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Ivana A. | Diary of Difference (1171 KP) rated The Psychology of Time Travel in Books
Dec 30, 2018
The Psychology of Time Travel – Kate Mascarenhas [BOOK REVIEW]
Full review on my blog: www.diaryofdifference.com
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
Gareth von Kallenbach (980 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
Darren (1599 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 7, 2019
Characters – Ken Miles was the greatest racer of the era, the problem with him was always his attitude, never wanting to follow rules almost blacklisting him from most teams around the world, his wife wants him to race, his son looks up to him and Carroll knows he is the best man for the job, he help design the car with Carroll and his team and must prove himself on the track to get the drive at Le Mans. Carroll Shelby won Le Mans, retired from the racing side of the sport to start designing the cars, he is considered the best in America and is pick by Ford to design their race car, he will challenge the order of things because he knows he can achieve this, if he is given the chance to select who he wants in the car. Mollie is the ever-supportive wife of Ken, she wants him to drive knowing he will get bored if he doesn’t, she only asks that he is honest with her, she odes also get a great driving scene. we do get to meet plenty of executives from Ford, who each have their own agenda with Leo Beebe being made out to be the villain of the team, while Henry Ford II is made out to be strict, but will accept honesty.
Performances – Christian Bale and Matt Damon are both fantastic proving to everyone why they are considered two of the best in the business today, they have great individual moments as well as banter between them. Outside of the two big names, nobody does get to reach their level and everybody is a joy to watch in their roles.
Story – The story here follows Henry Ford II desire to beat Enzo Ferrari in the Le Mans 24-hour race, we see him hire a former winner turned designer to build his car, as the two sides do battle to get Ken Miles behind the wheel, in an attempt to make history. This does show how an American decided he would rather push the limits of his bank than improve the product he was making as we see how Ford changed the racing world that Ferrari had been dominating for decades and how faith in a driver is often more important that having the fastest car. The story is told over a couple of years, we get to see the important turns in the battle between Carroll and Ford’s executives to get the best driver behind the wheel, before letting us just sit back and enjoy the races. It could have had a little bit of the story chopped down to save some time though.
Action/Biopic/Sport – The action mixes with the sport wonderfully to give us edge of the seat race moments that will be the highlight of the film, while the biopic side of the film seems to focus more on the car side of things only, while Ken does have a family, we really don’t learn anything else about Carroll outside of his work.
Settings – The film recreates the iconic race track perfectly and shows us how the time relevant cars were used in nearly every scene of the film, on and off the track.
Scene of the Movie – Le Mans Race.
That Moment That Annoyed Me – Give us subtitles for the Ferrari scenes.
Final Thoughts – This is a high speed biopic that doesn’t let you breath through most of the action involved, it has brilliant performances from the whole cast and is a must watch for any motor sports fans.
Overall: Motor Sports Fans Must Watch.
Performances – Christian Bale and Matt Damon are both fantastic proving to everyone why they are considered two of the best in the business today, they have great individual moments as well as banter between them. Outside of the two big names, nobody does get to reach their level and everybody is a joy to watch in their roles.
Story – The story here follows Henry Ford II desire to beat Enzo Ferrari in the Le Mans 24-hour race, we see him hire a former winner turned designer to build his car, as the two sides do battle to get Ken Miles behind the wheel, in an attempt to make history. This does show how an American decided he would rather push the limits of his bank than improve the product he was making as we see how Ford changed the racing world that Ferrari had been dominating for decades and how faith in a driver is often more important that having the fastest car. The story is told over a couple of years, we get to see the important turns in the battle between Carroll and Ford’s executives to get the best driver behind the wheel, before letting us just sit back and enjoy the races. It could have had a little bit of the story chopped down to save some time though.
Action/Biopic/Sport – The action mixes with the sport wonderfully to give us edge of the seat race moments that will be the highlight of the film, while the biopic side of the film seems to focus more on the car side of things only, while Ken does have a family, we really don’t learn anything else about Carroll outside of his work.
Settings – The film recreates the iconic race track perfectly and shows us how the time relevant cars were used in nearly every scene of the film, on and off the track.
Scene of the Movie – Le Mans Race.
That Moment That Annoyed Me – Give us subtitles for the Ferrari scenes.
Final Thoughts – This is a high speed biopic that doesn’t let you breath through most of the action involved, it has brilliant performances from the whole cast and is a must watch for any motor sports fans.
Overall: Motor Sports Fans Must Watch.
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