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David Maisel: Black Maps: American Landscape and the Apocalyptic Sublime

David Maisel and Julian Cox

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Book

"Black Maps" is the first in-depth survey of the major aerial projects by David Maisel, whose images...

Into Africa: Hardcover Ruled Journal

Frans Lanting

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Journey Into Africa with National Geographic photographer Frans Lanting and record all of your...

Imaginary Cities

Darran Anderson

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Inspired by the surreal accounts of the explorer and 'man of a million lies' Marco Polo, Imaginary...

Gaz Coombes recommended track Burning Airlines Give You So Much More by Brian Eno in Taking Tiger Mountain (By Strategy) by Brian Eno in Music (curated)

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Burning Airlines Give You So Much More by Brian Eno

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"Burning Airlines Give You So Much More’ is from Eno’s solo album Taking Tiger Mountain (By Strategy). I love the sound of his early solo records, Here Come the Warm Jets was a massive album for Supergrass, I remember the tour manager, the crew and all of us listening to it and loving it, it was quite a defining record for us on those early tours. “There’s something about that early solo Eno sound that I really love, he was such a sponge in terms of how he picked up on things around him and a lot of the stuff happening in Germany around that time. It was the way he could put things together and the way that he would double-track his vocal, the dirt and the raggedness of the way it was performed. There’s so much about it that I really love and then there’s the odd, skewed, surreal lyrics, it’s a good recipe. He was a big inspiration for me definitely, another one that can do that throwawayness, which is really cool. “There’s some tracks on Here Come The Warm Jets that do a similar thing, where he could be quite tidy at times in the song structure and do something that’s almost quite friendly to listen to. It wasn’t always angular and weird and I think ‘Burning Airlines Give You So Much More’ could have sat on the Here Come The Warm Jets album really well, it’s Eno at his best."

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LoganCrews (2861 KP) rated The Congress (2014) in Movies

Sep 20, 2020

The Congress (2014)

2014 | Animation, Sci-Fi

8.5

(2 Ratings)

Movie Rating

Restored my belief in the power of movies, one of the most fulfilling cinematic experiences I've ever had and probably will ever have in my lifetime. Not trying to undersell how structureless this is, but it gets a free pass for how rigorously committed to the mindfuck it is - it just wouldn't have worked out even a fraction as well with any sort of form. I spent the better part of this with my jaw frozen in the dropped position, it's been so long since I've truly been blown away and couldn't believe what I was watching actually got made. Part personal, quasi-documentary character study of a real life actress; part actually good "Black Mirror" episode about the evolution of idolization; part 50s cartoon nightmare; part acid trip; part "holy shit my tears are crying" drama. Can't even begin to justifiably describe how good this film looks in words, essential viewing - can only be believed by first having seen. Robin Wright and Harvey Keitel give megaperformances to match the boundless ambition - 𝘊𝘭𝘰𝘶𝘥 𝘈𝘵𝘭𝘢𝘴 can't even compare. A nebulous, meditative, and bracingly surreal slideshow of future-fantasy and riffs on what the future could bring with a refreshing lack of pretention and cynicism for once (though I'm sure I stand alone in thinking that) that's never anything less than beautiful. Never wanted to let go, never has some variation of "your past is dead" been said so despondently. And what a fucking A-class score.

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LoganCrews (2861 KP) rated The ABCs of Death (2013) in Movies

Oct 3, 2020 (Updated Oct 3, 2020)

The ABCs of Death (2013)

2013 | Horror, Mystery

5.4

(5 Ratings)

Movie Rating

"𝘛𝘩𝘪𝘴 𝘪𝘴𝘯'𝘵 𝘢 𝘴𝘯𝘶𝘧𝘧 𝘧𝘪𝘭𝘮, 𝘪𝘵'𝘴 𝘢𝘳𝘵." - Adam Wingard.

Q > O > T > L > J > I > Y > F > H > R > Z > A > D > G > M > P > S > U > X > B > W > V > C > K > N > E

I know everyone else generally has a distaste for them but I have such a soft spot for horror anthology films. Even the ones I don't really like such as 𝘟𝘟 I always find myself remembering vividly. This one in particular I not only thought was an absolute blast, but it also has a mightily commendable gimmick at the forefront (26 different directors of 26 different nationalities). Legit one of the weirdest, most devilishly fucked-up, humorous, grotesquely fetishistic + scatological horror films I've ever seen - a few of these segments I'm convinced are just actual kink porn lmfao. As you can probably surmise, a handful of the segments aren't so hot but truthfully none of them I thought were even close to awful (well, E was kind of crappy); the vast majority of them I found to be immensely enjoyable and all of them strung together make this a super fun ride as a whole. Guessing which word each director will utilize for their assigned letter is nearly as fun as watching them all play out. Luridly singular, sincerely morbid, and entertaining as hell - I'm fine with being one of the only ones who finds this surreal curio legitimately great.

Kudos

Awix (3310 KP) rated Hellbound: Hellraiser II (1988) in Movies

Jul 30, 2020

Slightly discombobulating horror sequel. Following the events of the first movie Kirsty Cotton unsurprisingly ends up in a loony bin run by brain surgeon and keen puzzle-box fan Dr Channard (Kenneth Cranham tries mightily to bring a touch of Peter Cushing-style class to an underwritten part). As Channard is a lunatic, he resurrects Kirsty's evil stepmother, and because he is clearly either very forgetful or slow off the mark, together they give a puzzle box (which he already had) to a traumatised patient who's good at puzzles (who he likewise already had about the place) and together they begin to explore the realm of the box.

Meanwhile... oh, does it really matter? As you can perhaps begin to discern, the plot of Hellraiser II Makes No Sense Whatsoever (the Cotton house appears to have teleported from London to New York City in the gap between films, and this is only a minor issue), and there is something baffling and miraculous about the fact the film is as coherent and watchable as it is. Then again, it's not actually about logic, plot, or the motivation of the characters, just a succession of grisly, visceral, nightmarish, surreal images. In this respect at least the film is an astonishing success. Doesn't stop the story from being nonsense, though. Manages to be a very bad movie but also a terrific one, frequently at exactly the same time. Like I say, discombobulating.