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The Dialogues: Conversations About the Nature of the Universe
Frank Wilczek and Clifford V. Johnson
Book
Physicist Clifford Johnson thinks that we should have more conversations about science. Science...
Jesters_folly (230 KP) rated Super Sales on Super Heros in Books
Sep 12, 2020
The Super villains have taken over the city Felix lives in and are, in their own way doing a good job of running it.
Felix has his own super power, the ability to modify/repair/upgrade anything he owns, the only problem is it takes points for him to do anything and, even though they reset every midnight he never has enough points to anything major. This changes when Felix accidentally buys an almost dead super hero. As slavery is now legal the super hero is now his and Felix is surprised at how many points she gives him. Now Felix sets out to improve his life, but, can he do it with out being noticed. Or making enemy's.
Super Sales on Super Hero's was my first taste of litrpg and soon became one of my favourite books. Felix starts off as quite an understandable underdog and, even as he rises to become an overpowered hero, he find himself in situations where he can't do anything.
Being a 'LitRpg' book there are tables of stats, Felix can change anything or anyone he owns and these changes are represented by the characters stat sheets but these fit well into the narrative so don't pull you out of the story.
There is violence in this book and, although a lot of it is fantasy/superhero style fighting there is also gun battles and fist fights. It also touches on subjects such as slavery and harems.
Super Sales on Super Hero's is the first book of a trilogy and after that the story does continue (kind of) in two more books
Felix has his own super power, the ability to modify/repair/upgrade anything he owns, the only problem is it takes points for him to do anything and, even though they reset every midnight he never has enough points to anything major. This changes when Felix accidentally buys an almost dead super hero. As slavery is now legal the super hero is now his and Felix is surprised at how many points she gives him. Now Felix sets out to improve his life, but, can he do it with out being noticed. Or making enemy's.
Super Sales on Super Hero's was my first taste of litrpg and soon became one of my favourite books. Felix starts off as quite an understandable underdog and, even as he rises to become an overpowered hero, he find himself in situations where he can't do anything.
Being a 'LitRpg' book there are tables of stats, Felix can change anything or anyone he owns and these changes are represented by the characters stat sheets but these fit well into the narrative so don't pull you out of the story.
There is violence in this book and, although a lot of it is fantasy/superhero style fighting there is also gun battles and fist fights. It also touches on subjects such as slavery and harems.
Super Sales on Super Hero's is the first book of a trilogy and after that the story does continue (kind of) in two more books
LoganCrews (2861 KP) rated Daredevil (2003) in Movies
Sep 20, 2020
"𝘠𝘰𝘶 𝘬𝘪𝘭𝘭𝘦𝘥 𝘵𝘩𝘦 𝘰𝘯𝘭𝘺 𝘵𝘸𝘰 𝘱𝘦𝘰𝘱𝘭𝘦 𝘐'𝘷𝘦 𝘦𝘷𝘦𝘳 𝘭𝘰𝘷𝘦𝘥, 𝘸𝘩𝘺?"
"𝘉𝘶𝘴𝘪𝘯𝘦𝘴𝘴..."
*Director's cut*
Old proverb states: can a movie *truly* be bad with a Colin Farrell performance this fuckin' gonzo? Just as hokey as you remember, that playground fight is one of the worst things to make it through to pass in any superhero movie - and it's hilarious. Really funny when it tries to be, too though - for that matter. Overstuffed and contrived for sure but not too much more or less cartoonish than most of the stuff in the Raimi 𝘚𝘱𝘪𝘥𝘦𝘳-𝘔𝘢𝘯 movies, and this at least endearing market-tested clumsiness is - at the very least - twenty times more palatable than the intolerable formula market-testing in most of the Phase One/Three MCU flicks. This at least tries to have some fun, good humor, comic book replication, varied story beats, and a palpable edge beyond just its superficial emo-ness. I just can't help but smirk at the moon physics fight sequences or corny needledrops ("All this time I can't believe I couldn't see" with a lingering cut to Matt's eyes, come on man lmao). There's also a pretty rock solid backdrop in here about how most of the characters - good or bad - are motivated by greed or self-interest, so ultimately what we have to judge in the end is what's left when that wealth, pride, and/or power is unceremoniously stripped away from them. That final fight/scene with Kingpin is epic. Comes out much more sorta dorkily awkward as opposed to corporately sinister than it did in its day, because of what this has been replaced with and how immeasurably worse it is.
"𝘉𝘶𝘴𝘪𝘯𝘦𝘴𝘴..."
