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Phillip McSween (751 KP) rated Uncle Buck (1989) in Movies
Mar 18, 2018
Hilarious
My Movies 365 journey has taken me deep into 80's territory, with Uncle Buck being my next up to review. Released in 1989, it just squeezes into the decade but is perfect for it. The 80's trend is becoming clearer with every film I watch: It was all about having fun. No strong depth. No taking itself too seriously. If you were going to see a film in the 80's, you were there for the sole purpose of having a good time. Did I have a good time watching Uncle Buck? Absolutely!
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.
Gareth von Kallenbach (980 KP) rated Money Monster (2016) in Movies
Aug 6, 2019
Growing up, whenever a political or economic scandal was featured on the news, my father would utter the words, “Follow the money.” This phrase was made famous by “Deep Throat” during the Watergate scandal that eventually brought down the Nixon Administration. In the film Money Monster which stars George Clooney and Julia Roberts, this is a question that we start to ask ourselves as a financial investment show is taken captive by a disgruntled investor while it is airing live.
Clooney, who serves as the show’s host, quickly finds himself in the middle of a storm of tension and deception as he and his captor try to discover what happened to over $800 million in investments. The film itself is sufficient as an overview for satisfying our need for some sense of understanding at how corrupt and unstable the financial industry can be. Through much of the film, I found myself wondering about how many people wanted these same answers in 2008 during the financial market meltdowns and the collapse of the housing markets. The film approaches this anger that hit the American working class, but do not delve deeper than the superficial issues and discontent. There is a major lack of depth and this might be a metaphor for the industry itself that is built on confusion, misdirection, and a lack of substance. The plot is simplistic and does not allow for any surprises or twists.
It is a very straightforward movie where a flawed character wants answers. He wants closure. He wants to bring to justice the people who ruined the lives of countless Americans and took advantage of their desire to experience the American Dream. Despite the lack of complexity and a few holes in the storytelling, Money Monster provides a few laughs and leaves the audience asking questions about how deep the problems and corruption may be within our financial system nearly 8 years after the collapse. It makes us want to “follow the money” in the hopes that we will find answers.
Clooney, who serves as the show’s host, quickly finds himself in the middle of a storm of tension and deception as he and his captor try to discover what happened to over $800 million in investments. The film itself is sufficient as an overview for satisfying our need for some sense of understanding at how corrupt and unstable the financial industry can be. Through much of the film, I found myself wondering about how many people wanted these same answers in 2008 during the financial market meltdowns and the collapse of the housing markets. The film approaches this anger that hit the American working class, but do not delve deeper than the superficial issues and discontent. There is a major lack of depth and this might be a metaphor for the industry itself that is built on confusion, misdirection, and a lack of substance. The plot is simplistic and does not allow for any surprises or twists.
It is a very straightforward movie where a flawed character wants answers. He wants closure. He wants to bring to justice the people who ruined the lives of countless Americans and took advantage of their desire to experience the American Dream. Despite the lack of complexity and a few holes in the storytelling, Money Monster provides a few laughs and leaves the audience asking questions about how deep the problems and corruption may be within our financial system nearly 8 years after the collapse. It makes us want to “follow the money” in the hopes that we will find answers.
Gareth von Kallenbach (980 KP) rated Lucy (2014) in Movies
Aug 6, 2019
Luc Besson’s latest film will leave you impressed, and possibly a little confused.
Lucy, starring Scarlett Johansson and Morgan Freeman, comes out this Friday and is Besson’s (Fifth Element, The Professional) most recent stab at something a little bit different.
The film opens with Johansson’s character, Lucy, having an argument with her boyfriend about dropping off a case with unknown contents. After a lot of arguing (and having it handcuffed to her), Lucy is forced into going inside to make the delivery.
As she does, the director takes us on an interesting visual representation of her feelings using scenes similar to what most people recognize from National Geographic, complete with a cheetah hunting a gazelle. The scenes are punctuated by her cheetah-print jacket.
As the story continues, an Asian drug lord uses her as a mule for the substance inside the case. The bag breaks and the chemical starts changing Lucy, evolving her into something… different.
It’s been a long time since I’ve seen cinematography of this unique nature, where scenes were spliced in to express the character’s feelings. It’s unusual for a serious film (but still often done in a humorous way). Besson has done a masterful job of integrating serious moments, compelling action, and humor in a Fifth-Element-style to make a fluid, dynamic film. That said, it can feel slightly awkward at times.
I found myself laughing at the humor and engaged by the action, but most of all I was confused as to what I was watching.
This film seems very much akin to an episode of Cosmos. It’s interlaced with a story and some action, but purposefully meant to make a statement about human evolution.
Overall, I’d say this is a film well worth seeing. The acting was great, the cinematography was fantastic, and the direction was beautifully done. The main reason I feel it’s worth spending your money to see on the big screen is because of the gorgeous special effects, which were integrated in a captivating manner.
Lucy, starring Scarlett Johansson and Morgan Freeman, comes out this Friday and is Besson’s (Fifth Element, The Professional) most recent stab at something a little bit different.
The film opens with Johansson’s character, Lucy, having an argument with her boyfriend about dropping off a case with unknown contents. After a lot of arguing (and having it handcuffed to her), Lucy is forced into going inside to make the delivery.
As she does, the director takes us on an interesting visual representation of her feelings using scenes similar to what most people recognize from National Geographic, complete with a cheetah hunting a gazelle. The scenes are punctuated by her cheetah-print jacket.
As the story continues, an Asian drug lord uses her as a mule for the substance inside the case. The bag breaks and the chemical starts changing Lucy, evolving her into something… different.
It’s been a long time since I’ve seen cinematography of this unique nature, where scenes were spliced in to express the character’s feelings. It’s unusual for a serious film (but still often done in a humorous way). Besson has done a masterful job of integrating serious moments, compelling action, and humor in a Fifth-Element-style to make a fluid, dynamic film. That said, it can feel slightly awkward at times.
I found myself laughing at the humor and engaged by the action, but most of all I was confused as to what I was watching.
This film seems very much akin to an episode of Cosmos. It’s interlaced with a story and some action, but purposefully meant to make a statement about human evolution.
Overall, I’d say this is a film well worth seeing. The acting was great, the cinematography was fantastic, and the direction was beautifully done. The main reason I feel it’s worth spending your money to see on the big screen is because of the gorgeous special effects, which were integrated in a captivating manner.
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