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Fred (860 KP) rated Captain Marvel (2019) in Movies
Apr 29, 2019
Not worth your time
Let's face it, Marvel doesn't really have any female characters that can lead a movie by themselves. We are told this is the first, but yet our main character is surrounded by men & well established characters like Nick Fury & Agent Coulson from S.H.I.E.L.D.
This movie was surrounded by controversy because it's star, Brie Larson, said something about the movie being for the empowerment of women & doesn't care what white men think about it. This set off white men who boycotted the movie, which didn't amount to much, since the movie was still a hit. But did it deserve it?
Okay, so when I see a movie, I quite frankly watch the movie & base my review on it. Yes, I'm a white male who should be bothered by Larson's words, but being a movie fan & a superhero movie fan, I am able to block that out & watch the movie.
So, here we go. I am a Fantastic Four fan. They have been & always will be my favorite comic book. And so, I was looking forward to finally seeing the Skrulls on film. I won't give anything away, but I'll say the Skrulls were done very well, as were the Kree. Now we've seen the Kree before in the Marvel films, but not the Skrulls. So, the movie has that going for it.
The effects to give us a young Samuel Jackson & a young Clark Gregg have been perfected. Yes, we've seen it before, but now it's not even noticeable.
Now, let's get to the movie itself. It's typical Marvel fare, starts off good, gets boring, ends with a bang. The story is quite mediocre, with no real surprises. It's set in the 90s, to try to get that nostalgia people love in today's film. But quite frankly, the 90s were not that great. The music sucked (evidenced by the horrible songs in this movie) & had nothing worth while to be nostalgic over. Yeah, you 90s kids will disagree, but don't worry, the music's only got worse since then, so at least you music is better than the last 20 years'. Now, get off my lawn, punks!
The main problem with this movie is Captain Marvel herself. Like I said, she's not a great enough character to pull off having her own movie to begin with. The character is not a strong character. Yes, she's powerful, but that's not what I mean. I mean she's not a huge comic book character. Is she as well know as let's say, Wonder Woman? Not even close. I can guarantee that most of the people who saw this movie knew little about the character. It's not Marvel's fault. See, although the new thing in movies is to have strong women in the leads, to use older comic book characters doesn't work too well. Women in the comics were hardly represented the way they are in the films of today. They were always weaker, always the damsels in distress. So when today we get the movie people saying "This female character is the strongest in the universe." or "This female character is the smartest in the universe.", it takes years of pushing aside comic book discrimination to accept that.
But okay, I can push that aside. An even bigger problem is Brie Larson herself. She is bland to say the least. We needed a strong actor to push this character in our faces & say "Yeah! She's the best! A real hero!" But, no. She's not. She doesn't even make the character interesting at all. She's a shell of a character. At the end when she's flighting & flying around & smashing things, she feels like she's a CGI puppet being pushed through the scene. There's no sense of power. I don't care about her. I'm not cheering her on, nor am I wanting her to fail. There's just nothing. When she appears in Endgame, it's the same feeling. If the main character is uninteresting, how can the movie be any good?
In the end, I'm giving this one of the lowest scores of all the Marvel films. If not for the supporting cast, which were good, I probably would have given this a 2 out of 10. This movie is unnecessary to the overall plot of the MCU. There are some good lines, good parts, but not enough to want to watch it again.
This movie was surrounded by controversy because it's star, Brie Larson, said something about the movie being for the empowerment of women & doesn't care what white men think about it. This set off white men who boycotted the movie, which didn't amount to much, since the movie was still a hit. But did it deserve it?
Okay, so when I see a movie, I quite frankly watch the movie & base my review on it. Yes, I'm a white male who should be bothered by Larson's words, but being a movie fan & a superhero movie fan, I am able to block that out & watch the movie.
So, here we go. I am a Fantastic Four fan. They have been & always will be my favorite comic book. And so, I was looking forward to finally seeing the Skrulls on film. I won't give anything away, but I'll say the Skrulls were done very well, as were the Kree. Now we've seen the Kree before in the Marvel films, but not the Skrulls. So, the movie has that going for it.
The effects to give us a young Samuel Jackson & a young Clark Gregg have been perfected. Yes, we've seen it before, but now it's not even noticeable.
