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Matt Geiger (15 KP) rated Cars (2006) in Movies

Jun 27, 2020  
Cars (2006)
Cars (2006)
2006 | Action, Animation, Comedy
There really is no such thing as a perfect film. Ergo, there really is no such thing as a perfect film studio. After 11 years of winning the world over, Pixar was due for a slip-up at some point. Enter this lowbrow, highly unremarkable passion project from Pixar creative giant John Lasseter. CARS is admittedly a highly nostalgic film, not just in the sense that it pays tribute to the quaint, remote, and practically undiscovered sections of the world we wish had more notoriety in the face of progress, but its swelling commercialism reflects an entire generation of young boys who had nothing better to do than play with their matchbox cars and Hot Wheels all day long. Just think: this trilogy has made more moolah from their merchandise than a franchise that has the word “toy” in its frickin’ title. As a narrative, in the same vein as the franchise’s final installment, there really is nothing abhorrently wrong with CARS. It adds onto its aura of nostalgia by remaining consistently harmless and humorous thanks to its well-chosen cast, with Paul Newman standing out in his cinematic swan song, one of the most underrated vocal performances in animation history. Though CARS often feels like the first Pixar film targeting a specific target audience, Newman’s gruff, yet somber voice resonates with older viewers, the thought of what could’ve been and now is always on his mind. Then again, how ironic it is that a film that very much centralizes the concept of missed opportunities is itself a missed opportunity. CARS is a predictable, if not enjoyable, family-friendly romp that doesn’t have the unforeseeable on its mind. While it is quite literally the most inhuman of Pixar films, it at least is not quite as inhuman on a metaphorical and emotional level. And hey, stock car racing is not as accessible as other sports, but this film manages to make it look more entertaining, especially for younger viewers. What more do you really need?
  
Hero Mask
Hero Mask
2018 | Action, Animation, Crime
6
7.5 (2 Ratings)
TV Show Rating
Great storytelling, James Blood is an action hero personified, great action sequences grounded in reality instead of over the top was cool (0 more)
Kinda full of clichés and not the most original (0 more)
Part Crime Mystery Part Sci-fi Thriller - 6/10
Hero Mask is a sci-fi action thriller anime series written and directed by Hiroyasu Aoki and animated by Studio Pierrot; with character designs by Takahisa Katagiri and music by Hisaki Kato.


James Blood is an officer for the elite "Special Service of Crime" (SSC) division of the Capital Police Department in London. After Monica Campbell, Crown Prosecutor, suddenly drops dead mysteriously and an enemy James thought dead goes on a rampage at a police station, the SSC begins to investigate. James teams up with Sarah Sinclair, a subordinate of Monica's, to uncover the truth behind who's involved in a ever growing conspiracy including a powerful paramilitary corporation, escaped prisoners who were executed, and masks that give their wearers superhuman abilities.


Hero Mask is in no way a perfect anime, but that didn't stop me from enjoying a lot of what it had to offer. It is full of cliches and might not be the most original but I thought the story telling was great and the way it unfolded over the 15 episodes was done quite well. James Blood is an action hero personified. As I watched I felt like I was watching an actual action thriller. Critics complained about the action being slow but to me it felt more grounded in reality and believable instead of over the top. Also I really liked the way the whole mystery and investigation unfolded piece after piece and how it all came together. The animation was top notch and what originally drew me into viewing it as well as the concept. I wouldn't recommend this to the average anime fan but if you are looking for a crime/mystery plot, then you shouldn't write this one off. I give it a 6/10.
  
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Holly Johnson recommended Dare by The Human League in Music (curated)

 
Dare by The Human League
Dare by The Human League
(0 Ratings)
Album Favorite

"Dare was amazing. It came out around the same time as Soft Cell's Non-Stop Erotic Cabaret. You can't not mention Soft Cell, and you can't not mention Gary Numan either, in popularising electronic music. I'd seen The Human League perform at Eric's in front of three people - me, Jane Casey and some drunk lying on the floor - and it was in the Martyn Ware era, with Phil Oakey looking amazing with his asymmetric haircut, and the fabulous slides and the little constructed archways which had the synthesizers, which looked - I suppose - rather Kraftwerk. And you know, ""Listen to the voice of Buddha"" [on 'Being Boiled'], the Travelogue album, was amazing and groundbreaking in many ways. It was not commercially successful at all, and I remember in particular their version of 'You've Lost That Loving Feeling' being incredible. But when Dare came, it was an attempt at global pop superstardom and ABBA-ness, as well as being groundbreaking and electronic. It was time I became aware of the Linn drum machine, and the programming on that album is fantastic. The engineer Dave Allen at night time would be editing instrumentals together and that became The League Unlimited Orchestra album [1982's Love And Dancing], which was also incredible to dance to in seedy gay nightclubs, which I also did [laughs]. I was then more aware of technology by this point and had been working in a recording studio with the TR-808 drum machine which, although a plastic instrument, seemed slightly paltry to the meaty sounds of the sampled bass and snare of Dare, which was the Linn LM-1. It sounded like a real drummer but obviously wasn't and was intrinsic to the sound of that album. My favourite was 'Love Action', not 'Don't You Want Me', which is always cited and is the most successful. 'Love Action' was always the one for me."

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Here Come the Warm Jets by Brian Eno
Here Come the Warm Jets by Brian Eno
1974 | Rock
9.0 (4 Ratings)
Album Favorite

"This goes back a long time for me. This was a real defining record for Supergrass around '95 when we were first starting out. It was on the tour bus all the time and I remember our tour manager at the time really loving it. He'd wake us up every morning knocking on our door going, 'baby's on fire!', doing this mad Eno impression and that would always lift us up and make us laugh. There were so many lyrics that we'd sing at each other. I'd meet Danny and go, 'Cindy tells me…' It had this really long lasting effect on us. It's brilliant, just brilliant. It's Eno being kind of clever but dumb, sophisticated but raw and I think it's brilliant. I love his voice and the double-tracking on it and I think it ended up being quite an iconic sound. It's very unique. And for all of his technical ability, I love that he plays dumb on some of these tracks, you know, like on 'Needles In The Camel's Eye' and the guitars are big, filthy, dirty and horrible things. I love it. We almost did work with Brian Eno. We had a meeting with him in Paris before Diamond Hoo Ha and I can't remember exactly what happened but I think our timing schedules didn't work out. It was something frustrating that meant we couldn't work with him. It's weird one. It's kind of like, are they different Brian Enos? Is it a danger to confuse the Here Come The Warm Jets Brian Eno thinking that he was going to walk into a studio with us and create something that gives you that feeling because he's a different person now. I think he's amazing and he's proved to be still a musical force. An incredible guy and he was a really lovely chap when we met him."

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