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Mark @ Carstairs Considers (2332 KP) rated Hanging by a Thread in Books
Sep 30, 2023
Book Was Threadbare
Abbey is settling into her new life in Hideaway Grove, but it’s her aunt Sarah that is facing trouble. Blaine Hutchinson is opening a rival bakery. But before she can get it off the ground, she is murdered in her shop. With Sarah as a suspect, can the Abbey figure out what really happened?
I was hoping to like the second book since I saw potential in the first. Sadly, this book wasn’t that good. The main mystery was strong enough for a novella, and it was fleshed out with lots of subplots. I wanted to tell Abbey not to take on anything else at several points in the book. Not to mention that there wasn’t the follow up on things there should be been. We do have a good conclusion to the mystery at least. And I do like Abbey and many of the other characters, although what Abbey pulls on the potential love interest at one point wasn’t handled well. I support what she was going for, but this wasn’t how to do it. Since Abbey’s sewing studio is located next to Sarah’s bakery, we get lots of talk about mouthwatering desserts. Unfortunately, I think this will be my last visit with these characters.
I was hoping to like the second book since I saw potential in the first. Sadly, this book wasn’t that good. The main mystery was strong enough for a novella, and it was fleshed out with lots of subplots. I wanted to tell Abbey not to take on anything else at several points in the book. Not to mention that there wasn’t the follow up on things there should be been. We do have a good conclusion to the mystery at least. And I do like Abbey and many of the other characters, although what Abbey pulls on the potential love interest at one point wasn’t handled well. I support what she was going for, but this wasn’t how to do it. Since Abbey’s sewing studio is located next to Sarah’s bakery, we get lots of talk about mouthwatering desserts. Unfortunately, I think this will be my last visit with these characters.
BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
May 6, 2019
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Michael Packner (32 KP) rated The Strangers (2008) in Movies
Jun 15, 2019
The suspense is off the charts. Bryan Bertino creates tension like very few can. You can't even breathe at times, especially on a first viewing. (5 more)
The Strangers themselves are crafted to perfection from the iconic masks to their mannerisms to their lack of a true motive.
The symbolism is heavy throughout. It takes multiple viewings to catch it all. Look at the busted windshield at the end for one example.
The use of music as another character is absolutely brilliant. Each tune was used to perfection.
The camerawork and set design are off the charts given the budget Bertino had to work with.
The ending. Not every horror story has a happy ending. This one was a beautiful and glorious gut punch.
The very last scene. If Bertino had been allowed to keep the exact ending he wanted this would've been 1000 times more impactful. (1 more)
The sound. When things are quiet you can hear a pin drop, but when a noise comes it blows out your eardrum.
Why are you doing this to us?
Because you were home.
This is my favorite film of all time. To me, this film is literally horror nirvana. This remains to this day the only film to ever truly scare me. This isn't some fake supernatural hocus pocus. This is reality. While the film may only be INSPIRED by true events, and not something that actually happened, it could happen, and it does happen...every day, whether you want to come to terms with it or not. The crazy thing is that if Bertino had been able to do this his way without any studio intervention, this film would've been 10 times darker and 10 times better. I don't care what anyone says, this film is a horror heavyweight that pays true homage to the birth era of horror.
Because you were home.
This is my favorite film of all time. To me, this film is literally horror nirvana. This remains to this day the only film to ever truly scare me. This isn't some fake supernatural hocus pocus. This is reality. While the film may only be INSPIRED by true events, and not something that actually happened, it could happen, and it does happen...every day, whether you want to come to terms with it or not. The crazy thing is that if Bertino had been able to do this his way without any studio intervention, this film would've been 10 times darker and 10 times better. I don't care what anyone says, this film is a horror heavyweight that pays true homage to the birth era of horror.
