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Widowland is a really atmospheric thriller, set in an alternate timeline - one where the German National Socialists and the British reach a compromise in 1940 and become the Grand Alliance. This alliance reads more like occupation though. Britain doesn’t have it’s own government, all laws come from Germany, and Britain is ruled by a German, the Protector, Alfred Rosenberg.
Even though there’s a huge shortage of young men (they’ve been ‘shipped off’ to the rest of occupied Europe to ‘work’) and women greatly outnumber men, women are divided into categories, or castes. These depend on their age, heritage, reproductive status and physical characteristics, and each category is named after a significant woman in Hitlers life. Rose is a Geli, one of the elite. Young, beautiful, and most importantly, fertile.
I thoroughly enjoyed this and read it far too quickly. It had a black and white, 1950’s movie atmosphere about it, and I could easily picture the people and scenes in my head. It brought to mind The Man in the High Castle with regards to Occupation, and 1984 with regards to feeling as though you’re constantly watched - as well as the people being told how to react, think and live. This was especially evident in Rose’s job: she rewrites classics so that they’re in line with the regimes ideals: so no independent, strong females, and all the male leads are changed to Sturmbannführer (at least!).
The drudgery of everyday life made me think of how I envisaged life in the GDR - as well as only allowing state sanctioned literature, there was only one radio channel in Grand Alliance Britain, with some brave people listening to illegal foreign radio stations, knowing that this could result in extreme punishment.
When Rose goes to Widowland near Oxford (there are a few throughout the country) to find the source of a potential rebellion, she’s shocked to see older women living in abject poverty, only permitted to eat a subsistence diet and work menial jobs. But these women are intelligent, and they’re not happy in their state regulated lives. Between her reading of classic books and meeting these women, Rose begins to see what’s wrong with the world she has been living in, and this dawning realisation is so well described. We see how reading ‘subversive’ classics seems to get under her skin, and how she realises that the treatment of women is wrong in this Grand Alliance.
I could go on and on. I raced through this book, and I loved the ending, which came far too quickly!
Many thanks to Quercus for my copy of this book through NetGalley.
Even though there’s a huge shortage of young men (they’ve been ‘shipped off’ to the rest of occupied Europe to ‘work’) and women greatly outnumber men, women are divided into categories, or castes. These depend on their age, heritage, reproductive status and physical characteristics, and each category is named after a significant woman in Hitlers life. Rose is a Geli, one of the elite. Young, beautiful, and most importantly, fertile.
I thoroughly enjoyed this and read it far too quickly. It had a black and white, 1950’s movie atmosphere about it, and I could easily picture the people and scenes in my head. It brought to mind The Man in the High Castle with regards to Occupation, and 1984 with regards to feeling as though you’re constantly watched - as well as the people being told how to react, think and live. This was especially evident in Rose’s job: she rewrites classics so that they’re in line with the regimes ideals: so no independent, strong females, and all the male leads are changed to Sturmbannführer (at least!).
The drudgery of everyday life made me think of how I envisaged life in the GDR - as well as only allowing state sanctioned literature, there was only one radio channel in Grand Alliance Britain, with some brave people listening to illegal foreign radio stations, knowing that this could result in extreme punishment.
When Rose goes to Widowland near Oxford (there are a few throughout the country) to find the source of a potential rebellion, she’s shocked to see older women living in abject poverty, only permitted to eat a subsistence diet and work menial jobs. But these women are intelligent, and they’re not happy in their state regulated lives. Between her reading of classic books and meeting these women, Rose begins to see what’s wrong with the world she has been living in, and this dawning realisation is so well described. We see how reading ‘subversive’ classics seems to get under her skin, and how she realises that the treatment of women is wrong in this Grand Alliance.
I could go on and on. I raced through this book, and I loved the ending, which came far too quickly!
Many thanks to Quercus for my copy of this book through NetGalley.

