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Veronica Pena (690 KP) rated Rope (1948) in Movies
Mar 12, 2020
did i speak too soon?
Contains spoilers, click to show
If you've read my other reviews, you know that I'm currently in a Hitchcock film class. I've been dreading watching his films because of the ones I've seen, with the exception of Psycho, have been the same story told in different ways. I was equally as dreadful when it came to watching this film. However, I was pleasantly surprised.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
Sophia (Bookwyrming Thoughts) (530 KP) rated Parting Worlds (Once Upon a Curse #4) in Books
Mar 24, 2020
Parting Worlds brings everything together.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Kristy H (1252 KP) rated Playing Nice in Books
Sep 17, 2020
Fast-paced thriller that plays on your emotions
Pete Riley, his wife Maddie, and young son Theo have their lives upended one day when two strangers show up on their doorstep. One claims to be Theo's biological father, Miles Lambert. He tells Pete that Theo and another baby, David--whom the Lamberts have been raising--were switched at the hospital and sent home with the unsuspecting families. Suddenly Pete and Maddie have been raising "the wrong" child for the past two years. The families form a friendship based on their shock, agreeing not to upend the children's lives. But as the Lamberts prepare to the sue hospital, questions are raised, and soon Pete and Maddie start to wonder how much they can trust Miles and his wife, Lucy. What are they hiding--and how far will they go to get Theo back?
"'I'm sorry to have to tell you that Theo isn't your son. He's mine.'"
Delaney's latest is a fast and compulsive read. Told in alternating perspectives from Maddie and Pete, with some flashes to the past, the book is stressful and makes you think. What would I do in this situation? And what a terrible situation to be in. With both boys being two-years-old, they are already comfortable in their family lives. At first, each family is determined not to switch the children back. But it soon becomes clear that Theo is progressing better than David, who requires more specialized care. Is that what's affecting Miles out-sized affection for his newfound son? His constant, unannounced appearances on Pete and Maddie's doorstep? Meanwhile, Maddie feels wracked with guilt at leaving David behind. The emotions and decisions are clearly complicated.
I myself was fascinated that Delaney brought up a "baby switch" case in Charlottesville, VA at the hospital where I was born, though far earlier. If I had known about this case, I must have forgotten; I would have been in my mid-teens and probably not caring about such things at the time. Anyway, it was intriguing to hear a local reference, and it totally pushed me down the rabbit hole of researching that case (which is completely tragic).
It's hard to truly like any of these characters, even Maddie and Pete, who are initially sympathetic. Let's not even get started on Miles, who truly plays the villain well. But I appreciated that the characters and their feelings are complicated and well-portrayed here. While much of the story is character-driven, it's also a mystery, unraveling what happened when the boys were switched, and it's quite interesting.
The plot in this one moves quickly, escalating fast. I predicted the ending, but it didn't do much to diminish my enjoyment of the book. If you're looking for a different and fast-paced thriller, which also gets you thinking about emotional family dilemmas, definitely recommend. 3.5 stars.
"'I'm sorry to have to tell you that Theo isn't your son. He's mine.'"
Delaney's latest is a fast and compulsive read. Told in alternating perspectives from Maddie and Pete, with some flashes to the past, the book is stressful and makes you think. What would I do in this situation? And what a terrible situation to be in. With both boys being two-years-old, they are already comfortable in their family lives. At first, each family is determined not to switch the children back. But it soon becomes clear that Theo is progressing better than David, who requires more specialized care. Is that what's affecting Miles out-sized affection for his newfound son? His constant, unannounced appearances on Pete and Maddie's doorstep? Meanwhile, Maddie feels wracked with guilt at leaving David behind. The emotions and decisions are clearly complicated.
I myself was fascinated that Delaney brought up a "baby switch" case in Charlottesville, VA at the hospital where I was born, though far earlier. If I had known about this case, I must have forgotten; I would have been in my mid-teens and probably not caring about such things at the time. Anyway, it was intriguing to hear a local reference, and it totally pushed me down the rabbit hole of researching that case (which is completely tragic).