*Director's cut*
Old proverb states: can a movie *truly* be bad with a Colin Farrell performance this fuckin' gonzo? Just as hokey as you remember, that playground fight is one of the worst things to make it through to pass in any superhero movie - and it's hilarious. Really funny when it tries to be, too though - for that matter. Overstuffed and contrived for sure but not too much more or less cartoonish than most of the stuff in the Raimi 𝘚𝘱𝘪𝘥𝘦𝘳-𝘔𝘢𝘯 movies, and this at least endearing market-tested clumsiness is - at the very least - twenty times more palatable than the intolerable formula market-testing in most of the Phase One/Three MCU flicks. This at least tries to have some fun, good humor, comic book replication, varied story beats, and a palpable edge beyond just its superficial emo-ness. I just can't help but smirk at the moon physics fight sequences or corny needledrops ("All this time I can't believe I couldn't see" with a lingering cut to Matt's eyes, come on man lmao). There's also a pretty rock solid backdrop in here about how most of the characters - good or bad - are motivated by greed or self-interest, so ultimately what we have to judge in the end is what's left when that wealth, pride, and/or power is unceremoniously stripped away from them. That final fight/scene with Kingpin is epic. Comes out much more sorta dorkily awkward as opposed to corporately sinister than it did in its day, because of what this has been replaced with and how immeasurably worse it is.
3D Avatar Creator - BuddyPoke Emoji and Pictures
Social Networking and Utilities
App
Millions of users love BuddyPoke! "The BEST avatar app out there." "You can create all of your...
Merissa (11612 KP) rated Of Sea and Stone (Secrets of Itlantis #1) in Books
Apr 10, 2023
I won't give you a rundown of the story, you can get that from the synopsis. However, what I will say is that the author has done a simply amazing job with her characters. They are all incredibly 'life-like' and have their own temper tantrums and foibles. Aemi is real - she's not larger-than-life or superhero material. She's a girl in a hard situation that gets worse before it gets better. She has her doubts, her hopes, her fears and her dreams.
I have to say that amongst the characters you are supposed to like, there isn't one that I don't; all the characters that you are meant to dislike, I do. To be drawn into each and every character in such a way makes it wonderful for the reader. Yes, some readers might want to make their own minds up but for me, to be able to connect, like or dislike and empathise with the characters means that the author has done an amazing job of making them come alive for me.
The plot is well-written and well-paced. Questions are asked throughout the book and most of them get answered when the timing is right. There are still some questions left for the next book, By Sun and Saltwater. Aemi herself, Nol, Kit, Lyssia, Tob, Merelus, and Mella all have stories still (I hope!) to tell which I need to read.
Recommended to all Fantasy fans of any age.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
September 10, 2016
I have to say that amongst the characters you are supposed to like, there isn't one that I don't; all the characters that you are meant to dislike, I do. To be drawn into each and every character in such a way makes it wonderful for the reader. Yes, some readers might want to make their own minds up but for me, to be able to connect, like or dislike and empathise with the characters means that the author has done an amazing job of making them come alive for me.
The plot is well-written and well-paced. Questions are asked throughout the book and most of them get answered when the timing is right. There are still some questions left for the next book, By Sun and Saltwater. Aemi herself, Nol, Kit, Lyssia, Tob, Merelus, and Mella all have stories still (I hope!) to tell which I need to read.
Recommended to all Fantasy fans of any age.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
September 10, 2016
Merissa (11612 KP) rated Collar Me (My Kinky Housemate #3) by Colette Davison in Books
May 18, 2022 (Updated Jun 19, 2023)
COLLAR ME is the third book in the My Kinky Housemate series and definitely best read as part of the series, although you could read it as a standalone.
We've already met both Theo and Preston but now it's their time to shine. Preston swoops in like a superhero when Theo's trainer dumps him just before a show. Preston knows nothing about being a trainer but, for Theo, will do whatever it takes. Theo thinks the world of Preston but mistakenly thinks that Preston only sees him as a little brother. So hold onto your hats when Preston puts him straight!
I think I may have more than a handful of cavities after reading this one. They are cute/adorable/all the warm and fuzzy words. I would class this as low-angst as Theo does have to deal with some harassment but has the full support of Preston and his housemates. It's pretty clear who's doing it, but that isn't the main point. It is also hot, hot, hot! Theo's fantasy? Phew! Down, boy! And the thing I loved about it most of all is that it wasn't without 'issues'. Not that Theo seemed disappointed about more practice! Nor was Preston, for that matter.
