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Sue (5 KP) rated Walk a Crooked Line in Books
Aug 13, 2018
A young girl is found at the base of an old water tower deemed a suicide and Detective Jo Larsen is put on the case. What brought this girl to this place and caused her to end young life; abuse, neglect, bullying, loneliness, and/or depression. Upon further investigation through interviews with family and friends, Jo and her partner Hank try to put the pieces together and find that something horrible happened to Kelly causing her to take the fatal plunge.
In this well-written book by author Susan McBride, she draws you into a story about a girl that was failed by those that were supposed to look out for her and take care of her. It brings to light a factor that many young people face today concerning bullying, loneliness, and trying to fit in. Through the character of Jo, you see the story unfold as she investigates and discovers the parallels between her own childhood and that of the young girl she is investigating.
In this well-written book by author Susan McBride, she draws you into a story about a girl that was failed by those that were supposed to look out for her and take care of her. It brings to light a factor that many young people face today concerning bullying, loneliness, and trying to fit in. Through the character of Jo, you see the story unfold as she investigates and discovers the parallels between her own childhood and that of the young girl she is investigating.
Lenard (726 KP) rated Spenser Confidential (2020) in Movies
Sep 15, 2020
If you wanted to turn this into the series it is, you should not have hired Mark Wahlberg to play PI Spencer. I read many of the later Robert Parker novels in the series so Cissy is a huge shock when Susan is his soul mate. Bokeem Woodbine looks more like Hawk than Winston Duke (although Winston Duke is a convincing young Hawk). I am probably biased since Spencer is such a long-in-the -tooth character now and this is a first in a series type movie.
Kim Pook (101 KP) rated Love, Guaranteed (2020) in Movies
Jan 28, 2021 (Updated Jan 28, 2021)
Loved it
Susan is a young single lawyer with a very busy life, she lives on leftover takeaways and her car is falling apart. On her way to work she bumps into an obnoxious guy who turns out to be a potential client in a very bizarre case. This guy wants to sue an online dating site called 'love, guaranteed' because he hasn't been able to find love. Susan takes the case and agrees to be signed up to the site herself for research, as well as interviewing Nicks past dates.
After a few bad dates, Susan decides to go out for a meal by herself only to find Nick on yet another disaster of a date, one thing leads to another and Nick and Susan end up eating together and have a lovely night, both agreeing it was their best meal out yet and of course anyone who has ever watched a romance move, knows where this goes.
To be honest I half expected this movie to be boring, but I enjoyed it from the start. It did take me a while to realise the main character was Rachel Leigh Cook as she looks so different, it's great to see her acting again though. I also though Heather gray am was very good in her role, she made her character seem real and who'd have thought a wayans brother would fit in to this kind of movie, it's like he was made for the part. I loved this feel good movie, but it did make me sick to death of Tiffany.
After a few bad dates, Susan decides to go out for a meal by herself only to find Nick on yet another disaster of a date, one thing leads to another and Nick and Susan end up eating together and have a lovely night, both agreeing it was their best meal out yet and of course anyone who has ever watched a romance move, knows where this goes.
To be honest I half expected this movie to be boring, but I enjoyed it from the start. It did take me a while to realise the main character was Rachel Leigh Cook as she looks so different, it's great to see her acting again though. I also though Heather gray am was very good in her role, she made her character seem real and who'd have thought a wayans brother would fit in to this kind of movie, it's like he was made for the part. I loved this feel good movie, but it did make me sick to death of Tiffany.
Lyndsey Gollogly (2893 KP) rated The Woman in Black in Books
Nov 6, 2022
202 of 230
Book
The Woman in Black
By Susan Hill
⭐️⭐️
"The Woman in Black" tells haunting testimony of a young solicitor, Arther Kipps, who records in detail the nightmarish events of his stay in a house on a marsh in northern England, and the terrible events that were to alter his life forever.
I have never taken so long to read such a short book! I was so bored and disappointed in it. I think it’s one of those books you hear so much about that you go in with high expectations and unfortunately I found it lacking. At least it’s one of those must reads ticked off!
Book
The Woman in Black
By Susan Hill
⭐️⭐️
"The Woman in Black" tells haunting testimony of a young solicitor, Arther Kipps, who records in detail the nightmarish events of his stay in a house on a marsh in northern England, and the terrible events that were to alter his life forever.
I have never taken so long to read such a short book! I was so bored and disappointed in it. I think it’s one of those books you hear so much about that you go in with high expectations and unfortunately I found it lacking. At least it’s one of those must reads ticked off!