It's hard to truly like any of these characters, even Maddie and Pete, who are initially sympathetic. Let's not even get started on Miles, who truly plays the villain well. But I appreciated that the characters and their feelings are complicated and well-portrayed here. While much of the story is character-driven, it's also a mystery, unraveling what happened when the boys were switched, and it's quite interesting.
The plot in this one moves quickly, escalating fast. I predicted the ending, but it didn't do much to diminish my enjoyment of the book. If you're looking for a different and fast-paced thriller, which also gets you thinking about emotional family dilemmas, definitely recommend. 3.5 stars.
Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Sophia (Bookwyrming Thoughts) (530 KP) rated Tempting Death in Books
Jan 23, 2020
I fully admit I signed up for the blog tour because of the way the synopsis is written it speaks to me! Of course I'm excited! Except there's a big problem: what if I don't like it? What if I hate it, or, or, want to throw it out the window because it was just that terrible?
Hint: I didn't throw it out the window. Holloway's debut novel is one you don't want to bypass simply. A girl nearly gets killed, gets saved and offered a job yet has 48 hours to choose. Add the fact a best friend is marked for murder and time is tick tocking (certainly not slowly) what more could you ask for? The idea oozes awesomeness all around.
BUT... there's just a few things. I feel that Holloway focused more on the plot and the action rather than the character building. I completely get that the fast pace might be an emphasis for how fast time is running out for Libbi. And as much as I just love Libbi Piper as a character and her personality, I don't feel as though I know her. Libbi and I are still strangers there's hardly anything about her past aside from a life of taking care of her brother when her mom is working in a hospital. Her dad just upped and left once upon a time. Well, at least until she was supposedly killed. But I'm quite sure Libbi has a much more interesting life than always taking care of her little brother even I have one (and my life is quite similar to Libbi's. Just lots of family drama.)!
Aside from all of that, there's barely anything else about Libbi, and she's the main character. You would expect more than a life of taking care of her brother and having a couple of besties since childhood I feel like I know Grimmy Aaron more now. I'm quite disappointed.
Second, the love triangle. It was extremely obvious the romance isn't going to go well (please, don't tell me the best friend never wins. I know that. That's beside the point.). If there's one thing that's obvious from day one, it's the fact Libbi is going to be no doubt jumping between two corners of the triangle so said corners wouldn't murder each other. LITERALLY.
(I personally predict that will be the near future of the Lux series.)
Despite the couple of problems, I loved Call Me Grim the building of the Grim Reaper world, Libbi's humor and making light of the entire situation even though it was likely she wouldn't get out of the situation "alive". Elizabeth Holloway is an author you'll want to watch out for in this particular genre.
-------------------
Advanced copy provided by Month9Books for the blog tour
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/09/blog-tour-call-me-grim-by-elizabeth-holloway-arc-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Hint: I didn't throw it out the window. Holloway's debut novel is one you don't want to bypass simply. A girl nearly gets killed, gets saved and offered a job yet has 48 hours to choose. Add the fact a best friend is marked for murder and time is tick tocking (certainly not slowly) what more could you ask for? The idea oozes awesomeness all around.
BUT... there's just a few things. I feel that Holloway focused more on the plot and the action rather than the character building. I completely get that the fast pace might be an emphasis for how fast time is running out for Libbi. And as much as I just love Libbi Piper as a character and her personality, I don't feel as though I know her. Libbi and I are still strangers there's hardly anything about her past aside from a life of taking care of her brother when her mom is working in a hospital. Her dad just upped and left once upon a time. Well, at least until she was supposedly killed. But I'm quite sure Libbi has a much more interesting life than always taking care of her little brother even I have one (and my life is quite similar to Libbi's. Just lots of family drama.)!
Aside from all of that, there's barely anything else about Libbi, and she's the main character. You would expect more than a life of taking care of her brother and having a couple of besties since childhood I feel like I know Grimmy Aaron more now. I'm quite disappointed.
