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The Spine of Night (2021)
The Spine of Night (2021)
2021 | Animation, Fantasy, Horror
I don't really know enough about rotoscoping or the much loved Heavy Metal and Fire and Ice to make any comparisons, but what I can stay is that I initially found the animation of The Spine of Night really quite jarring. The wonderful painted-like backgrounds felt at odds with the harsh character designs, a point that was further driven when the hyper violence kicked in. However, by the halfway point I was utterly hypnotised by what was unfolding.
The expressions and emotions of these characters come across quite realistic in an oddly surreal way, wrapped up in an epic fantasy narrative that spans centuries, performed by an impressive voice cast.
The Spine of Night surely isn't for everyone, but if you have even a passing interest in animation and don't mind gore, then you'll probably get a kick out of it.
  
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Daniel Boyd (1066 KP) rated Legion in TV

Aug 3, 2017  
Legion
Legion
2017 | Action, Sci-Fi
Writing (4 more)
Cinematography
Performances
Lighting
Direction
The ending of the first season (0 more)
A mind bending new take
This show was so fresh and offered an extremely interesting and original new take on the X Men universe. Dan Stevens and Aubrey Plaza are phenomenal as are the rest of the cast. The show was writing by the guys behind Fargo, so as expected it is a very well written script with sharp, meaningful dialogue and some genuinely shocking moments. There are some very experimental methods of filming used and for the most part they totally work with the surreal tone that the show achieves.
The only reason I can't score this a perfect 10 is because I found the ending of the first season to be very anti climatic after all of the clever, tightly woven build up. Still though, this is a great new show.
  
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Young Jean Lee recommended Eraserhead (1977) in Movies (curated)

 
Eraserhead (1977)
Eraserhead (1977)
1977 | Drama, Horror

"For me, Eraserhead is all about when Henry goes to visit Mary’s family. Those scenes hit the sweet spot of surreal absurdism, which is something I never really see in film, although it happens often in experimental theater. In film, the weirdness is usually either too grounded in narrative, which makes it too normal, or not grounded enough, which makes you stop caring. At Mary’s parents’ house, the squeaking puppies, Mrs. X brushing Mary’s hair when she starts to freak out, Mr. X’s non sequiturs, the catatonic grandmother being made to mix the salad—it all walks the knife-edge between craziness and normalcy in a way that’s both hilarious and disturbing. The scene where Henry starts to cut the chicken and everything goes bonkers is one of the funniest things I’ve ever seen. I think the dialogue in this film is great—I wish there were more of it."

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