I am loving this series. Hendrix is the house brat but he has a heart of gold. I can't wait for his story. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 13 2022
We've already met both Theo and Preston but now it's their time to shine. Preston swoops in like a superhero when Theo's trainer dumps him just before a show. Preston knows nothing about being a trainer but, for Theo, will do whatever it takes. Theo thinks the world of Preston but mistakenly thinks that Preston only sees him as a little brother. So hold onto your hats when Preston puts him straight!
I think I may have more than a handful of cavities after reading this one. They are cute/adorable/all the warm and fuzzy words. I would class this as low-angst as Theo does have to deal with some harassment but has the full support of Preston and his housemates. It's pretty clear who's doing it, but that isn't the main point. It is also hot, hot, hot! Theo's fantasy? Phew! Down, boy! And the thing I loved about it most of all is that it wasn't without 'issues'. Not that Theo seemed disappointed about more practice! Nor was Preston, for that matter.
I am loving this series. Hendrix is the house brat but he has a heart of gold. I can't wait for his story. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 13 2022
Gareth von Kallenbach (965 KP) rated The Green Hornet (2011) in Movies
Aug 7, 2019
The Green Hornet has appeared in books, a television series, and perhaps in its most famous form, as a radio series. Adapting a superhero to the big screen is not without its share of challenges. For every Batman and Spiderman that sets box office records there are several that fail miserably, such as Daredevil, Elektra, The Phantom, The Shadow, and the first Hulk movie.
When it was first announced that Seth Rogen would star as the title character many people were first skeptical that a chubby comedian would be able to pull off the part. While the Green Hornet is not as iconic as Batman, the casting did bring to mind the controversy of casting Michael Keaton as the Dark Knight for Tim Burton’s take on the Caped Crusader.
Further complicating matters were the delays and in the announcement that the film would be converted to 3-D in postproduction even though it was shot in 2-D. When the film failed to meet its anticipated holiday debut there were those that had wondered if the film would fail to meet even modest expectations as January certainly isn’t the time of year that action films, especially those based on a superhero, are released.
Thankfully the film is an extremely pleasant surprise that deftly mixes comedy and action with smart pacing in a winning formula. The film tells the story of Britt Reid (Rogen), the son of a wealthy newspaper owner who, despite his best efforts, always disappoints his father who never runs out of ways to criticize his only child. Britt, to his father’s dismay, has no ambition in his life and is content to live in the guesthouse of his father’s mansion, womanizing and embracing the party scene.
When his father dies unexpectedly, Britt is forced to take control of the newspaper, a job for which he is woefully unqualified. It is at this time that Britt meets Kato (Jay Chou), his father’s long-time employee, responsible for taking care of the elder Reid’s very impressive fleet of cars.
One evening in an act of rebellion against the benevolent image of his father, Britt and Kato intervene to stop a crime. Motivated by their success and by Kato’s amazing ability to invent technology and modify vehicles, as well as his superb martial arts abilities, the duo set out to make a name for themselves by taking on the city’s criminal element.
While it first appears that Britt sees this as just some grand adventure, he soon becomes dedicated to the cause and sets upon a path to use his newspaper to play up his newly created hero. The plan is to make the Green Hornet appear to be a bad guy when in reality he is fighting to end crime. The convoluted idea has some initial success despite Britt’s lack of fighting ability. Britt and Kato soon begin to make a name for themselves in the local underworld as well is dominate the media.
At this time a young assistant named Lenora case (Cameron Diaz), comes to work for Britt. Britt and Kato are both captivated by Lenora and use her knowledge of criminal psychology to detail their plan of action for their alter egos. While Britt and Kato are buoyed by their initial success they soon find themselves under the scrutiny of the local crime boss Chudnofsky (Christopher Waltz), an insecure criminal who believes people don’t think he is scary enough or stylish enough.
Finding them an annoyance, Chudnofsky decides to wage all-out war on the Green Hornet and Kato and will rest at nothing to see them dead. As if this was not bad enough, Britt and Kato find themselves in a jealous rivalry over Lenora as well as their roles. Britt sees himself as the real hero and Kato as merely his sidekick. Kato naturally takes umbrage with this being not only the one who develops all of their gadgets, including the awesome black beauty equipped with bulletproof glass, machine guns, rocket launcher and a flamethrower, but also the one with the amazing fighting skills.
What follows is a hilarious and action packed film that is one of the most satisfying action-buddy-comedies ever made. Rogen is in his element cleverly playing Britt as an everyman who, despite having all the advantages of wealth, is still very much a kid playing superhero who has to learn about the important things in life .
