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Death Road to Canada
Games and Entertainment
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Big new update, featuring a lot of new content! Includes new music, weapons, locations, characters,...
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Virtual Villagers 3
Games and Entertainment
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Villagers: The Secret City is the third chapter in the award-winning Virtual Villagers series from...
Virtual Villagers 5 for iPad
Games and Entertainment
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Virtual Villagers: New Believers is the fifth chapter in the award-winning Virtual Villagers series...
ABC – Live TV & Full Episodes
Entertainment and Lifestyle
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Catch up on the latest episodes* of your favorite ABC shows, watch on-the-go, and stream live** TV -...
Virtual Villagers 3 for iPad
Games and Entertainment
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Virtual Villagers: The Secret City is the third chapter in the award-winning Virtual Villagers...
Virtual Villagers 4
Games and Entertainment
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Virtual Villagers 4: The Tree of Life is the fourth chapter in the award-winning Virtual Villagers...
ClareR (5721 KP) rated The Glass Hotel in Books
Aug 27, 2021
The Glass Hotel is a book that I really didn’t think I was going to like - but I did. It’s about a failed Ponzi scheme - I had to look up what that actually was. I had absolutely no idea. It’s where someone, a real or fake advisor, planner or investor, promises to invest your money with a certain rate of return. Instead of putting your money in whatever investment they promised, they keep it for themselves. If you want your money back, they take it from other investors to give to you. I couldn’t read a whole book where this was constantly referred to and not find out what it was!
However, this book isn’t just about Ponzi schemes. It’s a character driven book, and there are a fair few of them.
Vincent was a fascinating character - she starts her life in a remote village in Canada, only reachable by boat. When it looks like she’s losing her way, she gets a job at a hotel and meets Jonathan Alkaitis - the organiser of the Ponzi scheme. Vincent is completely unconcerned at where the money she spends is coming from, she just spends it, lives in their luxury apartments, living the life she never had as a child. When that money is gone, Vincent moves on - she’s a survivor, and I really like that about her.
I couldn’t believe the length of Alkaitis’ prison sentence - I’m assuming 140 years or more is normal for a fraud of this scale. He doesn’t cope well. He has visions, sees ghosts of the people whose lives he destroyed. This was really eerie: were they real? Was it his imagination?
Leon Prevant shows what happens to a lot of older people when they have no income: he becomes one of the nomadic people, travelling in a camper-van from job to job. No savings, no home. The fear as they get older, of illness or infirmity.
So yes, I really enjoyed this. I liked that it’s completely different to Station 11, and I’m very glad I read it!
However, this book isn’t just about Ponzi schemes. It’s a character driven book, and there are a fair few of them.
Vincent was a fascinating character - she starts her life in a remote village in Canada, only reachable by boat. When it looks like she’s losing her way, she gets a job at a hotel and meets Jonathan Alkaitis - the organiser of the Ponzi scheme. Vincent is completely unconcerned at where the money she spends is coming from, she just spends it, lives in their luxury apartments, living the life she never had as a child. When that money is gone, Vincent moves on - she’s a survivor, and I really like that about her.
I couldn’t believe the length of Alkaitis’ prison sentence - I’m assuming 140 years or more is normal for a fraud of this scale. He doesn’t cope well. He has visions, sees ghosts of the people whose lives he destroyed. This was really eerie: were they real? Was it his imagination?
Leon Prevant shows what happens to a lot of older people when they have no income: he becomes one of the nomadic people, travelling in a camper-van from job to job. No savings, no home. The fear as they get older, of illness or infirmity.
So yes, I really enjoyed this. I liked that it’s completely different to Station 11, and I’m very glad I read it!
David McK (3425 KP) rated Quantum Leap: Carny Knowledge in Books
Jul 23, 2023
"Theorising that one could time travel within his own lifetime, Doctor Sam Beckett stepped into the Quantum Leap accelerator and vanished... He woke to find himself trapped in the past, facing mirror images that were not his own, and driven by an unknown desire to change history for the better ..."
Recently, I've started watching the Paramount+ revival of one of my favourite 'tweenage' years shows.
I'm not yet - as of the time of writing - sold on it.
Having watched an episode or two, I thought I would revisit the original, albeit in literary rather than audiovisual form - I know that, in the past, I had read Quantum Leap 00: Too Close for Comfort and Knights of the Morningstar, but I had never read this one. When I cam across it, therefore, I thought I would give it a go.
I have to say, also, that - unfortunately - I just wasn't really all that impressed by it. I don't know whether that's because this was #1 in the book series, or because of the subject matter - being from the UK, carnivals (and the people who run them, known as Carnies (or so I've heard) ) aren't really all that much of a thing here! Nor do I particularly like roller-coasters ...
In this, Sam finds himself in the body of one such 1950 Carnie, a childhood polio survivor, who seems to have visions of the future in which people die after a roller-coaster derails on its maiden run, with all the hopes and dreams of the Carnival workers pinned on that roller coaster. This, I found, was bit slow in starting, although it did pick up towards the end! There's also segments in the (1990s!) future, showing what is missing from the revival in the Waiting Room, and explains a bit better than that revival does why Al is Sam's hologram as opposed to Addison being Ben's.
