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    Expo 58

    Expo 58

    Jonathan Coe

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    Expo 58 by Jonathan Coe - Spies, girls and an Englishman abroad. Trust no one. London, 1958:...

The Man Who Fell to Earth (1976)
The Man Who Fell to Earth (1976)
1976 | Drama, Sci-Fi

"After getting my brain stretched by Kubrick, the next “favorite director” I started to discover as a preteen and teen was Nicolas Roeg. Like 2001 before it, The Man Who Fell to Earth was sci-fi that reached out and grabbed my mind, spun it around, and made me want to see it over and over again. Roeg’s use of music and surreal imagery made the film both a visceral and an intellectual experience simultaneously—a heartbreaking puzzle—still my favorite kind of film experience. Don’t Look Now is probably my favorite scary movie of all time, and a model for the now overused and underachieved expression “a smart genre film.” Now, that might mean a movie that’s marginally less dopey than most mainstream films that deal with the occult, but in the days of this and Rosemary’s Baby, etc., the emphasis was much more on smart than on genre. And Walkabout is an amazing piece of nearly wordless visual storytelling that left me desperately in love with Jenny Agutter for years afterward."

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KeithGordan recommended Don't Look Now (1973) in Movies (curated)

 
Don't Look Now (1973)
Don't Look Now (1973)
1973 | Drama, Horror, Thriller

"After getting my brain stretched by Kubrick, the next “favorite director” I started to discover as a preteen and teen was Nicolas Roeg. Like 2001 before it, The Man Who Fell to Earth was sci-fi that reached out and grabbed my mind, spun it around, and made me want to see it over and over again. Roeg’s use of music and surreal imagery made the film both a visceral and an intellectual experience simultaneously—a heartbreaking puzzle—still my favorite kind of film experience. Don’t Look Now is probably my favorite scary movie of all time, and a model for the now overused and underachieved expression “a smart genre film.” Now, that might mean a movie that’s marginally less dopey than most mainstream films that deal with the occult, but in the days of this and Rosemary’s Baby, etc., the emphasis was much more on smart than on genre. And Walkabout is an amazing piece of nearly wordless visual storytelling that left me desperately in love with Jenny Agutter for years afterward."

Source
  
Running on Empty (Mending Hearts, #1)
Running on Empty (Mending Hearts, #1)
9
9.0 (1 Ratings)
Book Rating
So I'm currently reading my backlog of books--the ones that have been on my kindle since late 2012/early 2013.

And I have to say why did I not read this sooner?! I loved it.

4.5 stars, instead of 5 simply because of all the giggling. I think even Blake giggled at one bit, which made me laugh but seemed rather surreal.

The story itself, though... God, I'm a sucker for a good romance and this was so heartfelt. He'd loved her forever and she ended up with someone else, so for them to get a second chance... *sigh* I was having a good swoon over this one.

I'm not always a fan of children in my romance books but how could I not love these three? They were adorable! I couldn't stop smiling/laughing throughout at some of the stuff that came out of the kids mouths and just in general.

This was definitely something I enjoyed and I look forward to reading more books by the author.
  
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KeithGordan recommended Walkabout (1971) in Movies (curated)

 
Walkabout (1971)
Walkabout (1971)
1971 |
(0 Ratings)
Movie Favorite

"After getting my brain stretched by Kubrick, the next “favorite director” I started to discover as a preteen and teen was Nicolas Roeg. Like 2001 before it, The Man Who Fell to Earth was sci-fi that reached out and grabbed my mind, spun it around, and made me want to see it over and over again. Roeg’s use of music and surreal imagery made the film both a visceral and an intellectual experience simultaneously—a heartbreaking puzzle—still my favorite kind of film experience. Don’t Look Now is probably my favorite scary movie of all time, and a model for the now overused and underachieved expression “a smart genre film.” Now, that might mean a movie that’s marginally less dopey than most mainstream films that deal with the occult, but in the days of this and Rosemary’s Baby, etc., the emphasis was much more on smart than on genre. And Walkabout is an amazing piece of nearly wordless visual storytelling that left me desperately in love with Jenny Agutter for years afterward."

Source
  
Under the Skin (2014)
Under the Skin (2014)
2014 | Sci-Fi
The closest we may ever get to a Biker Mice From Mars movie...

In all seriousness, Under the Skin is quite an experience. It's a film that leaves more questions than it answers, and is purposefully provocative in it's desire to explain a damned thing.
It has a jarring mixture of styles, alternating between almost amateur/hidden camera shots and visually stunning moments on a whim. It has plenty of beautiful vistas, and plenty of simplistic yet surreal moments when things get a little extra-terrestrial.

Scarlett Johansson puts in a solid performance as the mysterious being, managing to come off dangerous and vulnerable all at the same time, certainly sympathetic for a creature the audience know very little about. The climax of the film is hard to watch, and highlights the ugliness of the human race effectively, and the entire film is backed by an incredible music score.

I'm not going to pretend I fully understood Under the Skin, but it's truly otherworldly whilst feeling grounded in its Glasgow setting. A genuinely uncomfortable yet beautiful experience.