Second, the love triangle. It was extremely obvious the romance isn't going to go well (please, don't tell me the best friend never wins. I know that. That's beside the point.). If there's one thing that's obvious from day one, it's the fact Libbi is going to be no doubt jumping between two corners of the triangle so said corners wouldn't murder each other. LITERALLY.
(I personally predict that will be the near future of the Lux series.)
Despite the couple of problems, I loved Call Me Grim the building of the Grim Reaper world, Libbi's humor and making light of the entire situation even though it was likely she wouldn't get out of the situation "alive". Elizabeth Holloway is an author you'll want to watch out for in this particular genre.
-------------------
Advanced copy provided by Month9Books for the blog tour
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/09/blog-tour-call-me-grim-by-elizabeth-holloway-arc-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Andy K (10823 KP) rated Us (2019) in Movies
Sep 21, 2019
I wish I would've liked it more.
A married couple decide to take a vacation at a beach house. Their relaxation bliss is soon interrupted by four strangers who actually turn out to be evil counterparts or "doppelgangers" of the family who have come to torment them.
Each counterpart goes after their "normal" version in various ways including on the used power boat they had just purchased or having a conversation while sitting in their living room. Not known is why or who they are and what are their intentions. They family tried to take refuge at their neighbors home only to discover they met with their demise courtesy of their own set of demons hunting them.
The family eventually reunites and tried to escape, but are pursued. Several confrontations ensue at the beach where some carnage is executed by the demons and the family against each other.
Then the twist, kind of. A scene at the start of the film when the mother had a traumatic experience as a child getting separated from her family and finding her way into a hall of mirrors and seeing her other self as a child is explained. Truths you thought were truths end of being a lie or a different situation than you originally thought.
In trying to figure out a type for this film it is rather difficult. It is not particularly scary or gory. I suppose suspense/thriller would suit it best, but I'm not sure that is what writer/director Jordan Peele was going for. I liked the visuals, the acting, the musical score and some of the ideas, but not really the execution or the screenplay.
It had some jokes like the "Home Alone" reference and other scenes where the parents and children are together making fun of each other which were just not funny and took away from the tension.
My main problem with the script was the fact that the characters' actions were mostly not appropriate. No one seemed to be bothered by the fact that these other human/non humans existed and when family members, even children, begin performing heinous actions, they don't even seem to blink an eye. They also have to write in the scene where they try and call the police and they are unavailable.
I feel like there was a really great film in there somewhere, they just didn't get it quite right. The middle section dragged somewhat and the ending was interesting but didn't hold water the more you thought about it. I have no issue with a vague ending as long as it leaves you thinking and drawing your own conclusions; however, this film was vague not in a good way I think just due to a mediocre screenplay or maybe bad editing.
Peele certainly had his own big shoes t fill after getting a Best Picture nomination for his first film, Get Out. The box office and critical acclaim were paramount on that one.
Hopefully, he will rebound from this film and create something truly unique and interesting for his next effort. We certainly need more great horror writer/directors out there!
Each counterpart goes after their "normal" version in various ways including on the used power boat they had just purchased or having a conversation while sitting in their living room. Not known is why or who they are and what are their intentions. They family tried to take refuge at their neighbors home only to discover they met with their demise courtesy of their own set of demons hunting them.
The family eventually reunites and tried to escape, but are pursued. Several confrontations ensue at the beach where some carnage is executed by the demons and the family against each other.
Then the twist, kind of. A scene at the start of the film when the mother had a traumatic experience as a child getting separated from her family and finding her way into a hall of mirrors and seeing her other self as a child is explained. Truths you thought were truths end of being a lie or a different situation than you originally thought.
In trying to figure out a type for this film it is rather difficult. It is not particularly scary or gory. I suppose suspense/thriller would suit it best, but I'm not sure that is what writer/director Jordan Peele was going for. I liked the visuals, the acting, the musical score and some of the ideas, but not really the execution or the screenplay.
It had some jokes like the "Home Alone" reference and other scenes where the parents and children are together making fun of each other which were just not funny and took away from the tension.