The action sequences are fresh and entertaining and both Rogen and Chao pull off their roles very convincingly. While the plot is not overly complex it serves its point and propels the characters along without getting bogged down or becoming too ridiculous. Director Michel Gondry keeps the film moving at a steady pace without overstaying its welcome and does not allow the action to overtake the characters.
The supporting cast is very strong and the only real issue I had with the film was the converted 3-D that was totally unnecessary and did little to enhance the film. Very few sequence appeared to benefit from it. That being said I had a fantastic time at this film and I surely hope that we’ll be seeing other films in the series in the not too distant future.
When it was first announced that Seth Rogen would star as the title character many people were first skeptical that a chubby comedian would be able to pull off the part. While the Green Hornet is not as iconic as Batman, the casting did bring to mind the controversy of casting Michael Keaton as the Dark Knight for Tim Burton’s take on the Caped Crusader.
Further complicating matters were the delays and in the announcement that the film would be converted to 3-D in postproduction even though it was shot in 2-D. When the film failed to meet its anticipated holiday debut there were those that had wondered if the film would fail to meet even modest expectations as January certainly isn’t the time of year that action films, especially those based on a superhero, are released.
Thankfully the film is an extremely pleasant surprise that deftly mixes comedy and action with smart pacing in a winning formula. The film tells the story of Britt Reid (Rogen), the son of a wealthy newspaper owner who, despite his best efforts, always disappoints his father who never runs out of ways to criticize his only child. Britt, to his father’s dismay, has no ambition in his life and is content to live in the guesthouse of his father’s mansion, womanizing and embracing the party scene.
When his father dies unexpectedly, Britt is forced to take control of the newspaper, a job for which he is woefully unqualified. It is at this time that Britt meets Kato (Jay Chou), his father’s long-time employee, responsible for taking care of the elder Reid’s very impressive fleet of cars.
One evening in an act of rebellion against the benevolent image of his father, Britt and Kato intervene to stop a crime. Motivated by their success and by Kato’s amazing ability to invent technology and modify vehicles, as well as his superb martial arts abilities, the duo set out to make a name for themselves by taking on the city’s criminal element.
While it first appears that Britt sees this as just some grand adventure, he soon becomes dedicated to the cause and sets upon a path to use his newspaper to play up his newly created hero. The plan is to make the Green Hornet appear to be a bad guy when in reality he is fighting to end crime. The convoluted idea has some initial success despite Britt’s lack of fighting ability. Britt and Kato soon begin to make a name for themselves in the local underworld as well is dominate the media.
At this time a young assistant named Lenora case (Cameron Diaz), comes to work for Britt. Britt and Kato are both captivated by Lenora and use her knowledge of criminal psychology to detail their plan of action for their alter egos. While Britt and Kato are buoyed by their initial success they soon find themselves under the scrutiny of the local crime boss Chudnofsky (Christopher Waltz), an insecure criminal who believes people don’t think he is scary enough or stylish enough.
Finding them an annoyance, Chudnofsky decides to wage all-out war on the Green Hornet and Kato and will rest at nothing to see them dead. As if this was not bad enough, Britt and Kato find themselves in a jealous rivalry over Lenora as well as their roles. Britt sees himself as the real hero and Kato as merely his sidekick. Kato naturally takes umbrage with this being not only the one who develops all of their gadgets, including the awesome black beauty equipped with bulletproof glass, machine guns, rocket launcher and a flamethrower, but also the one with the amazing fighting skills.
What follows is a hilarious and action packed film that is one of the most satisfying action-buddy-comedies ever made. Rogen is in his element cleverly playing Britt as an everyman who, despite having all the advantages of wealth, is still very much a kid playing superhero who has to learn about the important things in life .
The action sequences are fresh and entertaining and both Rogen and Chao pull off their roles very convincingly. While the plot is not overly complex it serves its point and propels the characters along without getting bogged down or becoming too ridiculous. Director Michel Gondry keeps the film moving at a steady pace without overstaying its welcome and does not allow the action to overtake the characters.
The supporting cast is very strong and the only real issue I had with the film was the converted 3-D that was totally unnecessary and did little to enhance the film. Very few sequence appeared to benefit from it. That being said I had a fantastic time at this film and I surely hope that we’ll be seeing other films in the series in the not too distant future.
Emma @ The Movies (1786 KP) rated Aquaman (2018) in Movies
Sep 25, 2019
Straight out of the blocks I want to say that there's excellent fluffy in the shape of a golden retriever puppy, and we also get some brilliant chompers in the form of an army of sharks... and you know how I feel about sharks.
