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The Dream Thieves (The Raven Cycle, #2)
The Dream Thieves (The Raven Cycle, #2)
Maggie Stiefvater | 2013 | Science Fiction/Fantasy, Young Adult (YA)
8
7.8 (15 Ratings)
Book Rating
The Dream Thieves, the second book in The Raven Cycle series, was not what I expected. I assumed there would be a lot of romantic tensions between the characters (especially since that is so prevalent in these kinds of books) but there wasn't which was so refreshing!

I loved how the characters interacted and how their relationships evolved with the actions of the previous book. It was cool to see them all starting to grow into their own roles in their quest to find Glendower.

The first few chapters that the Grey Man narrated were jarring. I was not used to his voice, so it seemed very slow. They did become more interesting as we were given more information on him throughout the book.

One thing I wish was more obvious was the distinction between who is speaking as the narrator at any given time. They all have very similar voices, so just a bit more differentiation would make it easier to read, at least in my opinion.

I loved how we got more information about Ronan, his gift, and his background. (Spoilers ahead for the rest of the paragraph. You have been warned.) Also, I am giddy over how, though Ronan's sexuality is (finally) shown to be not straight, his entire character does not revolve around that! It is mentioned, and I assume is going to be explored more in the future books. I am so happy!

I am excited to see more of the magic and more of the background of the other characters and of Cabeswater itself. I want to see more of how Adam and Persephone will have their relationship grow and evolve with their newfound commonalities in their power.

I am super excited to be able to read the next book (but I have to buy it first, lol)!
  
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Robert Eggers recommended Mary Poppins (1964) in Movies (curated)

 
Mary Poppins (1964)
Mary Poppins (1964)
1964 | Classics, Comedy, Family

"Another movie that takes place in the Edwardian era, but in the country where Edward was actually reigning. It was an important movie for me as a kid and it continued to be something that I revisited again because it’s just good. Good storytelling, quite beautiful. You’ve got to love the matte paintings of the London rooftops. You’ve got to love a movie where a witch is your nanny. Obviously, no challenge to Dick van Dyke’s Australian Cockney accent, but his performance in that movie is really incredible. He is such a good physical comedian and when they’re in the chalk painting — which is also just lovely, the live action mix and the animation — he often has the same dance choreography as Julie Andrews. And he interprets it incredibly differently. It’s not that he can’t do them, it’s that he’s interpreting them in a different way, for humor, with his body type and so cleverly. It’s a movie where kids have power. They understand some things that their Edwardian dad doesn’t. And we use a Mary Poppins-esque weathervane shot in The Lighthouse. And then also, as much as it is a very, very satisfying narrative, the movie’s not without mystery. What is Mary Poppins’ backstory? What is her relationship with Bert? She creeps me out. Like when her reflection in the mirror keeps singing after her. The way she’s a little bit austere with the children and then the next minute she’s super cuddly, it is a little creepy. And then it just isn’t her, but when the kids get lost in East London, and there’s the dogs barking, and the old beggar woman who’s like, “Come here, children” or whatever. That was incredibly terrifying as a child."

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