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Hazel (1853 KP) rated Broken Realms (The Chronicles of Mara Lantern, #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Broken Realms</i> is a brilliant science fiction novel and first installment of <i>The Chronicles of Mara Lantern</i> by D. W. Moneypenny. Set in present day Oregon it deals with metaphysical ideas and bizarre creatures – a very intriguing read.
Mara Lantern is a young adult who has left school to work in a gadget repair shop where her amazing natural talent for restoring machinery is put to good use. At the commencement of the book she is being driven to the airport by her New Age obsessed mother in order to fly out to San Francisco to visit her father. Once the plane is airborne it is clear there is something terribly wrong. Bright blue light flashes throughout the aircraft and the passengers around Mara appear to be distorting: growing fangs and snouts, and changing eye colour. What is even stranger is a redheaded boy is running down the aisle closely pursued by a clone of Mara.
In an attempt at an emergency landing, the plane crashes into the Columbia River – a crash impossible to survive – however everyone does. All the passengers and crew are pulled out of the river unharmed; all except Mara who is strangely found unconscious on the pavement with a head wound.
Detective Daniel Bohannon is assigned to the case investigating the cause of the crash, but when some of the survivors start displaying super-human or animalistic traits it becomes clear this was no ordinary situation.
Whilst the investigation continues, Mara begins to deal with what she saw on the plane. With the help of a fellow survivor, Ping, and the redheaded boy, Sam (who claims he is her brother) she begins to learn that her world, her life and human existence in general is not all she believed it to be.
Although <i>Broken Realms</i> is accurately described as a science fiction and fantasy novel there were times, particularly during the police investigations, that it also felt a little like a crime thriller. There is nothing particularly bad about that but to begin with it was as though there were two different genres competing with each other depending on which character point of view was being read.
What helped to make this book so great were the excellent writing skills of D. W. Moneypenny. It was written so clearly that vivid images came to mind whilst reading. The pace of the narrative was fairly quick and at no point did it ever stop being exciting.
Another good thing (admittedly others may not see it as such) was that there were no romantic attachments between any of the characters to detract from the main storyline. This meant the novel was completely focused on the plot without any unnecessary interruptions.
<i>Broken Realms</i> is a highly recommended book for science fiction and fantasy lovers. It does, however, leave the reader wanting to know what is going to happen next. So now the wait for the next book in <i>The Chronicles of Mara Lantern</i> begins.
<i>Broken Realms</i> is a brilliant science fiction novel and first installment of <i>The Chronicles of Mara Lantern</i> by D. W. Moneypenny. Set in present day Oregon it deals with metaphysical ideas and bizarre creatures – a very intriguing read.
Mara Lantern is a young adult who has left school to work in a gadget repair shop where her amazing natural talent for restoring machinery is put to good use. At the commencement of the book she is being driven to the airport by her New Age obsessed mother in order to fly out to San Francisco to visit her father. Once the plane is airborne it is clear there is something terribly wrong. Bright blue light flashes throughout the aircraft and the passengers around Mara appear to be distorting: growing fangs and snouts, and changing eye colour. What is even stranger is a redheaded boy is running down the aisle closely pursued by a clone of Mara.
In an attempt at an emergency landing, the plane crashes into the Columbia River – a crash impossible to survive – however everyone does. All the passengers and crew are pulled out of the river unharmed; all except Mara who is strangely found unconscious on the pavement with a head wound.
Detective Daniel Bohannon is assigned to the case investigating the cause of the crash, but when some of the survivors start displaying super-human or animalistic traits it becomes clear this was no ordinary situation.
Whilst the investigation continues, Mara begins to deal with what she saw on the plane. With the help of a fellow survivor, Ping, and the redheaded boy, Sam (who claims he is her brother) she begins to learn that her world, her life and human existence in general is not all she believed it to be.
Although <i>Broken Realms</i> is accurately described as a science fiction and fantasy novel there were times, particularly during the police investigations, that it also felt a little like a crime thriller. There is nothing particularly bad about that but to begin with it was as though there were two different genres competing with each other depending on which character point of view was being read.
What helped to make this book so great were the excellent writing skills of D. W. Moneypenny. It was written so clearly that vivid images came to mind whilst reading. The pace of the narrative was fairly quick and at no point did it ever stop being exciting.
Another good thing (admittedly others may not see it as such) was that there were no romantic attachments between any of the characters to detract from the main storyline. This meant the novel was completely focused on the plot without any unnecessary interruptions.
