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FilmIntuition (33 KP) rated Gate 76 in Books
Jun 1, 2018
Oozing With Tension
In the right place at the right time, boxer turned private eye Freddy Ferguson catches sight of some very wrong people in an airport security line just before a flight explodes at the San Francisco International Airport.
And even though he's been contracted to go through passenger lists as part of the B team hired by the airline, Freddy can't help but follow up on what he'd witnessed on that deadly night when an enigmatic blonde woman escaped certain death by checking in only to change her appearance in an airport bathroom rather than get on that flight. Is she a part of a bigger conspiracy or merely the last living witness of a horrific crime?
Stylistically reminiscent of Raymond Chandler and Elmore Leonard with its no-nonsense first person point-of-view, indie author Andrew Diamond's Noir flavored page turner is terse, strong, and oozing with tension.
But while Freddy's redemptive plight is fascinating indeed, the otherwise terrific Gate 76 makes a few missteps in its final third as – instead of zeroing in on its increasingly complicated Grisham level mystery – one of its female leads begins to preach at Freddy, and therefore the reader. And even though I appreciate the book's bold characterization and vivid description, moments like this are not only the opposite of subtle but they also pull focus away from the main storyline.
Juggling a large number of characters to the point that in the end, Freddy has to phone a few to literally tell them and the reader what is going on, Gate 76 might've worked even better if it had cut down on some of the middle-men to avoid the repetition of needing to explain something we've already figured out alongside our lead.
From its dynamic opening that plays just like an action movie, Gate 76 is a largely effective and entertaining thriller. With his keen sense of humor, eye for details, and ability to weave together an intricate number of subplots with style, this was a great introduction for me to Andrew Diamond and makes me eager to pick up some of his other reads.
Note: I received an ARC of this title via Bookish First in exchange for my honest opinion.
And even though he's been contracted to go through passenger lists as part of the B team hired by the airline, Freddy can't help but follow up on what he'd witnessed on that deadly night when an enigmatic blonde woman escaped certain death by checking in only to change her appearance in an airport bathroom rather than get on that flight. Is she a part of a bigger conspiracy or merely the last living witness of a horrific crime?
Stylistically reminiscent of Raymond Chandler and Elmore Leonard with its no-nonsense first person point-of-view, indie author Andrew Diamond's Noir flavored page turner is terse, strong, and oozing with tension.
But while Freddy's redemptive plight is fascinating indeed, the otherwise terrific Gate 76 makes a few missteps in its final third as – instead of zeroing in on its increasingly complicated Grisham level mystery – one of its female leads begins to preach at Freddy, and therefore the reader. And even though I appreciate the book's bold characterization and vivid description, moments like this are not only the opposite of subtle but they also pull focus away from the main storyline.
Juggling a large number of characters to the point that in the end, Freddy has to phone a few to literally tell them and the reader what is going on, Gate 76 might've worked even better if it had cut down on some of the middle-men to avoid the repetition of needing to explain something we've already figured out alongside our lead.
From its dynamic opening that plays just like an action movie, Gate 76 is a largely effective and entertaining thriller. With his keen sense of humor, eye for details, and ability to weave together an intricate number of subplots with style, this was a great introduction for me to Andrew Diamond and makes me eager to pick up some of his other reads.
Note: I received an ARC of this title via Bookish First in exchange for my honest opinion.
ClareR (5721 KP) rated Two Women in Rome in Books
Jun 15, 2021
Two Women in Rome is a truly captivating story set in two time periods. In the present day, Lottie is an archivist working in Rome who comes across a painting once owned by an English woman called Nina who died in the late 1970’s. The painting appears to be valuable, painted in the fifteenth century.
Lottie also finds Nina’s journal in her personal effects, and the more of it she reads, the more she wants to find out about her life.
I loved the details about Rome in both timelines - I’ve visited Rome and loved it. The strong female characters were also a big plus point for me. Lottie is a head archivist, she really knows what she’s doing and is confident in her abilities. Nina is also an assertive woman - she is often in new situations that many would find themselves floundering in (Ok, that sounds really vague, but I don’t want to give anything away!)
