Search
GustavoCampello (6 KP) rated Hive (2021) in Movies
Feb 10, 2022
Sundance Film Award winning film, it took me a while to write because even now things are still hammering in my head. It is a simple film, but extremely strong. A portrait of a society so different from ours, with a Muslim and sexist majority. The delivery to the role of all the actresses is impressive as it is so realistic. The scenes that caught my attention the most are the moments of calm and happiness of women in the midst of such a chaotic and sad life. The ghosts of conflict and the scars they cause are present in every second of the film and it manages to convey, as far as possible, the horror that is war. A film about empowerment that anyone who cares about feminism has to watch. Now I'm in the mood to try ajvar, I have a friend from Macedonia who confirmed that it's delicious, looking for it in a market.
Phillip McSween (751 KP) rated Widows (2018) in Movies
Jan 31, 2019
Loved it
A film with Viola Davis and Liam Neeson? Yep, count me in! Solid drama about a crew of women planning to finish the heist that their deceased husbands started.
Acting: 10
Viola Davis. Viola Davis. Viola Davis. The power behind her acting is so evident, so purposeful. She plays the role of Veronica, a hard-ass who is also trying to mask her vulnerability. Her words are few, but her impact carries the film. She isn’t alone in her strong performance as Elizabeth Debicki and Cynthia Erivo also held their own. I appreciated the way Debicki showed her character’s growth from the beginning of the film to the end. Once passive and weak, she emerges as one that’s willing to do what she needs to survive.
I didn’t mention Michelle Rodriguez for a reason. I wasn’t impressed with her role this time around. Kind of a lame duck. Sorry, Michelle.
Beginning: 10
Widows gets off to a really hot start as it moves back and forth between the daily life of the main character Veronica and the heist that went wrong. It sets the tone that the film will be conflict-driven and entertaining. Watching the first ten minutes had me really excited to see the rest.
Characters: 9
Cinematography/Visuals: 5
There’s nothing that really stood out for me and that’s not necessarily a bad thing. Widows was shot plainly and in forgettable fashion. Fortunately the story and the conflict that moves the story are both extremely strong. At the end of the day, if you tell a good story the right way, you don’t have to go overboard with cinematic flare.
Conflict: 8
Solid action here. The movie benefits by having strong antagonists that actually make you fear for the lives of the main characters. You can’t really predict what is going to happen from one scene to the next. The intensity picks up even more when the characters arrive at the main heist. Very strong scene that will have you on the edge of your seat as you anticipate things going horribly wrong.
Genre: 8
I give credit to stories that are told in unique fashion. There aren’t enough heist films starring women so I’m hoping this is the beginning of what could be a very popular trend. From a dramatic standpoint, Widows absolutely holds its own.
Memorability: 8
Pace: 9
Plot: 10
Again, much credit is given to originality. The story moves quickly and is believable, only really slowing down in one spot. I also appreciate the twists that add some flare to the story without overdoing it. Sometimes twists can cause a hug eyeroll. Not this time.
Resolution: 10
Overall: 87
My expectations were minimal, but I must say that I was thoroughly impressed with how Widows turned out. It’s a fun ride from beginning to end. You won’t be disappointed.
Acting: 10
Viola Davis. Viola Davis. Viola Davis. The power behind her acting is so evident, so purposeful. She plays the role of Veronica, a hard-ass who is also trying to mask her vulnerability. Her words are few, but her impact carries the film. She isn’t alone in her strong performance as Elizabeth Debicki and Cynthia Erivo also held their own. I appreciated the way Debicki showed her character’s growth from the beginning of the film to the end. Once passive and weak, she emerges as one that’s willing to do what she needs to survive.
I didn’t mention Michelle Rodriguez for a reason. I wasn’t impressed with her role this time around. Kind of a lame duck. Sorry, Michelle.
Beginning: 10
Widows gets off to a really hot start as it moves back and forth between the daily life of the main character Veronica and the heist that went wrong. It sets the tone that the film will be conflict-driven and entertaining. Watching the first ten minutes had me really excited to see the rest.
