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    Red Comrades 2

    Red Comrades 2

    Games and Entertainment

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    App

    The most famous and awarded Russian adventure game of all time now available worldwide! Three...

Once Upon a Time in Hollywood (2019)
Once Upon a Time in Hollywood (2019)
2019 | Crime, Drama, Thriller
Awesome casting all around.

This is a different take on film that I don't think I've ever seen before. Taking a real life series of events and modifying it (very dramatically) to fit the narrative intended by the film makers. If ever there were a candidate for a job well done in that category, this would definitely be it.

Brad Pitt completely steals the spotlight (shared by Margot, of course) from Leo in this instant classic. Because the source material is SO heavily modified the viewer has genuinely no idea what to expect around every turn. Having that feeling while watching a movie unfold that you are familiar with the actual story it is based on was a bit of a surreal experience. But enjoyable nionetheless,
  
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Kelly Reichardt recommended Ugetsu (1953) in Movies (curated)

 
Ugetsu (1953)
Ugetsu (1953)
1953 | Drama, Fantasy, Romance
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Movie Favorite

"This was also an influence on First Cow. I was drawn to how down-to-the-ground the cinematography is, and how you spend so much time with these characters who are ambitious craftspeople. There are so many tactile details in there, like how the characters have to start the fire and keep it going to make their pottery. I’m sure it was shot on soundstages, but there’s such a simplicity and earthiness to the way Mizoguchi captures details, like the thatched roofs in the corners of the frames or the atmosphere at the marketplace. At the same time, you think of the dream sequence and the boat scenes and the fog—it’s all pretty surreal. And the performances are so amped-up and theatrical."

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Ali Abbasi recommended Mulholland Drive (2001) in Movies (curated)

 
Mulholland Drive (2001)
Mulholland Drive (2001)
2001 | Documentary, Drama, Mystery

"I was completely unprepared when I saw Mulholland Dr. in a small art-house cinema in Stockholm, and it blew my mind. I came out of the movie and just felt like I needed to talk to people and ask questions, like, did you see what I saw? It was huge for me, and it almost felt like, you can’t mess with people like this and get away with it, somebody should do something about it. Usually when American cinema tries to be surreal or nonlinear or non-narrative, it turns either really pretentious or really Hollywood. But David Lynch, in this film but also in general, is probably the only person I know who has succeeded in making his own version of American surrealism."

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