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Joe Elliott recommended Ziggy Stardust and the Spiders from Mars: The Motion Picture Soundtrack by David Bowie in Music (curated)
Gaspar Noe recommended The Mother and the Whore (1973) in Movies (curated)
Dying of Whiteness: How the Politics of Racial Resentment Is Killing America's Heartland
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Dying of Whiteness is What's the Matter with Kansas but with an emphasis on public health. In the...
Hairpin Bridge
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Looking for a thriller that you can’t put down? Then try this book that everyone’s talking...
Debbiereadsbook (1110 KP) rated Fox Tale (Sacred Emblems #0) in Books
Apr 27, 2024
great reading about Japan.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Ava is in Japan, writing a travel article. Meeting Chase, with his wonderful tales of Japanese myths and legends, helps her write a different take. But she never expected to meet up with her ex, Rafe, who left her two years ago without a word. Both men are hiking things. Can Ava choose?
I don't read reviews before I read a book, not anymore, but I will read them AFTER I've read said book, but before I write my review for one reason only: did they feel the same about this book as I did.
In this case: nope. They all loved this book and I . . . didn't.
I'm not saying I didn't like this book, I just found it hard work.
It's almost all written from Ava's point of view, in the first person. Rafe gets two very small bits, not even a chapter, in the third. I needed more from Rafe, and Chase, to be fair, to offset Ava.
There is a huge amount of repeated wording. Mostly around how Ava feels and thinks about Chase. "Apart from his silver hair, he looks young" or words to that effect are the most common. It began to get a bit much. "Seven hundred and seventy *something*, next winter" is another. The same things about the fox stories from Japanese lore pop up time and again too.
Apart from that, I liked this book. I couldn't see where it was going, nor how it was getting there, so when it did all go down, I was surprised and I liked the way it all happened.
Although there is the repetition of the lore, I did enjoy reading about the Japanese traditions and myths and legends.
There are some difficult topics here: death of a spouse, suicide, mental health issues and readers do need to be aware. Things are not how they seem, however, but the warning still needs to be made.
This is the first I've read of this author, and I always ask myself, will I read more? Not at this time. I won't say no to reading something else at a later date though.
3 good stars
*same worded review will appear elsewhere
Ava is in Japan, writing a travel article. Meeting Chase, with his wonderful tales of Japanese myths and legends, helps her write a different take. But she never expected to meet up with her ex, Rafe, who left her two years ago without a word. Both men are hiking things. Can Ava choose?
I don't read reviews before I read a book, not anymore, but I will read them AFTER I've read said book, but before I write my review for one reason only: did they feel the same about this book as I did.
In this case: nope. They all loved this book and I . . . didn't.
I'm not saying I didn't like this book, I just found it hard work.
It's almost all written from Ava's point of view, in the first person. Rafe gets two very small bits, not even a chapter, in the third. I needed more from Rafe, and Chase, to be fair, to offset Ava.
There is a huge amount of repeated wording. Mostly around how Ava feels and thinks about Chase. "Apart from his silver hair, he looks young" or words to that effect are the most common. It began to get a bit much. "Seven hundred and seventy *something*, next winter" is another. The same things about the fox stories from Japanese lore pop up time and again too.
Apart from that, I liked this book. I couldn't see where it was going, nor how it was getting there, so when it did all go down, I was surprised and I liked the way it all happened.
Although there is the repetition of the lore, I did enjoy reading about the Japanese traditions and myths and legends.
There are some difficult topics here: death of a spouse, suicide, mental health issues and readers do need to be aware. Things are not how they seem, however, but the warning still needs to be made.
This is the first I've read of this author, and I always ask myself, will I read more? Not at this time. I won't say no to reading something else at a later date though.
3 good stars
*same worded review will appear elsewhere
Trigger Warnings: Child abuse, child neglect, homelessness, mention of drug use, rape, suicide, homophobia, prison/juvie
Twins Storm and Lake have always been in sync growing up - until they get separated within the foster care system. Storm’s been through juvie but his current foster dad and his girlfriend are helping him find a normal life again - until an incident makes him lose control again. Lake likes girls, but her bible loving foster parents would immediately kick her out if they find out - so she and her foster sibling, Parker, must keep their relationship secret. Both twins have rough patches ahead and both fight to come out on the other side.