Now, let's get to the movie itself. It's typical Marvel fare, starts off good, gets boring, ends with a bang. The story is quite mediocre, with no real surprises. It's set in the 90s, to try to get that nostalgia people love in today's film. But quite frankly, the 90s were not that great. The music sucked (evidenced by the horrible songs in this movie) & had nothing worth while to be nostalgic over. Yeah, you 90s kids will disagree, but don't worry, the music's only got worse since then, so at least you music is better than the last 20 years'. Now, get off my lawn, punks!
The main problem with this movie is Captain Marvel herself. Like I said, she's not a great enough character to pull off having her own movie to begin with. The character is not a strong character. Yes, she's powerful, but that's not what I mean. I mean she's not a huge comic book character. Is she as well know as let's say, Wonder Woman? Not even close. I can guarantee that most of the people who saw this movie knew little about the character. It's not Marvel's fault. See, although the new thing in movies is to have strong women in the leads, to use older comic book characters doesn't work too well. Women in the comics were hardly represented the way they are in the films of today. They were always weaker, always the damsels in distress. So when today we get the movie people saying "This female character is the strongest in the universe." or "This female character is the smartest in the universe.", it takes years of pushing aside comic book discrimination to accept that.
But okay, I can push that aside. An even bigger problem is Brie Larson herself. She is bland to say the least. We needed a strong actor to push this character in our faces & say "Yeah! She's the best! A real hero!" But, no. She's not. She doesn't even make the character interesting at all. She's a shell of a character. At the end when she's flighting & flying around & smashing things, she feels like she's a CGI puppet being pushed through the scene. There's no sense of power. I don't care about her. I'm not cheering her on, nor am I wanting her to fail. There's just nothing. When she appears in Endgame, it's the same feeling. If the main character is uninteresting, how can the movie be any good?
In the end, I'm giving this one of the lowest scores of all the Marvel films. If not for the supporting cast, which were good, I probably would have given this a 2 out of 10. This movie is unnecessary to the overall plot of the MCU. There are some good lines, good parts, but not enough to want to watch it again.
Sensitivemuse (246 KP) rated The Sworn Virgin in Books
Sep 28, 2017
Great historical detail, but falls short
So what I really liked the most about the book is the historical background and aspect. It’s rich in detail and sheds a light on the customs in Albania. I loved the descriptions of the setting, the clothing especially and how family life was at the time. Despite that Eleanora lived differently from others in the village, traditions are deep rooted, strong and followed to the exact detail. It’s all about maintaining family honor and if disgraced, the way to gain it back is likely with someone killing the other from the rival family that did you wrong. It’s pretty harsh and during that time doesn’t give much voice to women in general, but Eleanora’s personality is strong and admirable even though she’s pretty much a daddy’s girl (which helps her let her be who she wants to be).
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.
Bob Mann (459 KP) rated Phantom Thread (2017) in Movies
Sep 29, 2021
“There’s an air of quiet death in this house”.
The alleged acting swan-song of Daniel Day-Lewis (“Lincoln“) sees him deliver a brilliantly intense portrayal of a maestro in his craft with all the quirks and egotistical faults that come with that position.
Reynolds Woodcock is the craftsman behind a world-renowned 1950’s fashion house, in demand from the elite classes and even royalty. He has a magnetic personality, is overtly self-confident, obsessive, a cruel bully and treats his girlfriends as chattels that he can tire of and dismiss from his life without a backward glance. Trying to keep the business and Reynolds on track, with ruthless efficiency, is his sister Cyril (Leslie Manville, “Maleficent“).
Looking for his next conquest during a trip to his seaside residence, he reels in blushing young waitress Alma (Vicky Krieps, “The Colony”). But he gets more than he bargains for.
This is a really exquisite and gentle film. Aside from some dubious fungi-related practices, there is no violence, no sex and – aside from about half a dozen well-chosen F-words – limited swearing (of which more below). This is a study of the developing relationship between the two protagonists, with little in the way of plot. Sounds dull? Far from it. This is two hours that flew by.
What it also features is (yet) another example of extremely strong women asserting their power. A scene (well trailed in Manville’s award snippets) where Cyril firmly puts Reynolds back in his box is brilliant: a real turning of tables with Woodcock meekly falling into line. And Alma makes for an incredibly rich and complicated character, one of the most interesting female roles I’ve seen this year so far.
It’s a stellar acting performance from Day-Lewis, and while Oldman fully deserves all of his award kudos for “Darkest Hour”, Day-Lewis delivers the goods without any of the make-up. It feels like Day-Lewis is a long way down the betting odds this year because “he always gets one”. He certainly gets my vote ahead of all of the other three nominees.
