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Psycho (1960)
Psycho (1960)
1960 | Horror, Mystery, Thriller
Psycho is a true all-timer, in every sense of the phrase. It still holds up now, as well as it ever did and is simply a masterclass in suspense cinema.

Anthony Perkins is fantastic as Norman Bates. He makes the character both approachable and sinister, subtly suggesting just how unhinged he is as the narrative steams forward.
The pacing in Psycho is perfect, even before Marion Crane pulls into the Bates Motel. It successfully reels you in from the films opening (and incredible music score) and just doesn't let you until the end.
Marion Crane is of course played by Janet Leigh. She has a hypnotizing presence thought the runtime, with every line of dialogue feeling important. Her performance alongside Perkins is a huge part of what makes Psycho such a classic.

Hitchcock achieved some truly magnificent shots here as well. The infamous shower scene has rightly earned it's place in cinema history, but it's easy to forget just how chilling it is when you see a shadowy figure through the shower curtain, silently enter the room. True nightmare fuel. Another favourite moment is the overhead shot when Bates flys out of his mother's room to attack Arbogast. Makes me jump every damn time.
Bernard Herrmanns score compliments all of this wonderfully as well. It's a timeless score that is constantly frantic whilst simultaneously beautiful. Much like Jaws, it's almost impossible to think of the film without hearing parts of the iconic music theme.

Psycho is a solid masterpiece that remains effective to this day. It's the perfect thriller, and in some ways, the perfect horror.
  
The Blessing Way (Leaphorn & Chee, #1)
The Blessing Way (Leaphorn & Chee, #1)
Tony Hillerman | 1970 | Mystery
8
7.0 (2 Ratings)
Book Rating
Interesting Debut
Anthropology professor Bergen McKee is going to spend the summer on the Navajo Reservation working on his book on witches in the Navajo culture. That means reconnecting with his college friend Joe Leaphorn, who is a Navajo Tribal Police Lieutenant. Leaphorn is trying to track down a young man who is hiding on the reservation, and he uses taking McKee around to try to learn the man’s location. Then the young man turns up dead miles from here Leaphorn thought he was. Meanwhile, McKee finds danger he never imagined while conducting his research. Is everything connected?

I’d been interested in starting this series for a while, and I’m glad I finally did. It took a bit to get fully immersed in the book, especially since it didn’t unfold like I thought it would. McKee is more of the main character and the better developed of the two, although I did like Leaphorn and want to learn more about him. The plot also seemed a little disjointed at first, although it came into focus before too much time had passed. Once I did get invested, I was truly hooked with plenty of suspense to keep me interested. I enjoyed learning a bit more about Navajo culture. While definitely a cross between a police procedural and a thriller, it still doesn’t have much of the content I would associate with the genres. The book came out in 1970, so keep that in mind when you go to start it. I’m glad I finally started the series, and I’m looking forward to getting to know Leaphorn better as the series goes along.
  
He Said/She Said
He Said/She Said
Erin Kelly | 2017 | Fiction & Poetry
10
8.4 (5 Ratings)
Book Rating
I have seen a lot of buzz once this book came out, and after reading it, I can freely say, this book is a bestseller, and it absolutely deserved it.

The main characters of this book were Laura, Kit and Beth. The way they met was very unusual; Laura and Kit witnessed Beth being raped (well, aftermath of it). The events after that, brings Laura and Beth really close, but suddenly some things start to happen, which put Laura and Kit into hiding. All the characters of this book are incredibly interesting, and have their very diverse and unique personality, that is why I absolutely adored that. My absolute favourite was Kit. He is this Oxford smart, but at the same time innocent, cute geek. The whole story was told from Laura’s and Kit’s perspectives, and they told this story beautifully, fulfilling each other. Even though, it is enough for Kit and Laura to tell it, I still wanted to hear the story from Beth’s perspective, I think it would’ve made this book absolutely perfect.

The plot of this book was absolutely fantastic. To tell the whole story, characters had to travel between present and the events, which took place fifteen years ago. This book has everything you need for a great thriller: there were unexpected twists and turns happening all the time, the suspense was very well kept throughout whole book, and it was really fast paced, which made it an intense page turner and was very hard to put down. Before reading this book, I was not very much into eclipses, but this book radiated the passion for eclipses so intensely, that I might even try and watch one this year.

I really loved the important topics Erin Kelly was discussing in this book: how hard to convince a rapist in the court of justice; how rape affects victims and rapists as well, especially if rapists are well known; how anxiety can affect people and their lives after certain events. This book is filled with interesting topics, situations and feelings.

As I mentioned before, this book grips you form first pages with very clever writing style, and keeps the suspense going on by drop feeding new information and new findings, plus add short chapters and you are hooked. Language itself is easy to read and understandable, quite relatable to any Londoner. The author kept the interest till the last sentence by throwing in more turns and twists, that’s why it is an absolute must read and I strongly recommend it to everyone.

Was given this book by publisher and NetGalley for honest review.