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Pee-wee's Big Adventure (1985)
Pee-wee's Big Adventure (1985)
1985 | Comedy, Family

"My personal favorite comedy growing up, and something that really influenced me, was Pee-wee’s Big Adventure, directed by Tim Burton. I love this movie because Paul Reubens is just brilliant; [he] plays this character Pee-wee Herman, and the creativity that’s put into this movie, it was like, what else can you add to make this movie [funnier]? Just the opening shot of him waking up, and there’s like a Rube Goldberg contraption of how he makes toast and breakfast in the morning; he drops a ping-pong ball, it hits a candle that turns on and burns a rope that breaks and swings a hammer… It was so creative. I remember being a kid, I watched that movie probably 300 times. I memorized it. I used to do the voice; I had to stop doing it. It’s a movie, to me, about how far can you dream. Someone steals his bike, and he tries to get his bike back, and through this adventure he ends up pitching his story to a movie studio, which makes his adventure into a feature film at the end. It’s just great that he thought this movie up and wrote it, with Phil Hartman, who was one of my favorites from Saturday Night Live. It’s for kids, but it’s for adults. He’s just such a good actor in this movie – Paul Reubens should have gotten an Oscar for this."

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Sullivan's Travels (1941)
Sullivan's Travels (1941)
1941 | Action, Classics, Comedy
8.0 (2 Ratings)
Movie Favorite

"Let’s do Preston Sturges and the greatest comedy of all. This film hasn’t aged a day from 1941 when it came out; it’s amazing — especially with Hollywood in mind. It’s the ultimate inside Hollywood movie. It’s about a guy searching for meaning in his art who’s had all this success in Hollywood… The human dynamics of it are very true to life. I mean, it’s a comedy and it’s all pitched at that point, but Preston Sturges was such the master of dialogue and delivery that the whole tone and pitch of it is totally unique. It’s amazingly contemporary. This character’s desires and the timeless subject of, say, art versus commerce is one of the best film depictions of that you could ever find — and in a very comedic way. He has a project that the studio doesn’t want him to make about homelessness — this is coming out of the Depression — and he’s a spoiled rich guy and he has a project he wants to make. Of course, the Coens made a film with that name, O Brother, Where Art Thou? That’s where that comes from. And it’s kind of a ridiculous desire to say something that has social significance and meaning about suffering and all that stuff, but he’s really kind of desperate to make a comedy. He ends up on a chain gang by a series of misadventures… So he really is suffering. It’s just a brilliant movie and surprisingly contemporary."

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2001: A Space Odyssey (1968)
2001: A Space Odyssey (1968)
1968 | Classics, Sci-Fi
Trippy ending space stuff > HAL stuff > ape stuff > monolith stuff

Was fully ready to come out of this being like "Yeah this ain't really all it" but it was, it really fucking was all it. I've seen big budget studio movies from less than a year ago (including but not limited to a certain superhero-led murky monstrosity involving a big purple thumb villain and some exposition stones) that look demonstrably worse than this - which, for all intents and purposes, is the best looking movie of all time (considering the time, anyway). There isn't a lone shot that looks anything less than astounding, what people must have felt back in 1968 watching this doesn't even have anything remotely comparable today. I can understand why some people wouldn't gel with this; some scenes are played out way too long and much of the William Sylvester stuff is dull as a doorstop not to mention stifled by the visual gimmick - but it avoids being the easy style over substance vehicle it could have been (which for the record I still would have been all for) by actually having a truly ingenious and thought-provoking screenplay with go-to quotes out the wazoo. And I think even this film's supporters don't give it enough credit for how continually unnerving this is, either. Obviously there's nothing more constructive one can even add about the greatness of the film or its score, acting, effects, etc. It rules.
  
    LoAdKer

    LoAdKer

    Music and Productivity

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    LoAdKer is a novel rhythm event generator that is based on fractal sequences. Unlike most other...