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Awix (3310 KP) rated Molly's Game (2017) in Movies
Mar 5, 2018 (Updated Mar 5, 2018)
Typically slick and snarky film from Aaron Sorkin, who does a good job of directing too. Over-achieving ex-skier goes to Los Angeles and winds up running big-money poker games; gets mixed up with the mob, legal troubles ensue.
One of those films benefiting from having a very topical theme about how women are (or were) overlooked in the entertainment industry, with a strong performance from Chastain. Feminist credentials are let down a bit by the prominence given to her father (Costner); also by the prominence given to Chastain's cleavage (one probably shouldn't say this, but: wow). In the end the film is a bit too keen on beatifying someone who was essentially a drug-addicted crook, at least for part of her career, but the story is engaging and well-told.
One of those films benefiting from having a very topical theme about how women are (or were) overlooked in the entertainment industry, with a strong performance from Chastain. Feminist credentials are let down a bit by the prominence given to her father (Costner); also by the prominence given to Chastain's cleavage (one probably shouldn't say this, but: wow). In the end the film is a bit too keen on beatifying someone who was essentially a drug-addicted crook, at least for part of her career, but the story is engaging and well-told.

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Cori June (3033 KP) rated The Queen of Swords in Books
Jun 23, 2020
Maude and the Daughters of Lilith (1 more)
Characters
This book is full of strong women and great supporting characters. I hope this isn't the last book of the series but if it is I'm ok with it.
This follows most of the format of the previous two book in that it is multiple points of view. There is information about the Daughters of Lilith and a bit of time travel back and forth between Maude and Anne Bonny the Pirate Queen. It also goes out side of Golgotha and into the wide world, Maude's daughter, Constance, is taken from Golgotha by her grandfather and then kidnapped.
Maude is a mom who won't let anything or anyone get in the way of her finding her daughter and woe to any who get in her way
This follows most of the format of the previous two book in that it is multiple points of view. There is information about the Daughters of Lilith and a bit of time travel back and forth between Maude and Anne Bonny the Pirate Queen. It also goes out side of Golgotha and into the wide world, Maude's daughter, Constance, is taken from Golgotha by her grandfather and then kidnapped.
Maude is a mom who won't let anything or anyone get in the way of her finding her daughter and woe to any who get in her way
FI
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Erika (17789 KP) rated The Witch's Heart in Books
May 1, 2021 (Updated May 1, 2021)
Oooof, apparently I should have read the synopsis more closely. The writing was good, and I would be willing to try another book by this author.
This book just wasn't my jam, my brain turns off as soon as the story line becomes solely about having kids and sacrificing oneself for family. I can't relate, and I find it completely snooze-worthy.
This rating is so low, because this just wasn't my cup of tea. It only gets a 2 because I liked the writing style. I know it's based on a myth, which is en vogue right now, but why can't strong, childless (by choice) women exist in books? This novel to me was just a growing problem that I'm having with novels in general at this point.
This book just wasn't my jam, my brain turns off as soon as the story line becomes solely about having kids and sacrificing oneself for family. I can't relate, and I find it completely snooze-worthy.
This rating is so low, because this just wasn't my cup of tea. It only gets a 2 because I liked the writing style. I know it's based on a myth, which is en vogue right now, but why can't strong, childless (by choice) women exist in books? This novel to me was just a growing problem that I'm having with novels in general at this point.

Leanne Crabtree (480 KP) rated Safe Word in Books
Jan 12, 2021
It started good. I liked his domineering attitude with her once she was at his place but then I sort of lost the plot... Why was he doing this to all these women? Why was he trying to get into the mob boss' good books?
The writing styles seemed a little stilted at times, rather formal, with it not having shortened wording, i.e. what is, that is instead of what's, that's and I found it a little off-putting. That's just me, though.
I liked Colt/Cole right from the off because he'd always loved her and no matter what he tried to make himself believe he couldn't hurt her or let her get hurt (which tugged at my heart-strings) and Rose/Lily was strong willed and also crazy about Colt/Cole.
The writing styles seemed a little stilted at times, rather formal, with it not having shortened wording, i.e. what is, that is instead of what's, that's and I found it a little off-putting. That's just me, though.
I liked Colt/Cole right from the off because he'd always loved her and no matter what he tried to make himself believe he couldn't hurt her or let her get hurt (which tugged at my heart-strings) and Rose/Lily was strong willed and also crazy about Colt/Cole.