife, and to begin with all is well. Then mysterious strangers start appearing and dark events threaten to disrupt their idyll. Things get extreme. At points they get extremely extreme.
If this movie was your pet it would attack your furniture and howl at the moon, then fetch you your slippers with a 'who, me?' look on its face. If you're a stickler for things like naturalism and coherence, then it is probably not for you; but Aronofsky creates the fractured sense of living through an unfolding nightmare, with all the non-logic that suggests, rather well, and the stars are all on full power. It's still very nearly the proverbial movie with something to offend everyone, but you can't fault the technical expertise with which it has been made, or the director's success in realising his (highly peculiar) vision for the film.
Well, look, Lawrence and Bardem live in a lovely house in the countryside; he is a noted poet, she is his wife, and to begin with all is well. Then mysterious strangers start appearing and dark events threaten to disrupt their idyll. Things get extreme. At points they get extremely extreme.
If this movie was your pet it would attack your furniture and howl at the moon, then fetch you your slippers with a 'who, me?' look on its face. If you're a stickler for things like naturalism and coherence, then it is probably not for you; but Aronofsky creates the fractured sense of living through an unfolding nightmare, with all the non-logic that suggests, rather well, and the stars are all on full power. It's still very nearly the proverbial movie with something to offend everyone, but you can't fault the technical expertise with which it has been made, or the director's success in realising his (highly peculiar) vision for the film.
Whatchareadin (174 KP) rated Stripped Bare in Books
Jun 21, 2019
Eli loves his little sister and he would do just about anything for her. So when she asks him to help her friend, Karis, fix up her bakery he is obliged to do the job. When Eli walks into the bakery, he sees the job is a lot more than he signed up for. But when he lays eyes on Karis, all thoughts about the work go out the window. He would do anything to help this pretty girl.
Thank you to Frankie Love and C.M. Seabrook for the opportunity to read and review this book.
I picked this book up at night before I went to bed. I thought I would read just a couple of chapters since I was exhausted and had a big day the next day. When I saw that it would only take me 45 minutes to read, I decided to just go for it. I think even if the book was 2 hours to read, I may have stayed up to read it.
This is a fast paced novel that goes from strangers to naked very quickly. If you're looking for a quick romance that will leave you hot and bothered, pick up this book right away.
Thank you to Frankie Love and C.M. Seabrook for the opportunity to read and review this book.
I picked this book up at night before I went to bed. I thought I would read just a couple of chapters since I was exhausted and had a big day the next day. When I saw that it would only take me 45 minutes to read, I decided to just go for it. I think even if the book was 2 hours to read, I may have stayed up to read it.
This is a fast paced novel that goes from strangers to naked very quickly. If you're looking for a quick romance that will leave you hot and bothered, pick up this book right away.
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