My main problem with the script was the fact that the characters' actions were mostly not appropriate. No one seemed to be bothered by the fact that these other human/non humans existed and when family members, even children, begin performing heinous actions, they don't even seem to blink an eye. They also have to write in the scene where they try and call the police and they are unavailable.
I feel like there was a really great film in there somewhere, they just didn't get it quite right. The middle section dragged somewhat and the ending was interesting but didn't hold water the more you thought about it. I have no issue with a vague ending as long as it leaves you thinking and drawing your own conclusions; however, this film was vague not in a good way I think just due to a mediocre screenplay or maybe bad editing.
Peele certainly had his own big shoes t fill after getting a Best Picture nomination for his first film, Get Out. The box office and critical acclaim were paramount on that one.
Hopefully, he will rebound from this film and create something truly unique and interesting for his next effort. We certainly need more great horror writer/directors out there!
Outcry: Holocaust Memoirs
10.0
Rate It
Book
Manny Steinberg (1925-2015) spent his teens in Nazi concentration camps in Germany, miraculously...
authentic (2 more)
easy-to-read
funny
Fun, easy-to-read memoir
Anna Faris' memoir is based mainly on the premise of her podcast, also entitled Unqualified, in which she doles out advice to strangers whom she calls on her show. The idea is that Anna is, in fact, "unqualified" to give advice, but she'll do so anyway based on her life experiences. If you actually listen to her podcast, though, you quickly learn that she's pretty good at giving advice, and that she's also a funny and enjoyable person. The book expands on this, allowing Anna to answer some of the questions posed on her podcast (e.g., Dealbreakers), talk about her childhood and experience breaking in acting, and, yes, of course, her various relationships.
Overall, the book feels pretty real and authentic. You quickly get an idea of the kind of person Anna seems to be--kind, funny, talented, and perhaps a little insecure. I'll admit that since I started listening to Anna's podcast, I've felt a kinship to her, and my review is obviously influenced by that. She's so down-to-earth and really damn funny on her podcast. I also love the idea that she lived in her head for much of her childhood, making up stories (it sounds a little familiar, you see). If you like Anna's podcast, it will be hard not to enjoy her book, although some of the chapters and stories will sound a bit familiar if you're a faithful listener.
My love of Anna was only deepened by reading her book, which is quite readable and broken into simple, short chapters. We get glimpses into Anna's childhood, her first big relationship, a little insight into her big break with "Scary Movie," and more. I relate to her on so many levels. We're both fascinated by other people's lives; never had a big group of female friends; have no patience for small talk; are not wedding people; possess an emotional defense built up from our parents; and enjoy calling the numbers on vehicles to report about truck drivers' good driving. She just happens to be a lovely, famous, wealthy actress, and I'm um, well, yes. Otherwise, we're the same, right? ;)
Of course, the elephant in this review is Anna's recent split from her husband, Chris Pratt, who wrote the foreword to the book, which was apparently revised somewhat for publication. It's hard not to psychoanalyze Anna in light of her recent marriage breakup. You read about her self-admitted inability to admit failure and her tendency to jump from one relationship straight to the next. So much of the book is about Chris and their relationship, and it's a shame that it's a distraction from an enjoyable memoir about a really smart and talented woman, who should stand on her own merit, apart from her (soon-to-be-ex) husband. It's also heartbreaking to read these chapters where it sounds like they truly love each other--and where they got through the premature birth of their son together--and know they are no longer married.
Overall, this is a fun, easy-to-read memoir. If you like Anna, her films, or her podcast, you'll probably enjoy this one. It's a quick read, full of lists, humorous moments, and short chapters, although there are definitely serious pieces, too. It really only made me like her more. 3.5+ stars.
