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Hazel (1853 KP) rated The Moment Collector in Books
May 30, 2017
That ending ...
Originally posted on NetGalley.
Jodi Lynn Anderson’s latest novel The Moment Collector has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
‘The Moment Collector' does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of Pesta, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.
Jodi Lynn Anderson’s latest novel The Moment Collector has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
‘The Moment Collector' does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of Pesta, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.
Lee (2222 KP) rated Dumbo (2019) in Movies
Mar 31, 2019
It's set to be a busy year for live action Disney remakes, with Aladdin and The Lion King already lined up for release this year. Kicking things off though, is this reimagining of the 1941 classic Dumbo, with Tim Burton directing.
It's 1919 and Holt Farrier (Colin Farrell) has returned from World War I, arriving by train to join the Medici Brothers Circus, where he worked before the war as a performer. But Holt has a number of issues to contend with on his return, the least of which being the loss one of his arms while in service. He's greeted at the station by his two young children, Milly and Joe, who lost their mother, Holt's wife, to influenza while he was away. On top of that, he learns that while he was away, the cash strapped circus owner, Max Medici (Danny DeVito) decided to sell the horses that were part of Holt's star act. Holt is put in charge of pregnant elephant Jumbo, with Max hoping that the arrival of a cute baby elephant will bring in the much needed crowds. It's a lot for Holt to come to terms with and adjust to.
Soon after, the baby elephant is born. But with clumsy, oversized ears, he's not quite the cute crowd pleaser they had all hoped for. Attempts to hide his ears only end in disaster, and ridicule from the circus crowds. Milly and Joe fall in love with the new arrival, and when they discover that he has the ability to use those big ears for flying, interest in him is quickly renewed.
The flying elephant not only draws in the crowds, but also the attentions of V.A. Vandevere (Michael Keaton), who offers Max a deal for him and his circus troupe to join his huge fancy theme park. It's at this point that the movie should really begin to soar, having introduced the circus family and their new arrival. Unfortunately, the arrival of Vandevere signals a sharp downward spiral in terms of story telling. The circus cast are all but forgotten, with the story focusing instead on the tired, familiar tale of sleazy, greedy businessman who is only interested in money and success, at the expense of the poor, trusting people who believed him.
The computerised Dumbo is simply oozing cuteness and technical wizardry. The eyes and the facial expressions are wonderful and he manages to steal every scene he is in. Every time he takes flight, it is a joy to watch. Unfortunately though, this version of Dumbo is trying to add a lot more to the original story and ends up becoming bit of a drag at times. The human characters are poorly written and mostly forgettable, and the movie really only soars when Dumbo himself does. While trying to steer clear of being a straight up remake, opting instead for the addition of plot and characters, it ultimately loses a lot of the charm. As with the recent remake of Beauty and the Beast, it's another case of style over substance.
It's 1919 and Holt Farrier (Colin Farrell) has returned from World War I, arriving by train to join the Medici Brothers Circus, where he worked before the war as a performer. But Holt has a number of issues to contend with on his return, the least of which being the loss one of his arms while in service. He's greeted at the station by his two young children, Milly and Joe, who lost their mother, Holt's wife, to influenza while he was away. On top of that, he learns that while he was away, the cash strapped circus owner, Max Medici (Danny DeVito) decided to sell the horses that were part of Holt's star act. Holt is put in charge of pregnant elephant Jumbo, with Max hoping that the arrival of a cute baby elephant will bring in the much needed crowds. It's a lot for Holt to come to terms with and adjust to.
Soon after, the baby elephant is born. But with clumsy, oversized ears, he's not quite the cute crowd pleaser they had all hoped for. Attempts to hide his ears only end in disaster, and ridicule from the circus crowds. Milly and Joe fall in love with the new arrival, and when they discover that he has the ability to use those big ears for flying, interest in him is quickly renewed.