<i>Broken Realms</i> is a highly recommended book for science fiction and fantasy lovers. It does, however, leave the reader wanting to know what is going to happen next. So now the wait for the next book in <i>The Chronicles of Mara Lantern</i> begins.
Gareth von Kallenbach (980 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 19, 2019
Jyn Erso (Felicity Jones) is a young woman who has no love for the evil Galactic Empire or authority. She has seen her share of tragedy and has learned to be a survivor in a cold and dangerous galaxy. Fate has other plans for Jyn in “Rogue One: A Star Wars Story”, as she may be the key to unlocking the secret’s to defeating the Empire’s new weapon, a planet killer known as “The Death Star”.
The Rebel Alliance believes that Jyn’s father Galen (Mads Mikkelsen) is the key thanks to information they have recovered from a defecting pilot.
Tasked with eliminating the threat, Jyn and Rebel intelligence officer Cassian Andor (Diego Luna), and his droid K-2S0 (Alan Tudyk), must race against time and overcome several obstacles to complete their mission.
Of course things are bigger and the stakes far more higher than anyone could have imagined and with the Rebel Alliance divided a small band of rebels hatch a plan born of desperation to save the galaxy.
The film moves along at a brisk pace but allows time to introduce several new planets into the Star Wars universe as well as several new characters, who we are given just enough about their backstories and motivations to make us care about them in the epic struggle they are undertaking.
Director Gareth Edwards paces the film well and unlike the Prequel Series; never lets the abundance of amazing effects overshadow the fact that the story at its core is a struggle of ordinary people facing overwhelming odds.
The look of the film is a loving tribute to the original series that tells its own unique and distinct story that fits well within the established storylines without seeming gratuitous or recycled.
The film does at times have a darker tone than fans would be used to seeing in the series, but it is done in a way that shows the seriousness of the situations facing the characters.
The strong cast works very well with one another and are each giving some memorable lines and moments which are sure to endear themselves to fans of the series that grew up on the classic films.
The finale third of the film is a great mix of action and suspense as conclusion builds and I can honestly say that “Rogue One” delivers the best space battle in the series and only falls short of the Hoth battle in terms of ground conflicts.
There are a few great surprises for fans sprinkled throughout and the film answers some of the questions people had from the original series but does so in a way that is respectful and in no way undermines the classic.
“Rogue One: A Star Wars Story” is an outstanding entry into the series and is one of the most compelling and rewarding.
I look forward to seeing what future efforts have in store for fans, as this film shows that the Force is indeed strong.
http://sknr.net/2016/12/13/non-spolier-review-rogue-one-star-wars-story/
The Rebel Alliance believes that Jyn’s father Galen (Mads Mikkelsen) is the key thanks to information they have recovered from a defecting pilot.
Tasked with eliminating the threat, Jyn and Rebel intelligence officer Cassian Andor (Diego Luna), and his droid K-2S0 (Alan Tudyk), must race against time and overcome several obstacles to complete their mission.
Of course things are bigger and the stakes far more higher than anyone could have imagined and with the Rebel Alliance divided a small band of rebels hatch a plan born of desperation to save the galaxy.
The film moves along at a brisk pace but allows time to introduce several new planets into the Star Wars universe as well as several new characters, who we are given just enough about their backstories and motivations to make us care about them in the epic struggle they are undertaking.
Director Gareth Edwards paces the film well and unlike the Prequel Series; never lets the abundance of amazing effects overshadow the fact that the story at its core is a struggle of ordinary people facing overwhelming odds.
The look of the film is a loving tribute to the original series that tells its own unique and distinct story that fits well within the established storylines without seeming gratuitous or recycled.
The film does at times have a darker tone than fans would be used to seeing in the series, but it is done in a way that shows the seriousness of the situations facing the characters.
The strong cast works very well with one another and are each giving some memorable lines and moments which are sure to endear themselves to fans of the series that grew up on the classic films.
The finale third of the film is a great mix of action and suspense as conclusion builds and I can honestly say that “Rogue One” delivers the best space battle in the series and only falls short of the Hoth battle in terms of ground conflicts.
There are a few great surprises for fans sprinkled throughout and the film answers some of the questions people had from the original series but does so in a way that is respectful and in no way undermines the classic.
“Rogue One: A Star Wars Story” is an outstanding entry into the series and is one of the most compelling and rewarding.