Sooo, I’ve never read an Ellen Hopkins book - at least that I can remember anyway. I did NOT keep track of books I read until I was in my late 20’s… That being said, I feel like I would remember the emotional damage that probably would have been done with her books, especially with how I feel after finishing this one.
Hopkins didn’t shy away from the hard topics. Doing so allowed me to feel every emotion alongside the twins as they were. I’ve recently really gotten into novel-in-verse books and it absolutely makes me understand how poetry can really hit your gut with just so few words; Hopkins didn’t have to go into detail about what things looked like for you to understand what was going on.
The ending was bittersweet because I didn’t want it to be over, but at the same time, Hopkins finished it beautifully without needing the words. God, this book is going to stay with me for quite some time. I’m going to think of Storm and Lake and hope they’re doing okay.
Overall, this book will grab your heart and twist it tight, absolutely leaving an imprint when it finally releases you on the last page. Even though it’s a 400+ page novel, it reads quickly and one could probably finish it in one setting. The only reason I hadn’t was because I started it super late at night and then had plans the following morning.
*Thank you Nancy Paulsen Books and BookishFirst for an advance copy of this book in exchange for an honest review
Twins Storm and Lake have always been in sync growing up - until they get separated within the foster care system. Storm’s been through juvie but his current foster dad and his girlfriend are helping him find a normal life again - until an incident makes him lose control again. Lake likes girls, but her bible loving foster parents would immediately kick her out if they find out - so she and her foster sibling, Parker, must keep their relationship secret. Both twins have rough patches ahead and both fight to come out on the other side.
Sooo, I’ve never read an Ellen Hopkins book - at least that I can remember anyway. I did NOT keep track of books I read until I was in my late 20’s… That being said, I feel like I would remember the emotional damage that probably would have been done with her books, especially with how I feel after finishing this one.
Hopkins didn’t shy away from the hard topics. Doing so allowed me to feel every emotion alongside the twins as they were. I’ve recently really gotten into novel-in-verse books and it absolutely makes me understand how poetry can really hit your gut with just so few words; Hopkins didn’t have to go into detail about what things looked like for you to understand what was going on.
The ending was bittersweet because I didn’t want it to be over, but at the same time, Hopkins finished it beautifully without needing the words. God, this book is going to stay with me for quite some time. I’m going to think of Storm and Lake and hope they’re doing okay.
Overall, this book will grab your heart and twist it tight, absolutely leaving an imprint when it finally releases you on the last page. Even though it’s a 400+ page novel, it reads quickly and one could probably finish it in one setting. The only reason I hadn’t was because I started it super late at night and then had plans the following morning.
*Thank you Nancy Paulsen Books and BookishFirst for an advance copy of this book in exchange for an honest review
Gareth von Kallenbach (971 KP) rated I, Robot (2004) in Movies
Aug 14, 2019
Tales of a dark and foreboding future where technology has run amuck have been cautioning viewers ever since Orwell made the phrase “Big Brother” a household expression. Other films such as ?”, “Westworld”, “Blade Runner” and “The Terminator” often show a dark and dangerous future where dependence upon technology created to serve mankind has lead to its eventual downfall.
In the film “I Robot” Director Alex Proyas who’s past work includes “The Crow” and “Dark City” tells the tale of a near future where robots have become commonplace and are entrusted to do all manner of tasks ranging from package delivery to waiting table and caring for households. The robots are assured to be safe as they are governed by a set of behavioral restrictors that require them to obey all human commands save for those to harm another human, as robots are not allowed to harm or by inaction allow to be harmed any human.
The film stars Will Smith as Del Spooner, a Chicago Homicide detective who does not trust robots and is highly suspicious of them. The fact that in 2035 there has yet to be one documented case worldwide of a robot ever being involved in a crime is of little concern to Del as he sees the potential for danger in technology that is so widely spread.
Del is in many ways a technophobe as aside from his modern car, he has a retro lifestyle including an old fashioned alarm clock, vintage 2004 shoes, and a fondness for music from the 1970’s. An incident in Del’s past has kept him off the force for a while and has only furthered his distaste for robotics and their growing place in society.
