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David McK (3245 KP) rated Captain Marvel (2019) in Movies
Mar 29, 2019 (Updated Apr 24, 2022)
<<updated review>
'The as-yet-to-be-released Avenger: Endgame was released a few years ago now!
<original review below>
The first female- led Marvel movie, released between the events of Infinity War and the as-yet-to-be-released Avengers:Endgame, this introduces us to the character that Nick Fury was paging just before he dusted at the very end (after credits) of Infinity War.
ThIs is set during the 90s, and has Brie Larson's Carol Danvers rediscovering her identity (I'll admit, I was a bit confused what was going on during the start of it) alongside Samuel L Jacksons Nick Fury, who is given more to do here than in any other Marvel movie to date (including Winter Soldier).
I will admit to thinking that, by the end of the movie, Captain Marvel is just a tad overpowered: effectively, the Marvel equivalent of Superman
'The as-yet-to-be-released Avenger: Endgame was released a few years ago now!
<original review below>
The first female- led Marvel movie, released between the events of Infinity War and the as-yet-to-be-released Avengers:Endgame, this introduces us to the character that Nick Fury was paging just before he dusted at the very end (after credits) of Infinity War.
ThIs is set during the 90s, and has Brie Larson's Carol Danvers rediscovering her identity (I'll admit, I was a bit confused what was going on during the start of it) alongside Samuel L Jacksons Nick Fury, who is given more to do here than in any other Marvel movie to date (including Winter Soldier).
I will admit to thinking that, by the end of the movie, Captain Marvel is just a tad overpowered: effectively, the Marvel equivalent of Superman
Nick Friesen (96 KP) rated Wonder Woman (2017) in Movies
Jul 11, 2017
Strong female characters (3 more)
Love Interest without a "damsel in distress"
Not too dark, and not too happy either
The most cohesive DCEU film to date
A Triumph for Women Everywhere (and the DCEU)
Gal Gadot is perfect. She kicks ass and looks great doing it, dominating every frame she inhabits. Thanks to Patty Jenkin's guiding hand, Gadot's iteration of Wonder Woman does so without becoming yet another one-dimensional sex symbol. The movie itself is the most cohesive and fun segment the DCEU has offered yet. Free of the glowering and overbearing lens Zack Snyder has placed over Superman and Batman, Wonder Woman touches on themes of hope and discovered humanity that were yet to be seen in DC's fledgling movie universe. Even if the story is a little basic, and a little reminiscent of Captain America: The First Avenger, it stands on its own two feet and puts up a good fight for two hours and twenty minutes.
Annie Chanse (15 KP) rated Fallout: Lois Lane in Books
May 25, 2018
I LOVE this book.
I absolutely loved this book. I read an uncorrected proof copy, so there were a few errors, but I am sure those will be fixed before actual publication. But the book was AMAZING. Lois Lane is and always has been one of my greatest heroes. And this book definitely did the teenage Lois justice. In fact, she is pretty perfect. I also love how the author incorporates Clark Kent into the story in such a way that he is important to the story, but he is still secondary to Lane's character. A lot of times, trying to write a story told from the point of view of another character from a story as popular as the Superman mythos, the central character being written about loses her voice in favor of the more well-known hero. Not the case in this novel. I loved it. It was perfect. I hope DESPERATELY that the author continues to write more Lois Lane books in this fashion.
Mike Carlson (115 KP) rated Batman and Robin: Volume 2: Pearl in Books
Mar 18, 2018
Damian's second step.
Having read Tomasi's Superman Rebirth and now this New 52 title, I am really impressed on his grip and development of the 2 most iconic DC families. Unlike the Kent's, though, this is interesting as a single parent vigilante scenario.
I like Damian as a character. His relationship with his father gets fleshed out throughout this series, with both of their doubts and fears about each other fully realized and explored. This book covers how Damian was raised by Talia al Ghul and has him in a Court of Owls tie-in story. There's a 3 part arc with villain Terminus that deals with sibling rivalry among the Robins. It ends with a 2 parter that seems like a relapse for Damian. The beauty is that these individual stories contain a subtle story arc amongst them...one which culminates in a touching moment at the end.
I like Damian as a character. His relationship with his father gets fleshed out throughout this series, with both of their doubts and fears about each other fully realized and explored. This book covers how Damian was raised by Talia al Ghul and has him in a Court of Owls tie-in story. There's a 3 part arc with villain Terminus that deals with sibling rivalry among the Robins. It ends with a 2 parter that seems like a relapse for Damian. The beauty is that these individual stories contain a subtle story arc amongst them...one which culminates in a touching moment at the end.
David McK (3245 KP) rated The Death of Superman (The Death and Return of Superman, #1) in Books
Jan 30, 2019
Superman dies
It doesn't hold.
Back in the early 90s, I remember one comic book,in particular, that made the headlines, when DC decided to take what was then a massive risk and kill off one of their lead characters.
This was in the days, of course, before that trick became 'old hat; before the comic industry kept killing off and bringing back to life their leads.
