"Of the two bands, I actually preferred Uriah Heep over Deep Purple in their early days. I liked the style and imagery, and of course David Byron was a very charismatic singer. That Roger Dean sleeve made for great packaging, and it had my favourite of their songs, The Wizard."

"All of Wes’s stuff is great, but I really love this one because it was the first time Wes found Wes 2.0. It was like, oh, you’ve unlocked another way of shooting for yourself, which you now see manifested in films like Moonrise Kingdom. His style is now wider than ever."

"If every U.S. citizen could have the benefit of knowing Zinn’s collection of historical texts from a wide range of relatively known and unknown people throughout our country’s history, there would be a lot better quality in our current political class and in the style and substance of our governance."

"How did this film fly so far under the radar? I think especially as a woman who grew up Christian in the South, seeing the Christ story through a heroic woman’s POV was… transformative. I love its doc-style approach to such epic material. The miracle is in the conscience."

"Utterly romantic and heartbreaking. Barry Jenkins’ style feels to me like writing with a fresh, felt tip pen in a brand new notebook. It’s a sensory experience; there’s texture and tactility on top of all the emotions. I didn’t want the film to end, but I never do with Jenkins’ films."