This is a book about secrets: about keeping them, and what happens when they are revealed - both good and bad. This isn’t a book that goes fast and hard in its revelations. Quite opposite in fact, and probably why I liked it so much. I love a well told story, and I really felt that I knew the women in this because of that feeling of not being rushed through the story.
There’s a fair amount of Italian politics in this, some of which I had never known about, so that was another plus point. I hadn’t realised that Italy had had quite such a tumultuous political life for so long after World War Two. The novel has a great mix of themes, actually: secrets, history, politics, life in Rome, betrayal, guilt. I think I’m becoming a bit of an Elizabeth Buchan fan because I really enjoyed her last book The Museum of Broken Promises, as well. Both books are set in Europe, with the aftereffects of great political upheavals, ostensibly going back to World War Two. This book is well worth reading - I’d definitely recommend it.
Many thanks to The Pigeonhole and NetGalley for my copy of this book.
Lottie also finds Nina’s journal in her personal effects, and the more of it she reads, the more she wants to find out about her life.
I loved the details about Rome in both timelines - I’ve visited Rome and loved it. The strong female characters were also a big plus point for me. Lottie is a head archivist, she really knows what she’s doing and is confident in her abilities. Nina is also an assertive woman - she is often in new situations that many would find themselves floundering in (Ok, that sounds really vague, but I don’t want to give anything away!)
This is a book about secrets: about keeping them, and what happens when they are revealed - both good and bad. This isn’t a book that goes fast and hard in its revelations. Quite opposite in fact, and probably why I liked it so much. I love a well told story, and I really felt that I knew the women in this because of that feeling of not being rushed through the story.
There’s a fair amount of Italian politics in this, some of which I had never known about, so that was another plus point. I hadn’t realised that Italy had had quite such a tumultuous political life for so long after World War Two. The novel has a great mix of themes, actually: secrets, history, politics, life in Rome, betrayal, guilt. I think I’m becoming a bit of an Elizabeth Buchan fan because I really enjoyed her last book The Museum of Broken Promises, as well. Both books are set in Europe, with the aftereffects of great political upheavals, ostensibly going back to World War Two. This book is well worth reading - I’d definitely recommend it.
Many thanks to The Pigeonhole and NetGalley for my copy of this book.
ClareR (5721 KP) rated Tapestry of Treason in Books
Aug 26, 2019
Intrigue in Henry Vs Court.
A Tapestry of Treason follows the life and intrigues of Constance of York, Lady Despenser from 1399 through to the early 1400s. And she was an absolutely fascinating woman. Hers was a totally dysfunctional family - but you do wonder how anyone could have a ‘normal’ family when mothers gave birth, handed their baby over to a wet nurse and went back to the Royal Court as soon as they were Churched. And the fathers didn’t seem to be there either. But this did make for some pretty interesting family dynamics. I’m surprised that there weren’t more illegitimate children, what with all the arranged, loveless marriages that seemed to be going on (although there were probably loads, and plenty of loving marriages too!).
Anyway, Constance was involved with her family in two plots against Henry V. York had been big supporters and cousins of Richard II, and were luckily also relatives of Henry V. So when Henry ousted Richard and imprisoned him, the Yorks were relatively safe. That was until they tried to reinstate Richard. Constance was fully a part of this plot: she’s portrayed as a strong-minded, confident woman who made her own mind up, and was loyal to her family. I do like female characters like this, and I like that Anne O’Brien didn’t make her into a caricature of a strident, bossy woman, as often happens in these cases.
I thought that the whole book was sensitively done. Henry isn’t made out to be a villain, in fact he’s always fair, and in some instances he may well have been thought of as too soft towards his York cousins (they were certainly dangerous to know).
I loved this book, actually. My mum has been pointing out Anne O’Brien books to me for ages, but I’ve avoided them because I knew I’d want to read everything once I started. Ah well, looks like I’ve started then (and always listen to your mum!).
Many thanks to The Pigeonhole for choosing yet another fabulous book, and to Anne O’Brien for reading along with the serialisation and answering questions. I had the best time!
