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Steve Fearon (84 KP) rated Hereditary (2018) in Movies
Oct 10, 2018
Oscar worthy performances from the cast (2 more)
A genuinely complex approach to character based horror
Grounded horror, exploring reality and supernatural settings
It may be a little too slow for some (1 more)
This is not an easy viewing, and not a popcorn flick, you will need to pay full attention!
We Are family...
This movie is....intense.
It is painful.
It is uncomfortable.
It has moments of genuine scares too, but mostly it has slow dread.
The performance of this movie are outstanding and very much worthy of Oscar consideration, especially for Toni Collette who is just beyond amazing as a mother watching her family fall apart, but whose mental fragility is questioned over the course of the movie.
They keep the viewer guessing at all times as to whether the actions of this movie are due to insanity or something else, and honestly, either way, it is nightmarish.
The actions and conversations of the main characters all seem natural, or at least plausible, and this grounds the otherwise surreal situations in a way that is rare on movies of this type.
The sound design in this movie is fantastic, using really dynamic sound effects and periods of silence to create tension and keep the viewer focused, since there are very few musical cues on offer.
It is a classic, beautifully performed, lovingly crafted, and haunting in its brutality, realism and despair.
Watch it!
It is painful.
It is uncomfortable.
It has moments of genuine scares too, but mostly it has slow dread.
The performance of this movie are outstanding and very much worthy of Oscar consideration, especially for Toni Collette who is just beyond amazing as a mother watching her family fall apart, but whose mental fragility is questioned over the course of the movie.
They keep the viewer guessing at all times as to whether the actions of this movie are due to insanity or something else, and honestly, either way, it is nightmarish.
The actions and conversations of the main characters all seem natural, or at least plausible, and this grounds the otherwise surreal situations in a way that is rare on movies of this type.
The sound design in this movie is fantastic, using really dynamic sound effects and periods of silence to create tension and keep the viewer focused, since there are very few musical cues on offer.
It is a classic, beautifully performed, lovingly crafted, and haunting in its brutality, realism and despair.
Watch it!
David McK (3600 KP) rated The Last Hero (Discworld, #27; Rincewind #7) in Books
Jan 28, 2019
<i>Fable (noun): a story about supernatural or extraordinary persons or incidents; legend: the fables of gods and heroes.
[from http://dictionary.reference.com]</i>;
This short story by Terry Pratchett ticks all those boxes with the blurb on my edition reading:
"He's been a legend in his own lifetime.
He can remember the great days of high adventure.
He can remember when a hero didn't have to worry about fences and lawyers and civilisation.
He can remember when people didn't tell you off for killing dragons.
But he can't alwyas remember, these days, where he put his teeth ...
He's not really happy about that bit.
.... He's going to climb the highest mountain in the Discworld and meet his gods. He doesn't like the way they let men grow old and die ... "
What ensues is, by the standards of Discworld novels, perhaps a return to the earlier novels that featured the gods (and Cohen the Barbarian) more prominently than the more recent. Also involved prominently in this story are the Wiz(z)ard Rincewind, Captain Carrot and Leonard of Quirm, with that latter character given more of a role than in the few previous he has been in (excepting, maybe, Jingo).
This is also unusual in that it is an illustrated story: whereas I've always found illustrations to be inferior to imagination when it comes to visualising events and characters, it does add an extra layer to this story - particularly where it concerns Leonard's creations.
[from http://dictionary.reference.com]</i>;
This short story by Terry Pratchett ticks all those boxes with the blurb on my edition reading:
"He's been a legend in his own lifetime.
He can remember the great days of high adventure.
He can remember when a hero didn't have to worry about fences and lawyers and civilisation.
He can remember when people didn't tell you off for killing dragons.
But he can't alwyas remember, these days, where he put his teeth ...
He's not really happy about that bit.
.... He's going to climb the highest mountain in the Discworld and meet his gods. He doesn't like the way they let men grow old and die ... "
What ensues is, by the standards of Discworld novels, perhaps a return to the earlier novels that featured the gods (and Cohen the Barbarian) more prominently than the more recent. Also involved prominently in this story are the Wiz(z)ard Rincewind, Captain Carrot and Leonard of Quirm, with that latter character given more of a role than in the few previous he has been in (excepting, maybe, Jingo).
This is also unusual in that it is an illustrated story: whereas I've always found illustrations to be inferior to imagination when it comes to visualising events and characters, it does add an extra layer to this story - particularly where it concerns Leonard's creations.
Based on a real place and a real period of history, Jordan Elizabeth imagines fictional characters living in the settlement of Hillside, New York in the 1890s. The main character, Viola, is a young school teacher at a one-roomed school where nothing out of the ordinary happens. That is until she learns her dying Aunt Helen is harbouring a huge secret.