The flying elephant not only draws in the crowds, but also the attentions of V.A. Vandevere (Michael Keaton), who offers Max a deal for him and his circus troupe to join his huge fancy theme park. It's at this point that the movie should really begin to soar, having introduced the circus family and their new arrival. Unfortunately, the arrival of Vandevere signals a sharp downward spiral in terms of story telling. The circus cast are all but forgotten, with the story focusing instead on the tired, familiar tale of sleazy, greedy businessman who is only interested in money and success, at the expense of the poor, trusting people who believed him.
The computerised Dumbo is simply oozing cuteness and technical wizardry. The eyes and the facial expressions are wonderful and he manages to steal every scene he is in. Every time he takes flight, it is a joy to watch. Unfortunately though, this version of Dumbo is trying to add a lot more to the original story and ends up becoming bit of a drag at times. The human characters are poorly written and mostly forgettable, and the movie really only soars when Dumbo himself does. While trying to steer clear of being a straight up remake, opting instead for the addition of plot and characters, it ultimately loses a lot of the charm. As with the recent remake of Beauty and the Beast, it's another case of style over substance.
Sassy Brit (97 KP) rated It's Always the Husband in Books
Jun 5, 2019
It’s Always the Husband by Michele Campbell was an unusual psychological drama detailing the lives of three main girls, Aubrey, Kate and Jenny who met at college and stayed friends for life. At least that’s what they’d like you to believe, from the outside looking in. Really, they were thrown together and kind of stuck with each other.
Relationships are tricky things, some best friends at school can totally be your worst nightmare, but if you’re too weak willed to get out of such a toxic relationship, before you know it, you’re stuck. I mean, if you’ve invested so much time and energy in a friendship, why would you give it all up? Especially now, when you’re all adults in your 40s, shouldn’t things be different?
When I say this story was unusual, what exactly did I mean by that? This is just my sort of book, I love psychological thrillers, but unfortunately I just didn’t feel for any of the characters at first. The story started slow, and I don’t think as much detail about their elite Carlisle college life at the beginning was needed. Maybe the odd flashback to something important, to show how the “Whipple Triplets” had pledged to be friends forever, when in fact it’s instantly obvious to the reader they’re actually frenemies from the day they first met. Again, I love books featuring frenemies, but there was just something about that whole first section which did not enthral me at all. However, as we moved on through to their later years where we meet them as adults, the pace picked up a bit, and like the blurb says, when someone is standing at the edge of the bridge and someone else is urging them to jump, I wanted to find out who and why! I didn’t get this far into the book to just give up!
We do get flashbacks every now and then and the suspense does pick up somewhat. I kind of knew payback was going to happen to the bitch of the group, but the unexpected twist at the end was interesting. There was just something clunky about the way the whole book was put together, like either I was missing something or it just did not read as smoothly as I’d have liked.
In addition, I get that their college life is all about popularity, money, sex, and much of it went by in a blur of drugs and alcohol, but at the same time, there was a lot of it going on in the story, and I half thought most of the substance abuse goings on was just too repetitive and didn’t really focus on the psychological issues they could have had at college. I don’t think all of it was needed.
Even so, I did finish this book, and I did like the ending, it just wasn’t completely enthralling enough for me to rate it higher than 3 stars, which is my ‘jolly good’ read, but not ‘really, really enjoyable’, and definitely not up there with ‘I’m going to talk about this for weeks’ five stars. Although, I could actually be talking about this for weeks, just not in the best light.
Relationships are tricky things, some best friends at school can totally be your worst nightmare, but if you’re too weak willed to get out of such a toxic relationship, before you know it, you’re stuck. I mean, if you’ve invested so much time and energy in a friendship, why would you give it all up? Especially now, when you’re all adults in your 40s, shouldn’t things be different?
When I say this story was unusual, what exactly did I mean by that? This is just my sort of book, I love psychological thrillers, but unfortunately I just didn’t feel for any of the characters at first. The story started slow, and I don’t think as much detail about their elite Carlisle college life at the beginning was needed. Maybe the odd flashback to something important, to show how the “Whipple Triplets” had pledged to be friends forever, when in fact it’s instantly obvious to the reader they’re actually frenemies from the day they first met. Again, I love books featuring frenemies, but there was just something about that whole first section which did not enthral me at all. However, as we moved on through to their later years where we meet them as adults, the pace picked up a bit, and like the blurb says, when someone is standing at the edge of the bridge and someone else is urging them to jump, I wanted to find out who and why! I didn’t get this far into the book to just give up!