No sooner is Del back at work than an apparent suicide at U.S. Robotics by a friend sets the film into motion. What to all seems to be an open and shut case of suicide only causes Del to become more suspicious. Del soon discovers a new model robot locked in the office of the victim, who flees from crime scene and refuses to obey the orders to halt given to him.
The fact that the robot ignores command given by a human thus violating his central laws of programming is put off as a simple malfunction by Billionaire Lawrence Robertson (Bruce Greenwood), who does not want Del’s suspicions to disrupt his business plans on the eve of the largest rollout of new robots in history. It is explained that the new NX-5 model is about to be released to the public and soon there will be one robot for every 5 humans in the world and with so much invested in this, Robertson places a gag order on Del and the entire police force to forget about the renegade robot and not say a word to anyone.
Naturally Del does not follow this command and he suspects that there is a larger and much more serious threat posed to the public even though everyone around his says that he is paranoid and desperate to find or create any evidence to support his theory that robots are not as safe as everyone believes they are.
What follows is an action packed game of cat and mouse as Del and a U.S. Robotics scientist named Susan (Bridget Moynahan), start to uncover a deeper mystery, once in which the very world they have taken for granted is about to change.
The film is a visual marvel that shows you a fairly realistic view of the future as aside from the robots and futuristic highways, the world of 2035 does not look that much different than today.
Proyas knows that Smith is his star and he does a great job allowing him to carry the picture without allowing the visual effects to dominate the film, though they are spectacular. The futuristic highways and a great chase sequence were highlights of the film and had a surprising amount of tension and drama mixed into what was a solid action sequence.
Smith plays Spooner, as a man with demons yet never ceases to become a sensitive character despite his hard edge. He is a man that is determined to follow his instincts and do what is best for the people he is sworn to protect.
The film does only play lip service to the series of novels by Asimov, but it does tell a very good cautionary tale of human’s interaction and dependence upon technology without becoming preachy or losing site of the message that society must ensure to have a balance between humanity and technology in order to thrive.
If I had to find fault, it would be that many of the supporting roles were fairly bland, as Moynahan was not given much to do aside from play a Damsel in distress and the always solid James Cromwell and Bruce Greenwood were not used nearly enough. That being said “I Robot” delivers everything you want in a summer film and more.
In the film “I Robot” Director Alex Proyas who’s past work includes “The Crow” and “Dark City” tells the tale of a near future where robots have become commonplace and are entrusted to do all manner of tasks ranging from package delivery to waiting table and caring for households. The robots are assured to be safe as they are governed by a set of behavioral restrictors that require them to obey all human commands save for those to harm another human, as robots are not allowed to harm or by inaction allow to be harmed any human.
The film stars Will Smith as Del Spooner, a Chicago Homicide detective who does not trust robots and is highly suspicious of them. The fact that in 2035 there has yet to be one documented case worldwide of a robot ever being involved in a crime is of little concern to Del as he sees the potential for danger in technology that is so widely spread.
Del is in many ways a technophobe as aside from his modern car, he has a retro lifestyle including an old fashioned alarm clock, vintage 2004 shoes, and a fondness for music from the 1970’s. An incident in Del’s past has kept him off the force for a while and has only furthered his distaste for robotics and their growing place in society.
No sooner is Del back at work than an apparent suicide at U.S. Robotics by a friend sets the film into motion. What to all seems to be an open and shut case of suicide only causes Del to become more suspicious. Del soon discovers a new model robot locked in the office of the victim, who flees from crime scene and refuses to obey the orders to halt given to him.
The fact that the robot ignores command given by a human thus violating his central laws of programming is put off as a simple malfunction by Billionaire Lawrence Robertson (Bruce Greenwood), who does not want Del’s suspicions to disrupt his business plans on the eve of the largest rollout of new robots in history. It is explained that the new NX-5 model is about to be released to the public and soon there will be one robot for every 5 humans in the world and with so much invested in this, Robertson places a gag order on Del and the entire police force to forget about the renegade robot and not say a word to anyone.
Naturally Del does not follow this command and he suspects that there is a larger and much more serious threat posed to the public even though everyone around his says that he is paranoid and desperate to find or create any evidence to support his theory that robots are not as safe as everyone believes they are.