Overall, the book feels pretty real and authentic. You quickly get an idea of the kind of person Anna seems to be--kind, funny, talented, and perhaps a little insecure. I'll admit that since I started listening to Anna's podcast, I've felt a kinship to her, and my review is obviously influenced by that. She's so down-to-earth and really damn funny on her podcast. I also love the idea that she lived in her head for much of her childhood, making up stories (it sounds a little familiar, you see). If you like Anna's podcast, it will be hard not to enjoy her book, although some of the chapters and stories will sound a bit familiar if you're a faithful listener.
My love of Anna was only deepened by reading her book, which is quite readable and broken into simple, short chapters. We get glimpses into Anna's childhood, her first big relationship, a little insight into her big break with "Scary Movie," and more. I relate to her on so many levels. We're both fascinated by other people's lives; never had a big group of female friends; have no patience for small talk; are not wedding people; possess an emotional defense built up from our parents; and enjoy calling the numbers on vehicles to report about truck drivers' good driving. She just happens to be a lovely, famous, wealthy actress, and I'm um, well, yes. Otherwise, we're the same, right? ;)
Of course, the elephant in this review is Anna's recent split from her husband, Chris Pratt, who wrote the foreword to the book, which was apparently revised somewhat for publication. It's hard not to psychoanalyze Anna in light of her recent marriage breakup. You read about her self-admitted inability to admit failure and her tendency to jump from one relationship straight to the next. So much of the book is about Chris and their relationship, and it's a shame that it's a distraction from an enjoyable memoir about a really smart and talented woman, who should stand on her own merit, apart from her (soon-to-be-ex) husband. It's also heartbreaking to read these chapters where it sounds like they truly love each other--and where they got through the premature birth of their son together--and know they are no longer married.
Overall, this is a fun, easy-to-read memoir. If you like Anna, her films, or her podcast, you'll probably enjoy this one. It's a quick read, full of lists, humorous moments, and short chapters, although there are definitely serious pieces, too. It really only made me like her more. 3.5+ stars.
Hazel (1853 KP) rated The Sun is Also a Star in Books
May 24, 2017
Science Vs Fate
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Following the success of her debut novel, Nicola Yoon’s second book, The Sun is also a Star, has been highly anticipated amongst young adult readers. In twelve hours time, senior student, Natasha will be deported to Jamaica. Her family are undocumented immigrants and can no longer remain living in the United States. Despite her best efforts, Natasha has not succeeded in getting the courts to change their mind, and now there is barely any time left. Today is the last day before things change forever; little does she know how significant this day will be.
Only half the story is told from Natasha’s point of view. The remainder is narrated by Daniel, a Korean American whose parents’ high expectations have resulted in an interview with the prestigious university, Yale. With several hours to go, Daniel is wandering around New York when a chain of events leads him into saving Natasha’s life – literally. Instantly infatuated with Natasha, Daniel attempts to convince her that their meeting is fate. Yet, Natasha’s factual, scientific brain refuses to concede, leaving Daniel with less than 12 hours to convince her otherwise.
At heart, The Sun is also a Star, is a romance novel, however it contains so many other themes. Both characters are from immigrant families whose histories greatly impact on their current and future lives. Natasha’s father’s impractical dreams have lead to this disastrous consequence, whereas Daniel’s parents are adamant that he become a doctor and avoid the poverty they grew up with. Naturally, the teens are unhappy with the way their futures are being plotted; Natasha more so, however the poetry-loving Daniel wishes he could become who he wants to be rather than who he is told to be.
Although being deep thinkers, Natasha and Daniel are total opposites, yet something is pulling them together. Whether it is love or the simply the way the universe works, the character’s break all ethnic stereotypes as their relationship races from strangers to something much more intimate.
Nicola Yoon has experienced first hand growing up in both Jamaica and New York, therefore readers can assume that Natasha’s experiences are largely based on the author’s own – presumably not including the deportation. Society generally tends to assume all people from Jamaica or Korea fit into a certain box – liking certain music, academic success, wearing particular fashion – yet Daniel and Natasha prove otherwise.
Despite the narrative being condensed into one day in the life of these two characters, there is so much going on. Firstly there is the rushing around New York trying to get to appointments on time and so forth, however the content in between these scenes will keep the reader thinking for hours. Daniel’s poetical theories about love and Natasha’s scientific explanation about the universe will make you question your own philosophy about the world. Whether either or neither of them are correct, what they do prove is the difference a single day can make.