We do get flashbacks every now and then and the suspense does pick up somewhat. I kind of knew payback was going to happen to the bitch of the group, but the unexpected twist at the end was interesting. There was just something clunky about the way the whole book was put together, like either I was missing something or it just did not read as smoothly as I’d have liked.
In addition, I get that their college life is all about popularity, money, sex, and much of it went by in a blur of drugs and alcohol, but at the same time, there was a lot of it going on in the story, and I half thought most of the substance abuse goings on was just too repetitive and didn’t really focus on the psychological issues they could have had at college. I don’t think all of it was needed.
Even so, I did finish this book, and I did like the ending, it just wasn’t completely enthralling enough for me to rate it higher than 3 stars, which is my ‘jolly good’ read, but not ‘really, really enjoyable’, and definitely not up there with ‘I’m going to talk about this for weeks’ five stars. Although, I could actually be talking about this for weeks, just not in the best light.
Movie Metropolis (309 KP) rated Ant-Man (2015) in Movies
Jun 10, 2019
Paul Rudd like you've never seen him before
You can almost hear the groans, yet another superhero film bulldozes its way into cinemas. Sandwiched between the ambitious Avengers: Age of Ultron and the Fantastic Four reboot, Marvel’s Ant-Man is the first of this year’s summer superheroes.
However, numerous setbacks that included a director walking out halfway through filming meant that Ant-Man would be haunted by the action behind-the-scenes, rather than that on it. But what is the finished product like?
Peyton Reed took over from Edgar Wright after some “creative differences” and directs one of the best films to come out of Marvel studios, despite a few issues.
The film follows the story of former criminal Scott Lang, played by Paul Rudd, as he is tasked with becoming the mightily tiny superhero and stop a dangerous form of weaponry falling into the wrong hands – notably those of Darren Cross.
Helping him along the way is scientist Hank Pym, Michael Douglas, and his daughter Hope – played by the wonderful Evangeline Lilly.
Rudd’s casting raised a few eyebrows during the films pre-production but he is as charming as ever and really gets stuck into the role of a superhero. Michael Douglas and Evangeline Lilly are both more than a match for Rudd’s charisma and play their roles well.
What sets Ant-Man apart from the plethora of other big-budget superhero movies is the unique way the titular character utilises the environments around him. Summoning a host of ants to infiltrate buildings adds a new dimension to the genre that is much needed.
The CGI during these sequences is absolutely top-notch. When Rudd shrinks down we are drawn into a whole new world of giant carpet pile and huge ants and it’s hard not to get involved with the insects – you’ll never look at them in the same way again.
Marvel’s usual sense of humour is also in fine form, but again taking a different approach. This is a film well aware of the fact that Ant-Man is a ridiculous character, one of the most bizarre creations to ever come out of the studio.
Thankfully, this doesn’t stop Ant-Man from being ridiculously good fun. The action sequences are thrilling and beautifully choreographed throughout the film and on the whole show that the change in director hasn’t harmed the finished product.
However, like the titular character, the film feels ultimately, very small. After the city-levelling antics of Avengers: Age of Ultron and all the previous Marvel movies, Ant-Man comes across a little lightweight and lacking in substance.
Overall, Paul Rudd’s first foray into the superhero genre is highly commendable. Peyton Reed has managed to overcome near constant bad publicity to create a film that’s funny, thrilling and a little different.
Marvel will continue to churn out these movies until audiences are fed up with the genre, and if the quality remains at this level, it may be a while yet.
https://moviemetropolis.net/2015/07/19/paul-rudd-like-youve-never-seen-him-ant-man-review/
However, numerous setbacks that included a director walking out halfway through filming meant that Ant-Man would be haunted by the action behind-the-scenes, rather than that on it. But what is the finished product like?
Peyton Reed took over from Edgar Wright after some “creative differences” and directs one of the best films to come out of Marvel studios, despite a few issues.
