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It's Always the Husband
It's Always the Husband
6
6.0 (1 Ratings)
Book Rating
It’s Always the Husband by Michele Campbell was an unusual psychological drama detailing the lives of three main girls, Aubrey, Kate and Jenny who met at college and stayed friends for life. At least that’s what they’d like you to believe, from the outside looking in. Really, they were thrown together and kind of stuck with each other.

Relationships are tricky things, some best friends at school can totally be your worst nightmare, but if you’re too weak willed to get out of such a toxic relationship, before you know it, you’re stuck. I mean, if you’ve invested so much time and energy in a friendship, why would you give it all up? Especially now, when you’re all adults in your 40s, shouldn’t things be different?

When I say this story was unusual, what exactly did I mean by that? This is just my sort of book, I love psychological thrillers, but unfortunately I just didn’t feel for any of the characters at first. The story started slow, and I don’t think as much detail about their elite Carlisle college life at the beginning was needed. Maybe the odd flashback to something important, to show how the “Whipple Triplets” had pledged to be friends forever, when in fact it’s instantly obvious to the reader they’re actually frenemies from the day they first met. Again, I love books featuring frenemies, but there was just something about that whole first section which did not enthral me at all. However, as we moved on through to their later years where we meet them as adults, the pace picked up a bit, and like the blurb says, when someone is standing at the edge of the bridge and someone else is urging them to jump, I wanted to find out who and why! I didn’t get this far into the book to just give up!

We do get flashbacks every now and then and the suspense does pick up somewhat. I kind of knew payback was going to happen to the bitch of the group, but the unexpected twist at the end was interesting. There was just something clunky about the way the whole book was put together, like either I was missing something or it just did not read as smoothly as I’d have liked.

In addition, I get that their college life is all about popularity, money, sex, and much of it went by in a blur of drugs and alcohol, but at the same time, there was a lot of it going on in the story, and I half thought most of the substance abuse goings on was just too repetitive and didn’t really focus on the psychological issues they could have had at college. I don’t think all of it was needed.

Even so, I did finish this book, and I did like the ending, it just wasn’t completely enthralling enough for me to rate it higher than 3 stars, which is my ‘jolly good’ read, but not ‘really, really enjoyable’, and definitely not up there with ‘I’m going to talk about this for weeks’ five stars. Although, I could actually be talking about this for weeks, just not in the best light.
  
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American Idiot by Green Day
American Idiot by Green Day
2004 | Alternative, Punk
Soda Pop & Ritalin
For some reason people like to slag Green Day, they are the butt of a lot of punk music jokes and to be honest I do get why. I understand why people see their use of makeup and their whole zany persona as a farce and don’t take them seriously, but no matter what you think of them in general, it is hard to deny that their seventh album, ‘American Idiot,’ perfectly captured the zeitgeist at the time, especially in the US. The album was an unexpected maturation of any of the band’s previous efforts and capitalised on their potential. When Billie Joe Armstrong wrote the album, he chose to channel his feelings into a cast of various characters and use a concept album format to display the emotions he and his peers felt at the time. I would argue the fact that American Idiot is definitively a concept album, as it doesn’t actually tell a cohesive story with a beginning, middle and end, instead opting for the approach of latching on to a certain feeling, whether it be rage or love and assigning that to a specific character and then throwing all of these characters into the mixing pot together. We hear the album from the perspective of the protagonist in the story, Jesus Of Suburbia, a young man who is sick of a broken system and feels disillusioned and uninspired by everything that he sees around him. The reason that so many people felt this way at the time of this album’s release, 2004, was due to the Bush administration’s misguidance and outright lies and due to the fallout from the 9/11 terrorists attacks that has never really gone away in America since the incident occurred. So, fed up of his suburban, dead end town Jesus leaves home and begins a quest of self discovery that involves a great deal of substance abuse, which ends up leading to the creation of an alter ego residing in Jesus’ mind who calls himself Saint Jimmy. Think Tyler Durden in fight club, but if he had a Mohican and ear stretchers. Jimmy leads Jesus on the thinly veiled path to revolution, which simply turns out to be a path to self destruction and eventually when Jesus hits rock bottom, (just like Fight Club,) he forces Jimmy to commit suicide and rids his mind of him. At the end of the album though Jesus’ fate is left ambiguous, but what is clear is that his journey has taken its toll on him, which is signified by the fact that he forgets the name of the girl that he fell in and out of love with during his spiritual quest. This album perfectly captured the mindset of a generation of kids forgotten by the system that was put in place to help them grow. American Idiot gives the man on the street a well informed, unified voice and actually injects some form of leadership into the political and social landscape at the time, even if it probably isn’t the form of leadership that your parents had in mind, or the government had put in place for you. A wake up call that is essential and still relevant today, this album and its story and character carries the important message that we shouldn’t settle for any less than what we deserve and what we deserve is often a lot better than what we end up getting. This album is pretty much the American version of Never Mind The Bollocks.