The Sun is also a Star has a similar vibe to novels by Rainbow Rowell, David Levithan and John Green – some of the top Young Adult authors of the current era. It is a story that will pull at your heartstrings while your logical brain refuses to see chance of a happy ending. With no way of guessing what the universe has in store, this book will keep you thoroughly engaged from beginning to end.
Following the success of her debut novel, Nicola Yoon’s second book, The Sun is also a Star, has been highly anticipated amongst young adult readers. In twelve hours time, senior student, Natasha will be deported to Jamaica. Her family are undocumented immigrants and can no longer remain living in the United States. Despite her best efforts, Natasha has not succeeded in getting the courts to change their mind, and now there is barely any time left. Today is the last day before things change forever; little does she know how significant this day will be.
Only half the story is told from Natasha’s point of view. The remainder is narrated by Daniel, a Korean American whose parents’ high expectations have resulted in an interview with the prestigious university, Yale. With several hours to go, Daniel is wandering around New York when a chain of events leads him into saving Natasha’s life – literally. Instantly infatuated with Natasha, Daniel attempts to convince her that their meeting is fate. Yet, Natasha’s factual, scientific brain refuses to concede, leaving Daniel with less than 12 hours to convince her otherwise.
At heart, The Sun is also a Star, is a romance novel, however it contains so many other themes. Both characters are from immigrant families whose histories greatly impact on their current and future lives. Natasha’s father’s impractical dreams have lead to this disastrous consequence, whereas Daniel’s parents are adamant that he become a doctor and avoid the poverty they grew up with. Naturally, the teens are unhappy with the way their futures are being plotted; Natasha more so, however the poetry-loving Daniel wishes he could become who he wants to be rather than who he is told to be.
Although being deep thinkers, Natasha and Daniel are total opposites, yet something is pulling them together. Whether it is love or the simply the way the universe works, the character’s break all ethnic stereotypes as their relationship races from strangers to something much more intimate.
Nicola Yoon has experienced first hand growing up in both Jamaica and New York, therefore readers can assume that Natasha’s experiences are largely based on the author’s own – presumably not including the deportation. Society generally tends to assume all people from Jamaica or Korea fit into a certain box – liking certain music, academic success, wearing particular fashion – yet Daniel and Natasha prove otherwise.
Despite the narrative being condensed into one day in the life of these two characters, there is so much going on. Firstly there is the rushing around New York trying to get to appointments on time and so forth, however the content in between these scenes will keep the reader thinking for hours. Daniel’s poetical theories about love and Natasha’s scientific explanation about the universe will make you question your own philosophy about the world. Whether either or neither of them are correct, what they do prove is the difference a single day can make.
The Sun is also a Star has a similar vibe to novels by Rainbow Rowell, David Levithan and John Green – some of the top Young Adult authors of the current era. It is a story that will pull at your heartstrings while your logical brain refuses to see chance of a happy ending. With no way of guessing what the universe has in store, this book will keep you thoroughly engaged from beginning to end.
Beckie Shelton (40 KP) rated Two Sisters in Books
May 28, 2017
Such a great Read
Two Sisters By Kerry Wilkinson is well worth a read.
I would describe this as a psychological mystery but with the added bonus of it dipping its toe into the waters of mental illness and addiction to.
To summarise we have two sisters Megan and Chloe who after the death of their parents in a road accident, journey back to their parents holiday cottage in Whitecliff to stay, supposedly to sort out their affairs and get the cottage in order.
But for Megan, there are different reasons for her return she has received a postcard with the letter Z spelt on it.
years ago the girls older brother Zak went missing at Whitecliff his body never found, Megan the oldest sister is determined to figure out the truth of what has happened to her brother and she will bulldoze down whoever gets in her way.
Now the sisters are an interesting pair, having spent their time at different boarding schools growing up, these two are like chalk and cheese.