Marina Abramovic recommended Letters: Summer 1926 in Books (curated)
Dana (24 KP) rated The Book Thief in Books
Mar 23, 2018
I have waited to read this book for a few years now and I am not sure why I did that. This book is phenomenal and gives a different insight into World War 2 that I haven't often seen in literature, especially in young adult literature.
Susan did a beautiful job in making his characters as human as possible. They were all multidimensional and we'll thought out. I truly loved them.
The narrator being who he was have this another deeper level that I very much respected. It became more than just Leisel's story and instead became everyone's story.
Overall, I adored this book and need to pick up another of Zusak's.
Susan did a beautiful job in making his characters as human as possible. They were all multidimensional and we'll thought out. I truly loved them.
The narrator being who he was have this another deeper level that I very much respected. It became more than just Leisel's story and instead became everyone's story.
Overall, I adored this book and need to pick up another of Zusak's.
Bob Mann (459 KP) rated Nocturnal Animals (2016) in Movies
Sep 29, 2021
Putting the crisis into mid-life crisis.
“Do you think your life has turned into something you never intended?” So asks Susan Morrow (Amy Adams) to her young assistant, who obviously looks baffled. “Of course, not – you’re still young”. Susan is in a mid-life crisis. While successful within the opulent Los Angeles art scene her personal life is crashing to the ground around her: her marriage (to Hutton (Armie Hammer, “The Man From Uncle”) ) appears to be cooling fast amid financial worries.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
Gareth von Kallenbach (968 KP) rated Monsters vs. Aliens (2009) in Movies
Aug 14, 2019
Ushering in what they hope will be a bold new era in 3D movie making, Dreamworks has set a very high standard with “Monsters Vs Aliens”. By combining science fiction and monster films, pop culture references, a strong cast, and cutting edge 3D technology, the film is likely to score big with audiences of all ages.
The story involves a bride to be named Susan (Reese Witherspoon), who is struck by a meteor shortly before her nuptials to local anchorman Derek (Paul Rudd). Before she can say “I do” Susan has an amazing growth spurt that soon has her towering over the church and eventually captured and subdued by a cadre of soldiers.
Susan is targeted as a monster by the government and awakens in a strange cell with fellow detainees B.O.B. (Seth Rogan), The Missing Link (Will Arnett), Dr. Cockroach PHD (Hugh Laurie), and Insectasaurus. While shocked and horrified to be in the company of monsters, Susan remains focused on getting back to normal and marrying Derek.
At the same time, an alien probe has arrived on earth and after a first contact effort by President Hathaway (Stephen Colbert), goes very wrong, the military soon realizes they are overmatched, requiring drastic efforts to save the planet.Enter General W.R. Monger, (Kiefer Sutherland), who reveals his captive monsters to the President and his staff with the idea that the only way to save the earth is to turn the monsters loose on the alien threat.
With a promise of freedom, the monsters and Susan (now dubbed Ginormica) seek to save San Francisco from the aliens. However, a greater threat is facing the earth from the alien Gallaxhar (Rainn Wilson), who has designs on Earth and the power Susan possesses, and will stop at nothing to get it. What ensues is a funny adventure that thanks to the stunning 3D visuals is one of the more enjoyable family films in years.
The amazing 3D effects truly allow for the audience to become immersed in the film rather than just occasionally entertained with a few simple gimmicks. The film has plenty to offer children, but parents should note that the film is PG rated due to some clever quips designed for older viewers.The nearly two hour film moves at a brisk pace, ensuring the monsters do not outstay their welcome, but it may still be a bit long for very young viewers. There are dimensions of the characters that I hope get expanded upon in future films, but I do understand that with such lavish visuals, action, not so much character development, takes centerstage, and the film certainly delivers adventure in spades.
The animation is first rate, as is the great ensemble cast, all of which combine to make “Monsters Vs Aliens” a fun viewing experience for the entire family, and a grand new direction for animation.While viewers wishing to see the film in 3D can expect to pay a higher ticket price, I strongly recommend the 3D version to truly enjoy the film and the breathtaking achievements in animation..
The story involves a bride to be named Susan (Reese Witherspoon), who is struck by a meteor shortly before her nuptials to local anchorman Derek (Paul Rudd). Before she can say “I do” Susan has an amazing growth spurt that soon has her towering over the church and eventually captured and subdued by a cadre of soldiers.
Susan is targeted as a monster by the government and awakens in a strange cell with fellow detainees B.O.B. (Seth Rogan), The Missing Link (Will Arnett), Dr. Cockroach PHD (Hugh Laurie), and Insectasaurus. While shocked and horrified to be in the company of monsters, Susan remains focused on getting back to normal and marrying Derek.