What follows is an action packed game of cat and mouse as Del and a U.S. Robotics scientist named Susan (Bridget Moynahan), start to uncover a deeper mystery, once in which the very world they have taken for granted is about to change.
The film is a visual marvel that shows you a fairly realistic view of the future as aside from the robots and futuristic highways, the world of 2035 does not look that much different than today.
Proyas knows that Smith is his star and he does a great job allowing him to carry the picture without allowing the visual effects to dominate the film, though they are spectacular. The futuristic highways and a great chase sequence were highlights of the film and had a surprising amount of tension and drama mixed into what was a solid action sequence.
Smith plays Spooner, as a man with demons yet never ceases to become a sensitive character despite his hard edge. He is a man that is determined to follow his instincts and do what is best for the people he is sworn to protect.
The film does only play lip service to the series of novels by Asimov, but it does tell a very good cautionary tale of human’s interaction and dependence upon technology without becoming preachy or losing site of the message that society must ensure to have a balance between humanity and technology in order to thrive.
If I had to find fault, it would be that many of the supporting roles were fairly bland, as Moynahan was not given much to do aside from play a Damsel in distress and the always solid James Cromwell and Bruce Greenwood were not used nearly enough. That being said “I Robot” delivers everything you want in a summer film and more.
Gareth von Kallenbach (971 KP) rated The Nun (2018) in Movies
Jul 2, 2019
I’ve always been a sucker for supernatural thrillers that are based on “actual events”, even if the way it’s portrayed in the movies nowhere resembles the truth. For some reason, it’s always intriguing to watch a film and imagine that these things could potentially happen. This has always been the draw of The Conjuring films, which are loosely based on the lives of Ed and Lorraine Warren, whose paranormal investigations were the inspiration behind not only this series but the Amityville Horror. So, when I heard that The Nun was another movie set in the same cinematic universe as The Conjuring franchise I anxiously awaited the opportunity to review it.
The Nun begins with two nuns who are attempting to destroy an evil being that has cursed an abbey in a small Romanian village for hundreds of years. After a young man who goes by the name Frenchie (Jonas Bloquet) discovers one of the nuns has hung herself, the Vatican summons Father Burke (Demián Bichir), who is known for his special skills in exorcisms and Sister Irene (Taissa Farmiga), a young nun-in-training to investigate the matter. With Frenchie as their guide, they travel to the abbey to uncover the mysteries of the nun’s suicide.
The Nun reintroduces us to a familiar demonic figure that was originally introduced in The Conjuring 2. Sadly, this is where the similarities to the other Conjuring films end. The Nun has its share of jump scares, but the entire film seems to be a compilation of various horror tropes including everything from crosses turning upside down to using holy water to get rid of demons. All the typical exorcism movie elements are there, but none of them really add any context to the story or answer any questions as to why the priest and nun were sent to investigate the suicide. There is no discernable path that the characters take to unravel the mystery, and it attempts to build suspense only to “Hollywood-up” the ending. They sacrificed suspense and mystery and replaced it with monster filled battles and cheesy one-liners. Instead of beautifully haunting ghosts and demons we got what I could only describe as nun-mummies which can now be taken down with shovels and shotguns. A shotgun was not part of Father Burke’s exorcism arsenal but towards the end of the movie you start to think maybe that should have been his weapon of choice all along (who needs a cross and holy water, when you have your trusty 12-gauge).
The setting is as beautiful as it is creepy, and it’s hard not to wonder how they could take such an amazing setting and dumb it down. The Nun herself is particularly creepy and the characters at first glance appear to be interesting which is why it’s so disappointing that the movie feels so much like a missed opportunity. The pacing of the movie is incredibly slow as well, with all the buildup of the investigation most of the time you are just waiting for something to happen. To make it even worse, most of the buildups lead the audience down a path of confusion and not only raise more questions that will never be answered, but also destroy any believability of the story.