The other thing I want to say, and I'm sorry in advance for the fact that it might annoy you if you haven't been to see it yet, but every wistful shot of the sky over the ocean seems to look like the Free Willy poster shot. Not even kidding. It was the first thing I thought when I saw it. Right there >>> they might have just photoshopped it in, I really don't know.
But I'm getting away from the reason I'm doing this... Aquaman.
I'm please to say that (as you can see from my rating) I thoroughly enjoyed this film. DC have really managed to pull it back. I was a firm believer that it was DC TV and Marvel films that were the winners, when they went off and tried the other side it wasn't such a success for either of them. DC seem to have found the magic formula though and hot on the trail of Wonder Woman and Justice League this feels like a real winner.
Yes I enjoyed Justice League, we're not going to argue about it now!
The attention to detail in the effects is impressive. You just have to look at all the minute details in the reflections on the glass to see that. We're also treated to a lot of ocean scenery that I'm sure you could comb over for hours and still not spot everything hidden in there.
There are moments where the effects become a little iffy though. The tremendous scene where Aquaman and Mera are being chased over roof tops for example. We get wide shots that leave little room to scrimp on the effort and they look visually stunning. At the same time though one of the bad guys is chasing Mera by running through the buildings below her and the graphics on him just don't hold the same impact at all.
Aquaman's underwater scenes actually didn't look a lot different than any normal film apart from the fact that everyone tends to be hovering in mid air/water with ballet pose toes. But just for a minute let us talk about the hair and the capes. Both floaty things in water. Both awful to look at on screen. It's bizarrely unnatural and really sticks out like a sore thumb from the first time you see it. At least it's not something that all the characters had, some of them had their hair tied back, and then they've got some kind of underwater hair gel (they could market that really well on land), both of those options gave scenes a little less distraction.
The first action sequence we get with Aquaman in the sub has some amazing camera work in it. We turn and flip with the characters following the motion of the body as it's being tossed around by our hero. It makes for an exciting scene, it's honestly not something I remember seeing in other films. This sequence also had a rather impressive use of a doorway as a lethal weapon.
While Aquaman is definitely a light-hearted superhero movie it does have it's deep moments. (And I'm not just talking about the ocean... no? Fine! No ridiculous jokes.) Manta and his father have a particularly moving moment that I wasn't expecting at all, Yahya Abdul-Mateen II and Michael Beach work so well together in that scene that it was a real shame it was over so quickly. Jason Momoa also gets some great speeches throughout the film, but in his case they are taken away from him at the last moment. I get it, he's an edgy no nonsense kind of a character that says it like it is. But let him just have one speech where he doesn't ruin it at the end by calling someone a dick.
Now I'll admit that it didn't hurt that this movie had some very attractive people in it that were wet a lot of the time... you know you were thinking it too! I do however want to call them out on their Bond-esque emerging from the water scene... it didn't work, find your own niche.
I'm honestly amazed at how many notes I wrote, I've got so many thing I want to talk about but honestly we'd be here all day so I'm just going to highlight the rest for your free interpretation: superhero landings, power slides, "little baby oceans", drumming octopus, killer narwhals?, bar montage, Ant-Man And The Wasp rip off credits, rip off Bifrost, stop pollution the oceans it's pissing off the Atlantians. Oh, and Julie Andrews was in it!
What you should do
This is a very good superhero movie. There's love, there's action, there's friendship, and more importantly they have a cute dog. You should definitely see it.
Movie thing you wish you could take home
I do love the water, so some Atlantian superpowers wouldn't go amiss. There's no way I currently look that graceful in the water.
The other thing I want to say, and I'm sorry in advance for the fact that it might annoy you if you haven't been to see it yet, but every wistful shot of the sky over the ocean seems to look like the Free Willy poster shot. Not even kidding. It was the first thing I thought when I saw it. Right there >>> they might have just photoshopped it in, I really don't know.
But I'm getting away from the reason I'm doing this... Aquaman.
I'm please to say that (as you can see from my rating) I thoroughly enjoyed this film. DC have really managed to pull it back. I was a firm believer that it was DC TV and Marvel films that were the winners, when they went off and tried the other side it wasn't such a success for either of them. DC seem to have found the magic formula though and hot on the trail of Wonder Woman and Justice League this feels like a real winner.
Yes I enjoyed Justice League, we're not going to argue about it now!