I look forward to seeing what future efforts have in store for fans, as this film shows that the Force is indeed strong.
http://sknr.net/2016/12/13/non-spolier-review-rogue-one-star-wars-story/
Hazel (1853 KP) rated Dreaming of Antigone in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Marylegs (44 KP) rated After Before in Books
Aug 14, 2019
I received After Before, a while ago as a first reads book. I started it a while ago, but have recently re-picked it up and became completely engrossed by it. The pause in reading this book was not based on how engaging I found this book. But rather I was focused on other books I was reading. Once I dedicated my time to this book however, I couldnt stop. When I wasnt reading it I was thinking out it, and it was based actually about a point of history I didnt know about, or at least didnt know a lot about.
The book focuses on three women, who through chance are pulled into each others lives. There is Vera, newly engaged and newly discovering her faith in god. Her fiancé Luke, a devote Christian is helping her to change her life for the better, to move forward and overcome her past. But there is so much more to her past than she has told Luke and she finds it impossible to move on and become better while she still hold onto these secrets. Luke is Veras link to Lynn, his mother, who has found out she has terminal cancer and has to relinquish her control on the life. As she comes to terms with her illness and what will be her untimely death she relives elements of her life that she resents and was unable to achieve because of the choices she made. Vera tries to help care for Lynn, but the two cannot come to terms with each other and so Emily, originally from Rwanda, is brought in to care for Lynn. Emily is a survivor of the Rwandan genocide, and has not come to terms with all that she has seen, or what was done to her. She drifts through her life never wanting to remember her past but forever at its whim. The story flits back and forth through the present and the past for each of the three women. All with different stories but all in pain and unable to let go.
I found Emilys story the most interesting, I could have read a book just about her and how she learns to deal with the horrible event that has overtaken her life. Her flash backs are so well written, graphic in places, but dignified to the history that these people have to live with. We hear a lot about the injustice and the horror of the holocaust, which happened in the Second World War. But learning about the Rwandan Genocide through Emilys 12 year old eyes really touched me. I could feel the fear building, know what was to happen but having to control over it. Knowing that the people who were yesterday your friends are no longer that.
This is a brilliantly written book about forgiveness. That without forgiveness, whether that is for yourself, through god, or for other people, that you will not be able to move on and truly live. Would highly recommend it is however not a light-hearted or emotionally easy read.
The book focuses on three women, who through chance are pulled into each others lives. There is Vera, newly engaged and newly discovering her faith in god. Her fiancé Luke, a devote Christian is helping her to change her life for the better, to move forward and overcome her past. But there is so much more to her past than she has told Luke and she finds it impossible to move on and become better while she still hold onto these secrets. Luke is Veras link to Lynn, his mother, who has found out she has terminal cancer and has to relinquish her control on the life. As she comes to terms with her illness and what will be her untimely death she relives elements of her life that she resents and was unable to achieve because of the choices she made. Vera tries to help care for Lynn, but the two cannot come to terms with each other and so Emily, originally from Rwanda, is brought in to care for Lynn. Emily is a survivor of the Rwandan genocide, and has not come to terms with all that she has seen, or what was done to her. She drifts through her life never wanting to remember her past but forever at its whim. The story flits back and forth through the present and the past for each of the three women. All with different stories but all in pain and unable to let go.
I found Emilys story the most interesting, I could have read a book just about her and how she learns to deal with the horrible event that has overtaken her life. Her flash backs are so well written, graphic in places, but dignified to the history that these people have to live with. We hear a lot about the injustice and the horror of the holocaust, which happened in the Second World War. But learning about the Rwandan Genocide through Emilys 12 year old eyes really touched me. I could feel the fear building, know what was to happen but having to control over it. Knowing that the people who were yesterday your friends are no longer that.
This is a brilliantly written book about forgiveness. That without forgiveness, whether that is for yourself, through god, or for other people, that you will not be able to move on and truly live. Would highly recommend it is however not a light-hearted or emotionally easy read.
Gareth von Kallenbach (980 KP) rated Chaos Walking (2021) in Movies
Mar 3, 2021
Adapting a series of books into a movie is often a daunting task. As anyone who has seen many Stephen King adaptations can attest; plot complexity, characters, and depth are removed in order to condense the story into a two-hour or less run time.
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
Kristy H (1252 KP) rated Dead Woman Walking in Books
Nov 5, 2020 (Updated Nov 8, 2020)
Jessica Lane treats her sister, Isabel (known to most as Sister Mary Magdalena, as her sister has been serving in a convent for many years) to a hot air balloon ride for her 40th birthday. But things go awry when Jessica--from the balloon--sees a man murder a young woman. From the ground, he spots her face clearly. Then the balloon crashes, and there is only one survivor. The man knows she can identify him, and he won't stop until the threat to his safety is eliminated. So Jessica runs, unsure of who she can trust, or where she can go, all the while knowing that her beloved sister is dead.