The film follows the story of former criminal Scott Lang, played by Paul Rudd, as he is tasked with becoming the mightily tiny superhero and stop a dangerous form of weaponry falling into the wrong hands – notably those of Darren Cross.
Helping him along the way is scientist Hank Pym, Michael Douglas, and his daughter Hope – played by the wonderful Evangeline Lilly.
Rudd’s casting raised a few eyebrows during the films pre-production but he is as charming as ever and really gets stuck into the role of a superhero. Michael Douglas and Evangeline Lilly are both more than a match for Rudd’s charisma and play their roles well.
What sets Ant-Man apart from the plethora of other big-budget superhero movies is the unique way the titular character utilises the environments around him. Summoning a host of ants to infiltrate buildings adds a new dimension to the genre that is much needed.
The CGI during these sequences is absolutely top-notch. When Rudd shrinks down we are drawn into a whole new world of giant carpet pile and huge ants and it’s hard not to get involved with the insects – you’ll never look at them in the same way again.
Marvel’s usual sense of humour is also in fine form, but again taking a different approach. This is a film well aware of the fact that Ant-Man is a ridiculous character, one of the most bizarre creations to ever come out of the studio.
Thankfully, this doesn’t stop Ant-Man from being ridiculously good fun. The action sequences are thrilling and beautifully choreographed throughout the film and on the whole show that the change in director hasn’t harmed the finished product.
However, like the titular character, the film feels ultimately, very small. After the city-levelling antics of Avengers: Age of Ultron and all the previous Marvel movies, Ant-Man comes across a little lightweight and lacking in substance.
Overall, Paul Rudd’s first foray into the superhero genre is highly commendable. Peyton Reed has managed to overcome near constant bad publicity to create a film that’s funny, thrilling and a little different.
Marvel will continue to churn out these movies until audiences are fed up with the genre, and if the quality remains at this level, it may be a while yet.
https://moviemetropolis.net/2015/07/19/paul-rudd-like-youve-never-seen-him-ant-man-review/
Hazel (1853 KP) rated The Moment Collector in Books
Dec 7, 2018
<i>Originally posted on NetGalley.</i>
Jodi Lynn Anderson’s latest novel <i>The Moment Collector</i> has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
<i>‘The Moment Collector’</i> does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of <i>Pesta</i>, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.
Jodi Lynn Anderson’s latest novel <i>The Moment Collector</i> has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
<i>‘The Moment Collector’</i> does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of <i>Pesta</i>, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.
Gareth von Kallenbach (980 KP) rated Beowulf (2007) in Movies
Aug 14, 2019
The classic Epic poem Beowulf has come to the big screen in a stunning CGI extravaganza under the direction of Director Robert Zemeckis.
For those not familiar with the poem, it is an ancient Danish poem that talks of the heroic exploits of the hero Beowulf, as he battles all manner of bizarre creatures. The poem was told orally from generation to generation and eventually became known to many as the source of much of the early great literature from the western world.
I first became familiar with the tale some twenty years ago during my early years in private school where our headmaster had it as required reading for all of his students in honors level English.
The film stays very close to the poem and tells the tale of King Hrothgar (Sir Anthony Hopkins), a troubled leader whose kingdom is under siege by a hideous creature known as Grendel (Crispin Glover).
During a brutal attack by Grendel which results in the loss of many lives, King Hrothgar promises half the gold in his kingdom to any hero who can rid the land once and for all of the foul creature that has caused so much suffering.
In short order, the heroic Beowulf (Ray Winstone), arrives with is army of warriors to take up the challenge. Beowulf is legendary for his exploits in vanishing monsters, but his boastful nature raises the concerns of Unferth (John Malkovich), who thinks that Beowulf ‘s reputation and ability is far more style than substance.
Eventually Beowulf battles Grendel, and accomplishes his goal but learns that the monster has a Demonic mother that to must be destroyed in order for peace to truly be achieved.
Beowulf sets off the kill the demon (Angelina Jolie), but finds himself unable to match her whiles, and enters into a deal that has far reaching repercussions.