Anyway, Constance was involved with her family in two plots against Henry V. York had been big supporters and cousins of Richard II, and were luckily also relatives of Henry V. So when Henry ousted Richard and imprisoned him, the Yorks were relatively safe. That was until they tried to reinstate Richard. Constance was fully a part of this plot: she’s portrayed as a strong-minded, confident woman who made her own mind up, and was loyal to her family. I do like female characters like this, and I like that Anne O’Brien didn’t make her into a caricature of a strident, bossy woman, as often happens in these cases.
I thought that the whole book was sensitively done. Henry isn’t made out to be a villain, in fact he’s always fair, and in some instances he may well have been thought of as too soft towards his York cousins (they were certainly dangerous to know).
I loved this book, actually. My mum has been pointing out Anne O’Brien books to me for ages, but I’ve avoided them because I knew I’d want to read everything once I started. Ah well, looks like I’ve started then (and always listen to your mum!).
Many thanks to The Pigeonhole for choosing yet another fabulous book, and to Anne O’Brien for reading along with the serialisation and answering questions. I had the best time!
Lyndsey Gollogly (2893 KP) rated Fire Born (The Guardian Series Book 1) in Books
May 4, 2020
Alex Taleisin’s has finally been let in on the secret – she’s an Elemental Immortal plus a little something more and her life is in danger. Guardian of the Races and savage King of the Dragons, Collum Thronus made a promise to protect Alex and find her father’s people. A Battle is coming and Alex knows the only way to get answers is to trust her powers and become the warrior she was destined to be.
The first book in this exhilarating new paranormal romance series has a hero and heroine that are beings of fire, so readers should expect to be burned as the chemistry that flows between is volcanic and the sparks start flying in every direction upon first meeting. Alex and Collum’s attraction is one thing but the relationship has emotions raging out of control as well due to the situation these strong, vibrant characters find themselves in, especially Alex is not really allowed the time it takes to digest her all new reality.
The plot is fast pace and full of exciting events and is extremely suspenseful, keeping readers from being able to put the book down at any time. This story is also a bit complex as it is at the whim of a man who is a little bit insane and the mercy of all his manipulations. This keeps the story on a twisted path of secrets, betrayals and downright hide and seek games. There is no way for readers to become bored during this explosive, thrilling and entertaining story with one sexy dragon shifter guardian and flammable heroine.
I went between 3&4 stars for this it showed massive potential and I enjoyed most of the book! I really like the storyline and the fact she’s not a wingy female lead, I actually liked her a lot! I think we need to see more of this power she is supposed to have! The bit I struggled with was the scenes between Alex and Collum I think they were rushed and a little cheesy but overall it was a good read!
The first book in this exhilarating new paranormal romance series has a hero and heroine that are beings of fire, so readers should expect to be burned as the chemistry that flows between is volcanic and the sparks start flying in every direction upon first meeting. Alex and Collum’s attraction is one thing but the relationship has emotions raging out of control as well due to the situation these strong, vibrant characters find themselves in, especially Alex is not really allowed the time it takes to digest her all new reality.
The plot is fast pace and full of exciting events and is extremely suspenseful, keeping readers from being able to put the book down at any time. This story is also a bit complex as it is at the whim of a man who is a little bit insane and the mercy of all his manipulations. This keeps the story on a twisted path of secrets, betrayals and downright hide and seek games. There is no way for readers to become bored during this explosive, thrilling and entertaining story with one sexy dragon shifter guardian and flammable heroine.
I went between 3&4 stars for this it showed massive potential and I enjoyed most of the book! I really like the storyline and the fact she’s not a wingy female lead, I actually liked her a lot! I think we need to see more of this power she is supposed to have! The bit I struggled with was the scenes between Alex and Collum I think they were rushed and a little cheesy but overall it was a good read!
Hazel (1853 KP) rated Purple Hearts in Books
Oct 24, 2017
Reimagined History
This ARC was provided by the publisher via NetGalley in exchange for an honest review
An epic tale of a reimagined World War II comes to an explosive end in this third and final book Purple Hearts. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, Purple Hearts, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
Purple Hearts is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book Purple Hearts. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, Purple Hearts, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
Purple Hearts is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
Hazel (1853 KP) rated Purple Hearts in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
Ross (3284 KP) rated Reign of Madness in Books
Nov 30, 2018 (Updated Nov 30, 2018)
Good but needlessly long and slow
Following on from Free the Darkness, which ended somewhat abruptly ("we're going on an adventure, the end"), Reign of Madness sees Rezkin "Marty Stu" travelling to the King's Tournament with a group of fellow travellers. As before, his motives are somewhat hidden or confused but largely he is looking for answers to what his purpose was and why he had to kill all of his boyhood mentors.