Worth a read for nostalgia factor, maybe.
Recently, I've started watching the Paramount+ revival of one of my favourite 'tweenage' years shows.
I'm not yet - as of the time of writing - sold on it.
Having watched an episode or two, I thought I would revisit the original, albeit in literary rather than audiovisual form - I know that, in the past, I had read Quantum Leap 00: Too Close for Comfort and Knights of the Morningstar, but I had never read this one. When I cam across it, therefore, I thought I would give it a go.
I have to say, also, that - unfortunately - I just wasn't really all that impressed by it. I don't know whether that's because this was #1 in the book series, or because of the subject matter - being from the UK, carnivals (and the people who run them, known as Carnies (or so I've heard) ) aren't really all that much of a thing here! Nor do I particularly like roller-coasters ...
In this, Sam finds himself in the body of one such 1950 Carnie, a childhood polio survivor, who seems to have visions of the future in which people die after a roller-coaster derails on its maiden run, with all the hopes and dreams of the Carnival workers pinned on that roller coaster. This, I found, was bit slow in starting, although it did pick up towards the end! There's also segments in the (1990s!) future, showing what is missing from the revival in the Waiting Room, and explains a bit better than that revival does why Al is Sam's hologram as opposed to Addison being Ben's.
Worth a read for nostalgia factor, maybe.
BankofMarquis (1832 KP) rated 65 (2023) in Movies
May 8, 2023
Driver is Heads and Shoulders above this material
Whoever decided to cast Adam Driver as an alien spaceperson (who looks and acts suspiciously like a 21st Century American) who crash-lands on prehistoric Earth and has to battle Dinosaurs equipped with only his alien technology (including his laser-blaster) is a GENIUS for Driver is EXTREMELY watchable in this film - the best thing (by far) in this so-so sci-fi/dinosaur mash-up.
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
David McK (3425 KP) rated World War Z: An Oral History of the Zombie Wars in Books
May 14, 2023
Audiobooks, I find, are a bit of a strange beast: some are good; some are terrible.
I think it all depends on the skill of the narrator, and how close they are to how the character 'sounds' in your head when you're reading a book: in audio (and televisual) form, after all, you are relying on someone else's characterisation.
That is where a unique - at least, I've never come across one quite like this before - hook comes in. Sure, I've listened to a few Graphic Audio's (essentially, a dramatization for the listeners) with a wide cast of characters (each performed by a different actor) before but I don't think I've ever come across one presented like this: essentially, as interviews with survivors of a global apocalypse, the World War Z(ed, not Zee - I'm British) of the title.
Forget the Brad Pitt starring movie of the same name: while it does take the occasional pointer from this, it's a very different beast indeed.
Instead, this is presented as Max Brooks - a survivor of the War - interviewing notable, key and even sometimes seemingly normal, mundane survivors of the fictional outbreak, in chronological order from the earliest inkling that something was wrong, through to the outbreak proper, the fall of society, the fight back against the hordes and the eventual reclamation of society.
I do have to say, however, that I felt that more than a few of the chapters 'sounded' the same (and I mean that in the style and tone of language used, not so much in the verbal intonation - although there is also an element of that in the audiobook), and that I did find myself 'zoning out' for periods of time. As I listened to the audiobook version, it also didn't help that one section would sound like a character was whispering (=sounds up full), and then the very next I would have to hurriedly turn the volume down if I didn't want to be deafened ...
I think it all depends on the skill of the narrator, and how close they are to how the character 'sounds' in your head when you're reading a book: in audio (and televisual) form, after all, you are relying on someone else's characterisation.
That is where a unique - at least, I've never come across one quite like this before - hook comes in. Sure, I've listened to a few Graphic Audio's (essentially, a dramatization for the listeners) with a wide cast of characters (each performed by a different actor) before but I don't think I've ever come across one presented like this: essentially, as interviews with survivors of a global apocalypse, the World War Z(ed, not Zee - I'm British) of the title.
Forget the Brad Pitt starring movie of the same name: while it does take the occasional pointer from this, it's a very different beast indeed.
Instead, this is presented as Max Brooks - a survivor of the War - interviewing notable, key and even sometimes seemingly normal, mundane survivors of the fictional outbreak, in chronological order from the earliest inkling that something was wrong, through to the outbreak proper, the fall of society, the fight back against the hordes and the eventual reclamation of society.
I do have to say, however, that I felt that more than a few of the chapters 'sounded' the same (and I mean that in the style and tone of language used, not so much in the verbal intonation - although there is also an element of that in the audiobook), and that I did find myself 'zoning out' for periods of time. As I listened to the audiobook version, it also didn't help that one section would sound like a character was whispering (=sounds up full), and then the very next I would have to hurriedly turn the volume down if I didn't want to be deafened ...