At the same time, an alien probe has arrived on earth and after a first contact effort by President Hathaway (Stephen Colbert), goes very wrong, the military soon realizes they are overmatched, requiring drastic efforts to save the planet.Enter General W.R. Monger, (Kiefer Sutherland), who reveals his captive monsters to the President and his staff with the idea that the only way to save the earth is to turn the monsters loose on the alien threat.
With a promise of freedom, the monsters and Susan (now dubbed Ginormica) seek to save San Francisco from the aliens. However, a greater threat is facing the earth from the alien Gallaxhar (Rainn Wilson), who has designs on Earth and the power Susan possesses, and will stop at nothing to get it. What ensues is a funny adventure that thanks to the stunning 3D visuals is one of the more enjoyable family films in years.
The amazing 3D effects truly allow for the audience to become immersed in the film rather than just occasionally entertained with a few simple gimmicks. The film has plenty to offer children, but parents should note that the film is PG rated due to some clever quips designed for older viewers.The nearly two hour film moves at a brisk pace, ensuring the monsters do not outstay their welcome, but it may still be a bit long for very young viewers. There are dimensions of the characters that I hope get expanded upon in future films, but I do understand that with such lavish visuals, action, not so much character development, takes centerstage, and the film certainly delivers adventure in spades.
The animation is first rate, as is the great ensemble cast, all of which combine to make “Monsters Vs Aliens” a fun viewing experience for the entire family, and a grand new direction for animation.While viewers wishing to see the film in 3D can expect to pay a higher ticket price, I strongly recommend the 3D version to truly enjoy the film and the breathtaking achievements in animation..
Mark Halpern (153 KP) rated The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) in Movies
Feb 7, 2018
The book comes to life
The story of 4 siblings who are sent to live outside if england during WWII. The go and live on a estate with many different rooms for playing games like hide and seek. During a game young Lucy hides in an old wardrobe and ends up in a magical land ruled by an evil ice queen. She tries and convince her other siblings Edmund,Peter and Susan that this winderful and magical land exisits but, they don't buy it. During one game Edmund the youngest brother hides with her and experiences first hand of this wonderland of sorts but, there is a prophey that 2 kings and 2 queens will come free Narnia. Evuntually they all get to experience Narnia and learn of the prohecy and go to meet the king Aslan to understand it all. Will they free Narnia and get home or will they be traped forever
One of my favorite book ever as a kid and was so happy they did it justice.
One of my favorite book ever as a kid and was so happy they did it justice.
Nicole Hadley (380 KP) rated Desert Moon: Also Includes Bonus Story of Honor Bond by Colleen L. Reece in Books
Jun 18, 2018
Desert Moon by Susan Page Davis is a wonderful historical fiction. The story takes place in Arizona. There is a sweet romance throughout the story with a little bit of danger and mystery added. The story begins fast with a stage coach robbery and then blames of the crime are made and with evidence.
The main character, Julia Newman, is a young lady that makes the difficult decisions. Julia receives double bad news in a short amount of time. First she learns of her mother's death, then she learns that her brother is accused of robbing a stagecoach and the person who informed her is the man that Julie has always love, Deputy Adam Scott.
Julie left home to go to school to become a teacher because she could not stand to be near the man she loved, Deputy Adam Scott. On her way home, Julie learns that the stagecoach she is riding in has been robbed. Deputy accused Julie's brother of the crime, which frustrates her. Julie tries to convince Deputy Adam Scott of her brother's innocence but then finds out that her brother has gone mission. During this exchange, Julie discovers that her feelings for Deputy Adam Scott has not gone away as she hoped would happen when she went away to school.
Thank you to NetGalley and Barbour Books for the ARC in exchange for an honest review.
The main character, Julia Newman, is a young lady that makes the difficult decisions. Julia receives double bad news in a short amount of time. First she learns of her mother's death, then she learns that her brother is accused of robbing a stagecoach and the person who informed her is the man that Julie has always love, Deputy Adam Scott.
Julie left home to go to school to become a teacher because she could not stand to be near the man she loved, Deputy Adam Scott. On her way home, Julie learns that the stagecoach she is riding in has been robbed. Deputy accused Julie's brother of the crime, which frustrates her. Julie tries to convince Deputy Adam Scott of her brother's innocence but then finds out that her brother has gone mission. During this exchange, Julie discovers that her feelings for Deputy Adam Scott has not gone away as she hoped would happen when she went away to school.
Thank you to NetGalley and Barbour Books for the ARC in exchange for an honest review.