In almost every chapter, something happens that makes it abundantly clear that Rezkin is of royal descent, and yet nobody picks up on the massive clanging hints that abound. Even right to the last page, his companions remain so stupid as to miss the obvious that it gets annoying. This might be Kade suggesting something of human nature / not wanting to accept the facts, but it comes across more that he hasn't hidden the clues as well as he thinks he has and only plain exposition could possibly lay them bare.
Part of this I think stems from the omniscient narrator again, the reader gets far too much information on everyone's thoughts and events so it is hard to put yourself in one character's position and their behaviours just seem so much more flawed than they would if we had only single person snapshot PoVs.
And Rezkin's character seems to be inconsistent - one minute he is meant to be a master of disguise and can insert himself into any situation, the next he doesn't understand any emotions; one chapter he nearly attacks a woman for approaching him quickly, the next he allows a grown man to hit him in anger as they grieve their recent bereavement.
As with book 1, the story is good, the action sequences well written and the underlying long-term plot is strong. However, some of the writing of it is clumsy (chapters of nothing but expository dialogue), the characters one-dimensional (especially the female characters) and a lot of the world (especially the magic such as it is) seems to be made up on the spot. And the whole thing just takes so long to get through. I think if you are dedicated and determined to plough through 20% plus a day this will be fine, if you pick it up now and then and get through less than 10% you will find yourself grinding to a halt through the first half of this book, where nothing happens except a donkey being healed and A LOT of dialogue about not a lot (which essentially just replaces things that should really have been explained in book 1).
I will carry on with the series but these long rambling tomes are stretching my tolerance (and the value for money from my Kindle Unlimited trial!).
In almost every chapter, something happens that makes it abundantly clear that Rezkin is of royal descent, and yet nobody picks up on the massive clanging hints that abound. Even right to the last page, his companions remain so stupid as to miss the obvious that it gets annoying. This might be Kade suggesting something of human nature / not wanting to accept the facts, but it comes across more that he hasn't hidden the clues as well as he thinks he has and only plain exposition could possibly lay them bare.
Part of this I think stems from the omniscient narrator again, the reader gets far too much information on everyone's thoughts and events so it is hard to put yourself in one character's position and their behaviours just seem so much more flawed than they would if we had only single person snapshot PoVs.
And Rezkin's character seems to be inconsistent - one minute he is meant to be a master of disguise and can insert himself into any situation, the next he doesn't understand any emotions; one chapter he nearly attacks a woman for approaching him quickly, the next he allows a grown man to hit him in anger as they grieve their recent bereavement.
As with book 1, the story is good, the action sequences well written and the underlying long-term plot is strong. However, some of the writing of it is clumsy (chapters of nothing but expository dialogue), the characters one-dimensional (especially the female characters) and a lot of the world (especially the magic such as it is) seems to be made up on the spot. And the whole thing just takes so long to get through. I think if you are dedicated and determined to plough through 20% plus a day this will be fine, if you pick it up now and then and get through less than 10% you will find yourself grinding to a halt through the first half of this book, where nothing happens except a donkey being healed and A LOT of dialogue about not a lot (which essentially just replaces things that should really have been explained in book 1).
I will carry on with the series but these long rambling tomes are stretching my tolerance (and the value for money from my Kindle Unlimited trial!).
BookInspector (124 KP) rated The Craftsman (The Craftsman, #1) in Books
Sep 24, 2020
My Queen of crime and thrillers is back, with another marvelous story to tell. I read all her books, and every time she surprises me with something different and original.
The story is set in a small town with a hill, where witches were meeting since the 16th century. As you can see in the description above, this story is told in two different times – 1969 and 1999. In 1969 Florence was a WPC in the local police station, which she recently joined. Moreover, she was the first woman in that station, surrounded by men, who are not very friendly. She is assigned a disappearance of three teenagers, but what she discovers is way more complex and sinister than she could imagine.