The attention to detail in the effects is impressive. You just have to look at all the minute details in the reflections on the glass to see that. We're also treated to a lot of ocean scenery that I'm sure you could comb over for hours and still not spot everything hidden in there.
There are moments where the effects become a little iffy though. The tremendous scene where Aquaman and Mera are being chased over roof tops for example. We get wide shots that leave little room to scrimp on the effort and they look visually stunning. At the same time though one of the bad guys is chasing Mera by running through the buildings below her and the graphics on him just don't hold the same impact at all.
Aquaman's underwater scenes actually didn't look a lot different than any normal film apart from the fact that everyone tends to be hovering in mid air/water with ballet pose toes. But just for a minute let us talk about the hair and the capes. Both floaty things in water. Both awful to look at on screen. It's bizarrely unnatural and really sticks out like a sore thumb from the first time you see it. At least it's not something that all the characters had, some of them had their hair tied back, and then they've got some kind of underwater hair gel (they could market that really well on land), both of those options gave scenes a little less distraction.
The first action sequence we get with Aquaman in the sub has some amazing camera work in it. We turn and flip with the characters following the motion of the body as it's being tossed around by our hero. It makes for an exciting scene, it's honestly not something I remember seeing in other films. This sequence also had a rather impressive use of a doorway as a lethal weapon.
While Aquaman is definitely a light-hearted superhero movie it does have it's deep moments. (And I'm not just talking about the ocean... no? Fine! No ridiculous jokes.) Manta and his father have a particularly moving moment that I wasn't expecting at all, Yahya Abdul-Mateen II and Michael Beach work so well together in that scene that it was a real shame it was over so quickly. Jason Momoa also gets some great speeches throughout the film, but in his case they are taken away from him at the last moment. I get it, he's an edgy no nonsense kind of a character that says it like it is. But let him just have one speech where he doesn't ruin it at the end by calling someone a dick.
Now I'll admit that it didn't hurt that this movie had some very attractive people in it that were wet a lot of the time... you know you were thinking it too! I do however want to call them out on their Bond-esque emerging from the water scene... it didn't work, find your own niche.
I'm honestly amazed at how many notes I wrote, I've got so many thing I want to talk about but honestly we'd be here all day so I'm just going to highlight the rest for your free interpretation: superhero landings, power slides, "little baby oceans", drumming octopus, killer narwhals?, bar montage, Ant-Man And The Wasp rip off credits, rip off Bifrost, stop pollution the oceans it's pissing off the Atlantians. Oh, and Julie Andrews was in it!
What you should do
This is a very good superhero movie. There's love, there's action, there's friendship, and more importantly they have a cute dog. You should definitely see it.
Movie thing you wish you could take home
I do love the water, so some Atlantian superpowers wouldn't go amiss. There's no way I currently look that graceful in the water.
Bob Mann (459 KP) rated Logan (2017) in Movies
Sep 29, 2021
“When the man comes around”
At last – a superhero movie with real heart… (and not just the chunks over the knuckle blades!). Logan is a bit of a revelation. I was reluctant to go and see it, since a) I’m a lukewarm X-Men fan at best and b) I hadn’t seen either of the previous two Wolverine spin-off films. (Seeing the other Wolverine films, by the way, is not a pre-requisite for enjoying this one). After a long day at work, my choice was “Logan” or “Kong: Skull Island”. I voted for this one, and I’m so glad I did.
It’s now 2029. Hugh Jackman plays Wolverine, but this is not a Wolverine we have seen before. This is an aged and deteriorating superhero: his self-healing powers are waning; a limp is developing; and his fighting prowess (although still legendary) doesn’t show the stamina it once did. This is a Wolverine that is also an unlikely carer, looking after a mentally degenerating Professor Xavier (Patrick Stewart), now 90 years old and finding it increasingly difficult to keep his devastating mental superpowers under control. This is a Wolverine trying desperately to avoid the limelight, working diligently as a limo-driver in an effort to save money for the dream of buying a ‘Sunseeker’ and sailing off with Xavier into the sunset, gaining true anonymity among the boating fraternity.
Life doesn’t play ball though. A brutal encounter with a gang on the highway outside El Paso advertises Wolverine’s presence and brings him into contact with a strange eleven-year-old girl (Dafne Keen) with impressive powers of her own. The girl is being pursued by a “reiver” (Boyd Holbrook, “Run all Night”) supported by a small private army. Against his will, Wolverine is forced into a memorable road trip with the old man and the young girl that leaves a trail of bloodied bodies behind them.