Kristy H (1252 KP) rated Movie Star by Lizzie Pepper in Books
Feb 13, 2018
Lizzie Pepper became a famous actress as a teen -- growing up before America's eyes on her TV show. Eventually Lizzie meets America's most famous movie star, Rob Mars -- and quickly their courtship and marriage becomes tabloid fodder and her life changes forever. At first, Lizzie is head over heels in love with Rob and all that he brings: romance, lavish trips, and instant stardom. But soon, her life is taken over by Rob's wealth and fame -- his constant absences, a complete lack of privacy, and a world overshadowed by Rob's total commitment to One Cell Studio, a form of study and practice that nears cult status. Once they have children, Lizzie begins to doubt everything about their relationship -- and what her husband stands for.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
Steve Fearon (84 KP) rated L.A. Noire in Video Games
Sep 5, 2018
Groundbreaking facial animation (2 more)
A fascinating world
Genuinely difficult to 100%
Action gets a bit repetitive (1 more)
Ran its studio into financial trouble :(
Still the best game of its kind
This game...its one of my favourites.
Its not an action masterpiece, in fact its a little clunky at times, with a similar but inferior combat style to GTA, but it has a legitimately great atmosphere, beautifully capturing the period and the stylings.
The detective work actually requires a little thinking (Which is rare) and asks the player to make choices without too much handholding (Which is even rarer), and as the game progresses, the challenge to interrogate the more devious individuals can prove rather vexing!
The animations, and the emotions they are able to portray in a game this old, puts to shame big budget thrillers from recent years (Mass Effec Andromeda, I am looking at you!), the city design is beautiful, and the characters are played by a number of recognisable actors which add to the big budget feel that runs all through this game.
Is the remaster an improvement on the 360 game? A little, higher resolution, parred up for Xbox one, but essentially its the same as it ever was, and that is fine.
There is still not a single game I have come across which has done the detective game as well as this, and it is a crying shame that the technology and effort used to create LA Noire has essentially been lost, since even now, manakin faced characters are still the norm.
This game still has a lot to offer, if you can look past the action sequences, and instead enjoy the characters, peformances, and genuine puzzle solving aspects of this classic title.
Its not an action masterpiece, in fact its a little clunky at times, with a similar but inferior combat style to GTA, but it has a legitimately great atmosphere, beautifully capturing the period and the stylings.
The detective work actually requires a little thinking (Which is rare) and asks the player to make choices without too much handholding (Which is even rarer), and as the game progresses, the challenge to interrogate the more devious individuals can prove rather vexing!
The animations, and the emotions they are able to portray in a game this old, puts to shame big budget thrillers from recent years (Mass Effec Andromeda, I am looking at you!), the city design is beautiful, and the characters are played by a number of recognisable actors which add to the big budget feel that runs all through this game.
Is the remaster an improvement on the 360 game? A little, higher resolution, parred up for Xbox one, but essentially its the same as it ever was, and that is fine.
There is still not a single game I have come across which has done the detective game as well as this, and it is a crying shame that the technology and effort used to create LA Noire has essentially been lost, since even now, manakin faced characters are still the norm.
This game still has a lot to offer, if you can look past the action sequences, and instead enjoy the characters, peformances, and genuine puzzle solving aspects of this classic title.
Gareth von Kallenbach (980 KP) rated The Happytime Murders (2017) in Movies
Jul 2, 2019
As a huge fan of Melissa McCarthy, I wasn’t about to miss out on one of her films involving puppets. Especially when said puppets and film were made by Jim Henson’s son Brian Henson. That being said, just remember that these puppets are absolutely 100% “No Sesame, All Street”. “From the studio formerly sued by Sesame Street” STX presents The Happytime Murders.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Matthew Krueger (10051 KP) rated Jigsaw (2017) in Movies
Jan 28, 2020
The Disappointment
Saw - The Start
Saw II - The Clock
Saw III - The Consquence's
Saw IV - The Games
Saw V - The Detective
Saw VI - The Legacy
Saw VII - The Finale
This one - The Disappointment
Let Me Explain- so it toke seven whole years for the studio to come up with a good enough story, so that it can be released to theaters. I mean thats good, isnt. Not in this case. Seven years for a overall disappointing movie, Seven whole years and what did come up with as the result/outcome, this movie. This movie was weird, it was strange, to me it didnt feel like a saw movie, i mean it had some of the elements of a saw movie, but overall to me it didnt seem like one. More of lets try our best to make a reboot of the saw franchise and see how that works out. It didnt work. Now have to wait until May of all months for the next instellment of the saw franchise.