Kreips – not an actress I know – also brilliantly holds her own, and if it wasn’t such a strong female field this year she could well have been nominated.
Also worthy of note is the pervasive piano score by (suprisingly) Radiohead’s Jonny Greenwood. It’s really lovely and counterpoints the rest of the classical score nicely. Its BAFTA and Oscar nominations are both well deserved (though I would expect the Oscar to follow the BAFTA steer with “The Shape of Water“).
All in all, this is a real tour de force by writer/director Paul Thomas Anderson (“Inherent Vice”, “There Will Be Blood”). How much I enjoyed this film was a surprise to me, since I have no interest in the “fashion industry” (as my family will no doubt be quick to point out!) and I went to see this more out of ‘duty’ based on its Oscar buzz than because I really wanted to see it.
The big curiosity is why exactly the BBFC decided that this film was worthy of a 15 certificate rather than a 12A. Their comments on the film say “There is strong language (‘f**k’), as well as milder terms including ‘bloody’ and ‘hell’. Other issues include mild sex references and scenes of emotional upset. In one scene, a woman’s nipples are visible through her slip while she is measured for a dress.” For a 12A, the board say “The use of strong language (for example, ‘f***’) must be infrequent”. I didn’t count the f-words… but as I said I don’t think it amounts to more than a half-dozen. Is that “frequent”? And – SHOCK, HORROR… visible covered nipples you say?! Lock up your teenagers! When you look at the gentleness of this film versus the violence within “Black Panther”, you have to question this disparity.
Reynolds Woodcock is the craftsman behind a world-renowned 1950’s fashion house, in demand from the elite classes and even royalty. He has a magnetic personality, is overtly self-confident, obsessive, a cruel bully and treats his girlfriends as chattels that he can tire of and dismiss from his life without a backward glance. Trying to keep the business and Reynolds on track, with ruthless efficiency, is his sister Cyril (Leslie Manville, “Maleficent“).
Looking for his next conquest during a trip to his seaside residence, he reels in blushing young waitress Alma (Vicky Krieps, “The Colony”). But he gets more than he bargains for.
This is a really exquisite and gentle film. Aside from some dubious fungi-related practices, there is no violence, no sex and – aside from about half a dozen well-chosen F-words – limited swearing (of which more below). This is a study of the developing relationship between the two protagonists, with little in the way of plot. Sounds dull? Far from it. This is two hours that flew by.
What it also features is (yet) another example of extremely strong women asserting their power. A scene (well trailed in Manville’s award snippets) where Cyril firmly puts Reynolds back in his box is brilliant: a real turning of tables with Woodcock meekly falling into line. And Alma makes for an incredibly rich and complicated character, one of the most interesting female roles I’ve seen this year so far.
It’s a stellar acting performance from Day-Lewis, and while Oldman fully deserves all of his award kudos for “Darkest Hour”, Day-Lewis delivers the goods without any of the make-up. It feels like Day-Lewis is a long way down the betting odds this year because “he always gets one”. He certainly gets my vote ahead of all of the other three nominees.
Kreips – not an actress I know – also brilliantly holds her own, and if it wasn’t such a strong female field this year she could well have been nominated.
Also worthy of note is the pervasive piano score by (suprisingly) Radiohead’s Jonny Greenwood. It’s really lovely and counterpoints the rest of the classical score nicely. Its BAFTA and Oscar nominations are both well deserved (though I would expect the Oscar to follow the BAFTA steer with “The Shape of Water“).
All in all, this is a real tour de force by writer/director Paul Thomas Anderson (“Inherent Vice”, “There Will Be Blood”). How much I enjoyed this film was a surprise to me, since I have no interest in the “fashion industry” (as my family will no doubt be quick to point out!) and I went to see this more out of ‘duty’ based on its Oscar buzz than because I really wanted to see it.
The big curiosity is why exactly the BBFC decided that this film was worthy of a 15 certificate rather than a 12A. Their comments on the film say “There is strong language (‘f**k’), as well as milder terms including ‘bloody’ and ‘hell’. Other issues include mild sex references and scenes of emotional upset. In one scene, a woman’s nipples are visible through her slip while she is measured for a dress.” For a 12A, the board say “The use of strong language (for example, ‘f***’) must be infrequent”. I didn’t count the f-words… but as I said I don’t think it amounts to more than a half-dozen. Is that “frequent”? And – SHOCK, HORROR… visible covered nipples you say?! Lock up your teenagers! When you look at the gentleness of this film versus the violence within “Black Panther”, you have to question this disparity.