Wow, what a book. I don't want to say more about the plot for risk of spoilers or ruining any of the awesome "whoa" moments you encounter while reading this one. The story flashes back and forth in time as Jessica tells us about the day of the accident and then various pieces of the past. It's a combination of suspenseful, confusing, and spellbinding that will grip you from the very beginning. You're immediately roped in as the balloon crashes and then left wondering about the sisters' past, which is only unveiled in small nuggets.
I found this book to be extremely tense. As in, my body was actually tight while reading. I was rigidly turning pages, wondering what was going to happen next and if Jessica was going to get to safety. Bolton made me suspicious of everything and everyone--I felt like our protagonist: I could trust no one.
One of the best parts of this novel is that in addition to our "Fugitive"-esque plot, we have a fascinating police case weaved in. This really keeps the book moving as the plot continues to thicken. Not only is Jessica being pursued, but we're learning more and more about the case she was researching in the years and months before the crash. In addition, the final layer is the snippets about the sisters and their tangled family past. Somehow, Bolton twists them all together nearly effortlessly. You have to be able to keep track of when everything occurs (the chapters are just marked as "XX amount of time before" the crash), but you get used to it.
I totally guessed one of the big shocking aspects of the novel early on, but I was still second guessing myself the whole time, and it didn't diminish my enjoyment of it whatsoever, plus there was still so much that completely surprised me. To the extent that I wish I had time to go back and read it again and figure out how I missed so many things! Seriously. This book made me go "wow!" multiple times. It captivated me the entire time I was reading it. There was one final twist too many for complete plausibility at the end to get 10 stars, but I still highly recommend this one. A wonderful, spellbinding thriller that cements for me how much I love Bolton's work.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Wow, what a book. I don't want to say more about the plot for risk of spoilers or ruining any of the awesome "whoa" moments you encounter while reading this one. The story flashes back and forth in time as Jessica tells us about the day of the accident and then various pieces of the past. It's a combination of suspenseful, confusing, and spellbinding that will grip you from the very beginning. You're immediately roped in as the balloon crashes and then left wondering about the sisters' past, which is only unveiled in small nuggets.
I found this book to be extremely tense. As in, my body was actually tight while reading. I was rigidly turning pages, wondering what was going to happen next and if Jessica was going to get to safety. Bolton made me suspicious of everything and everyone--I felt like our protagonist: I could trust no one.
One of the best parts of this novel is that in addition to our "Fugitive"-esque plot, we have a fascinating police case weaved in. This really keeps the book moving as the plot continues to thicken. Not only is Jessica being pursued, but we're learning more and more about the case she was researching in the years and months before the crash. In addition, the final layer is the snippets about the sisters and their tangled family past. Somehow, Bolton twists them all together nearly effortlessly. You have to be able to keep track of when everything occurs (the chapters are just marked as "XX amount of time before" the crash), but you get used to it.
I totally guessed one of the big shocking aspects of the novel early on, but I was still second guessing myself the whole time, and it didn't diminish my enjoyment of it whatsoever, plus there was still so much that completely surprised me. To the extent that I wish I had time to go back and read it again and figure out how I missed so many things! Seriously. This book made me go "wow!" multiple times. It captivated me the entire time I was reading it. There was one final twist too many for complete plausibility at the end to get 10 stars, but I still highly recommend this one. A wonderful, spellbinding thriller that cements for me how much I love Bolton's work.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
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Eilidh G Clark (177 KP) rated Nasty Women in Books
May 13, 2017
Nasty women is hard-hitting, eye-opening, and unashamedly honest.
‘Sometimes the role model you need is not an example to aspire to, but someone who reflects back the parts of yourself that society deems fit.’ -
Becca Inglis
Nasty Women, published by 404 ink, is a collection of essays about what it is, and how it feels to be a woman in the 21st century. When I first picked up the book, I assumed, like I think most readers would, that it would be an easy book to just pick up and put down whenever I had a spare ten minutes. Wrong, I was sucked into this book right from the beginning, and read it all in a day. That doesn’t mean it was an easy read, or perhaps easy is the wrong word – it isn’t a comfortable read - and it isn’t meant to be. Nasty women is hard-hitting, eye-opening, and unashamedly honest.
