"I read this book when I was working a night shift, going to sleep at 6 p.m. and waking up at 2 a.m. each day. My surreal, hazy existence during those weeks was a perfect fit with the world of 1Q84, where everything seems just a little bit off. It's recognizable as the world you live in, and also somehow not."

"It’s the perfect genre movie. It’s brilliant I every aspect. It deals with some very complex subjects and is done masterfully. Even the dream sequences were so advanced at the time, the way [director Roman Polanski] made it surreal like a dream has to be, but very economic. I love every aspect and I watch it over and over again."

"If David Lynch is the American take on surrealism, this is the Soviet take. Iranians share a lot of cultural references with people from Armenia, and seeing this, I almost saw a path through Iranian culture. The movie juxtaposes surreal elements from my culture without going through a Western gaze. It has some of the most amazing imagery I’ve ever seen."

"LaValle writes horror, but horror as a way to move in closer to the complexities of our minds and our society. This novel takes the reader on a wild coast-to-coast journey that begins in an unusual library in a forest and includes many vividly memorable scenes, allowing for amazing, surreal access to our protagonist's psyche and the inner workings of America."

"Version Control is perhaps the strangest fictional work of appropriated voices and subjects. It’s set in a surreal near future — or several near futures — as well as in several pasts. Though issues of race play virtually no role in the stories, one character, an African-American physicist, recalls dropping out of a writing course because the professor thought he should be mining his heritage instead of inventing science fiction."