Reading it now, even if the plot isn't that strong (who is Doomsday? Where has he come from? What does he want? Why was it the the Justice League of Americas B-team that went out to face him and got taken apart?), it's interesting to see how the medium has moved on: in particular (mostly) away for the lurid brightly coloured panels of this comic.
I have to say, as well, if you thought the devastation of Metropolis at the end of the recent(ish) 'Man of Steel' movie was bad, read this ...
It doesn't hold.
Back in the early 90s, I remember one comic book,in particular, that made the headlines, when DC decided to take what was then a massive risk and kill off one of their lead characters.
This was in the days, of course, before that trick became 'old hat; before the comic industry kept killing off and bringing back to life their leads.
Reading it now, even if the plot isn't that strong (who is Doomsday? Where has he come from? What does he want? Why was it the the Justice League of Americas B-team that went out to face him and got taken apart?), it's interesting to see how the medium has moved on: in particular (mostly) away for the lurid brightly coloured panels of this comic.
I have to say, as well, if you thought the devastation of Metropolis at the end of the recent(ish) 'Man of Steel' movie was bad, read this ...
Lee KM Pallatina (951 KP) rated Hercules (1997) in Movies
Aug 10, 2019
Zero to Hero
Contains spoilers, click to show
Disney's take on the Greek mythological Hero.
Hercules (Tate Donovan), son of Zeus, was kidnapped as a baby by minions of Hades (James Woods) and is found and raised by mortals in a superman-esque kinda way.
Now a teenager, Hercules wants to know about his real parents. Along the way he needs to perform a rite of passage on Earth to prove himself worthy of living with the gods on Mount Olympus and dealing with his first true love With help from his plucky satyr sidekick, Philoctetes (Danny DeVito), who's along for the ride, Hercules must learn how to use his strength to become the hero he's needed to be.
This movie is very light hearted and has an array of characters you can appreciate, many vibrant colours manage to draw you in, great dialogue and banter between characters with a meaningful story.
My personal favourite Disney animation.
Hercules (Tate Donovan), son of Zeus, was kidnapped as a baby by minions of Hades (James Woods) and is found and raised by mortals in a superman-esque kinda way.
Now a teenager, Hercules wants to know about his real parents. Along the way he needs to perform a rite of passage on Earth to prove himself worthy of living with the gods on Mount Olympus and dealing with his first true love With help from his plucky satyr sidekick, Philoctetes (Danny DeVito), who's along for the ride, Hercules must learn how to use his strength to become the hero he's needed to be.
This movie is very light hearted and has an array of characters you can appreciate, many vibrant colours manage to draw you in, great dialogue and banter between characters with a meaningful story.
My personal favourite Disney animation.
Joey Santiago recommended Donovan's Greatest Hits by Donovan in Music (curated)
Andy K (10821 KP) created a post
Jan 1, 2021
David McK (3245 KP) rated The Matrix Reloaded (2003) in Movies
Sep 20, 2020
2003 was billed as the year of the Matrix, with this film, the Animatrix manga, the computer game 'Enter the Matrix' and The Matrix Revolutions all released within the span of that single year.
Most of which, nearly 20 years later, have largely been forgotten, with 'the Matrix sequels' almost becoming a by word for disappointing sequels.
Re-watching this back, it's actually not all bad: yes, there is an element of truth in the charge that this mid entry is over pretentious - especially in The Architect scenes - and that Niobe/Ghost scenes largely exist only to tie into the computer games - but there is also plenty to enjoy here - this is the film that has the 'burly brawl', the Merovingian chateau fight scene, the freeway chase and Neo going full-on Superman!
(And, yes, I used to think that, at the end, they were still in The Matrix, until Revolutions came out)
Most of which, nearly 20 years later, have largely been forgotten, with 'the Matrix sequels' almost becoming a by word for disappointing sequels.
Re-watching this back, it's actually not all bad: yes, there is an element of truth in the charge that this mid entry is over pretentious - especially in The Architect scenes - and that Niobe/Ghost scenes largely exist only to tie into the computer games - but there is also plenty to enjoy here - this is the film that has the 'burly brawl', the Merovingian chateau fight scene, the freeway chase and Neo going full-on Superman!
(And, yes, I used to think that, at the end, they were still in The Matrix, until Revolutions came out)
Lee (2222 KP) rated Brightburn (2019) in Movies
Jun 11, 2019
What if Clark Kent grew up to be evil? What if, instead of growing up to be this all powerful protector of Earth and humanity, he decided he wanted to take the world, cruelly toying with and destroying humanity in the process? That's the premise behind Brightburn, a superhero horror movie from producer James Gunn, of Guardians of the Galaxy fame. Comic books are littered with plenty of 'what if' story-lines and alternate takes on popular superheroes, but up until now probably the most famous onscreen version of an evil Superman we've seen was in Superman III. And even then we only really got a drunk, unshaven, but still family friendly Superman, who felt a bit mischievous and blew out the Olympic torch for a bit of a laugh. Brightburn goes a lot darker, leaning heavily into horror with some wonderful, wince-inducing gory moments. If you're looking for Dark Phoenix levels of dark - moody, crying in the corner, that kind of thing - then you're going to be disappointed.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.