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Lyndsey Gollogly (2893 KP) rated Comatose (Vixen Bluff #1) in Books

Jul 15, 2020  
Comatose (Vixen Bluff #1)
Comatose (Vixen Bluff #1)
Catherine Black | 2020 | Contemporary, Romance
9
9.0 (1 Ratings)
Book Rating
128 of 200
Kindle
Comatose (Vixen Bluff book 1)
By Catherine Black

Shaye Robinson never questions her role as the tame, submissive sweetheart of Vixen Bluff's illustrious physician, Dr. Robert Baxter. At least, not until she finds his hands wrapped around her neck at the office Christmas party. Blinded by betrayal and more than ready to bid adieu to their loveless engagement, Shaye makes a devastating mistake that leaves her scarred and broken, and at the mercy of the one man she was trying to escape.
Nurse Alexander Mayes avoids temptation of any kind. Always. No exceptions. Living a mediocre, no-frills life is all that's kept him and his little brother fed, clothed, and off the streets since the untimely death of their parents. So when the blonde in room 301 emerges from a coma and immediately charms her way into Alex's heart, he has no other choice than to keep her at arm's length. Her smile may be as rare as her miraculous circumstances, and her eyes may hint at an uncontrollable fire just waiting to lay waste to those who have wronged her, but crossing that particular line would be career suicide.
As Shaye and Alex navigate the treacherous waters of her recovery, they discover everyone in Vixen Bluff has already deemed them 'meant to be', despite the clear conflict of interest. But just when Shaye thinks a happily-ever-after could be in the cards after all, a threat from her past makes his presence known, jeopardizing everything she's fought so hard to rebuild.




I’ve never read anything by this author and this was recommended. I’m so glad I picked it up it was just brilliant! I love the writing style and the story! What’s not to love? Romance isn’t usually a go to genre for me but I really loved this book.
  
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Edgar Wright recommended Head (1968) in Movies (curated)

 
Head (1968)
Head (1968)
1968 | Comedy, Documentary
7.0 (1 Ratings)
Movie Favorite

"Head is my favorite film that stars a musical artist, by some degree. And yes, that includes the brilliant A Hard Day’s Night. However, the Monkees’ triumph of a movie is a Pyrrhic victory, because Head accelerated their demise, as it sees Dolenz, Nesmith, Tork, and Jones push the self-destruct button. Directed by Bob Rafelson and cowritten by Jack Nicholson, the movie shows the Monkees tearing down their wholesome network-TV, pre–Fab Four image with wild style. Much has been read into this stream-of-consciousness movie, with its overlapping dream sequences, surreal song numbers, and drug-influenced chaos. The simplest way of describing it is this: the Monkees are sick of being on their network show and attempt to break out of the studio lot, literally and figuratively. There are several scenes where the Monkees are trapped in a box, a live number where they are revealed to be plastic mannequins, and bookending sequences where the members commit suicide. So basically, the Monkees want out. There have been some claims by the Monkees since the film came out that this message was projected onto it by Rafelson and Nicholson, but the script was clearly born of a very real frustration with their image. The movie bombed in 1968, because not many Monkees fans wanted to know that their idols had painted-on smiles. What remains is a gem of rock music cinema, with great songs and images throughout. Plus, as depressing as the theme of entrapment is, it’s frequently very funny. I got to interview Dolenz about it at a New Beverly Q&A once. A young audience member quizzed him on the deeper themes, and he just replied, “Man, I was twenty-three . . .”"

Source
  
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Britt Daniel recommended track Out of My Miond on Dope and Speed by Julian Cope in Skellington by Julian Cope in Music (curated)

 
Skellington by Julian Cope
Skellington by Julian Cope
1989 | Alternative, Indie
(0 Ratings)
Album Favorite
Details

Out of My Miond on Dope and Speed by Julian Cope

(0 Ratings)

Track

"""My favourite Julian Cope is loose Julian Cope. Back in the day, I was already a fan of his, because of World Shut Your Mouth and Saint Julian; those were great records, not super loose, but very rock and roll. Then, he put out My Nation Underground, which I was pretty dissatisfied with. It had its moments, but it was too produced, and so '80s. I think even he’s disowned that one now. ""After that, I’d be surprised, because I’d be going to the record store and he’d be putting out these albums with no announcement. One of them was Skellington, which this song is from. That record was huge for me, to the point that I named one of my early bands after it. Droolian came after that and it just felt like, when he really hit his peak with Peggy Suicide and Jehovahkill, it was those previous two albums that really laid the groundwork. ""They were totally loose and off the cuff, he was mumbling the lyrics and the liner notes said that he hadn’t ever really finished them. They’re not commercial records and that made them all the more fascinating to me. They’re more human. It was a lesson - not every record has to be polished. You don’t need to appeal to everyone who’s known you up until then. It’s good to throw up the occasional roadblock. ""Plus, at that moment in time, he was doing the whole “Being a rock star” thing better than anybody else. I hung off of anything he had to say; it felt like nothing he was saying wasn’t extraordinary. I mean, the title of the song says it all. He's just an amazing character."

Source