For, be warned, this is an *extremely* violent film, with much dismemberment and ‘blade work’ that must have kept the prosthetics department busy for months. It’s also quite emotionally brutal, particularly within a central segment set in a “Field of Dreams” style idyll (featuring Eriq La Salle from E.R.) that you know in your gut is not going to end with “Goodnight John Boy” pleasantries.
The well-choreographed and frenetic action within the road-trip segment reminded me at times of the harsh cinematography and dynamics of “Mad Max: Fury Road” – a great compliment.
But the film also takes time to pause, in uncharacteristic Marvel-ways, for character development and genuinely intelligent dialogue. These interludes allow the acting to shine, and it is first-rate. We all know (from “Les Miserables” for instance) that Hugh Jackman can act, but this is arguably his best-ever performance: a meaty role (he actually has two in the film) that affords him tremendous range and emotion. At one point towards the end of the film I thought “this has genuine Oscar show-reel potential”. He will surely never get nominated – a Marvel film? Get Away! But wouldn’t it make a refreshing change if he was? Recognizing good acting, regardless of the context.
Patrick Stewart is a great Shakespearean actor, and here he also gets given full rein to impress as he hasn’t had chance to in most of his movie roles to date.
Claiming the prize so far this year for the most unusual casting decision is Stephen Merchant as the albino helper Caliban, unrecognizable to me at first until he had some lengthy dialogue to flex his Bristol accent on! A non-comic and dramatic role, Merchant does really well with it.
Finally, I can’t leave the acting without doffing my cap to young Dafne Keen whose mesmerising feral stare would probably put the fear of God into every parent of a pre-teen girl! Even though she has only a handful of lines, this is an impressive feature film debut. I predict we will see much more of this young lady.
Less convincing to me was Richard E Grant as the evil mastermind behind the scheme, who never quite seemed nasty enough to me to be believable: in one scene he could be calling back a dog that’s run off down the beach rather than desperately trying to gain control of an out of control situation!
Directed by James Mangold (“Walk the Line”, “Knight and Day”), who co-wrote the piece with Scott Frank (“Minority Report”) and Michael Green (“Green Lantern”… yes, really!), this was a gritty and well constructed movie. If you can stomach the gore and the body count (I would see it as very lucky to have got away with its UK ’15’ certificate) this is a rollercoaster of a movie that is recommended.
By the way, to save you from sitting through the end titles (although you do get a Johnny Cash classic to enjoy) there is no “monkey” at the end of this Marvel film. (I’m no stranger to still be sitting there as the lights come up… but many of the crowd that were left looked vaguely embarrassed!)
In terms of my rating, I’m not a fanboy for Marvel or DC properties, but here I award a rating I have only previously bestowed on two superhero films before: the quirky “Ant Man” and the anarchic “Deadpool“….
It’s now 2029. Hugh Jackman plays Wolverine, but this is not a Wolverine we have seen before. This is an aged and deteriorating superhero: his self-healing powers are waning; a limp is developing; and his fighting prowess (although still legendary) doesn’t show the stamina it once did. This is a Wolverine that is also an unlikely carer, looking after a mentally degenerating Professor Xavier (Patrick Stewart), now 90 years old and finding it increasingly difficult to keep his devastating mental superpowers under control. This is a Wolverine trying desperately to avoid the limelight, working diligently as a limo-driver in an effort to save money for the dream of buying a ‘Sunseeker’ and sailing off with Xavier into the sunset, gaining true anonymity among the boating fraternity.
Life doesn’t play ball though. A brutal encounter with a gang on the highway outside El Paso advertises Wolverine’s presence and brings him into contact with a strange eleven-year-old girl (Dafne Keen) with impressive powers of her own. The girl is being pursued by a “reiver” (Boyd Holbrook, “Run all Night”) supported by a small private army. Against his will, Wolverine is forced into a memorable road trip with the old man and the young girl that leaves a trail of bloodied bodies behind them.
For, be warned, this is an *extremely* violent film, with much dismemberment and ‘blade work’ that must have kept the prosthetics department busy for months. It’s also quite emotionally brutal, particularly within a central segment set in a “Field of Dreams” style idyll (featuring Eriq La Salle from E.R.) that you know in your gut is not going to end with “Goodnight John Boy” pleasantries.
The well-choreographed and frenetic action within the road-trip segment reminded me at times of the harsh cinematography and dynamics of “Mad Max: Fury Road” – a great compliment.