Characters: 9
Cinematography/Visuals: 5
There’s nothing that really stood out for me and that’s not necessarily a bad thing. Widows was shot plainly and in forgettable fashion. Fortunately the story and the conflict that moves the story are both extremely strong. At the end of the day, if you tell a good story the right way, you don’t have to go overboard with cinematic flare.
Conflict: 8
Solid action here. The movie benefits by having strong antagonists that actually make you fear for the lives of the main characters. You can’t really predict what is going to happen from one scene to the next. The intensity picks up even more when the characters arrive at the main heist. Very strong scene that will have you on the edge of your seat as you anticipate things going horribly wrong.
Genre: 8
I give credit to stories that are told in unique fashion. There aren’t enough heist films starring women so I’m hoping this is the beginning of what could be a very popular trend. From a dramatic standpoint, Widows absolutely holds its own.
Memorability: 8
Pace: 9
Plot: 10
Again, much credit is given to originality. The story moves quickly and is believable, only really slowing down in one spot. I also appreciate the twists that add some flare to the story without overdoing it. Sometimes twists can cause a hug eyeroll. Not this time.
Resolution: 10
Overall: 87
My expectations were minimal, but I must say that I was thoroughly impressed with how Widows turned out. It’s a fun ride from beginning to end. You won’t be disappointed.
Gareth von Kallenbach (980 KP) rated The Book of Eli (2010) in Movies
Aug 8, 2019
In a post apocalyptic future, a loan man travels the desolate roads on a solitary quest. The man known only as Eli (Denzel Washington), has been travelling west for decades on a mission of faith after receiving what he believes to be a mission of divine origin.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
Nikki Massey (8 KP) rated The Hunger Games in Books
Feb 7, 2019 (Updated Feb 7, 2019)
Unexpected inspiring read
I really didn't know what to expect of this novel. It seemed very much like a teen/young adult novel but I actually found myself gripped in the twists and turns of the story and unable to put the book down as a thirty-something-year-old!
I felt an instant connection to Katniss and could almost picture myself as her.
She may be young and not the biggest or strongest character but she made up for that in guts and brains.
She is a selfless young woman who put the needs of her family in front of everything else. She listened and learned and that gave her survival skills. She was smart and figured out the game and what would keep her alive.
It's refreshing to find a novel where the lead female character wasn't just a stupid and vacant girly girl but actually strong and intelligent. This is the type of role that should be featured more to inspire and motivate more women. To show you don't have to just like the material things in life and you don't need a man to get you out of a tricky situation. In fact, you end up saving the guy and are the heroine of the tale.
I can't wait to read the other two books in the series! I'm just waiting on the postman to deliver them!
I felt an instant connection to Katniss and could almost picture myself as her.
She may be young and not the biggest or strongest character but she made up for that in guts and brains.
She is a selfless young woman who put the needs of her family in front of everything else. She listened and learned and that gave her survival skills. She was smart and figured out the game and what would keep her alive.
It's refreshing to find a novel where the lead female character wasn't just a stupid and vacant girly girl but actually strong and intelligent. This is the type of role that should be featured more to inspire and motivate more women. To show you don't have to just like the material things in life and you don't need a man to get you out of a tricky situation. In fact, you end up saving the guy and are the heroine of the tale.
I can't wait to read the other two books in the series! I'm just waiting on the postman to deliver them!
Micky Barnard (542 KP) rated The Cruel Prince in Books
Sep 15, 2018
A great start to the series
THE CRUEL PRINCE was a great start to this series and it holds so much promise in terms of future book potential. The strengths of this series lie in the meeting of mortal and faerie worlds and the mixing of mortal and faerie beings, with hierarchy and prejudice being prominent. The book is full of strong characters to like, love, dislike and hate. Each character was developed so well, even some of the lesser characters. However, there are many lead characters and this exemplifies Holly Black’s talent.
Jude, the female main character was a strong young women who had had a life of hardship, trauma, bullying and adversity. She went through a coming of age that was forced on her during this read and she was just fantastic to focus on. The family relationships were complex and fascinating; the potential romantic relationships were unexpected and intriguing.
I listened to this on audio and I have to admit to feeling a lack of focus mid-way, where it either lost pace or the audio wasn’t working for me. The narration was good however. I can see myself flipping to the book a re-read before book two and continuing in this format.