The second half of the film deals with the consequences of Beowulf’s decisions and how having is not nearly as important as wanting, which leads to a spectacular and FX filled final segment.
The film is amazing, and for those lucky enough to see the film in 3D, filled with amazing visual treats.
While the film is in no way suitable for children due to the violence it contains, the story holds up very well centuries later, and provides a solidly entertaining tale of heroism, betrayal, and morality that stands the test of time.
I had concerns that the film would be a slap-dashed effort that was attempting to cash in on the success of “The 300”, but in actuality, I found this film to be far more entertaining and satisfying.
The voice work of the cast is solid, but it is clearly the visuals that drive this film, as well as the dynamic effects made possible by the latest advancements in 3D technology as the film literally bursts out of the screen.
Beowulf will not be for everyone as those unfamiliar with the work on which it is based may find it derivative or predictable, but when you consider this is literally the tale that started it all, you could make an argument, that it set the table for all future tales to follow.
For those not familiar with the poem, it is an ancient Danish poem that talks of the heroic exploits of the hero Beowulf, as he battles all manner of bizarre creatures. The poem was told orally from generation to generation and eventually became known to many as the source of much of the early great literature from the western world.
I first became familiar with the tale some twenty years ago during my early years in private school where our headmaster had it as required reading for all of his students in honors level English.
The film stays very close to the poem and tells the tale of King Hrothgar (Sir Anthony Hopkins), a troubled leader whose kingdom is under siege by a hideous creature known as Grendel (Crispin Glover).
During a brutal attack by Grendel which results in the loss of many lives, King Hrothgar promises half the gold in his kingdom to any hero who can rid the land once and for all of the foul creature that has caused so much suffering.
In short order, the heroic Beowulf (Ray Winstone), arrives with is army of warriors to take up the challenge. Beowulf is legendary for his exploits in vanishing monsters, but his boastful nature raises the concerns of Unferth (John Malkovich), who thinks that Beowulf ‘s reputation and ability is far more style than substance.
Eventually Beowulf battles Grendel, and accomplishes his goal but learns that the monster has a Demonic mother that to must be destroyed in order for peace to truly be achieved.
Beowulf sets off the kill the demon (Angelina Jolie), but finds himself unable to match her whiles, and enters into a deal that has far reaching repercussions.
The second half of the film deals with the consequences of Beowulf’s decisions and how having is not nearly as important as wanting, which leads to a spectacular and FX filled final segment.
The film is amazing, and for those lucky enough to see the film in 3D, filled with amazing visual treats.
While the film is in no way suitable for children due to the violence it contains, the story holds up very well centuries later, and provides a solidly entertaining tale of heroism, betrayal, and morality that stands the test of time.
I had concerns that the film would be a slap-dashed effort that was attempting to cash in on the success of “The 300”, but in actuality, I found this film to be far more entertaining and satisfying.
The voice work of the cast is solid, but it is clearly the visuals that drive this film, as well as the dynamic effects made possible by the latest advancements in 3D technology as the film literally bursts out of the screen.
Beowulf will not be for everyone as those unfamiliar with the work on which it is based may find it derivative or predictable, but when you consider this is literally the tale that started it all, you could make an argument, that it set the table for all future tales to follow.
Darren (1599 KP) rated The Invisible Man (1933) in Movies
Mar 2, 2020
Verdict: Classic
Story: The Invisible Man starts as the heavily bandaged man Dr Jack Griffin (Rains) stumbles through a snow storm to a tavern demanding a room to try and fix the problem he faces, the fact he is now invisible, which strikes fear into the tavern and town.
Dr Cranley (Travers) and Dr Kemp (Harrigan) are trying to figure out what happened to Jack, even though he has started to become insane with the side effects of becoming invisible, showing just how dangerous he has become.
Thoughts on The Invisible Man
Characters – Dr Jack Griffin has become invisible after performing an experiment on himself, he covers himself up not to scare people, making himself look like an injured man, as he tries to find a cure, only it makes him act crazier become a psycho that is willing to kill to escape. Flora is the partner of Jack’s who is trying to make sure he is safe, getting worried believing he will still having good in him. Dr Kemp is one of the scientists that gets caught up in the middle of trying to help Jack and being scared of what he could be, unlike Dr Cranley that knows more of the secrets of the substance he has been using.