But the film also takes time to pause, in uncharacteristic Marvel-ways, for character development and genuinely intelligent dialogue. These interludes allow the acting to shine, and it is first-rate. We all know (from “Les Miserables” for instance) that Hugh Jackman can act, but this is arguably his best-ever performance: a meaty role (he actually has two in the film) that affords him tremendous range and emotion. At one point towards the end of the film I thought “this has genuine Oscar show-reel potential”. He will surely never get nominated – a Marvel film? Get Away! But wouldn’t it make a refreshing change if he was? Recognizing good acting, regardless of the context.
Patrick Stewart is a great Shakespearean actor, and here he also gets given full rein to impress as he hasn’t had chance to in most of his movie roles to date.
Claiming the prize so far this year for the most unusual casting decision is Stephen Merchant as the albino helper Caliban, unrecognizable to me at first until he had some lengthy dialogue to flex his Bristol accent on! A non-comic and dramatic role, Merchant does really well with it.
Finally, I can’t leave the acting without doffing my cap to young Dafne Keen whose mesmerising feral stare would probably put the fear of God into every parent of a pre-teen girl! Even though she has only a handful of lines, this is an impressive feature film debut. I predict we will see much more of this young lady.
Less convincing to me was Richard E Grant as the evil mastermind behind the scheme, who never quite seemed nasty enough to me to be believable: in one scene he could be calling back a dog that’s run off down the beach rather than desperately trying to gain control of an out of control situation!
Directed by James Mangold (“Walk the Line”, “Knight and Day”), who co-wrote the piece with Scott Frank (“Minority Report”) and Michael Green (“Green Lantern”… yes, really!), this was a gritty and well constructed movie. If you can stomach the gore and the body count (I would see it as very lucky to have got away with its UK ’15’ certificate) this is a rollercoaster of a movie that is recommended.
By the way, to save you from sitting through the end titles (although you do get a Johnny Cash classic to enjoy) there is no “monkey” at the end of this Marvel film. (I’m no stranger to still be sitting there as the lights come up… but many of the crowd that were left looked vaguely embarrassed!)
In terms of my rating, I’m not a fanboy for Marvel or DC properties, but here I award a rating I have only previously bestowed on two superhero films before: the quirky “Ant Man” and the anarchic “Deadpool“….
Ross (3282 KP) rated Captain Marvel (2019) in Movies
Mar 11, 2019
Great, exciting fun and so much more than an origin film
I think Marvel have finally nailed an origin story. Lord knows they've had plenty of shots at it, but have finally delivered one that also works as a film in its own right.
We join Vers as she travels with her Kree companions doing their bit against the evil Skrull forces. She doesn't seem to know much of her own past and over the two hours she gradually pieces things together. We are treated to hints and teasers and but by bit they are all tied together to tell a twisting and turning tale of war, good vs evil, propaganda, power and self belief, all wrapped up with some science-y stuff.
I wouldn't say the plot is perfect but made a good attempt at it and it all hangs together. We are even treated to an old school Mar-vell character (albeit as a female rather than the cringey 60s negative zone-dweller).
There is humour galore and Sam Jackson gets the majority of the laughs, mainly through his interaction with Goose the cat (CHEWIE DAMMIT!). Brie Larson is somewhat po-faced and serious throughout but still a believable superhero (and if she is set to replace Captain America as head of the Avengers it makes sense if she isn't all that entertaining in her own right!).
There is a good, female-dominated soundtrack for the majority of the film (Garbage, Sheryl Crow, TLC, Hole etc).
A fun film and a good backstory for someone set to be a big deal in the next MCU release.
We join Vers as she travels with her Kree companions doing their bit against the evil Skrull forces. She doesn't seem to know much of her own past and over the two hours she gradually pieces things together. We are treated to hints and teasers and but by bit they are all tied together to tell a twisting and turning tale of war, good vs evil, propaganda, power and self belief, all wrapped up with some science-y stuff.
I wouldn't say the plot is perfect but made a good attempt at it and it all hangs together. We are even treated to an old school Mar-vell character (albeit as a female rather than the cringey 60s negative zone-dweller).
There is humour galore and Sam Jackson gets the majority of the laughs, mainly through his interaction with Goose the cat (CHEWIE DAMMIT!). Brie Larson is somewhat po-faced and serious throughout but still a believable superhero (and if she is set to replace Captain America as head of the Avengers it makes sense if she isn't all that entertaining in her own right!).
There is a good, female-dominated soundtrack for the majority of the film (Garbage, Sheryl Crow, TLC, Hole etc).
A fun film and a good backstory for someone set to be a big deal in the next MCU release.
