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Suicide Squad (2016)
Suicide Squad (2016)
2016 | Action
Yet another missfire
It’s hard to remember such a lacklustre summer blockbuster season. From unnecessary sequels to underwhelming novel adaptations, it’s been one disappointment after another.

After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good?

To be frank, not really. Director David Ayer has one of the best ensemble casts in years, but wastes them in a film as loud as any Transformers movie, and about as clever as one too.

Figuring they’re all expendable, a U.S. intelligence officer (Viola Davis) decides to assemble a team of dangerous, incarcerated supervillains for a top-secret mission. Now armed with government weapons, Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), Killer Croc and other despicable inmates must learn to work together. Dubbed Task Force X, the criminals unite to battle a mysterious and powerful entity, while the diabolical Joker (Jared Leto) launches an evil agenda of his own.

From the outset, you can tell Suicide Squad isn’t going to waste time with lengthy introductions to its main characters, and this is a breath of fresh air. It gets around this stumbling block in stylish ease as each villain is given his or her own 3 minute backstory, with nifty graphics completing the sequences.

It’s a pleasing start to a film that promised so much in its trailers, but things really start to go downhill from there as our characters are forced to muscle their way through countless faceless enemies, culminating in a derivative battle against, you guessed it, more dull enemies. It’s almost like watching a third-person video game taking place on a massive screen.

Nevertheless, the cast does well with the material they’re given. Will Smith is his ever-likeable self and channels Deadshot from the source material with flair. However, the film really belongs to Margot Robbie and Jared Leto. Their performances are spot on, with Robbie in particular being the film’s ray of sunshine. Leto’s Joker is unfortunately not given anywhere near enough screen time despite the film’s two hour length.

The soundtrack is fantastic. Boasting Eminem, Grace and Panic at the Disco, it’s a pleasant distraction from the at times incomprehensible mayhem taking place on screen.

Special effects wise, Suicide Squad is fine, if a little uninspiring. The editing and cinematography are very clever indeed but the CGI goes from great to poor in a heartbeat. Considering the film’s $175million budget, this is completely unacceptable.

Overall, Suicide Squad promised us so much and has delivered relatively little. Drawing from the exceptional DC Universe, audiences could’ve had a film completely different from the slew of superhero films we are constantly blighted with these days. Instead, we’ve been given one of the most generic yet and it continues 2016’s trend as one of the worst summer blockbuster seasons in recent memory.

https://moviemetropolis.net/2016/08/08/yet-another-misfire-suicide-squad-review/
  
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Shatter (Joseph O'Loughlin #3)
10
10.0 (1 Ratings)
Book Rating
Let me just begin by saying this was a FANTASTIC read! This book started off intriguing and did not disappoint. It took off from about the 2nd chapter & did not let up until the very end.
It tells the story of Dr. O'Loughlin who is a psychiatrist. After completing a lecture at Bath University he gets "volunteered" by his department chair to take him place with a police matter. He is taken to a suspension bridge in the middle of a rainstorm (it is England after all) to try to prevent what appears to be a suicide. The woman is on the edge of the bridge naked, with slut written across her stomach in red lipstick, & a cell phone pressed to her ear. She looks at the doc, says, "You wouldn't understand," & jumps to her death.
It is written off as a typical suicide...& then strange things begin to happen. I don't want to say much more, but I will leave it off by saying that in the end the good doctor is left wishing he would've walked away from the hulking police officer that rainy afternoon.
I look forward to the next book in the series & a long relationship with the books of Michael Robotham. What a writer!!!
  
The Astonishing Color of After
The Astonishing Color of After
Emily X.R. Pan | 2018 | Young Adult (YA)
9
8.3 (3 Ratings)
Book Rating
Evocative descriptions (1 more)
Good characters
Just WOW. The Astonishing Color of After is about a teenage girl, an artist, dealing with her mother's depression and ensuing suicide. Part of what makes the book so fascinating is Leigh's constant description of colors. She uses color as shorthand for emotions - her grandmother might have a vermilion expression on her face, or she might be feeling very orange while staring at her mother's coffin at the funeral. Between colors-as-feelings and her insomnia-induced hallucinations (or magic - the book is deliberately, I think, noncommittal on whether some things only happen in her head or not) the entire book feels a little surrealistic. But grief and mourning DO feel surrealistic. The book is amazingly evocative and emotional and I absolutely adore it. This, along with City of Brass and Children of Blood and Bone, are definitely on my Best of 2018 list.

As an added bonus, the author is the American child of Taiwanese immigrants herself. So all the ghost traditions and folklore from Leigh's journey to Taiwan are from her ancestry as well.

This book was gorgeous. It may need a trigger warning for depression and suicide. If you can handle those themes, read it.

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
Reasons to Stay Alive
Reasons to Stay Alive
Matt Haig | 2016 | Essays
9
8.3 (8 Ratings)
Book Rating
Wonderfully honest and refreshing
Very rarely do we see such an honest glimpse of depression, a hideous and insidious condition that affects a large part of the population. However, Matt Haig's self-help book crosses over into the memoir genre, in which he speaks about his journey through the depths of his anxiety.

It is brutal at times, especially when he speaks about contemplating suicide, but it is ultimately hopeful. Although not everything will resonate with everyone, the main factors are similar across the board, and it allows you to gain insight into other's experiences of the illness. A surprisingly good read.