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The Fifth Avenue Story Society
The Fifth Avenue Story Society
10
10.0 (1 Ratings)
Book Rating
THIS WAS A MARVELOUS STORY!

     Rachal Hauck pulled me in right from the very beginning of this story, with her description of the character’s different situations, and the idea of random strangers becoming friends. The overall story plot was very unique and one that I have not previously read before. The perspectives of each character were given in such a realistic and easy to follow thought process, that I found myself readily engaged with the characters by the end of the first chapter, which doesn’t happen often. Every character had a unique background story, and each person had to overcome an obstacle. A true learning experience for everyone involved.

"Maybe the point is at the end of the journey and not at the beginning." - pg. 72

     I think Rachel Hauck did very well in the diversity of her characters and their hurdles to overcome. They faced overcoming fear of the past, self-worth, custody battles, fighting for marriage, the scare of losing a company, and so many more relevant topics that we all struggle with. Yet, in the midst of it all Rachel Hauck manages to tell us about the only hope in our struggles, and how one person choosing to listen to God's voice can affect so many people’s lives. A truly great reminder.

     I give this book a resounding 5 out of 5 stars for the amazing characters and their individual stories, for the story of friendships coming from nothing, and for showing how the faith of one can affect many. I highly recommend picking this book up to read.

*I will say that Rachel Hauck is known for her edgy and realistic writing and in this case, she does basically use a couple of cuss words in this book, as well as references to sex and alcohol. I am not really fond of that aspect; however, I do understand that she is showing a realistic view of people without the light of Christ in them.

**I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
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Reggie Watts recommended Slacker (1991) in Movies (curated)

 
Slacker (1991)
Slacker (1991)
1991 | Classics, Comedy, Drama
(0 Ratings)
Movie Favorite

"I just recently saw Slacker, actually, within maybe the last year and a half. It definitely marked a certain bracket of youth at that time—and more specifically, Austin. But I love the way he captured this lackadaisical, lethargic driftiness, and conversations and characters and life. I love that trick where people are just talking and walking down the street, and then suddenly someone walks out to get something from the mailbox or something and the camera just stays with them and it becomes their story for a moment. That structure totally fascinated me. Even when I was in Seattle in the ’90s, that idea of people just hanging out, and you don’t even know what you’re doing, you’re just spending time with people and talking philosophy, but it’s not really going anywhere. You’re just talking about things to talk about things, and I really identified with that. I’m surprised I didn’t see it back then. I’ve walked around Austin and done nothing and just had some random conversations with strangers and that spirit still exists there, to a certain extent. It’s not what people who are productive members of society would say is a good way to spend time, but I actually think nowadays that’s kind of a premium. I would like more of that in my life at this point, because just the overstimulation and how much information is pouring in constantly is ridiculous and also kind of false. There’s this sense of urgency and importance that we have with time. And a lot of it has to do with technology and the culture that builds around that. But I think a movie like Slacker is hard for people to watch these days. Their attention spans are much shorter, and Slacker is the antithesis. Many of the movies in the Criterion Collection are atmospheric, and sometimes people are like, “I don’t know what to do with this.” But to relax into it and use that as an example of another way of existing, I think, is important. So Slacker both reminded me of a time period and also kind of reminded me of the importance of that way of being."

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    Dead on Arrival 2

    Dead on Arrival 2

    Games and Entertainment

    (0 Ratings) Rate It

    App

    Intense co-operative zombie survival! PLEASE NOTE: Not compatible with iPhone 4 and iPod touch 4th...

    Easy Invoice Manager

    Easy Invoice Manager

    Business and Finance

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    App

    Finally an easy to use, complete to the last detail and professionally designed app to manage...

    Olympia by Gorgon City

    Olympia by Gorgon City

    (0 Ratings) Rate It

    Album

    Gorgon City are renowned British production duo Kye Gibbon and Matt Robson-Scott. They are set to...

Peaks and Valleys (2020)
Peaks and Valleys (2020)
2020 | Crime, Drama
7
7.0 (1 Ratings)
Movie Rating
Acting of the two leads (2 more)
Cinematography of the beautiful Alaskan wilderness
Script and direction both good
Two strangers forced to over-winter in Alaskan wilderness
In “Peaks and Valleys”, Jack (Kevin T. Bennett) is living as a recluse in a remote cabin in Alaska. His solitude is rudely interrupted by a plane which drops a naked, trussed-up and drugged-up girl into his lake. Traumatised by her experiences, the girl (Bailey, played by Kitty Mahoney) is unwilling to trust the man. But trust him she must, since they are in the Alaskan wilderness and Jack tells her that the supply plane might not come for a couple of months.

How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.

Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.

Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.

Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.

I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.

(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).