Performances – Claude Rains is haunting and disturbing in the leading role, he shows how easily he can snap and how desperate he has been to fix himself. Elsewhere the cast are strong, most reacting to the action more than anything else.
Story – The story follows a man that has become invisible and is desperately trying to recover from his experiment, which has caused him to get more aggressive towards people in life, causing the locals to go in search for him to get stop him. This is an interesting story that shows how people will come together to solve a problem and will be left in fear of the unexplained. While the story might show a villainous figure, it would have been nice to see the science behind what caused what happened, only this might have been difficult to achieve for the time this was made. This is a story that does show hunting for what can’t be seen is interesting to see.
Horror/Sci-Fi – The horror comes from the shock value of seeing Jack without the bandages for the first time and just what he could get up to without being seen, while the sci-fi side of the film does show us just how the unexplained could become terrifying.
Settings – The film does use the settings to show how Jack can go into hiding, or where he could go for answers.
Special Effects – The effects are amazing for the time, when we see the unbandaging sequence it is truly shocking to see.
Scene of the Movie – Jack shows us beneath the bandages.
That Moment That Annoyed Me – We don’t learn enough of the science.
Final Thoughts – This is a true classic of cinema, bringing us one of the first horror icons in the genre in the 1930s and is a film you need to check out.
Overall: Horror Classic.
Story: The Invisible Man starts as the heavily bandaged man Dr Jack Griffin (Rains) stumbles through a snow storm to a tavern demanding a room to try and fix the problem he faces, the fact he is now invisible, which strikes fear into the tavern and town.
Dr Cranley (Travers) and Dr Kemp (Harrigan) are trying to figure out what happened to Jack, even though he has started to become insane with the side effects of becoming invisible, showing just how dangerous he has become.
Thoughts on The Invisible Man
Characters – Dr Jack Griffin has become invisible after performing an experiment on himself, he covers himself up not to scare people, making himself look like an injured man, as he tries to find a cure, only it makes him act crazier become a psycho that is willing to kill to escape. Flora is the partner of Jack’s who is trying to make sure he is safe, getting worried believing he will still having good in him. Dr Kemp is one of the scientists that gets caught up in the middle of trying to help Jack and being scared of what he could be, unlike Dr Cranley that knows more of the secrets of the substance he has been using.
Performances – Claude Rains is haunting and disturbing in the leading role, he shows how easily he can snap and how desperate he has been to fix himself. Elsewhere the cast are strong, most reacting to the action more than anything else.
Story – The story follows a man that has become invisible and is desperately trying to recover from his experiment, which has caused him to get more aggressive towards people in life, causing the locals to go in search for him to get stop him. This is an interesting story that shows how people will come together to solve a problem and will be left in fear of the unexplained. While the story might show a villainous figure, it would have been nice to see the science behind what caused what happened, only this might have been difficult to achieve for the time this was made. This is a story that does show hunting for what can’t be seen is interesting to see.
Horror/Sci-Fi – The horror comes from the shock value of seeing Jack without the bandages for the first time and just what he could get up to without being seen, while the sci-fi side of the film does show us just how the unexplained could become terrifying.
Settings – The film does use the settings to show how Jack can go into hiding, or where he could go for answers.
Special Effects – The effects are amazing for the time, when we see the unbandaging sequence it is truly shocking to see.
Scene of the Movie – Jack shows us beneath the bandages.
That Moment That Annoyed Me – We don’t learn enough of the science.
Final Thoughts – This is a true classic of cinema, bringing us one of the first horror icons in the genre in the 1930s and is a film you need to check out.
Overall: Horror Classic.
Gareth von Kallenbach (980 KP) rated Frankenweenie (2012) in Movies
Aug 7, 2019
Before he hit the big time, director Tim Burton made a live-action short film named “Frankenweenie” which was a loving tribute to the classic horror films of old, in particular “Frankenstein”. Due to various issues, the 30-minute film never got the attention it deserved and was relegated to a video release after Burton’s stock had risen thanks to hits such as “Beetlejuice”, “Batman”, and “Edward Scissorhands”.
