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David McK (3194 KP) rated Superman: Red Son in Books
Jan 28, 2019
"For Truth, Justice ... and the Soviet Way"
I must admit, this has an intriguing premise: what if the spacecraft carrying the infant Kal-L crash-landed in Russia, instead of in rural USA?
What if, in other words, Clark Kent had been brought up in a Communist society instead on in a Democratic one?
Reading that, you might think that Mark Millar would go down the route of making Superman and out-and-out villain, but that's not the route he chose. Instead, we still have a Superman who is doing what he believes to be the 'right thing': the only difference is in his view of just what that is.
You also might think that the story might concentrate on his upbringing. That, however, is barely touched upon with the story starting roughly 30 years after his arrival just as he comes onto the world scene. It also has Superman and other major characters interacting with actual historical characters such as Stalin or J.F.K., alongside showing his (Superman's) own-going battles with Lex Luthor, and also brings in other comic-book characters such as Wonder Woman, Batman, Brainiac and Hal Jordan.
I have to say, also, that I didn't see *that* link at the very end coming ...
I must admit, this has an intriguing premise: what if the spacecraft carrying the infant Kal-L crash-landed in Russia, instead of in rural USA?
What if, in other words, Clark Kent had been brought up in a Communist society instead on in a Democratic one?
Reading that, you might think that Mark Millar would go down the route of making Superman and out-and-out villain, but that's not the route he chose. Instead, we still have a Superman who is doing what he believes to be the 'right thing': the only difference is in his view of just what that is.
You also might think that the story might concentrate on his upbringing. That, however, is barely touched upon with the story starting roughly 30 years after his arrival just as he comes onto the world scene. It also has Superman and other major characters interacting with actual historical characters such as Stalin or J.F.K., alongside showing his (Superman's) own-going battles with Lex Luthor, and also brings in other comic-book characters such as Wonder Woman, Batman, Brainiac and Hal Jordan.
I have to say, also, that I didn't see *that* link at the very end coming ...
Andy K (10821 KP) rated Superman (1978) in Movies
Dec 22, 2018
Gets better every time I watch!
After purchasing the new 4K edition of the original Donner classic, I had to rush right home and watch it immediately!
Having seen this film way too many times, it is impossible for me to be objective I have discovered. I can look past the film's faults and just enjoy the countless classic scenes which are still imitated in superhero films of today.
The cast is what makes the films special including Christopher Reeeve, Margot Kidder, Gene Hackman and even Marlon Brando.
It is too bad history never got to see a Superman II directed by Richard Donner. Who knows what that would've been. I'm sure it would have been amazing.
If you have ever seen the "made for TV" version, there is a LOT of additional footage there a lot of which is really good including the sequence near the end where Superman has to make his way underground to find Luthor's lair.
Reflecting on Superman now really shows me I remember it being epic as a kid and still leaves me in wonder as an adult. Very films can still do that.
And LOVE those opening credits... (bring back opening credits)
Having seen this film way too many times, it is impossible for me to be objective I have discovered. I can look past the film's faults and just enjoy the countless classic scenes which are still imitated in superhero films of today.
The cast is what makes the films special including Christopher Reeeve, Margot Kidder, Gene Hackman and even Marlon Brando.
It is too bad history never got to see a Superman II directed by Richard Donner. Who knows what that would've been. I'm sure it would have been amazing.
If you have ever seen the "made for TV" version, there is a LOT of additional footage there a lot of which is really good including the sequence near the end where Superman has to make his way underground to find Luthor's lair.
Reflecting on Superman now really shows me I remember it being epic as a kid and still leaves me in wonder as an adult. Very films can still do that.
And LOVE those opening credits... (bring back opening credits)
J.A. Bayona recommended Superman (1978) in Movies (curated)
David McK (3194 KP) rated Superman II (1981) in Movies
Mar 11, 2023
KNEEL BEFORE ZOD!
Straight sequel (as in, referencing the events of the first and building on it) to the 1978 Christopher Reeve original, and there's a reason why this, for many, is held up as one of the best Superhero sequels (and Reeves as one of the best actors to portray Clarke Kent/Superman).