Hazel (1853 KP) rated Purple Hearts in Books
Oct 24, 2017
Reimagined History
This ARC was provided by the publisher via NetGalley in exchange for an honest review
An epic tale of a reimagined World War II comes to an explosive end in this third and final book Purple Hearts. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, Purple Hearts, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
Purple Hearts is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book Purple Hearts. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, Purple Hearts, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
Purple Hearts is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
Hazel (1853 KP) rated Purple Hearts in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
Billie Wichkan (118 KP) rated Broken Wings in Books
May 22, 2019
Evening, I made my one hundred and seventy-eighth scratch on the cave wall.
Despite her humble rural beginnings, Butterfly regards herself as a sophisticated young woman. So, when offered a lucrative job in the city, she jumps at the chance.
But instead of being given work, she is trafficked and sold to Bright Black, a desperate man from a poor mountain village.
Trapped in Bright's cave home with her new "husband", she plans her escape not so easily done in this isolated and remote village where she is watched day and night.
Will her tenacity and free spirit survive, or will she be broken?
Chinas one child policy has resulted in a gender imbalance as more male children than female children were born; now young men are having difficulty finding wives. Apparently bride kidnapping has recently resurfaced in some parts of China. In many cases, women are kidnapped and sold to men in poorer regions of the country. This is what happens to Butterfly. In an afterword, the author mentions that her story is based on what happened to the daughter of a neighbour in his home village.
This was very interesting to read for me but did take some patience for me to get into though.
There's a great bunch of characters and a very strong young lady.
It is also heartbreaking to know that this story was inspired by a true account.
Recommend reading.
My thanks to ACA Publishing for an ARC via NetGalley. This is my own honest voluntary review.
Despite her humble rural beginnings, Butterfly regards herself as a sophisticated young woman. So, when offered a lucrative job in the city, she jumps at the chance.
But instead of being given work, she is trafficked and sold to Bright Black, a desperate man from a poor mountain village.
Trapped in Bright's cave home with her new "husband", she plans her escape not so easily done in this isolated and remote village where she is watched day and night.
Will her tenacity and free spirit survive, or will she be broken?
Chinas one child policy has resulted in a gender imbalance as more male children than female children were born; now young men are having difficulty finding wives. Apparently bride kidnapping has recently resurfaced in some parts of China. In many cases, women are kidnapped and sold to men in poorer regions of the country. This is what happens to Butterfly. In an afterword, the author mentions that her story is based on what happened to the daughter of a neighbour in his home village.
This was very interesting to read for me but did take some patience for me to get into though.
There's a great bunch of characters and a very strong young lady.
It is also heartbreaking to know that this story was inspired by a true account.
Recommend reading.
My thanks to ACA Publishing for an ARC via NetGalley. This is my own honest voluntary review.
BookwormMama14 (18 KP) rated Christmas at Carnton: A Novella in Books
Jan 2, 2019
When I started this novella, I was expecting a standard 150 page story....Well this is the longest novella I have ever read Lol! But that's Ok! I love Christmas stories. And this book is 250 paged of pure magical blessings! Besides, it puts me in the mood for the season and makes me feel all warm and cozy.
Set in the south during the civil war, this story has a unique view of "The Cause". When we grow up in a society that believes in certain things, we typically accept it as normal....as the normal way of life. Aletta realises this during a conversation with Tempy, Carnton's cook and a slave. I worry about the direction our society is heading and the impacts that it will have on my children. But what I CAN do is raise them to be Godly men who follow His will and His direction.
I can not imagine the heartache Aletta went through. The war between the States was such a devastating time. And yet, the community came together to support each other. The women of the Civil War were strong, determined, and fierce. But at the end of the day they just wanted their loved ones to come home safe and whole.
A beautiful story of sacrifice, love, loss, and hope...Christmas at Carnton is an excellent way to begin the holiday season.
I received a complimentary copy of Christmas at Carnton from the publishers through NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
Set in the south during the civil war, this story has a unique view of "The Cause". When we grow up in a society that believes in certain things, we typically accept it as normal....as the normal way of life. Aletta realises this during a conversation with Tempy, Carnton's cook and a slave. I worry about the direction our society is heading and the impacts that it will have on my children. But what I CAN do is raise them to be Godly men who follow His will and His direction.