The Plot: After a series of murders bearing all the markings of the Jigsaw killer, law enforcement officials find themselves chasing the ghost of a man who has been dead for over a decade, and they become embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of his own?
The only good thing about this movie was the return of Tobin Bell as John Kramer/Jigsaw.
Hopefully Chris Rock of all people can save the Saw Franchise and Darren Lynn Bousman returns which is a plus. Well have to wait until May to find out.
Saw II - The Clock
Saw III - The Consquence's
Saw IV - The Games
Saw V - The Detective
Saw VI - The Legacy
Saw VII - The Finale
This one - The Disappointment
Let Me Explain- so it toke seven whole years for the studio to come up with a good enough story, so that it can be released to theaters. I mean thats good, isnt. Not in this case. Seven years for a overall disappointing movie, Seven whole years and what did come up with as the result/outcome, this movie. This movie was weird, it was strange, to me it didnt feel like a saw movie, i mean it had some of the elements of a saw movie, but overall to me it didnt seem like one. More of lets try our best to make a reboot of the saw franchise and see how that works out. It didnt work. Now have to wait until May of all months for the next instellment of the saw franchise.
The Plot: After a series of murders bearing all the markings of the Jigsaw killer, law enforcement officials find themselves chasing the ghost of a man who has been dead for over a decade, and they become embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of his own?
The only good thing about this movie was the return of Tobin Bell as John Kramer/Jigsaw.
Hopefully Chris Rock of all people can save the Saw Franchise and Darren Lynn Bousman returns which is a plus. Well have to wait until May to find out.
Awix (3310 KP) rated Sapphire and Steel in TV
Apr 2, 2020
It would be easy to mark Sapphire and Steel down just for being so obviously a low-budget, studio-bound TV show, but this would be to overlook just what a startlingly distinctive and uncompromising piece of... well, entertainment doesn't quite cover it, for the programme seemingly sets out to baffle the viewer as well as divert them. It is notionally a fantasy, but elements of SF and horror also appear. Stories mostly take place in out-of-the-way places like remote cottages, junk shops, the tops of tower blocks, disused railway stations and so on. The structure of time seems to be weaker in these places and when it breaks down or is interfered with, operatives such as Sapphire and Steel and their occasional colleagues appear to resolve the situation.
This is pretty much all we are told about the format of the series - who and what Sapphire and Steel are, what the limits of their powers are, and who they answer to, is never made clear (even the nature of their mission seems to change from story to story). The cryptic, often surreal nature of the series is one of its main attractions, along with the chemistry between the stars (occasional ally Silver, played by David Collings, is also a joy to watch).
The bleak and eerie atmosphere of the stories is consistently impressive, as is the clear understanding of visual style possessed by the makers: stories are filled with startling images and symbols, occasionally drawn from the visual arts (one adversary is basically a Magritte painting brought to life). Always memorable, and never more so than in its final episodes: the sheer unexpected bizarreness of Sapphire and Steel's fate makes it all the more shocking and downbeat. A unique and very distinctive series.
This is pretty much all we are told about the format of the series - who and what Sapphire and Steel are, what the limits of their powers are, and who they answer to, is never made clear (even the nature of their mission seems to change from story to story). The cryptic, often surreal nature of the series is one of its main attractions, along with the chemistry between the stars (occasional ally Silver, played by David Collings, is also a joy to watch).
The bleak and eerie atmosphere of the stories is consistently impressive, as is the clear understanding of visual style possessed by the makers: stories are filled with startling images and symbols, occasionally drawn from the visual arts (one adversary is basically a Magritte painting brought to life). Always memorable, and never more so than in its final episodes: the sheer unexpected bizarreness of Sapphire and Steel's fate makes it all the more shocking and downbeat. A unique and very distinctive series.
Ravensword: Shadowlands
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The most highly anticipated Action RPG for iOS devices is finally here! Please note: iPod Touch...