The book opens with ‘Independence Day’ by Katie Muriel. A story of mixed race and identity in Trump’s America, Muriel discusses her experience of inter-family racism, heightened by political differences, ‘This is not the first, nor is it the last family divide Trump will leave in his wake, but I refuse to think of him as some deity who stands around shifting pieces on a board in his golden war room.’ The anger in this piece is clear, but it is the rationalism and clarity of the writer that speaks volumes. Race, racism and xenophobia, is a prominent feature in these stories. Claire L. Heuchan, for example, talks about ‘Othering’ a term that readers will see repeatedly in this book, ‘Scotland,’ she writes, ‘is a fairly isolating place to be a black woman.’
Survival is a key trope in Nasty Women. Mel Reeve, in ‘The Nastiness of Survival,’ talks about being a survivor of rape and emotional abuse, ‘I do not fit the ‘right’ definition of someone who has been raped.’ This statement alone is filled with irony.
I was particularly drawn to Laura Waddell’s essay, ‘Against Stereotypes: Working Class Girls and Working Class Art.’ Laura talks about the difficulty of both gender and class inequality, and, in particular, the lack of working class writers and working class fiction being published, ‘I have read a lot of fiction’ she says, ‘I have read almost none from housing estates such as the one I grew up on. These stories are missing, from shelves, and from the record.’ As a Scottish fiction writer from a working-class background myself, these words resonate deeply.
Alice Tarbuck’s ‘Foraging and Feminism: Hedge-Witchcraft in the 21st Century’, is almost fun to read in a deeply devastating way. There is a desperate tone in this piece, and a desperate need to escape society. ‘There is beauty and bounty around us if we look for it, and perhaps that is all the magic we need. Or perhaps, what we need is real magic, whether that comes in the form of resistance and community or the form of blackthorn charms and skullcap tinctures, and howling to the moon.
I loved this book. This book gives women a voice. And it is loud! Well done 404 Ink, and all the contributors, for bravely breaking the silence.
Becca Inglis
Nasty Women, published by 404 ink, is a collection of essays about what it is, and how it feels to be a woman in the 21st century. When I first picked up the book, I assumed, like I think most readers would, that it would be an easy book to just pick up and put down whenever I had a spare ten minutes. Wrong, I was sucked into this book right from the beginning, and read it all in a day. That doesn’t mean it was an easy read, or perhaps easy is the wrong word – it isn’t a comfortable read - and it isn’t meant to be. Nasty women is hard-hitting, eye-opening, and unashamedly honest.
The book opens with ‘Independence Day’ by Katie Muriel. A story of mixed race and identity in Trump’s America, Muriel discusses her experience of inter-family racism, heightened by political differences, ‘This is not the first, nor is it the last family divide Trump will leave in his wake, but I refuse to think of him as some deity who stands around shifting pieces on a board in his golden war room.’ The anger in this piece is clear, but it is the rationalism and clarity of the writer that speaks volumes. Race, racism and xenophobia, is a prominent feature in these stories. Claire L. Heuchan, for example, talks about ‘Othering’ a term that readers will see repeatedly in this book, ‘Scotland,’ she writes, ‘is a fairly isolating place to be a black woman.’
Survival is a key trope in Nasty Women. Mel Reeve, in ‘The Nastiness of Survival,’ talks about being a survivor of rape and emotional abuse, ‘I do not fit the ‘right’ definition of someone who has been raped.’ This statement alone is filled with irony.
I was particularly drawn to Laura Waddell’s essay, ‘Against Stereotypes: Working Class Girls and Working Class Art.’ Laura talks about the difficulty of both gender and class inequality, and, in particular, the lack of working class writers and working class fiction being published, ‘I have read a lot of fiction’ she says, ‘I have read almost none from housing estates such as the one I grew up on. These stories are missing, from shelves, and from the record.’ As a Scottish fiction writer from a working-class background myself, these words resonate deeply.
Alice Tarbuck’s ‘Foraging and Feminism: Hedge-Witchcraft in the 21st Century’, is almost fun to read in a deeply devastating way. There is a desperate tone in this piece, and a desperate need to escape society. ‘There is beauty and bounty around us if we look for it, and perhaps that is all the magic we need. Or perhaps, what we need is real magic, whether that comes in the form of resistance and community or the form of blackthorn charms and skullcap tinctures, and howling to the moon.
I loved this book. This book gives women a voice. And it is loud! Well done 404 Ink, and all the contributors, for bravely breaking the silence.