I can not imagine the heartache Aletta went through. The war between the States was such a devastating time. And yet, the community came together to support each other. The women of the Civil War were strong, determined, and fierce. But at the end of the day they just wanted their loved ones to come home safe and whole.
A beautiful story of sacrifice, love, loss, and hope...Christmas at Carnton is an excellent way to begin the holiday season.
I received a complimentary copy of Christmas at Carnton from the publishers through NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
BookwormMama14 (18 KP) rated The Reckoning at Gossamer Pond in Books
Jan 2, 2019
I couldn't read this book fast enough! Jaime Jo Wright weaves such a tale of mystery and suspense that you won't want to put it down. Thankfully, when house duties called, I have SCRIBD, so I could listen to the book while I did dishes, vacuumed, and did the laundry.
Filled with so much agony for all that these characters go through, the empath in me had a rough go of it. But, all said and done, the author created the perfect balance with the tension, the hope, the suspense, and the romance. I am not sure how much more I can say without giving away the story! I couldn't figure out who the "bad guys" were for the longest time. I was trying so hard to figure out how everything all meshed together...But couldn't work it out on my own.
Annalise and Libby are two women that I think are incredibly strong, brave, and heroines of the best sort. Sure they have made mistakes (who hasn't), but the important thing is that they learned from them, grew, moved on, and are helping others.
I just want all of Jaime's stories in my hands right now! I could read them all year. Haha! I adore her voice and the vision she has behind her stories. They truly are remarkable and deserve the highest praise.
I received a complimentary copy of The Reckoning at Gossamer Pond from the publishers. I was not required to write a positive review. All opinions expressed are mine alone.
Filled with so much agony for all that these characters go through, the empath in me had a rough go of it. But, all said and done, the author created the perfect balance with the tension, the hope, the suspense, and the romance. I am not sure how much more I can say without giving away the story! I couldn't figure out who the "bad guys" were for the longest time. I was trying so hard to figure out how everything all meshed together...But couldn't work it out on my own.
Annalise and Libby are two women that I think are incredibly strong, brave, and heroines of the best sort. Sure they have made mistakes (who hasn't), but the important thing is that they learned from them, grew, moved on, and are helping others.
I just want all of Jaime's stories in my hands right now! I could read them all year. Haha! I adore her voice and the vision she has behind her stories. They truly are remarkable and deserve the highest praise.
I received a complimentary copy of The Reckoning at Gossamer Pond from the publishers. I was not required to write a positive review. All opinions expressed are mine alone.
Lee (2222 KP) rated Mary Queen of Scots (2018) in Movies
Jan 20, 2019
Mary (Saoirse Ronan), having lived in France where she was recently widowed, returns home to Scotland to claim her rightful place as queen. But she is not exactly welcomed with open arms in the world of men and when she also decides to set her sights on becoming successor to the crown of England, a power struggle ensues. Both at home, and with her cousin Queen Elizabeth I (Margot Robbie).
There's not very much that I enjoyed about this movie to be honest. An important and intriguing period in history, involving two extremely interesting and strong women, this should have been so much better. It tries to cover so much ground in its two hour runtime, barely focusing on any particular element for very long. Vast numbers of characters are introduced, none of which are given enough time for you to feel any kind of interest or emotional investment in and at times it drastically shifts between varying tones with confusing editing.
What the movie does manage to portray is that all the men are complete bastards. Scheming, plotting and murdering, all for their own gains. It's sad that, aside from the murdering (I hope), not much has changed in modern politics.
Both female leads, especially Saoirse, are actually very good in this, despite everything, and probably the best scene in the movie is when they meet alone towards the end (something which didn't actually happen in real life!). Sadly though, I was fidgeting in my seat up until that point just waiting for it to end.
There's not very much that I enjoyed about this movie to be honest. An important and intriguing period in history, involving two extremely interesting and strong women, this should have been so much better. It tries to cover so much ground in its two hour runtime, barely focusing on any particular element for very long. Vast numbers of characters are introduced, none of which are given enough time for you to feel any kind of interest or emotional investment in and at times it drastically shifts between varying tones with confusing editing.
What the movie does manage to portray is that all the men are complete bastards. Scheming, plotting and murdering, all for their own gains. It's sad that, aside from the murdering (I hope), not much has changed in modern politics.
Both female leads, especially Saoirse, are actually very good in this, despite everything, and probably the best scene in the movie is when they meet alone towards the end (something which didn't actually happen in real life!). Sadly though, I was fidgeting in my seat up until that point just waiting for it to end.