Florence is the protagonist of this novel, and this story is told from her perspective. I love strong, smart and rebellious female leads in the books, and I absolutely loved Florence. Even though she is facing cruel workplace bullying and constant demeaning behavior, she is still fighting for what she believes to be right, and she wipes noses to those stuck up men. BRAVO! 😀 I really liked the wide variety of characters, which Bolton offered in this novel. All of them were very well rounded and unique personalities, who brought more richness to the book.
The narrative of this book was very well planned out and delivered. I was sucked in from the first pages of this book, I just wanted to find out what in a world was going on there! I really enjoyed all the twists, turns and diversions which Bolton creatively incorporated in this book. Sharon Bolton always follows an intriguing topic in her novels, and I am very glad that she was discussing workplace bullying and sexism, alongside witches and witchcraft. Even though I am not a believer in witchcraft, It was amusing to read about the people who believe in it and practice it.
Sharon Bolton is a very talented storyteller, she has a very absorbing and suspense building writing style, which I thoroughly enjoy every time. I loved the setting of this book, it compliments the atmosphere of this book with all those mills, hills, cemeteries and complex houses. The pages just fly while reading those short chapters. The climax was absolutely unexpected and left me very surprised. So, to conclude, for now, this book was the best read of 2018 for me. I enjoyed it from first to the last page, I think it has very intriguing and absorbing characters and very well crafted narrative, which is fast paced and very amusing. I do strongly recommend this book, I think you are in for a treat. Enjoy! 🙂
The story is set in a small town with a hill, where witches were meeting since the 16th century. As you can see in the description above, this story is told in two different times – 1969 and 1999. In 1969 Florence was a WPC in the local police station, which she recently joined. Moreover, she was the first woman in that station, surrounded by men, who are not very friendly. She is assigned a disappearance of three teenagers, but what she discovers is way more complex and sinister than she could imagine.
Florence is the protagonist of this novel, and this story is told from her perspective. I love strong, smart and rebellious female leads in the books, and I absolutely loved Florence. Even though she is facing cruel workplace bullying and constant demeaning behavior, she is still fighting for what she believes to be right, and she wipes noses to those stuck up men. BRAVO! 😀 I really liked the wide variety of characters, which Bolton offered in this novel. All of them were very well rounded and unique personalities, who brought more richness to the book.
The narrative of this book was very well planned out and delivered. I was sucked in from the first pages of this book, I just wanted to find out what in a world was going on there! I really enjoyed all the twists, turns and diversions which Bolton creatively incorporated in this book. Sharon Bolton always follows an intriguing topic in her novels, and I am very glad that she was discussing workplace bullying and sexism, alongside witches and witchcraft. Even though I am not a believer in witchcraft, It was amusing to read about the people who believe in it and practice it.
Sharon Bolton is a very talented storyteller, she has a very absorbing and suspense building writing style, which I thoroughly enjoy every time. I loved the setting of this book, it compliments the atmosphere of this book with all those mills, hills, cemeteries and complex houses. The pages just fly while reading those short chapters. The climax was absolutely unexpected and left me very surprised. So, to conclude, for now, this book was the best read of 2018 for me. I enjoyed it from first to the last page, I think it has very intriguing and absorbing characters and very well crafted narrative, which is fast paced and very amusing. I do strongly recommend this book, I think you are in for a treat. Enjoy! 🙂
FilmIntuition (33 KP) rated The Myth of Perpetual Summer in Books
Jun 19, 2018
Tennessee Williams meets Anne Tyler in award-winning novelist Susan Crandall's gorgeously penned family opus. Centered on the oldest daughter of a unique Mississippi family, The Myth of Perpetual Summer is certain to appeal to book clubs.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Tayla (27 KP) rated A Court of Mist and Fury in Books
Jun 21, 2018
Characters (3 more)
Storyline
Action packed
Umm Everything?
Seriously. Amazing.