This is the one with (Terence Stamps version of) Zod and his fellow Krypotonian criminals - exiled to the Phantom Zone during the start of the first movie - released from captivity by an explosion in space and landing on earth to rule, just as Lois (finally) uncovers Clarke's real identity and travels with him to his Fortress of Solitude (the ramifications of which are felt in 206's Superman Returns) where he makes the decision to give up his powers and live as a mortal.
Things being what they are, this is a decision he comes to regret and has to travel back - alone - to regain his powers in order to defeat Zod and co, leading to a climactic battle in Metropolis and - later - back at that fortress of solititude.
You do have to wonder, though, how come Superman has powers here never seen or heard of again ...
This is the one with (Terence Stamps version of) Zod and his fellow Krypotonian criminals - exiled to the Phantom Zone during the start of the first movie - released from captivity by an explosion in space and landing on earth to rule, just as Lois (finally) uncovers Clarke's real identity and travels with him to his Fortress of Solitude (the ramifications of which are felt in 206's Superman Returns) where he makes the decision to give up his powers and live as a mortal.
Things being what they are, this is a decision he comes to regret and has to travel back - alone - to regain his powers in order to defeat Zod and co, leading to a climactic battle in Metropolis and - later - back at that fortress of solititude.
You do have to wonder, though, how come Superman has powers here never seen or heard of again ...
Ian (1 KP) rated Superman Returns (2006) in Movies
Mar 2, 2018
The reason I scored this movie so high is as an avid fan I saw so much potential for Brandon as Superman. The first quarter and last quarter of the movie was action packed and amazing. However this movie was let down during the middle half. It ruined the flow of the movie. Overall I did genuinely love this movie.
Matthew Krueger (10051 KP) rated Batman: The Dark Knight Returns, Part 1 (2012) in Movies
Oct 11, 2019 (Updated Oct 11, 2019)
Part 1
Heavy hitting, violent, trauma, and more. This part of the film is really good. Part 2 not so much.
The Plot: Batman comes out of retirement and gets help from a teenage sidekick. He faces off against the Joker and Two-Face before a battle to the death begins against Superman.
It is also pg-13, so that is a plus.
The Plot: Batman comes out of retirement and gets help from a teenage sidekick. He faces off against the Joker and Two-Face before a battle to the death begins against Superman.
It is also pg-13, so that is a plus.
David McK (3194 KP) rated Superman and Lois in TV
Apr 10, 2022
I don't know about you, but when I think of Superman I tend to think of his Clark Kent early Daily Planet days, back when he was a reporter and when Lois didn't know his alter-ego.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.
David McK (3194 KP) rated All Star Superman in Books
Jan 28, 2019
While I initially thought that this was going to be a self-contained story in its own right, upon having read it I now think that this is instead a compilation of a (roughly) 12 issue long comic run.
Some of the episodes, I felt, were far superior to others: in some (perhaps more than I was comfortable with), I didn't really follow what was happening.
There is an over-arching plot throughout the entire series, with Superman 'overpowering' himself with solar radiation in the opening of the first episode, and with his body beginning to fail as a result.
I also found the art-style slightly off-putting: I can understand drawing the man of steel in a square/blocky 'strong' art style, but ma and pa Kent? Really?
Perhaps not the best of introductions for anybody new to Superman comics.
Some of the episodes, I felt, were far superior to others: in some (perhaps more than I was comfortable with), I didn't really follow what was happening.
There is an over-arching plot throughout the entire series, with Superman 'overpowering' himself with solar radiation in the opening of the first episode, and with his body beginning to fail as a result.
I also found the art-style slightly off-putting: I can understand drawing the man of steel in a square/blocky 'strong' art style, but ma and pa Kent? Really?
Perhaps not the best of introductions for anybody new to Superman comics.
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Emma @ The Movies (1786 KP) rated Suicide Squad (2016) in Movies
Sep 25, 2019
DC... *sigh*. What to say about this. I enjoyed it, but seriously, how can't they make a good film? The trailers were very misleading, and after watching the film I got the same vibe about introducing characters as I did from Batman V Superman. Honestly I watched the whole thing and came out of the screen with the impression it was leading to a Joker film.