LeftSideCut (3778 KP) rated Planet Terror (2007) in Movies
Jan 22, 2021
Planet Terror is a glorious throwback to practical driven and blood soaked video nasties of the 70s and 80s, is super stylized to the point of self aware stupidity, and boasts a fantastic cast - a roll call of who's who in the cinema of Rodriguez/Tarantino.
Of course, Planet Terror is one half of the duos Grindhouse project, and for me, slightly takes the edge over Death Proof. Both films are great and gleefully brimming with tributes to the exploitative sub genre of its namesake, but Planet Terror is just balls to the wall fun, a blast from start to finish.
Its has badass female leads - Cherry Darling, a former go-go dancer with a gun-leg, and Dakota Block, a nurse who shoots trigger functioning syringes full of sedatives at anyone who pisses her off - Rose McGowan and Marley Shelton and both brilliant.
It has Bruce Willis mutating into God knows what. It has Tom Savini and Michael Biehn as zombie fighting sherrifs. It has Sayid from Lost collecting people's testicles in a pickle jar.
And Jesus Christ it has so. much. gore. It must have been a hell of a sticky set to work on to say the least.
To top it all off, it even opens with the now infamous Machete "trailer", with Danny Trejo and motherfucking Cheech Marin.
Planet Terror is a ride as soon as the opening credits start. An absolute must for any horror or grindhouse fan.
BankofMarquis (1832 KP) rated Last Night in Soho (2021) in Movies
Nov 5, 2021
LAST NIGHT IN SOHO is unique, stylized, stunning - both visually and aurally - mind-bending, tense and satisfying. A truly unique film by a unique filmmaker.
To tell the tale of LAST NIGHT IN SOHO is to spoil it. The less you know about it, the better. But, as the trailers suggest, a modern young fashion student is in London and is transported into the “swinging ‘60’s London and ends up living, vicariously, the life of another. That’s all I’ll say. I would recommend just going in and let the story wash all over you - both through the eyes and through the ears - which is why I would recommend this film been seen in a theater (or, at the very least, on a set-up with a killer sound system).
Because of the highly stylized and “go with it” feel of this film, the performances have a tendency to move to the background, but they are very well done. Thomasin McKenzie (JOJO RABBIT) is a strong choice as the Fashion Student who has this “adventure” (to say more is to spoil), she brings the right amount of reality and “unreality” to her character. Anya Taylor-Joy (THE QUEEN’S GAMBIT) is superb as Sandie, the object of the “adventure”. She isn’t asked to do much more than be mysterious - and she does it well.
Wright, wisely, fills the rest of the film with strong supporting players - Matt Smith (DR. WHO), the great Terence Stamp (THE LIMEY) and, most importantly, Dame Diana Rigg (Emma Peel in THE AVENGERS in the 1960’s, in her final film role before her death in September 2020), all bring their “A” game to the festivities and fill their roles well.
It’s not a perfect film, the beginning drags on a bit before things start to get good (and weird) and their is a superfluous subplot involving some “Mean Girls” at the Fashion School that our heroine attends in today’s world - a subplot that never really goes anywhere. The ending, also, does go “over the top”, but by that time, I was swept up in the style of this film and forgave it it’s flaws.
I ended up having LAST NIGHT IN SOHO-type dreams, and indication that this film struck a chord with me and is going to stay with me for awhile - and is probably worth a re-watch (it certainly is one of those types of films that can be different upon a re-watch).
Well worth the effort to check it out on the Big Screen - certainly the visuals and sound will make it worthwhile.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
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Anthony Case (3 KP) rated American Horror Story in TV
Sep 9, 2017
Each season is a new story and Ryan Murphy loves to experiment with how he tells them. Season one, "Muder House," is a fairly standard psycho-sexual horror show. It was clearly building a base, so it skews a little into the "edge-lord teenager" demographic, which really is my inky complaint. Season two, "Asylum," is very experimental. They were trying to figure out what exactly they could get away with, and it turns out they could get away with a lot (though the aliens subplot was a bit too much). It's a very bleak season, with existential dread haunting the entirety of the season. Season three, "Coven," goes the complete opposite direction. It gets pretty campy, though the violence never is toned down. Season four, "Freak Show," is more stylized than previous seasons, and focuses far less on the ensemble. Instead, it is an intense character study of a homicidal rich white dude, which, admittedly, isn't for everyone. Season five, "Hotel," eschews storylines, instead focusing on establishing a crisp visual style (to varying success). Season six, "Roanoke," tackles two very popular subgenres, documentaries and found footage. It has an inspired twist halfway through the season.
There are definantely weak seasons, (Hotel was a mess, and I never really loved Coven's tone) but that's to be expected from an anthology show. The genius of seasons like Asylum and Roanoke should keep you coming back.
To close it out, I'll do a quick ranking for each season, from worst to best: Hotel, Coven, Murder House, Freak Show, Roanoke, Asylum. Hopefully Cult lives up to the high reputation the show has earned!
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