We have Chloe the younger of the two nearly seventeen a bit shy, but friendly and open, Chloe doesn't like to rock the waters and I get the impression she's a bit of a people pleaser. She's also a fabulous artist, A vegan and looks like her mother.
Now Megan, by contrast, is the exact polar opposite of her younger sister, she's prickly, bad tempered, goes out of her way to cause strife and shock in people.
there's a lot of deep-seated issues that are girl needs to get a handle on she is addicted to prescription drugs which she acquires through dubious means and as if that's not enough she is also suffering from an eating disorder, which her sister pretends to turn a blind eye too.
So as you can see there is an awful lot going on here.
As the story progresses truths that people want buried come to light, Megan puts herself and sister in extreme danger and some people are so not what they seem in Whitecliff.
Two sisters was definitely a page turner with a flowing easy storyline that sucked you in from the start. I especially appreciated Megan's issues, this added a whole extra layer to the storyline enriching it greatly. Eating disorders are a subject close to my heart, so it was fascinating to kind of get into the mindset of an individual suffering from this type of mental illness. The addiction storyline was also an extremely fascinating issue, we often see drug taking in novels but prescription drug addiction, even know so prevalent, is not explored so frequently in fiction.
But I have to say my favourite aspect of Two Sisters was seeing the two girls connect together after being virtual strangers growing up, now that was really charming indeed.
So, in conclusion, I found this a Fabulous book and I would definitely recommend this to other readers.
Thank you to the publisher and NetGalley for providing me with a free advance reader copy of Two Sisters by Kerry Wilkinson. This is my own unbiased opinion of this novel.
Arc Reviewed By BeckieBookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
I would describe this as a psychological mystery but with the added bonus of it dipping its toe into the waters of mental illness and addiction to.
To summarise we have two sisters Megan and Chloe who after the death of their parents in a road accident, journey back to their parents holiday cottage in Whitecliff to stay, supposedly to sort out their affairs and get the cottage in order.
But for Megan, there are different reasons for her return she has received a postcard with the letter Z spelt on it.
years ago the girls older brother Zak went missing at Whitecliff his body never found, Megan the oldest sister is determined to figure out the truth of what has happened to her brother and she will bulldoze down whoever gets in her way.
Now the sisters are an interesting pair, having spent their time at different boarding schools growing up, these two are like chalk and cheese.
We have Chloe the younger of the two nearly seventeen a bit shy, but friendly and open, Chloe doesn't like to rock the waters and I get the impression she's a bit of a people pleaser. She's also a fabulous artist, A vegan and looks like her mother.
Now Megan, by contrast, is the exact polar opposite of her younger sister, she's prickly, bad tempered, goes out of her way to cause strife and shock in people.
there's a lot of deep-seated issues that are girl needs to get a handle on she is addicted to prescription drugs which she acquires through dubious means and as if that's not enough she is also suffering from an eating disorder, which her sister pretends to turn a blind eye too.
So as you can see there is an awful lot going on here.
As the story progresses truths that people want buried come to light, Megan puts herself and sister in extreme danger and some people are so not what they seem in Whitecliff.
Two sisters was definitely a page turner with a flowing easy storyline that sucked you in from the start. I especially appreciated Megan's issues, this added a whole extra layer to the storyline enriching it greatly. Eating disorders are a subject close to my heart, so it was fascinating to kind of get into the mindset of an individual suffering from this type of mental illness. The addiction storyline was also an extremely fascinating issue, we often see drug taking in novels but prescription drug addiction, even know so prevalent, is not explored so frequently in fiction.
But I have to say my favourite aspect of Two Sisters was seeing the two girls connect together after being virtual strangers growing up, now that was really charming indeed.
So, in conclusion, I found this a Fabulous book and I would definitely recommend this to other readers.
Thank you to the publisher and NetGalley for providing me with a free advance reader copy of Two Sisters by Kerry Wilkinson. This is my own unbiased opinion of this novel.
Arc Reviewed By BeckieBookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm