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LeftSideCut (3778 KP) rated Sin City (2005) in Movies
Jan 7, 2021 (Updated Jan 11, 2021)
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
Kristy H (1252 KP) rated Beach Read in Books
Jan 7, 2021
Author January Andrews is 29, miserable, broke, single, and semi-homeless. She's had her entire life view shattered. Now she's arriving at her late father's secret lakeside home. The one he just happened to share, secretly, with a second woman that wasn't her mother. There she finds herself living next door to her college rival--now a successful author--Augustus Everett. But soon the two discover they're both struggling with writer's block and strike a deal: Augustus will write something cheery and happy (January's style) and she'll attempt something serious (his style). To assist in this endeavor, they'll take each other on field trips: for instance, she'll bring him to theaters showing old romantic comedies, and he'll take her to interview cult members. And, under no circumstances, will they fall in love.
"Here’s the thing about writing Happily Ever Afters: it helps if you believe in them. Here’s the thing about me: I did until the day of my father’s funeral."
I adored this romance, which isn't a fun and easy love story, but instead a tale of two broken people trying to find their way again in the world. The book focuses almost solely on January and "Gus," as she knows him from college, and oh these characters are just so amazing, popping from the pages as you get to know them. There are great wonderful side characters as well, particularly Gus' aunt.
The banter in this book is unbelievable, as January and Gus first continue their college rivalry and then slowly get to know each other. In fact, I challenge you to find another romance with such wonderful gradual sexy chemistry. And January is simply hilarious and wonderful and inspiring despite the fact that's grieving--not just the loss of her father, but the loss of the idea of him, the person she'd known and idealized.
Overall, this is just an amazing book. Sad yet humorous and sexy and romantic. I can't recommend it enough. 4.5+ stars.