I put off starting A Court of Thorns and Roses because of vanity reasons (the cover just didn't do it for me, ok?!), but I fell in love with it immediately. I didn't even wait a second before starting A Court of Mist and Fury. Seriously. This series has become one my all time favorites. A Court of Mist and Fury is the continued story of Feyre. After being under the mountain she has found herself with a strange new body and a constant battle with the demons wrecking havoc in her mind. This book spends a good deal of time letting Feyre find herself and realize the good and toxic things in her life. As a threat looms ever closer, she learns to trust in herself and her abilities to become the curse breaker the all need.
The story is remarkable. I am always a little wary about the second books in series but this one far surpassed the first book. Sarah J Mass took an abusive relationship that we see all too often in books and turned it upside down. The sad part was I didn't even realize that it was an abusive relationship until I started into this book. I began to look back and pick out unhealthy parts to Feyre and Tamlin's relationship. I found myself giddy with delight as Feyre finds healthy relationships. I kept looking around as I was reading to see if anyone would notice the pure delight on my face (awkward..). The best part? The entire book moved so quickly I felt like I was sprinting to complete it. My emotions were on a rollercoaster the entire time. The author did a great job including scenes that provide a break from the chaos to let us catch our breath before diving right back in.
The characters really make this book. All the main women in this book are badasses. It is a breath of fresh air to see these women be more than a pretty face and hold their own. I also can't get over their friendship. It's clearly a true, bone deep friendship where the love is hard to miss. The night court men in this book are also refreshing. They will protect their friends family, but they are also aware that everyone is capable of taking care of themselves and each of them have their own strengths. I love the friendship and love between these characters.
The relationships had such tension in them it was impossible not to feel them. Apparently, fae do not do a good job of hiding how they feel about those they care about, and I am not complaining! I loved the relationship between Feyre and Rhys. Even from A Court of Thorns and Roses I wanted more interaction between the both of them. Although I couldn't tell what exactly was between them, I could feel the pull, the need to hear more of their story. Authors are amazing for being able to capture things like that! I do feel the need to note that there are some pretty heavy sex scenes in this book, significantly more than the first one. Maybe don't read out in public ;).
I loved a Court of Mist and Fury! I am a yelling at myself for not jumping on the bandwagon sooner. I highly recommend this book to everyone who likes magical fantasy books, books with strong female leads, books with a bit (ok a lot) of romance but in a healthy way, and an effortless read.
The story is remarkable. I am always a little wary about the second books in series but this one far surpassed the first book. Sarah J Mass took an abusive relationship that we see all too often in books and turned it upside down. The sad part was I didn't even realize that it was an abusive relationship until I started into this book. I began to look back and pick out unhealthy parts to Feyre and Tamlin's relationship. I found myself giddy with delight as Feyre finds healthy relationships. I kept looking around as I was reading to see if anyone would notice the pure delight on my face (awkward..). The best part? The entire book moved so quickly I felt like I was sprinting to complete it. My emotions were on a rollercoaster the entire time. The author did a great job including scenes that provide a break from the chaos to let us catch our breath before diving right back in.
The characters really make this book. All the main women in this book are badasses. It is a breath of fresh air to see these women be more than a pretty face and hold their own. I also can't get over their friendship. It's clearly a true, bone deep friendship where the love is hard to miss. The night court men in this book are also refreshing. They will protect their friends family, but they are also aware that everyone is capable of taking care of themselves and each of them have their own strengths. I love the friendship and love between these characters.
The relationships had such tension in them it was impossible not to feel them. Apparently, fae do not do a good job of hiding how they feel about those they care about, and I am not complaining! I loved the relationship between Feyre and Rhys. Even from A Court of Thorns and Roses I wanted more interaction between the both of them. Although I couldn't tell what exactly was between them, I could feel the pull, the need to hear more of their story. Authors are amazing for being able to capture things like that! I do feel the need to note that there are some pretty heavy sex scenes in this book, significantly more than the first one. Maybe don't read out in public ;).
I loved a Court of Mist and Fury! I am a yelling at myself for not jumping on the bandwagon sooner. I highly recommend this book to everyone who likes magical fantasy books, books with strong female leads, books with a bit (ok a lot) of romance but in a healthy way, and an effortless read.