I am truly excited at the continuation of the series and the final 15% was thrilling. Most YA fantasy fans will roll around in the muddy hype on this one, feeling satisfied.
Jude, the female main character was a strong young women who had had a life of hardship, trauma, bullying and adversity. She went through a coming of age that was forced on her during this read and she was just fantastic to focus on. The family relationships were complex and fascinating; the potential romantic relationships were unexpected and intriguing.
I listened to this on audio and I have to admit to feeling a lack of focus mid-way, where it either lost pace or the audio wasn’t working for me. The narration was good however. I can see myself flipping to the book a re-read before book two and continuing in this format.
I am truly excited at the continuation of the series and the final 15% was thrilling. Most YA fantasy fans will roll around in the muddy hype on this one, feeling satisfied.
Sarah (7798 KP) rated The Last Girl in Books
Dec 11, 2017
A good first part
This is a very intriguing idea for a story, although bleak dystopian futures appear to be all the rage at the moment. Set in the near future where women have virtually stopped giving birth to girls, where a group of young women are being held in a centre called the ARC - it starts off well and centres around Zoey in her daily routine. This first part is interesting, as you learn about life in the ARC and it keeps you hooked as you try and figure out with Zoey what’s going on. For me this is the best part of the book, as it goes a little downhill from there.
The second half is believable, but potentially far fetched depending solely on survival instinct of someone who has been institutionalised her entire life. Not bad, but I had to allow for a little embellishment and didn’t quite believe 100%. Shame as it’s a very well written and enjoyable book.
The characters themselves are all fairly interesting, although I did wish to see more of certain characters who sadly haven’t made it to the next book. Zoey herself is a strong female lead, obviously taking its lead from the Hunger Games etc. The whole book reminds me a lot of the Wool trilogy, and of Joe Hill’s The Fireman too.
In all, a very good enjoyable first part, and am definitely looking forward to reading the rest of the trilogy.
The second half is believable, but potentially far fetched depending solely on survival instinct of someone who has been institutionalised her entire life. Not bad, but I had to allow for a little embellishment and didn’t quite believe 100%. Shame as it’s a very well written and enjoyable book.
The characters themselves are all fairly interesting, although I did wish to see more of certain characters who sadly haven’t made it to the next book. Zoey herself is a strong female lead, obviously taking its lead from the Hunger Games etc. The whole book reminds me a lot of the Wool trilogy, and of Joe Hill’s The Fireman too.
In all, a very good enjoyable first part, and am definitely looking forward to reading the rest of the trilogy.
Kristy H (1252 KP) rated The Giver of Stars in Books
Nov 7, 2019
This was such a great read—I was completely caught up in the story, set in 1930s Kentucky. It tells of a group of women who agree to set up a traveling library—where the books are delivered via horseback—per the direction of Eleanor Roosevelt and the WPA.
What a vivid and mesmerizing tale. We are introduced to Alice, who comes from England to Kentucky after her marriage. But her union isn’t all she imagined, and she finds herself feeling trapped and alone—until she joins the library. They are led by Margery, who refuses to fit the mold of the typical Kentucky woman, much to the ire of some townspeople, including Alice’s father-in-law, who runs the local mine.
The plot is dramatic, riveting, and, honestly, stressful at times (I was so invested). I loved the idea of a tale that mixes the power of books and reading with the power of women and the fear so many had of both. You’d like to think a lot has changed since the ‘30s, but this felt rather timely sometimes... The book also speaks eloquently to the racial divide, classism, and more. I found many parts to be so touching and others very powerful. This is a book that speaks to you on a variety of levels.
Overall, this is a beautiful book, with a strong and moving message. Definitely recommend! 4+ stars.
What a vivid and mesmerizing tale. We are introduced to Alice, who comes from England to Kentucky after her marriage. But her union isn’t all she imagined, and she finds herself feeling trapped and alone—until she joins the library. They are led by Margery, who refuses to fit the mold of the typical Kentucky woman, much to the ire of some townspeople, including Alice’s father-in-law, who runs the local mine.