Aunt Helen revealed she abandoned a daughter and Viola decides to surprise her by finding her long lost daughter, Bessie. But in finding Bessie, Viola discovers the reason Aunt Helen ran away from home, putting everyone who lives in Hillside in grave danger.
Although short, Jordan Elizabeth packs in romance, family, murder and historical fiction into her novella Hillside, the second instalment of theEchoes of New York series. The story does not follow on from the previous book, however, it is set in the same area. The amount of research the author has done to create an accurate setting is clear from the authenticity of the story.
A tiny element of the supernatural appears inHillside, although not as much as in the previous book in the series. This is by no means a bad thing, however, since it does not detract from the storyline and historical accuracy.
Personally, I did not think Hillside was one of Jordan Elizabeth's best books but it is a good story to read when you need something to pass a short time.
Aunt Helen revealed she abandoned a daughter and Viola decides to surprise her by finding her long lost daughter, Bessie. But in finding Bessie, Viola discovers the reason Aunt Helen ran away from home, putting everyone who lives in Hillside in grave danger.
Although short, Jordan Elizabeth packs in romance, family, murder and historical fiction into her novella Hillside, the second instalment of theEchoes of New York series. The story does not follow on from the previous book, however, it is set in the same area. The amount of research the author has done to create an accurate setting is clear from the authenticity of the story.
A tiny element of the supernatural appears inHillside, although not as much as in the previous book in the series. This is by no means a bad thing, however, since it does not detract from the storyline and historical accuracy.
Personally, I did not think Hillside was one of Jordan Elizabeth's best books but it is a good story to read when you need something to pass a short time.
Revenge of the Nerd: Or . . . the Singular Adventures of the Man Who Would Be Booger
Book
Risky Business. Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New...
The Routledge History of Medieval Magic
Sophie Page and Catherine Rider
Book
In recent decades scholars have paid increasingly serious attention to the issue of magic in the...
Grass for His Pillow
Book
Grass For His Pillow is the second novel in Lian Hearn's astonishingly beautiful series inspired by...
Signed: LINCOLN IN THE BARDO - signed copy
Book
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book...
Lincoln in the Bardo
8.3
Rate It
Book
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book...
Dark Places: The Haunted House in Film
3.0
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Book
Horror films revel in taking viewers into shadowy places where evil resides, whether it is a house,...
LeftSideCut (3776 KP) rated Blood Red Sky (2021) in Movies
Aug 1, 2021
Blood Red Sky is a movie that has some decent ideas, and some great performances, but is sadly bogged down by a whole lot of waff.
Honestly, it's a shame that the marketing for this gave away the whole vampire aspect. Had it been advertised as a airborne hijack thriller with hints of a supernatural element, then the twist could have hit the same way that it did back in the 90s, when I was but a young boy innocently watching From Dusk Till Dawn, blissfully unaware of what was about to happen.
The pacing is so so. The narrative premise is a good and straightforward one, but it's dragged down by constant flashbacks that feel unnecessary and like padding. Whenever things get interesting, another flashback is thrown in. It's frustrating, mainly because everything surrounding these negatives are solid! The vampires themselves are brutal, and reminiscent of the creatures seen in 30 Days of Night. Lead actor Peri Baumeister puts in a fantastic performance, as does her onscreen son, Carl Anton Koch. The two of them make proceedings relatively impactful, especially during the closing moments. The whole climactic scene is pretty entertaining to be fair, and goes some way to making up for all of the faffing about.
Blood Red Sky isn't half bad overall, but it's could have done with dropping all of the unnecessary exposition and ultimately achieving a shorter runtime.
Honestly, it's a shame that the marketing for this gave away the whole vampire aspect. Had it been advertised as a airborne hijack thriller with hints of a supernatural element, then the twist could have hit the same way that it did back in the 90s, when I was but a young boy innocently watching From Dusk Till Dawn, blissfully unaware of what was about to happen.
The pacing is so so. The narrative premise is a good and straightforward one, but it's dragged down by constant flashbacks that feel unnecessary and like padding. Whenever things get interesting, another flashback is thrown in. It's frustrating, mainly because everything surrounding these negatives are solid! The vampires themselves are brutal, and reminiscent of the creatures seen in 30 Days of Night. Lead actor Peri Baumeister puts in a fantastic performance, as does her onscreen son, Carl Anton Koch. The two of them make proceedings relatively impactful, especially during the closing moments. The whole climactic scene is pretty entertaining to be fair, and goes some way to making up for all of the faffing about.
Blood Red Sky isn't half bad overall, but it's could have done with dropping all of the unnecessary exposition and ultimately achieving a shorter runtime.
Andy K (10823 KP) Jul 19, 2019