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    Love Goes by Sam Smith

    Love Goes by Sam Smith

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    Album

    The Grammy, BRIT, Golden Globe and Oscar-winning Sam Smith announces new single ‘Diamonds’,...

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Awix (3310 KP) rated Early Man (2018) in Movies

Feb 8, 2018 (Updated Feb 8, 2018)  
Early Man (2018)
Early Man (2018)
2018 | Animation
6
7.0 (20 Ratings)
Movie Rating Watch
One Million Years F.C.
Another movie from the people who made Wallace and Gromit and Shaun the Sheep, and if you're familiar with either of those you will know that expectations will be high: Aardman are the British answer to Pixar or Studio Ghibli. Keeping such sky-high standards must be difficult, so we must try to be understanding when they fall a little short - as they do here.

A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.

Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
  
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Jimmy Fallon recommended Pee-wee's Big Adventure (1985) in Movies (curated)

 
Pee-wee's Big Adventure (1985)
Pee-wee's Big Adventure (1985)
1985 | Comedy, Family
6.8 (10 Ratings)
Movie Favorite Watch

"My personal favorite comedy growing up, and something that really influenced me, was Pee-wee’s Big Adventure, directed by Tim Burton. I love this movie because Paul Reubens is just brilliant; [he] plays this character Pee-wee Herman, and the creativity that’s put into this movie, it was like, what else can you add to make this movie [funnier]? Just the opening shot of him waking up, and there’s like a Rube Goldberg contraption of how he makes toast and breakfast in the morning; he drops a ping-pong ball, it hits a candle that turns on and burns a rope that breaks and swings a hammer… It was so creative. I remember being a kid, I watched that movie probably 300 times. I memorized it. I used to do the voice; I had to stop doing it. It’s a movie, to me, about how far can you dream. Someone steals his bike, and he tries to get his bike back, and through this adventure he ends up pitching his story to a movie studio, which makes his adventure into a feature film at the end. It’s just great that he thought this movie up and wrote it, with Phil Hartman, who was one of my favorites from Saturday Night Live. It’s for kids, but it’s for adults. He’s just such a good actor in this movie – Paul Reubens should have gotten an Oscar for this."

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Richard Linklater recommended Sullivan's Travels (1941) in Movies (curated)

 
Sullivan's Travels (1941)
Sullivan's Travels (1941)
1941 | Action, Classics, Comedy
8.0 (2 Ratings)
Movie Favorite

"Let’s do Preston Sturges and the greatest comedy of all. This film hasn’t aged a day from 1941 when it came out; it’s amazing — especially with Hollywood in mind. It’s the ultimate inside Hollywood movie. It’s about a guy searching for meaning in his art who’s had all this success in Hollywood… The human dynamics of it are very true to life. I mean, it’s a comedy and it’s all pitched at that point, but Preston Sturges was such the master of dialogue and delivery that the whole tone and pitch of it is totally unique. It’s amazingly contemporary. This character’s desires and the timeless subject of, say, art versus commerce is one of the best film depictions of that you could ever find — and in a very comedic way. He has a project that the studio doesn’t want him to make about homelessness — this is coming out of the Depression — and he’s a spoiled rich guy and he has a project he wants to make. Of course, the Coens made a film with that name, O Brother, Where Art Thou? That’s where that comes from. And it’s kind of a ridiculous desire to say something that has social significance and meaning about suffering and all that stuff, but he’s really kind of desperate to make a comedy. He ends up on a chain gang by a series of misadventures… So he really is suffering. It’s just a brilliant movie and surprisingly contemporary."

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