The plot is dramatic, riveting, and, honestly, stressful at times (I was so invested). I loved the idea of a tale that mixes the power of books and reading with the power of women and the fear so many had of both. You’d like to think a lot has changed since the ‘30s, but this felt rather timely sometimes... The book also speaks eloquently to the racial divide, classism, and more. I found many parts to be so touching and others very powerful. This is a book that speaks to you on a variety of levels.
Overall, this is a beautiful book, with a strong and moving message. Definitely recommend! 4+ stars.
Jack the Ripper: The Forgotten Victims
Book
Experts agree that Jack the Ripper murdered five London women, but how many others did he slaughter...
The Taster
9.0
Rate It
Book
Amid the turbulence of World War II, a young German woman finds a precarious haven closer to the...
Fiction Historical Fiction WW2
ClareR (5726 KP) rated The Women of Troy in Books
Jan 11, 2022
The Women of Troy picks up where The Silence of the Girls finished. Greece has won. The men of Troy are dead, their wealth and women now belong to the Greeks, but due to the fact that the wind is blowing in the wrong direction, the Greeks are going nowhere. Someone must have done something to displease the Gods, but until they come to that conclusion, there’s a lot of eating, drinking, sports competitions and rape. The women, as is usual in any conflict, get the shitty end of the stick. They may not have been killed, but they face a lifetime of slavery and rape.
Briseis is lucky, in that she is now married to Alcimus and is now a respectable, protected woman. But she now feels as though she belongs to neither side. She knows how the female slaves feel: she was one of them once. But they don’t see her as one of them anymore, and she isn’t wholly Greek either. She does manage to see the main female characters from Troy, though. Cassandra makes an appearance - she is still telling everyone what will happen, and on one is believing her. Hecuba is being kept in comfort by Odysseus, but she has seen all but one of her sons killed, and her husband is lying unburied on the beach - she wants to see him sent off to the afterlife before she dies.
We even see Helen and how she’s getting on. Her husband has taken her back, but no one else can see why she hasn’t been killed. After all, she’s to blame for the whole situation, isn’t she?!
Amina is Briseis’ own slave, given to her by Alcimus. It’s clear that she doesn’t like Briseis - after all, Briseis hasn’t tried to convince Agamemnon to have proper funeral rites for Priam. I liked Amina. She stands by her convictions, no matter the consequences (and there are consequences).
In fact, they’re all strong women, trying their best in very difficult circumstances. I always enjoy Greek mythology re-telling, and this book really does it for me. I’d love to see if Pat Barker writes about the times after the Greeks return to their homes. What happens to Cassandra? Helen? And Briseis? Yes, I know I can look it up in any Greek mythology book, but Pat Barkers storytelling is so emotive and really compelling. I’ll be keeping my fingers crossed!
Briseis is lucky, in that she is now married to Alcimus and is now a respectable, protected woman. But she now feels as though she belongs to neither side. She knows how the female slaves feel: she was one of them once. But they don’t see her as one of them anymore, and she isn’t wholly Greek either. She does manage to see the main female characters from Troy, though. Cassandra makes an appearance - she is still telling everyone what will happen, and on one is believing her. Hecuba is being kept in comfort by Odysseus, but she has seen all but one of her sons killed, and her husband is lying unburied on the beach - she wants to see him sent off to the afterlife before she dies.
We even see Helen and how she’s getting on. Her husband has taken her back, but no one else can see why she hasn’t been killed. After all, she’s to blame for the whole situation, isn’t she?!
Amina is Briseis’ own slave, given to her by Alcimus. It’s clear that she doesn’t like Briseis - after all, Briseis hasn’t tried to convince Agamemnon to have proper funeral rites for Priam. I liked Amina. She stands by her convictions, no matter the consequences (and there are consequences).
In fact, they’re all strong women, trying their best in very difficult circumstances. I always enjoy Greek mythology re-telling, and this book really does it for me. I’d love to see if Pat Barker writes about the times after the Greeks return to their homes. What happens to Cassandra? Helen? And Briseis? Yes, I know I can look it up in any Greek mythology book, but Pat Barkers storytelling is so emotive and really compelling. I’ll be keeping my fingers crossed!