Disney has given Burton a chance to complete his vision for “Frankenweenie”, and Burton has done so by combining the visual themes of classic black and white with modern 3D and stop-motion animation.
The film centers around the town of New Holland, where young Victor Frankenstein (Charlie Tahan) lives in suburbia and spends his days, when not in school, on his love of science, and his beloved dog Sparky. His father, wants Victor to diversify his skills and agrees to allow Victor to take part in a local science fair if he agrees to play baseball as well. Victor agrees, but sadly tragedy strikes when Victor loses his beloved Sparky in an accident.
Devastated, Victor loses his will and his way until he is inspired by his science teacher, Mr. Rzykruski (Martin Landau) who explains how anything can be reanimated via electricity. Since their town is famous for its nightly lightening storms, Victor sets about to revive Sparky, and is able to do so much to his delight. While he is thrilled to have his beloved dog back, Victor must keep Sparky’s return a secret which proves to be a very difficult challenge.
In time, the secret gets out and chaos ensues, especially when Victor’s classmates decide to reanimate other dead objects so that they can compete at the science fair. Things quickly go amok, and Victor and Sparky must find a way to save New Holland and each other.
The film has the trademark Burton visuals which are indeed very lavish. The nature of stop-motion and 3D does at times have some jerkiness to the film, but all in all it is a rich visual experience. I am a fan of Burton, but I have always said he far to often puts substance over style as his visuals have often overshadowed plot and characters in his movies. This time out, Burton has kept the film basic and does not go overboard trying to over-complicate his plot and characters. The film is, at the core, a story about a boy and his dog and their enduring love for one another.
The film is loaded with quirky characters and visuals and several references to the classic horror films of old which inspired it. I was not sure that many of the younger viewers in the audience would be able to get several of the jokes in the film, but they, along with their parents, laughed and cheered throughout the film.
While it will not break any new ground in visuals and story, “Frankenweenie” is a pleasantly fun film that the family will enjoy and is well worth checking out.
Disney has given Burton a chance to complete his vision for “Frankenweenie”, and Burton has done so by combining the visual themes of classic black and white with modern 3D and stop-motion animation.
The film centers around the town of New Holland, where young Victor Frankenstein (Charlie Tahan) lives in suburbia and spends his days, when not in school, on his love of science, and his beloved dog Sparky. His father, wants Victor to diversify his skills and agrees to allow Victor to take part in a local science fair if he agrees to play baseball as well. Victor agrees, but sadly tragedy strikes when Victor loses his beloved Sparky in an accident.
Devastated, Victor loses his will and his way until he is inspired by his science teacher, Mr. Rzykruski (Martin Landau) who explains how anything can be reanimated via electricity. Since their town is famous for its nightly lightening storms, Victor sets about to revive Sparky, and is able to do so much to his delight. While he is thrilled to have his beloved dog back, Victor must keep Sparky’s return a secret which proves to be a very difficult challenge.
In time, the secret gets out and chaos ensues, especially when Victor’s classmates decide to reanimate other dead objects so that they can compete at the science fair. Things quickly go amok, and Victor and Sparky must find a way to save New Holland and each other.
The film has the trademark Burton visuals which are indeed very lavish. The nature of stop-motion and 3D does at times have some jerkiness to the film, but all in all it is a rich visual experience. I am a fan of Burton, but I have always said he far to often puts substance over style as his visuals have often overshadowed plot and characters in his movies. This time out, Burton has kept the film basic and does not go overboard trying to over-complicate his plot and characters. The film is, at the core, a story about a boy and his dog and their enduring love for one another.
The film is loaded with quirky characters and visuals and several references to the classic horror films of old which inspired it. I was not sure that many of the younger viewers in the audience would be able to get several of the jokes in the film, but they, along with their parents, laughed and cheered throughout the film.
While it will not break any new ground in visuals and story, “Frankenweenie” is a pleasantly fun film that the family will enjoy and is well worth checking out.
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