Ultimately, fans of The Conjuring franchise will likely leave disappointed and with even more longing for The Conjuring 3 to be released. The movie lacks much of the suspense and outright terror that the previous movies in the series were well known for and ultimately feels like a spinoff movie that lacks any real connection to the movies preceding it. The Nun isn’t a terrible movie, and I didn’t leave feeling as though I had completely wasted an hour and a half of my time, it just really doesn’t do anything to break new ground or move the franchise along in any meaningful way. While there are parts of the movie that will have you jump, the reality is, that the scenes following these moments will keep you bewildered and likely cause you to forget what made you jump in the first place. It has some interesting concepts, but nothing that hasn’t been done better in similar movies before it. In the end it’s a movie that people will not likely hate but will not feel satisfied with either. I certainly wouldn’t recommend paying full price to see it, but it may be worth the Saturday matinee price or watching it when it comes to Blu-ray. If you want a good ghost or demon movie to get you in the Halloween spirit, this isn’t it. You’d be much better off watching the spectacularly classic Poltergeist or The Exorcist if you really want to be scared out of your wits.
What I liked: The setting and atmosphere, The Nun herself was pretty freaky
What I liked less: Disjointed story, Too many unanswered questions, Overall “meh” feeling
The Nun begins with two nuns who are attempting to destroy an evil being that has cursed an abbey in a small Romanian village for hundreds of years. After a young man who goes by the name Frenchie (Jonas Bloquet) discovers one of the nuns has hung herself, the Vatican summons Father Burke (Demián Bichir), who is known for his special skills in exorcisms and Sister Irene (Taissa Farmiga), a young nun-in-training to investigate the matter. With Frenchie as their guide, they travel to the abbey to uncover the mysteries of the nun’s suicide.
The Nun reintroduces us to a familiar demonic figure that was originally introduced in The Conjuring 2. Sadly, this is where the similarities to the other Conjuring films end. The Nun has its share of jump scares, but the entire film seems to be a compilation of various horror tropes including everything from crosses turning upside down to using holy water to get rid of demons. All the typical exorcism movie elements are there, but none of them really add any context to the story or answer any questions as to why the priest and nun were sent to investigate the suicide. There is no discernable path that the characters take to unravel the mystery, and it attempts to build suspense only to “Hollywood-up” the ending. They sacrificed suspense and mystery and replaced it with monster filled battles and cheesy one-liners. Instead of beautifully haunting ghosts and demons we got what I could only describe as nun-mummies which can now be taken down with shovels and shotguns. A shotgun was not part of Father Burke’s exorcism arsenal but towards the end of the movie you start to think maybe that should have been his weapon of choice all along (who needs a cross and holy water, when you have your trusty 12-gauge).
The setting is as beautiful as it is creepy, and it’s hard not to wonder how they could take such an amazing setting and dumb it down. The Nun herself is particularly creepy and the characters at first glance appear to be interesting which is why it’s so disappointing that the movie feels so much like a missed opportunity. The pacing of the movie is incredibly slow as well, with all the buildup of the investigation most of the time you are just waiting for something to happen. To make it even worse, most of the buildups lead the audience down a path of confusion and not only raise more questions that will never be answered, but also destroy any believability of the story.
Ultimately, fans of The Conjuring franchise will likely leave disappointed and with even more longing for The Conjuring 3 to be released. The movie lacks much of the suspense and outright terror that the previous movies in the series were well known for and ultimately feels like a spinoff movie that lacks any real connection to the movies preceding it. The Nun isn’t a terrible movie, and I didn’t leave feeling as though I had completely wasted an hour and a half of my time, it just really doesn’t do anything to break new ground or move the franchise along in any meaningful way. While there are parts of the movie that will have you jump, the reality is, that the scenes following these moments will keep you bewildered and likely cause you to forget what made you jump in the first place. It has some interesting concepts, but nothing that hasn’t been done better in similar movies before it. In the end it’s a movie that people will not likely hate but will not feel satisfied with either. I certainly wouldn’t recommend paying full price to see it, but it may be worth the Saturday matinee price or watching it when it comes to Blu-ray. If you want a good ghost or demon movie to get you in the Halloween spirit, this isn’t it. You’d be much better off watching the spectacularly classic Poltergeist or The Exorcist if you really want to be scared out of your wits.
What I liked: The setting and atmosphere, The Nun herself was pretty freaky
What I liked less: Disjointed story, Too many unanswered questions, Overall “meh” feeling